|
The Creatures Of Prometheus
''The Creatures of Prometheus'' (german: Die Geschöpfe des Prometheus, links=no), Op. 43, is a ballet composed in 1801 by Ludwig van Beethoven following the libretto of Salvatore Viganò. The ballet premiered on 28 March 1801 at the Burgtheater in Vienna and was given 28 performances. It was premiered in New York at the Park Theatre on 14 June 1808 being one of the first full length works by Beethoven to be performed in the United States. It is the only full length ballet by Beethoven. History Viganò was tasked with presenting a work to the Archduchess Maria Theresa at the Vienna Court Theatre (Burgtheater), and chose the subject matter of Prometheus in an allegorical sense. While Viganò usually composed his own music for his performances, he felt this performance was far too important and asked Beethoven to compose instead. The ballet was written in two acts, with Beethoven creating an overture, an introduction, fifteen numbers, and a finale. Summary The ballet i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opus Number
In musicology, the opus number is the "work number" that is assigned to a musical composition, or to a set of compositions, to indicate the chronological order of the composer's production. Opus numbers are used to distinguish among compositions with similar titles; the word is abbreviated as "Op." for a single work, or "Opp." when referring to more than one work. To indicate the specific place of a given work within a music catalogue, the opus number is paired with a cardinal number; for example, Beethoven's Piano Sonata No. 14 in C-sharp minor (1801, nicknamed ''Moonlight Sonata'') is "Opus 27, No. 2", whose work-number identifies it as a companion piece to "Opus 27, No. 1" ( Piano Sonata No. 13 in E-flat major, 1800–01), paired in same opus number, with both being subtitled ''Sonata quasi una Fantasia'', the only two of the kind in all of Beethoven's 32 piano sonatas. Furthermore, the ''Piano Sonata, Op. 27 No. 2, in C-sharp minor'' is also catalogued as "Sonata No. 14", ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Age Of Enlightenment
The Age of Enlightenment or the Enlightenment; german: Aufklärung, "Enlightenment"; it, L'Illuminismo, "Enlightenment"; pl, Oświecenie, "Enlightenment"; pt, Iluminismo, "Enlightenment"; es, La Ilustración, "Enlightenment" was an intellectual and philosophical movement that dominated Europe in the 17th and 18th centuries with global influences and effects. The Enlightenment included a range of ideas centered on the value of human happiness, the pursuit of knowledge obtained by means of reason and the evidence of the senses, and ideals such as liberty, progress, toleration, fraternity, and constitutional government. The Enlightenment was preceded by the Scientific Revolution and the work of Francis Bacon, John Locke, and others. Some date the beginning of the Enlightenment to the publication of René Descartes' ''Discourse on the Method'' in 1637, featuring his famous dictum, ''Cogito, ergo sum'' ("I think, therefore I am"). Others cite the publication of Isaac Newto ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melbourne Symphony Orchestra
The Melbourne Symphony Orchestra (MSO) is an Australian orchestra based in Melbourne. The MSO is resident at Hamer Hall. The MSO has its own choir, the MSO Chorus, following integration with the Melbourne Chorale in 2008. The MSO relies on funding by the Victorian State Government and the Federal government and support from private corporations and donors. It is supported by Symphony Services International. Sophie Galaise joined the MSO as its first female Managing Director in 2016. Its current Chairman is David Li. History The founder of the Albert Street Conservatorium Orchestra was Alberto Zelman. This orchestra gave its first concert on 11 December 1906. In 1923, Bertha Jorgensen became the first female leader of a professional orchestra in Australia, and she went on to play with the orchestra for 50 years and became the longest-serving female leader of an orchestra on an international scale. In 1927, the orchestra combined with the Melbourne University Symphony Orchest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Overture
