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Mary Slingsby
Mary, Lady Slingsby, born Aldridge (perhaps died 1693), was an English actress. After a marriage lasting 1670 to 1680 to John Lee, an actor, during which she was on the stage as Mrs. Lee, she was widowed. She then married Sir Charles Slingsby, 2nd Baronet, a nephew of Sir Robert Slingsby, and performed as Lady Slingsby. Theatre historians have pointed out the difficulty in identifying her roles in the period when Elinor Leigh, wife of Anthony Leigh, was performing as Mrs. Leigh, because the homophones "Lee" and "Leigh" were not consistently spelled at the time. Stage career In 1671 Mrs Lee appeared at Lincoln's Inn Fields in the character of Daranthe in Edward Howard's tragi-comedy ''Woman's Conquest'', and as Leticia in ''Town-Shifts, or the Suburb-Justice'', attributed to Edward Revet, and licensed on 2 May 1672. Next, at Dorset Garden, where Mrs Lee remained for ten years, she played opposite Æmilia in Joseph Arrowsmith's ''Reformation'' (1672). In ''Henry VI, Part I, wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Crowne
John Crowne (6 April 1641 – 1712) was a British dramatist. His father "Colonel" William Crowne, accompanied the earl of Arundel on a diplomatic mission to Vienna in 1637, and wrote an account of his journey. He emigrated to Nova Scotia where he received a grant of land from Cromwell, but the French took possession of his property, and the home government did nothing to uphold his rights. Biography He was born in London on 6 April 1641, and emigrated to Nova Scotia in 1657 with his father, a joint proprietor of the colony, aboard the ship ''Satisfaction'', and studied at Harvard College. While studying at Harvard, Crowne lived with Puritan divine John Norton. Crowne left without graduating, however, and returned to England with his father in 1660. When the son came to England his poverty compelled him to act as gentleman usher to an independent lady of quality, and his enemies asserted that his father had been an Independent minister. He began his literary career with a roman ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Burdett-Coutts Memorial Sundial
The Burdett Coutts Memorial Sundial is a structure built in the churchyard of Old St Pancras, London, in 1877–79, at the behest of Baroness Burdett-Coutts. The former churchyard included the burial ground for St Giles-in-the-Fields, where many Catholics and French émigrés were buried. The graveyard closed to burials in 1850, but some graves were disturbed by a cutting of the Midland Railway in 1865 as part of the works to construct its terminus at St Pancras railway station. The churchyard was acquired by the parish authorities in 1875 and reopened as a public park in June 1877. The high Victorian Gothic memorial was built from 1877 and unveiled in 1879. The obelisk acts as a memorial to people buried near the church whose graves were disturbed; the names of over 70 of them are listed on the memorial, including the Chevalier d'Éon, Sir John Soane, John Flaxman, Sir John Gurney, and James Leoni. The monument was designed by George Highton of Brixton. It was manufact ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Fletcher (playwright)
John Fletcher (1579–1625) was a Jacobean playwright. Following William Shakespeare as house playwright for the King's Men, he was among the most prolific and influential dramatists of his day; during his lifetime and in the early Restoration, his fame rivalled Shakespeare's. He collaborated on writing plays with Francis Beaumont, and also with Shakespeare on three plays. Though his reputation has declined since, Fletcher remains an important transitional figure between the Elizabethan popular tradition and the popular drama of the Restoration. Biography Early life Fletcher was born in December 1579 (baptised 20 December) in Rye, Sussex, and died of the plague in August 1625 (buried 29 August in St. Saviour's, Southwark). His father Richard Fletcher was an ambitious and successful cleric who was in turn Dean of Peterborough, Bishop of Bristol, Bishop of Worcester and Bishop of London (shortly before his death), as well as chaplain to Queen Elizabeth. As Dean of Pete ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas D'Urfey
Thomas d'Urfey (a.k.a. Tom Durfey; 165326 February 1723) was an English writer and wit. He wrote plays, songs, jokes, and poems. He was an important innovator and contributor in the evolution of the ballad opera. Life D'Urfey was born in Devonshire and began his professional life as a scrivener, but quickly turned to the theatre. In personality, he was considered so affable and amusing that he could make friends with nearly everyone, including such disparate characters as Charles II of England and his brother James II, and in all layers of society. D'Urfey lived in an age of self-conscious elitism and anti-egalitarianism, a reaction against the "leveling" tendencies of the previous Puritan reign during the Interregnum. D'Urfey participated in the Restoration's dominant atmosphere of social climbing: he claimed to be of French Huguenot descent, though he might not have been; and he added an apostrophe to the plain English name Durfey when he was in his 30s. He wrote 500 songs, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Donneau De Visé
Jean Donneau de Visé (1638 – 8 July 1710) was a French journalist, royal historian ("historiographe du roi"), playwright and publicist. He was founder of the literary, arts and society gazette "le Mercure galant" (founded in 1672) and was associated with the "Moderns" in the "Quarrel of the Ancients and the Moderns". Life Donneau de Visé was born in Paris. He was among the detractors of Molière during the quarrel over Molière's play "The School for Wives" (1662, "l’École des femmes"), accusing the author of obscenity and moral licentiousness. But Donneau de Visé eventually became reconciled with the comic playwright and contributed his own plays to Molière's acting troop, starting with ''la Mère coquette'' (1665) and (after Molière's death) several "machine" plays ("pièces à machines", i.e. plays with elaborate special scenic effects) written in collaboration with Thomas Corneille -- ''Circé'' (1675) and ''la Devineresse'' (1679) -- which were very suc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Corneille
