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The Counterfeits
''The Counterfeits'' is a 1678 comedy play by the English writer John Leanerd. It was staged by the Duke's Company at the Dorset Garden Theatre with a cast that included Anthony Leigh as Don Gomez, Thomas Gillow as Don Luis, Thomas Betterton as Vitelli, Henry Harris as Antonio, Matthew Medbourne as Carles, William Smith as Peralta, Thomas Percival as Dormilon, Cave Underhill as Fabio, Joseph Williams as Crispin, John Richards as Tonto, Mary Lee as Elvira, Emily Price as Violante and Anne Shadwell Anne Shadwell was an English stage actor of the seventeenth century. She was one of the first English actresses to appear on stage following the Restoration She was one of six actors recruited in 1660 by William Davenant for the new Duke's Compa ... as Flora.Van Lennep p.270 References Bibliography * Canfield, J. Douglas. ''Tricksters and Estates: On the Ideology of Restoration Comedy''. University Press of Kentucky, 2014. * Van Lennep, W. ''The London Stage, 1660-1800: ...
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John Leanerd
John Leanerd ( fl. 1679) was a British playwright, notorious as a plagiarist. Works Leanerd published: * '' The Country Innocence; or, the Chambermaid turn'd Quaker'', London, a comedy acted at the London Theatre Royal in Lent, 1677, by the younger members of the company. It was ''The Country Girl'' (1647, sometimes attributed to Anthony Brewer) under a new title. * '' The Rambling Justice; or, the Jealous Husbands, with the Humours of Sir John Twiford'', performed at the same theatre; the incidents are mostly borrowed from Thomas Middleton's ''More Dissemblers Besides Women'', 1657. To Leanerd has also been ascribed a comedy '' The Counterfeits'', London, 1679, acted at the Duke's Theatre in 1678. The plot was taken from a translated Spanish novel ''The Trepanner Trepanned''. Colley Cibber as author of ''She Would and She Would Not ''She Would and She Would Not'' is a 1702 comedy play by the English actor-writer Colley Cibber. The original Drury Lane cast included Cibber as ...
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Thomas Percival (actor)
Thomas Percival or Percivall was an English stage actor of the seventeenth century.Johnson p.127 He was a member of the Duke's Company from 1671 to 1682 and then the merged United Company until 1686. Throughout his career he was confined to playing supporting roles, never graduating to major parts. He was the father of the actress Susanna Verbruggen. In 1693, following his retirement from the stage, he was arrested for coin clipping, a capital crime, for which he was sentenced to hang at Tyburn. The intercession of his daughter with Mary II saw his sentence commuted to transportation, but before he reached Portsmouth he died of natural causes. Selected roles * Burbon in '' Love and Revenge'' by Elkanah Settle (1674) * Osmin in ''Abdelazer'' by Aphra Behn (1676) * Old Monylove in ''Tom Essence'' by Thomas Rawlins (1676) * Sir Nicholas Gimcrack in '' The Virtuoso'' by Thomas Shadwell (1676) * Ordgano in ''The Wrangling Lovers'' by Edward Ravenscroft (1676) * Carino in ''Pastor Fido'' ...
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West End Plays
West or Occident is one of the four cardinal directions or points of the compass. It is the opposite direction from east and is the direction in which the Sun sets on the Earth. Etymology The word "west" is a Germanic word passed into some Romance languages (''ouest'' in French, ''oest'' in Catalan, ''ovest'' in Italian, ''oeste'' in Spanish and Portuguese). As in other languages, the word formation stems from the fact that west is the direction of the setting sun in the evening: 'west' derives from the Indo-European root ''*wes'' reduced from ''*wes-pero'' 'evening, night', cognate with Ancient Greek ἕσπερος hesperos 'evening; evening star; western' and Latin vesper 'evening; west'. Examples of the same formation in other languages include Latin occidens 'west' from occidō 'to go down, to set' and Hebrew מַעֲרָב maarav 'west' from עֶרֶב erev 'evening'. Navigation To go west using a compass for navigation (in a place where magnetic north is the same dire ...
