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Giuditta Pasta
Giuditta Angiola Maria Costanza Pasta (née Negri; 26 October 1797 – 1 April 1865) was an Italian soprano opera singer. She has been compared to the 20th-century soprano Maria Callas. Career Early career Pasta was born Giuditta Angiola Maria Costanza Negri in Saronno, near Milan, on 26 October 1797.Stern (n.d.) She was born of the Negri family, who came from Lomazzo, where the family practiced medical art. Her father, Carlo Antonio Negri or Schwarz, was Jewish and a soldier in the Napoleonic Army. She studied in Milan with Giuseppe Scappa and Davide Banderali, and later with Girolamo Crescentini and Ferdinando Paer among others. In 1816, she married fellow singer, Giuseppe Pasta and took his surname as her own. She made her professional opera début in the world première of Scappa's ''Le tre Eleonore'' in Milan that same year. Later that year she performed at the Théâtre Italien in Paris as Donna Elvira in ''Don Giovanni'', Giulietta in Niccolò Antonio Zingarelli's ''Giuli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
CastaDiva
Mandarin Oriental, Lake Como is a 5 star luxury resort located in Blevio in the province of Como, Italy. The estate is also known formerly as ''CastaDiva'' before its refurbishment in the late 2010s and subsequent transferral of ownership to its current owner, Hong Kong-based multinational chain Mandarin Oriental Hotel Group. The heart of the entire resort consists of the Villa Roccabruna, which was notably where composer Vincenzo Bellini wrote his two most famous works: ''La Sonnambula'' and ''Norma''. History Roccabruna Villa was built in the eighteenth century on the shores of Lake Como in the village of Blevio and was later restored by the opera singer Giuditta Pasta. The renovations were carried out between 1827 and 1829 by architect Philip Ferranti. In the 19th century, the villa was known as "Casino Ribiere" from the name of the French owner, Ms. Ribier, a famous tailor and designer among Milanese aristocrats. The house was a meeting place for artists and musicians in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paris
Paris () is the capital and most populous city of France, with an estimated population of 2,165,423 residents in 2019 in an area of more than 105 km² (41 sq mi), making it the 30th most densely populated city in the world in 2020. Since the 17th century, Paris has been one of the world's major centres of finance, diplomacy, commerce, fashion, gastronomy, and science. For its leading role in the arts and sciences, as well as its very early system of street lighting, in the 19th century it became known as "the City of Light". Like London, prior to the Second World War, it was also sometimes called the capital of the world. The City of Paris is the centre of the Île-de-France region, or Paris Region, with an estimated population of 12,262,544 in 2019, or about 19% of the population of France, making the region France's primate city. The Paris Region had a GDP of €739 billion ($743 billion) in 2019, which is the highest in Europe. According to the Economist Intelli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adelaide Kemble
Adelaide Kemble (13 February 18154 August 1879) was an English opera singer of the Victorian era, and a member of the Kemble family of actors. She was the younger sister of Fanny Kemble, the famous actress and anti-slavery activist. Her father was actor Charles Kemble, her mother Maria Theresa Kemble. Life Adelaide studied in London with John Braham and in Italy under the great soprano Giuditta Pasta. On 2 November 1841, she made her first operatic performance on the London stage in ''Norma''. In 1843 she married Edward John Sartoris and retired after a brief but brilliant career. They were hosts at the Belgravia home to Chopin where, in 1849, he made his London debut. This is now marked by a plaque. She wrote ''A Week in a French Country House'' (1867), a bright, humorous story, followed by other, more mediocre tales. She recorded one interesting incident at a late London concert by Pasta, whose powers had diminished badly, and she asked of fellow singer Pauline Viardot what sh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marianna Barbieri-Nini
