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The Composer Glinka
''Kompozitor Glinka'' (russian: Композитор Глинка; English literal translation, Composer Glinka; American release title ''Man of Music'') is a 1952 Soviet biographical film directed by Grigori Aleksandrov. Plot The young composer Mikhail Glinka performs his new work at a soiree at Count Mikhail Vielgorsky, Vielgorsky's house. However, the public is accustomed to Western music, and reacts coldly to the creation of the composer. The disappointed Glinka decides to go learn the art of music in Italy. After returning from Italy, he is full of desire to write a Russian opera. Vasily Zhukovsky proposes a subject: a exploit of Ivan Susanin. Nicholas I of Russia, Tsar Nicholas I changes the name of the opera to ''A Life for the Tsar'' and assigns a librettist - Baron Georg von Rosen. When Glinka meets him, he is shocked: Rosen speaks Russian with a noticeable German accent. The premiere is successful, but Glinka is still not entirely happy with the libretto: "Rosen wrot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grigori Aleksandrov
Grigori Vasilyevich Aleksandrov or Alexandrov (russian: Григо́рий Васи́льевич Алекса́ндров; original family name was Мормоненко or Mormonenko; 23 January 1903 – 16 December 1983) was a prominent Soviet cinema, Soviet film director who was named a People's Artist of the USSR in 1947 and a Hero of Socialist Labour in 1973. He was awarded the USSR State Prize, Stalin Prizes for 1941 and 1950. Initially associated with Sergei Eisenstein, with whom he worked as a co-director, screenwriter and actor, Aleksandrov became a major director in his own right in the 1930s, when he directed ''Jolly Fellows'' and a string of other Musical theatre, musical comedies starring his wife Lyubov Orlova. Though Aleksandrov remained active until his death, his musicals, amongst the first made in the Soviet Union, remain his most popular films. They rival Ivan Pyryev's films as the most effective and light-hearted showcase ever designed for the Stalin-era USSR. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Life For The Tsar
''A Life for the Tsar'' ( rus, "Жизнь за царя", italic=yes, Zhizn za tsarya ) is a "patriotic-heroic tragic opera" in four acts with an epilogue by Mikhail Glinka. During the Soviet era the opera was known under the name ''Ivan Susanin'' (russian: Иван Сусанин ). The original Russian libretto, based on historical events, was written by Nestor Kukolnik, Egor Fyodorovich (von) Rozen, Vladimir Sollogub and Vasily Zhukovsky. It premiered on 27 November 1836 OS (9 December NS) at the Bolshoi Kamenny Theatre in St. Petersburg. The historical basis of the plot involves Ivan Susanin, a patriotic hero of the early 17th century who died in the expulsion of the invading Polish army for the newly elected Tsar Michael of Russia, the first of the Romanov dynasty, elected in 1613.Osborne (2007) p. 143 History Composition history The plot of ''A Life for the Tsar'' had been used earlier in 1815, when Catterino Cavos, an Italian-Russian composer, had written a two-act si ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuditta Pasta
Giuditta Angiola Maria Costanza Pasta (née Negri; 26 October 1797 – 1 April 1865) was an Italian soprano opera singer. She has been compared to the 20th-century soprano Maria Callas. Career Early career Pasta was born Giuditta Angiola Maria Costanza Negri in Saronno, near Milan, on 26 October 1797.Stern (n.d.) She was born of the Negri family, who came from Lomazzo, where the family practiced medical art. Her father, Carlo Antonio Negri or Schwarz, was Jewish and a soldier in the Napoleonic Army. She studied in Milan with Giuseppe Scappa and Davide Banderali, and later with Girolamo Crescentini and Ferdinando Paer among others. In 1816, she married fellow singer, Giuseppe Pasta and took his surname as her own. She made her professional opera début in the world première of Scappa's ''Le tre Eleonore'' in Milan that same year. Later that year she performed at the Théâtre Italien in Paris as Donna Elvira in ''Don Giovanni'', Giulietta in Niccolò Antonio Zingarelli's ''Giuli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Franz Liszt