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1678 Plays
Events January–March * January 10 – England and the Dutch Republic sign a mutual defense treaty in order to fight against France. * January 27 – The first fire engine company (in what will become the United States) goes into service. * February 18 – The first part of English nonconformist preacher John Bunyan's Christian allegory, ''The Pilgrim's Progress'', is published in London. * March 21 – Thomas Shadwell's comedy ''A True Widow'' is given its first performance, at The Duke's Theatre in London, staged by the Duke's Company. * March 23 – Rebel Chinese general Wu Sangui takes the imperial crown, names himself monarch of "The Great Zhou", based in the Hunan report, with Hengyang as his capital. He contracts dysentery over the summer and dies on October 2, ending the rebellion against the Kangxi Emperor. * March 25 – The Spanish Netherlands city of Ypres falls after an eight-day siege by the French Army. It is later returned ...
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Anne Shadwell
Anne Shadwell was an English stage actor of the seventeenth century. She was one of the first English actresses to appear on stage following the Restoration She was one of six actors recruited in 1660 by William Davenant for the new Duke's Company, acting under her maiden name Anne Gibbs. Sometime between 1663 and 1667 she married the playwright Thomas Shadwell with whom she had four children. While some sources have her acting late into the century, it may be she effectively retired with the formation of the United Company in 1682. Her appearances had decreased since 1672. Following her husband's death in 1692 she was left the bulk of his estate. She had an investment in the Drury Lane Theatre in 1709, when she joined a petition to Queen Anne by the manager Christopher Rich, but nothing is known about her after this point.Highfill, Burnim & Langhans p.275-277 Selected roles * Lucia in ''The Cutter of Coleman Street'' by Abraham Cowley (1661) * Decio in '' The Slighted Maid'' by ...
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Emily Price (actress)
Emily Price was an English stage actress of the seventeenth century. She was a member of the Duke's Company between 1676 and 1682, acting at the Dorset Garden Theatre in London and then joined the merged United Company. She was a friend of the playwright Aphra Behn and appeared in several of her plays. She was billed as Mrs Price.Lanier p.72 Selected roles * Christina in '' Squire Oldsapp'' by Thomas D'Urfey (1678) * Helena in '' The Destruction of Troy'' by John Banks (1678) * Lucretia in '' Sir Patient Fancy'' by Aphra Behn (1678) * Violante in '' The Counterfeits'' by John Leanerd (1678) * Camilla in '' Friendship in Fashion'' by Thomas Otway (1678) * Edraste in '' The Loyal General'' by Nahum Tate (1679) * Adorna in '' Caesar Borgia'' by Nathaniel Lee (1679) * Sylvia in '' The Soldier's Fortune'' by Thomas Otway (1680) * Diana in '' The Revenge'' by Aphra Behn (1680) * Priscilla in ''Mr Turbulent'' by Anonymous (1680) * Security's Wife in ''Cuckold's Haven'' by Nahum Ta ...
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Mary Slingsby
Mary, Lady Slingsby, born Aldridge (perhaps died 1693), was an English actress. After a marriage lasting 1670 to 1680 to John Lee, an actor, during which she was on the stage as Mrs. Lee, she was widowed. She then married Sir Charles Slingsby, 2nd Baronet, a nephew of Sir Robert Slingsby, and performed as Lady Slingsby. Theatre historians have pointed out the difficulty in identifying her roles in the period when Elinor Leigh, wife of Anthony Leigh, was performing as Mrs. Leigh, because the homophones "Lee" and "Leigh" were not consistently spelled at the time. Stage career In 1671 Mrs Lee appeared at Lincoln's Inn Fields in the character of Daranthe in Edward Howard's tragi-comedy ''Woman's Conquest'', and as Leticia in ''Town-Shifts, or the Suburb-Justice'', attributed to Edward Revet, and licensed on 2 May 1672. Next, at Dorset Garden, where Mrs Lee remained for ten years, she played opposite Æmilia in Joseph Arrowsmith's ''Reformation'' (1672). In ''Henry VI, Part I, wi ...
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John Richards (actor)
John Richards was an English stage actor of the seventeenth century. An early member of the Duke's Company in London, he was lured away to the new Smock Alley Theatre in Dublin by John Ogilby.Roberts p.143 He was back with the Duke's at the Dorset Garden Theatre from the mid-1670s, but while in Ireland he was able to play major roles his English performances were generally supporting parts. Selected roles * Fryar in ''Romeo and Juliet'' by William Shakespeare (1662) * Castruchio in ''The Duchess of Malfi'' by John Webster (1662) * Pyrrhus in '' Mustapha'' by Roger Boyle (1665) * Zarrack in ''Abdelazer'' by Aphra Behn (1676) * Prating Shop Keeper in ''The Wrangling Lovers'' by Edward Ravenscroft (1676) * Laurence in ''Tom Essence'' by Thomas Rawlins (1676) * Flaile in ''Madam Fickle'' by Thomas D'Urfey (1676) * Shift in ''The Cheats of Scapin'' by Thomas Otway (1676) * Dameta in ''Pastor Fido'' by Elkanah Settle (1676) * Stephano in '' The Rover'' by Aphra Behn (1677) * Spatterda ...