Thomas Corneille (20 August 1625 – 8 December 1709) was a French lexicographer and dramatist. Biography Born in Rouen some nineteen years after his brother Pierre, the "great Corneille", Thomas's skill as a poet seems to have shown itself early. At the age of fifteen he composed a play in Latin which was performed by his fellow-pupils at the Jesuit school in Rouen, the Collège de Bourbon (now the Lycée Pierre Corneille). His first play in the French language, ''Les Engagements du hasard'', was probably first performed at the Hôtel de Bourgogne in 1647, although not published until 1656. ''Le Feint Astrologue'', imitated from the Spanish of Pedro Calderón de la Barca, and itself imitated in Dryden's ''An Evening's Love'', came the following year. After his brother's death, Thomas succeeded his vacant chair in the Académie française. He then turned his attention to philology, producing a new edition of the ''Remarques'' of CF Vaugelas in 1687. His ''Le Dictionnaire d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edward Ravenscroft
Edward Ravenscroft (c. 1654–1707) was an English dramatist who belonged to an ancient Flintshire family. He was entered at the Middle Temple, but devoted his attention mainly to literature. Ravenscroft was the first critic to posit that Shakespeare's play ''Titus Andronicus'' was not originally written by him. In 1686 he revived the play at the Drury Lane Theatre, which he entitled ''Titus Andronicus, or the rape of Lavinia'', he wrote in the address "to the Reader", "I have been told by some anciently conversant with the Stage, that it was not Originally his (Shakespeare's), but brought by a private Author to be Acted and he only gave some Master-touches to one or two of the Principal Parts or Characters; this I am apt to believe, because 'tis the most incorrect and indigested piece in all his Works, It seems rather a heap of Rubbish then a Structure." This position is now known as the "Ravenscroft tradition" within literary circles. He wrote a total of twelve plays, in wh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Dryden
'' John Dryden (; – ) was an English poet, literary critic, translator, and playwright who in 1668 was appointed England's first Poet Laureate. He is seen as dominating the literary life of Restoration England to such a point that the period came to be known in literary circles as the Age of Dryden. Romanticist writer Sir Walter Scott called him "Glorious John". Early life Dryden was born in the village rectory of Aldwincle near Thrapston in Northamptonshire, where his maternal grandfather was the rector of All Saints. He was the eldest of fourteen children born to Erasmus Dryden and wife Mary Pickering, paternal grandson of Sir Erasmus Dryden, 1st Barone t (1553–1632), and wife Frances Wilkes, Puritan landowning gentry who supported the Puritan cause and Parliament. He was a second cousin once removed of Jonathan Swift. As a boy, Dryden lived in the nearby village of Titchmarsh, where it is likely that he received his first education. In 1644 he was sent to Westminst ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatre Royal, Drury Lane
The Theatre Royal, Drury Lane, commonly known as Drury Lane, is a West End theatre and Grade I listed building in Covent Garden, London, England. The building faces Catherine Street (earlier named Bridges or Brydges Street) and backs onto Drury Lane. The building is the most recent in a line of four theatres which were built at the same location, the earliest of which dated back to 1663, making it the oldest theatre site in London still in use. According to the author Peter Thomson, for its first two centuries, Drury Lane could "reasonably have claimed to be London's leading theatre". For most of that time, it was one of a handful of patent theatres, granted monopoly rights to the production of "legitimate" drama in London (meaning spoken plays, rather than opera, dance, concerts, or plays with music). The first theatre on the site was built at the behest of Thomas Killigrew in the early 1660s, when theatres were allowed to reopen during the English Restoration. Initially ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Princess Of Cleve
''The Princess of Cleve'' is a 1680 tragedy by the English writer Nathaniel Lee, inspired by the recent French novel ''La Princesse de Clèves'' by Madame de La Fayette set during the sixteenth century. It premiered at the Dorset Garden Theatre in London, staged by the Duke's Company. The original cast included Joseph Williams as Prince of Cleve, Thomas Betterton as Duke Nemours, Anthony Leigh as St. Andre, Thomas Gillow as Vidam of Chartres, James Nokes as Poltrot, Elizabeth Barry as Princess of Cleve, Mary Slingsby as Marguerite, Elinor Leigh as Tournon and Mary Betterton Mary Saunderson (1637–1712), later known as Mary Saunderson Betterton after her marriage to Thomas Betterton, was an actress and singer in England during the 1660s and 1690s. She is considered one of the first English actresses. Stage career ... as Elianor. Incidental music was composed by Thomas Farmer. The play was not published until 1689.Van Lennep p.290-291 References Bibliography * Van Lenne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nat Lee
Nathaniel Lee (c. 1653 – 6 May 1692) was an English dramatist. He was the son of Dr Richard Lee, a Presbyterian clergyman who was rector of Hatfield and held many preferments under the Commonwealth; Dr Lee was chaplain to George Monck, afterwards Duke of Albemarle, but after the Restoration he conformed to the Church of England, and withdrew his approval for Charles I's execution. Lee was educated at Westminster School (though some sources say Charterhouse School), and at Trinity College, Cambridge, taking his B.A. degree in 1668. Coming to London, perhaps under the patronage of George Villiers, 2nd Duke of Buckingham, he tried to earn his living as an actor, but acute stage fright made this impossible. His earliest play, ''Nero, Emperor of Rome'', was acted in 1675 at Drury Lane. Two tragedies written in rhymed heroic couplets, in imitation of John Dryden, followed in 1676: '' Sophonisba, or Hannibal's Overthrow'' and '' Gloriana, or the Court of Augustus Caesar''. Both are ex ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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