Overture (from French ''ouverture'', "opening") in music was originally the instrumental introduction to a ballet, opera, or oratorio in the 17th century. During the early Romantic era, composers such as Beethoven and Mendelssohn composed overtures which were independent, self-existing instrumental, programmatic works that foreshadowed genres such as the symphonic poem. These were "at first undoubtedly intended to be played at the head of a programme". History 17th century The idea of an instrumental opening to opera existed during the 17th century. Peri's '' Euridice'' opens with a brief instrumental ritornello, and Monteverdi's ''L'Orfeo'' (1607) opens with a toccata, in this case a fanfare for muted trumpets. More important, however, was the prologue, which comprised sung dialogue between allegorical characters which introduced the overarching themes of the stories depicted. French overture As a musical form, however, the French overture first appears in the court balle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maurice Léna
Maurice Léna (24 December 1859 – 31 March 1928) was a French dramatist and librettist of the Parisian Belle Époque. His opera librettos include Jules Massenet's '' Le jongleur de Notre-Dame'' (1902), Georges Hüe's ''Dans l'ombre de la cathédrale'' (1921), Charles-Marie Widor's ''Nerto'' (1924) and Henry Février Henry Février (2 October 18756 July 1957) was a French composer. Biography Henry Février was born in Paris, France, on 2 October 1875. He married and had a son, the pianist Jacques Février. He studied at the Paris Conservatoire, where his ...'s ''La Damnation de Blanchefleur'' (1920). References 1859 births 1928 deaths 20th-century French dramatists and playwrights French opera librettists Belle Époque {{Opera-bio-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Chantavoine
Jean Chantavoine (17 May 1877 – 16 July 1952) was a French musicologist and biographer and the secretary general for the Conservatoire national supérieur de musique. Chantavoine was born in Paris. He published numerous books and articles, including biographies of Beethoven, Liszt, Saint-Saëns and Mozart. In 1933, he revealed the existence of Bizet's Symphony in C, housed in the library of the ''Conservatoire'', in an article in the French periodical ''Le Ménestrel ''Le Ménestrel'' (The Minstrel) was an influential French music journal published weekly from 1833 until 1940. It was founded by Joseph-Hippolyte l'Henry and originally printed by Poussièlgue. In 1840 it was acquired by the music publishers Heu ....'' Chantavoine also was the first to publish many of Beethoven's manuscript sketches and letters, for example in his 1903 ''Correspondance de Beethoven''.Malcolm Turner. "Chantavoine, Jean." In Grove Music Online. Oxford Music Online, http://www.oxfordmusico ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dionysus
In ancient Greek religion and myth, Dionysus (; grc, Διόνυσος ) is the god of the grape-harvest, winemaking, orchards and fruit, vegetation, fertility, insanity, ritual madness, religious ecstasy, festivity, and theatre. The Romans called him Bacchus ( or ; grc, Βάκχος ) for a frenzy he is said to induce called ''bakkheia''. As Dionysus Eleutherios ("the liberator"), his wine, music, and ecstatic dance free his followers from self-conscious fear and care, and subvert the oppressive restraints of the powerful. His ''thyrsus'', a fennel-stem sceptre, sometimes wound with ivy and dripping with honey, is both a beneficent wand and a weapon used to destroy those who oppose his cult and the freedoms he represents. Those who partake of his mysteries are believed to become possessed and empowered by the god himself. His origins are uncertain, and his cults took many forms; some are described by ancient sources as Thracian, others as Greek. In Orphic religion, he wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pan (god)
In ancient Greek religion and Greek mythology, mythology, Pan (; grc, wikt:Πάν, Πάν, Pán) is the god of the wild, shepherds and flocks, Pastoral#Pastoral music, rustic music and impromptus, and companion of the nymphs. He has the hindquarters, legs, and horns of a goat, in the same manner as a faun or satyr. With his homeland in rustic Arcadia (ancient region), Arcadia, he is also recognized as the god of fields, groves, wooded glens, and often affiliated with sex; because of this, Pan is connected to fertility and the season of spring. In Religion in ancient Rome, Roman religion and myth, Pan's counterpart was Faunus, a nature god who was the father of Bona Dea, sometimes identified as Fauna (goddess), Fauna; he was also closely associated with Silvanus (mythology), Sylvanus, due to their similar relationships with woodlands. In the 18th and 19th centuries, Pan became a significant figure in Romanticism, the Romantic movement of western Europe and also in the 20th-centu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Terpsichore