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Joseph Williams (actor)
Joseph Williams was an English stage actor of the seventeenth and early eighteenth century. Williams initially joined the Duke's Company and was apprenticed to the senior actor Henry Harris In 1682 he moved to the merged United Company, appearing at Drury Lane and the Dorset Gardens Theatre. In 1695 when the company split, Williams initially planned to join Thomas Betterton and the breakaways at the Lincoln's Inn Fields Theatre, but ended up remaining at Drury Lane.The Routledge Anthology of Restoration and Eighteenth-Century Drama p.lxvi One of his contemporaries at the United Company was an actor named David Williams, and occasionally it is hard to distinguish their roles listed on playbills. Selected roles * Moses in ''The Town Shifts'' by Edward Revet (1671) * Hadland in ''The Counterfeit Bridegroom'' by Aphra Behn (1677) * Pylades in ''Circe'' by Charles Davenant (1677) * Troilus in '' The Destruction of Troy'' by John Banks (1678) * Cispin in ''The Counterfeits'' by John ...
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Cave Underhill
Cave Underhill (1634–1710?) was an English actor in comedy roles. Underhill entertained three generations of London theatre-goers. For over 40 years, as a member of the Duke's Company, Underhill played the first Gravedigger in ''Hamlet''. He was also successful in playing Gregory in ''Romeo and Juliet'', the clown in ''Twelfth Night'', and Trinculo in '' The Tempest''. Early life The son of Nicholas Underhill, a clothworker, he was born in St. Andrew's parish, Holborn, London, on 17 March 1634, and was admitted to Merchant Taylors' School in January 1645. He became first a member of the acting company which was gathered by John Rhodes. around Thomas Betterton. He was then recruited for Sir William D'Avenant and the Duke of York's company at the theatre in Lincoln's Inn Fields. In 1663 he was fined in an assault case, with Betterton and James Noke. Stage career The first character to which Underhill's name appears is Sir Morglay Thwack in D'Avenant's comedy ''The Wits'', re ...
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William Smith (stage Actor)
William, Willie, Will, Bill, or Billy Smith may refer to: Academics * William Smith (Master of Clare College, Cambridge) (1556–1615), English academic * William Smith (antiquary) (c. 1653–1735), English antiquary and historian of University College, Oxford * William Smith (scholar) (1711–1787), classical scholar and Anglican Dean of Chester * William Smith (Episcopal priest) (1727–1803), First Provost of the University of Pennsylvania * William Pitt Smith (1760–1796), American physician, educator and theological writer * William Smith (lexicographer) (1813–1893), English lexicographer * William Robertson Smith (1846–1894), philologist, physicist, archaeologist, and Biblical critic * William Benjamin Smith (1850–1934), professor of mathematics at Tulane University * William Ramsay Smith (1859–1937), Australian anthropologist * William Hall Smith (1866–?), President of the Mississippi Agricultural and Mechanical College, 1916–1920 * William Cunningham Smith (18 ...
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Dorset Garden Theatre
The Dorset Garden Theatre in London, built in 1671, was in its early years also known as the Duke of York's Theatre, or the Duke's Theatre. In 1685, King Charles II died and his brother, the Duke of York, was crowned as James II. When the Duke became King, the theatre became the Queen's Theatre in 1685, referring to James' second wife, Mary of Modena. The name remained when William III and Mary II came to the throne in 1689. It was the fourth home of the Duke's Company, one of the two patent theatre companies in Restoration London, and after 1682 continued to be used by the company's successor, the United Company. It was demolished in 1709. Background After years of being banned during the Interregnum, theatre performances were again permitted on the Restoration of Charles II with the grant of Letters Patent to two companies to perform "legitimate drama" in London. The Duke's Company was patronised by the Duke of York (later James II); the other patent theatre company, t ...
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