Marianna Barbieri-Nini (18 February 1818 in Florence – 27 November 1887 in Florence) was an Italian operatic soprano who had an active career in Italy's major opera houses from 1840 through 1856. She also made appearances at the Liceu in Barcelona, the Teatro Real in Madrid, Her Majesty's Theatre in London, and at theatres in Paris. She possessed a powerful voice with coloratura facility and was known for her highly dramatic singing and acting. She was especially admired in the title roles of Gaetano Donizetti's ''Anna Bolena'' and Gioachino Rossini's ''Semiramide''. She was also successful in the operas of Giuseppe Verdi, notably creating roles in the world premieres of three of his works. Life and career Born in Florence, Barbieri-Nini studied singing with Luigi Barbieri, Giuditta Pasta, and Nicola Vaccai. In 1840 she made her professional opera debut at La Scala as Antonina in Donizetti's ''Belisario''; a performance which was negatively received. She had her first succes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emma Albertazzi
Emma Albertazzi (1 May 1815 – 25 September 1847), born Emma Howson, was an English operatic contralto. Gänzl, Kurt"Emma Albertazzi. The facts ... and not the fictions" Kurt of Gerolstein, 20 May 2019 She began her opera career in Italy, France and Spain, making her British debut in 1837. Critics praised the beauty of her voice but found her acting too "ladylike" and lacking energy. She also sang prolifically on the concert stage. After giving birth to her fifth child, she returned briefly to singing, but died only months later at the age of 32. Early life and career Albertazzi was born in Streatham, London, the daughter of Francis Howson (died 1863), an English music professor, and his wife Sarah, ''née'' Tanner (died 1839). She had three brothers and a sister, several of whom became performers and some of whom established the Howson family musical dynasty in Australia; her niece was Emma Howson. As a child, Albertazzi studied with a music teacher, Andrea Costa. In 1827, she m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stendhal
Marie-Henri Beyle (; 23 January 1783 – 23 March 1842), better known by his pen name Stendhal (, ; ), was a 19th-century French writer. Best known for the novels ''Le Rouge et le Noir'' (''The Red and the Black'', 1830) and ''La Chartreuse de Parme'' (''The Charterhouse of Parma'', 1839), he is highly regarded for the acute analysis of his characters' psychology and considered one of the early and foremost practitioners of realism. A self-proclaimed egotist, he coined the same characteristic in his characters' "Beylism". Life Born in Grenoble, Isère, he was an unhappy child, disliking his "unimaginative" father and mourning his mother, whom he passionately loved, and who died when he was seven. His closest friend was his younger sister, Pauline, with whom he maintained a steady correspondence throughout the first decade of the 19th century. His family was part of the bourgeois class and was attached to the Ancien Regime, explaining his ambiguous view toward Napoleon, the Bour ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Norma (opera)
''Norma'' () is a ''tragedia lirica'' or opera in two acts by Vincenzo Bellini with libretto by Felice Romani after the play ''Norma, ou L'infanticide'' (''Norma, or The Infanticide'') by Alexandre Soumet. It was first produced at La Scala in Milan on 26 December 1831. The opera is regarded as a leading example of the bel canto genre, and the soprano prayer "Casta diva" in act 1 is a famous piece. Among the well known singers of Norma of the first half of the 20th century was Rosa Ponselle who played the role in New York and London. Notable exponents of the title role in the post-war period have been Maria Callas, Leyla Gencer, Joan Sutherland, and Montserrat Caballé. Composition history Crivelli and Company were managing both La Scala and La Fenice in Venice, and as a result, in April–May 1830 Bellini was able to negotiate a contract with them for two operas, one at each theatre. The opera for December 1831 at La Scala became ''Norma'', while the one for the 1832 Carnival ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
La Sonnambula
''La sonnambula'' (''The Sleepwalker'') is an opera semiseria in two acts, with music in the '' bel canto'' tradition by Vincenzo Bellini set to an Italian libretto by Felice Romani, based on a scenario for a ''ballet-pantomime'' written by Eugène Scribe and choreographed by Jean-Pierre Aumer called ''La somnambule, ou L'arrivée d'un nouveau seigneur''. The ballet had premiered in Paris in September 1827 at the height of a fashion for stage works incorporating somnambulism. The role of Amina was originally written for the soprano sfogato Giuditta Pasta and the tenor Giovanni Battista Rubini, but during Bellini's lifetime another soprano sfogato, Maria Malibran, was a notable exponent of the role. The first performance took place at the Teatro Carcano in Milan on 6 March 1831. The majority of twentieth-century recordings have been made with a soprano cast as Amina, usually with added top-notes and other changes according to tradition, although it was released in soprano sfogat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vincenzo Bellini
