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The Crick Crack Club
The Crick Crack Club is a UK-based performance storytelling promoter, founded in 1987. It programs and tours public performances in theaters and art centers nationally, trains and mentors storytellers, undertakes research and advises on the use of oral storytelling in museums and educational settings. Programming Crick Crack Club events have taken place at The British Museum, The British Library, Soho Theatre, The Barbican, Northern Stage, the Unicorn Theatre, Cheltenham Literature Festival, The Cube Microplex (Bristol), York Theatre Royal, Rich Mix Cultural Foundation and Aberystwyth Arts Centre. The Crick Crack Club works with a core of around a dozen UK-based established performance storytellers (plus additional international artists from Northern Europe, the US and the wider world) and between five and ten emerging artists. The repertoire of each storyteller is different, and artists continually produce new work, alongside continuing to perform shows that are in thei ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Storytelling
Storytelling is the social and cultural activity of sharing stories, sometimes with improvisation, theatrics or embellishment. Every culture has its own stories or narratives, which are shared as a means of entertainment, education, cultural preservation or instilling moral values. Crucial elements of stories and storytelling include plot, characters and narrative point of view. The term "storytelling" can refer specifically to oral storytelling but also broadly to techniques used in other media to unfold or disclose the narrative of a story. Historical perspective Storytelling, intertwined with the development of mythologies, predates writing. The earliest forms of storytelling were usually oral, combined with gestures and expressions. Some archaeologists believe that rock art, in addition to a role in religious rituals, may have served as a form of storytelling for many ancient cultures. The Australian aboriginal people painted symbols which also appear in stories on cav ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Storytelling Festival
A storytelling festival is an event that features local, regional and/or nationally known oral storytellers. Each storyteller will have a scheduled amount of time to share a story (or stories) with an audience. The featured storytellers are often professional performing artists, but semi-professional or amateur storytellers may also be included among the events. A festival may be a single or multiple day event. Depending upon the venue, the festival schedule is organized around blocks of time for the storytellers to share their stories. The storytellers may rotate between smaller venues or the crowds may move from venue to venue. Often storytelling festivals will include an open mic event, sometimes referred to as "story swapping," where amateurs from the audience may share their own stories. Some festivals showcase the winners of storytelling contests such as the Young Storyteller of the Year. At some festivals (including the National Storytelling Festival (USA)), paper tickets are ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ashik
An ashik ( az, aşıq, ; tr, âşık; fa, عاشیق) or ashugh ( hy, աշուղ; ka, აშუღი) is traditionally a singer-poet and bard who accompanies his song—be it a dastan (traditional epic story, also known as '' hikaye'') or a shorter original composition—with a long-necked lute (usually a bağlama or ''saz'') in Turkic (primarily Turkish and Azerbaijani cultures, including Iranian Azerbaijanis) and non-Turkic cultures of South Caucasus (primarily Armenian and Georgian). In Azerbaijan, the modern ashik is a professional musician who usually serves an apprenticeship, masters playing the bağlama, and builds up a varied but individual repertoire of Turkic folk songs.Colin P. Mitchell (Editor), New Perspectives on Safavid Iran: Empire and Society, 2011, Routledge, 90–92 The word ''ashiq'' ( ar, عاشق, meaning "in love" or "lovelorn") is the nominative form of a noun derived from the word ''ishq'' ( ar, عشق, "love"), which in turn may b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Epic Of Manas
The Epic of Manas ( ky, Манас дастаны, Manas dastanı, ماناس دستانی), is a traditional epic poem dating to the 18th century but claimed by Kyrgyz tradition to be much older. Manas is said to be based on Bars Bek who was the first khagan of the Kyrgyz Khaganate. The plot of Manas revolves around a series of events that coincide with the history of the region in the 9th century, primarily the interaction of the Kyrgyz people with other Turkic and Chinese people. The government of Kyrgyzstan celebrated the 1,000th anniversary of Manas in 1995. The eponymous hero of Manas and his Oirat enemy Joloy were first found written in a Persian manuscript dated to 1792–93.Tagirdzhanov, A. T. 1960. "Sobranie istorij". Majmu at-tavarikh, Leningrad. In one of its dozens of iterations, the epic poem consists of approximately 500,000 lines. Narrative The epic tells the story of Manas, his descendants, and their exploits against various foes. The Epic of Manas is divid ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pabuji Ki Phad
Pabuji Ki Phad is a religious scroll painting of folk deities, which is used for a musical rendition of the only surviving ancient traditional folk art form, Phad painting in the world of the epic of Pabuji, the Rathore Rajput chief. Bhopas of Pabusar are the bards and also priests who are the traditional narrators of this art form. The Phad is also spelt as "Par". This art form is popular in the Indian state of Rajasthan. Literally, 'Pabuji Ki Phad' translates into two versions namely, "The Screen of Pabuji'' or ''O, Read of Pabuji!. Pabuji is also known as "the Ascetic Deity of Sand Desert". The three basic features associated with this art form are: the epic story of Pabuji, the Rathore chief of Rajasthan in the 14th century, who is extolled as an incarnation of Hindu God, and worshipped by the Rabari tribals of Rajasthan; the Phad or ''Par'', which is a long scroll painting (or sewn) made on cloth, with the martial heroics of Pabuji richly displayed for worship; and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pandavani
Pandavani (lit.: Songs and Stories of the Pandavas) is a folk singing style involving narration of tales from the ancient Indian epic Mahabharata. The singing also involves musical accompaniment. Bhima, the second of the Pandava is the hero of the story in this style. This form of folk theatre is popular in the central Indian state of Chhattisgarh and in the neighbouring areas of Madhya Pradesh, Orissa and Andhra Pradesh. Jhaduram Dewangan and Teejan Bai are the most renowned singers of this style. Among contemporary artists, Ritu Verma is popular along with others such as Shantibai Chelak and Usha Barle Origins The origins of this singing style are not known and according to its foremost singer Teejan Bai, it might be as old as the Mahabharata itself, as few people could read in those times and that is how perhaps they passed on their stories generation after generation. Traditionally, Pandavani was performed exclusively by men. Since the 1980s, however, women also began to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oral Tradition