Franz Liszt, in modern usage ''Liszt Ferenc'' . Liszt's Hungarian passport spelled his given name as "Ferencz". An orthographic reform of the Hungarian language in 1922 (which was 36 years after Liszt's death) changed the letter "cz" to simply "c" in all words except surnames; this has led to Liszt's given name being rendered in modern Hungarian usage as "Ferenc". From 1859 to 1867 he was officially Franz Ritter von Liszt; he was created a ''Ritter'' (knight) by Emperor Franz Joseph I of Austria, Francis Joseph I in 1859, but never used this title of nobility in public. The title was necessary to marry the Princess Carolyne zu Sayn-Wittgenstein without her losing her privileges, but after the marriage fell through, Liszt transferred the title to his uncle Eduard in 1867. Eduard's son was Franz von Liszt., group=n (22 October 1811 – 31 July 1886) was a Hungarian composer, pianist and teacher of the Romantic music, Romantic period. With a diverse List of compositions by Franz L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Svyatoslav Richter
Sviatoslav Teofilovich Richter, group= ( – August 1, 1997) was a Soviet classical pianist. He is frequently regarded as one of the greatest pianists of all time,Great Pianists of the 20th Century and has been praised for the "depth of his interpretations, his virtuoso technique, and his vast repertoire." Biography Childhood Richter was born in Zhytomyr, Volhynian Governorate, in the Russian Empire (modern-day Ukraine), the hometown of his parents. His father, (1872–1941), was a pianist, organist and composer born to Germans, German expatriates; from 1893 to 1900 he studied at the University of Music and Performing Arts Vienna, Vienna Conservatory. His mother, Anna Pavlovna Richter (née Moskaleva; 1893–1963), came from a Russian nobility, noble Russian landowning family, and at one point she studied under her future husband. In 1918, when Richter's parents were in Odessa, the Russian Civil War, Civil War separated them from their son, and Richter moved in with his aunt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vladimir Odoevsky
Prince Vladimir Fyodorovich Odoyevsky (russian: Влади́мир Фёдорович Одо́евский, p=ɐˈdojɪfskʲɪj; Владимир Федорович Одоевский. Библиографический указатель. Энциклопедия Хоронос//http://hrono.ru/biograf/bio_o/odoevski_vf.php – ) was a prominent Russian Imperial philosopher, writer, music critic, philanthropist and pedagogue. He became known as the "Russian Hoffmann" and even the "Russian Faust" on account of his keen interest in phantasmagoric tales and musical criticism. Biography The last member of the princely House of Odoyev, he was genealogically the most senior member of the House of Rurik. He was born to Prince Fyodor Sergeevich Odoyevsky (1771–1808), a state councillor (''statsky sovietnik''). His father started out as an adjutant of Prince Grigory Potyomkin, then, in 1798 he entered civil service as the director of the Moscow Assignant bank. According to one versi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yuri Yurovsky
Yuri Yurovsky (russian: link=no, Юрий Юровский) was a Soviet actor and director of Armenian origin.Ienācēji no tālienes: Austrumu un Dienvidu tautu pārstāvji Latvijā no 19. gadsimta beigām līdz mūsdienām. Valters Ščerbinskis, Nordik, 1998, ISBN 9984510220, 94 pages, p. 46 People's Artist of the USSR. Since 1925 he worked as an actor and director at Riga Russian Theatre. Selected filmography * 1949 — ''Encounter at the Elbe'' * 1950 — '' Zhukovsky'' * 1952 — ''The Composer Glinka ''Kompozitor Glinka'' (russian: Композитор Глинка; English literal translation, Composer Glinka; American release title ''Man of Music'') is a 1952 Soviet biographical film directed by Grigori Aleksandrov. Plot The young compos ...'' References External links Юрий Юровскийon kino-teatr.ru * {{DEFAULTSORT:Yurovsky, Yuri Soviet male film actors 1894 births 1959 deaths ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vladimir Stasov
Vladimir Vasilievich Stasov (also Stassov; rus, Влади́мир Васи́льевич Ста́сов; 14 January Adoption_of_the_Gregorian_calendar#Adoption_in_Eastern_Europe.html" ;"title="/nowiki> O.S._2_January.html" ;"title="Adoption of the Gregorian calendar#Adoption in Eastern Europe">O.S. 2 January">Adoption of the Gregorian calendar#Adoption in Eastern Europe">O.S. 2 January/small> 1824 – 23 October .S. 10 October/small> 1906), was a Russian critic of music and art. Born into a wealthy, noble family Stasov became a prominent figure in mid-19th-century Russian culture. He discovered a large number of its greatest talents, inspired many of their works and fought their battles in numerous articles and letters to the press. As such, he carried on a lifelong debate with Russian novelist and playwright Ivan Turgenev, who considered Stasov "our great all-Russian critic." He wanted Russian art to liberate itself from what he saw as Europe's hold. By copying the west, he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrei Alekseyevich Popov