In Greek mythology, Terpsichore (; grc-gre, Τερψιχόρη, "delight in dancing") is one of the nine Muses and goddess of dance and chorus. She lends her name to the word " terpsichorean" which means "of or relating to dance". Appearance Terpsichore is usually depicted sitting down, holding a lyre, accompanying the dancers' choirs with her music. Her name comes from the Greek words τέρπω ("delight") and χoρός ("dance"). Family Tradition portrays Terpsichore as the mother of the Sirens (including Parthenope) by the river-god Achelous. In some accounts, she bore the Thracian king Biston by Ares. By another river-god, Strymon, Terpsichore mothered the Thracian king Rhesus. In popular culture Historical *The British 32-gun frigate commanded by Captain Bowen participated in the Battle of Santa Cruz de Tenerife (1797). Places * Terpsichore is the name of a street in New Orleans' historic neighborhoods of Faubourg Lafayette and the Lower Garden District. It ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thalia (Muse)
__NOTOC__ In Greek mythology, Thalia ( or ; grc, Θάλεια; "the joyous, the flourishing", from grc, θάλλειν, ''thállein''; "to flourish, to be verdant"), also spelled Thaleia, was one of the Muses, the goddess who presided over comedy and idyllic poetry. In this context her name means "flourishing", because the praises in her songs flourish through time. Appearance Thalia was portrayed as a young woman with a joyous air, crowned with ivy, wearing boots and holding a comic mask in her hand. Many of her statues also hold a bugle and a trumpet (both used to support the actors' voices in ancient comedy), or occasionally a shepherd's staff or a wreath of ivy. Family Thalia was the daughter of Zeus and Mnemosyne, the eighth-born of the nine Muses. According to Apollodorus, she and Apollo were the parents of the Corybantes.Apollodorus1.3.4 Other ancient sources, however, gave the Corybantes different parents (see Frazern. 2 on 1.3.4. Gallery File:Joshua Reynolds ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melpomene
In Greek mythology, Melpomene (; grc, Μελπομένη, Melpoménē, to sing' or 'the one that is melodious), initially the muse of chorus, eventually became the muse of tragedy, and is now best known in that association. Etymology Melpomene's name is derived from the Greek verb ''melpô'' or ''melpomai'' meaning "to celebrate with dance and song.". The Oxford English Dictionary cites μέλπειν (''melpein'' - to sing). Appearance Melpomene is often represented with a tragic mask and wearing the cothurnus, boots traditionally worn by tragic actors. Often, she also holds a knife or club in one hand and the tragic mask in the other. Family Melpomene is the daughter of Zeus and Mnemosyne. Her sisters include Calliope (muse of epic poetry), Clio (muse of history), Euterpe (muse of lyrical poetry), Terpsichore (muse of dancing), Erato (muse of erotic poetry), Thalia (muse of comedy), Polyhymnia (muse of hymns), and Urania (muse of astronomy). She is also the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orpheus
Orpheus (; Ancient Greek: Ὀρφεύς, classical pronunciation: ; french: Orphée) is a Thracian bard, legendary musician and prophet in ancient Greek religion. He was also a renowned poet and, according to the legend, travelled with Jason and the Argonauts in search of the Golden Fleece, and even descended into the Underworld of Hades, to recover his lost wife Eurydice. Ancient Greek authors as Strabo and Plutarch note Orpheus's Thracian origins. The major stories about him are centered on his ability to charm all living things and even stones with his music (the usual scene in Orpheus mosaics), his attempt to retrieve his wife Eurydice from the underworld, and his death at the hands of the maenads of Dionysus, who tired of his mourning for his late wife Eurydice. As an archetype of the inspired singer, Orpheus is one of the most significant figures in the reception of classical mythology in Western culture, portrayed or alluded to in countless forms of art and popular ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Melpomene")