Oral tradition, or oral lore, is a form of human communication wherein knowledge, art, ideas and cultural material is received, preserved, and transmitted orally from one generation to another. Vansina, Jan: ''Oral Tradition as History'' (1985), reported statements from present generation which "specifies that the message must be oral statements spoken, sung or called out on musical instruments only"; "There must be transmission by word of mouth over at least a generation". He points out, "Our definition is a working definition for the use of historians. Sociologists, linguists or scholars of the verbal arts propose their own, which in, e.g., sociology, stresses common knowledge. In linguistics, features that distinguish the language from common dialogue (linguists), and in the verbal arts features of form and content that define art (folklorists)."Ki-Zerbo, Joseph: "Methodology and African Prehistory", 1990, ''UNESCO International Scientific Committee for the Drafting of a Gene ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heritage Lottery Fund
The National Lottery Heritage Fund, formerly the Heritage Lottery Fund (HLF), distributes a share of National Lottery funding, supporting a wide range of heritage projects across the United Kingdom. History The fund's predecessor bodies were the National Land Fund, established in 1946, and the National Heritage Memorial Fund, established in 1980. The current body was established as the "Heritage Lottery Fund" in 1994. It was re-branded as the National Lottery Heritage Fund in January 2019. Activities The fund's income comes from the National Lottery which is managed by Camelot Group. Its objectives are "to conserve the UK's diverse heritage, to encourage people to be involved in heritage and to widen access and learning". As of 2019, it had awarded £7.9 billion to 43,000 projects. In 2006, the National Lottery Heritage Fund launched the Parks for People program with the aim to revitalize historic parks and cemeteries. From 2006 to 2021, the Fund had granted £254million ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barbican Arts Centre
The Barbican Centre is a performing arts centre in the Barbican Estate of the City of London and the largest of its kind in Europe. The centre hosts classical and contemporary music concerts, theatre performances, film screenings and art exhibitions. It also houses a library, three restaurants, and a conservatory. The Barbican Centre is a member of the Global Cultural Districts Network. The London Symphony Orchestra and the BBC Symphony Orchestra are based in the centre's Concert Hall. In 2013, it once again became the London-based venue of the Royal Shakespeare Company following the company's departure in 2001. The Barbican Centre is owned, funded, and managed by the City of London Corporation. It was built as the City's gift to the nation at a cost of £161 million (equivalent to £480 million in 2014) and was officially opened to the public by Queen Elizabeth II on 3 March 1982. The Barbican Centre is also known for its brutalist architecture. Performance ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hoxton Hall
Hoxton Hall is a performance arts theatre and community centre in the Hoxton area of Shoreditch, at 130 Hoxton Street, in the London Borough of Hackney. A grade II* listed building, the theatre was first built as a Music hall in 1863, as MacDonald's Music hall. It is an unrestored example of the saloon-style. In the theatre, an iron-railed, two tier galleried auditorium rises on three sides, supported on cast iron columns, above a small, high, multi-tiered stage. It survives, largely in its original form, as for many years it was used as a Quaker meeting house. The music hall lost its performance licence in 1871, due to complaints by the police; it was sold, and the new owners applied for a licence in 1876, but were again rejected. William Isaac Palmer (1824–1893) purchased it on behalf of the Blue Ribbon Gospel Temperance Mission in 1879. Palmer was an heir to the Huntley and Palmer biscuit family and spent much of his fortune on charity. On Palmer's death, the hall passed to t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hugh Lupton
Hugh Lupton is a British storyteller, one of the most prominent figures in the tradition of oral storytelling. Early life and career Lupton was born in 1952, the eldest child of Francis G. H. Lupton and Mary Gee/Lupton. He is the great nephew of Arthur Ransome (1884-1967) whom, as a boy, he often visited. Lupton can recall hearing his great uncle's classic children's stories set in Norfolk and the Lake District. "He (Ransome) was very old by then, in his dotage, but I remember him and stories were very important as I grew up." Lupton was born in Cambridgeshire, where there was much family heritage, and educated at the King's College School, Cambridge. He studied to become a teacher in Norwich. As of 2013 he was based at Spratt's Green near Aylsham. Lupton co-founded the Company of Storytellers (with and Sally Pomme Clayton) in 1985, and for a while ran a branch of The Crick Crack Club in Norfolk. Lupton tells a wide variety of stories, including epics such as ''Iliad'' and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ladbroke Grove
Ladbroke Grove () is an area and a road in West London in the Royal Borough of Kensington and Chelsea, passing through Kensal Green and Notting Hill, running north–south between Harrow Road and Holland Park Avenue. It is also a name given to the immediate surrounding areas of Notting Hill, Latimer Road, Kensal Green and Westbourne Park straddling the W10 and W11 postal districts although parts of the wider area cover parts of NW10. Ladbroke Grove tube station is located on the road, at the point where it is crossed by the Westway. Ladbroke Grove is the nearest tube station to Portobello Road Market. The adjacent bridge and nearby section of the Westway were regenerated in 2007 in a partnership including Urban Eye, Transport for London and London Underground. It is the main road on the route of the annual Notting Hill Carnival. The northern end between the Harrow Road and Kensal House is located in Kensal Green, the middle section between Barlby Road and the A40 flyover ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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