Andrei Alekseyevich Popov (russian: Андрей Алексеевич Попов; 12 April 1918 – 14 June 1983) was a Soviet and Russian stage and film actor, theatre director and pedagogue. People's Artist of the USSR (1965). Biography His father, Aleksey Popov, was the director of the Red Army Theatre. Young Popov made his film debut in 1930, as a schoolboy in Russian silent film ''Large Nuisance''; that film was eventually lost or destroyed during the turbulent history of the Soviet Union. Between 1935 and 1939 Popov studied acting at the Drama Studio of the Red Army Theatre in Moscow. Until 1974 he was a permanent member of the troupe at the Central Theatre of the Soviet Army (formerly known as the Red Army Theatre). During World War II, Andrei Popov entertained soldiers at the front-lines. After his father's retirement in 1963, Andrei Popov succeeded him as the artistic director of the Soviet Army Theatre. In 1974, Popov was invited to join the Moscow Art Theatre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexander Griboyedov
Alexander Sergeyevich Griboyedov (russian: Александр Сергеевич Грибоедов, ''Aleksandr Sergeevich Griboedov'' or ''Sergeevich Griboyedov''; 15 January 179511 February 1829), formerly romanized as Alexander Sergueevich Griboyedoff, was a Russian diplomat, playwright, poet, and composer. He is recognized as ''homo unius libri'', a writer of one book, whose fame rests on the verse comedy ''Woe from Wit'' or ''The Woes of Wit''. He was Russia's ambassador to Qajar Persia, where he and all the embassy staff were massacred by an angry mob as a result of the rampant anti-Russian sentiment that existed through Russia's imposing of the Treaty of Gulistan (1813) and Treaty of Turkmenchay (1828), which had forcefully ratified for Persia's ceding of its northern territories comprising Transcaucasia and parts of the North Caucasus. Griboyedov had played a pivotal role in the ratification of the latter treaty. Early life Griboyedov was born in Moscow, the exact year unk ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nikolai Gogol
Nikolai Vasilyevich Gogol; uk, link=no, Мико́ла Васи́льович Го́голь, translit=Mykola Vasyliovych Hohol; (russian: Яновский; uk, Яновський, translit=Yanovskyi) ( – ) was a Russian novelist, short story writer and playwright of Ukrainian origin. Gogol was one of the first to use the technique of the grotesque, in works such as " The Nose", " Viy", "The Overcoat", and "Nevsky Prospekt". These stories, and others such as " Diary of a Madman", have also been noted for their proto-surrealist qualities. According to Viktor Shklovsky, Gogol's strange style of writing resembles the "ostranenie" technique of defamiliarization. His early works, such as ''Evenings on a Farm Near Dikanka'', were influenced by his Ukrainian upbringing, Ukrainian culture and folklore. His later writing satirised political corruption in the Russian Empire (''The Government Inspector'', '' Dead Souls''). The novel ''Taras Bulba'' (1835), the play ''Marriage ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexander Dargomyzhsky
Alexander Sergeyevich Dargomyzhsky ( rus, link=no, Александр Сергеевич Даргомыжский, Aleksandr Sergeyevich Dargomyzhskiy., ɐlʲɪkˈsandr sʲɪrˈɡʲe(j)ɪvʲɪdʑ dərɡɐˈmɨʂskʲɪj, Ru-Aleksandr-Sergeevich-Dargomyzhsky.ogg; ) was a 19th-century Russian composer. He bridged the gap in Russian opera composition between Mikhail Glinka and the later generation of The Five and Pyotr Ilyich Tchaikovsky. Biography Dargomyzhsky was born in village Troitskoye, Belyov uyezd, Tula Governorate (now Arsenyevsky District, Tula Oblast), and educated in Saint Petersburg. He was already known as a talented musical amateur when in 1833 he met Mikhail Glinka and was encouraged to devote himself to composition. His opera '' Esmeralda'' (libretto by composer, based on Victor Hugo's ''The Hunchback of Notre Dame'') was composed in 1839 (performed 1847), and his '' Rusalka'' was performed in 1856; but he had little success or recognition either at home or abro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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