Vincenzo Salvatore Carmelo Francesco Bellini (; 3 November 1801 – 23 September 1835) was a Sicilian opera composer, who was known for his long-flowing melodic lines for which he was named "the Swan of Catania". Many years later, in 1898, Giuseppe Verdi "praised the broad curves of Bellini's melody: 'there are extremely long melodies as no-one else had ever made before'." A large amount of what is known about Bellini's life and his activities comes from surviving letters—except for a short period—which were written over his lifetime to his friend Francesco Florimo, whom he had met as a fellow student in Naples and with whom he maintained a lifelong friendship. Other sources of information come from correspondence saved by other friends and business acquaintances. Bellini was the quintessential composer of the Italian '' bel canto'' era of the early 19th century, and his work has been summed up by the London critic Tim Ashley as: ... also hugely influential, as much a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anna Bolena
''Anna Bolena'' is a tragic opera (''tragedia lirica'') in two acts composed by Gaetano Donizetti. Felice Romani wrote the Italian libretto after Ippolito Pindemonte's ''Enrico VIII ossia Anna Bolena'' and Alessandro Pepoli's ''Anna Bolena'', both recounting the life of Anne Boleyn, the second wife of England's King Henry VIII. It is one of four operas by Donizetti dealing with the Tudor period in History of England, English history—in composition order, ''Il castello di Kenilworth'' (1829), ''Anna Bolena'' (1830), ''Maria Stuarda'' (named for Mary, Queen of Scots, it appeared in different forms in 1834 and 1835), and ''Roberto Devereux'' (1837, named for a putative lover of Queen Elizabeth I of England). The leading female characters of the latter three operas are often referred to as "the Three Donizetti Queens." ''Anna Bolena'' premiered on 26 December 1830 at the Teatro Carcano in Milan, to "overwhelming success." Weinstock notes that only after this success did Donizetti's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gaetano Donizetti
Domenico Gaetano Maria Donizetti (29 November 1797 – 8 April 1848) was an Italian composer, best known for his almost 70 operas. Along with Gioachino Rossini and Vincenzo Bellini, he was a leading composer of the '' bel canto'' opera style during the first half of the nineteenth century and a probable influence on other composers such as Giuseppe Verdi. Donizetti was born in Bergamo in Lombardy. At an early age he was taken up by Simon Mayr who enrolled him with a full scholarship in a school which he had set up. There he received detailed musical training. Mayr was instrumental in obtaining a place for Donizetti at the Bologna Academy, where, at the age of 19, he wrote his first one-act opera, the comedy ''Il Pigmalione'', which may never have been performed during his lifetime. An offer in 1822 from Domenico Barbaja, the impresario of the Teatro di San Carlo in Naples, which followed the composer's ninth opera, led to his move to Naples and his residency there until productio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuditta Pasta-Amina-La Sonnambula
''Giuditta'' is an operatic ' (German for ''musical comedy'') in five scenes, with music by Franz Lehár and a German libretto, by and Fritz Löhner-Beda. Scored for a large orchestra, it was Lehár's last and most ambitious work, written on a larger scale than his previous operettas. Of all his works it is the one which most approaches true opera, the resemblances between the story and that of Bizet's ''Carmen'' and its unhappy ending heightening the resonances. Perhaps the best known song in the work is the soprano aria "", sung by Giuditta in the fourth scene. Another strong influence, especially for the North African setting, was the 1930 movie ''Morocco'', starring Marlene Dietrich and Gary Cooper in very similar central roles, she being a singer-dancer, he being a soldier. Production history The work received its first performance at the Vienna State Opera on 20 January 1934, with Jarmila Novotná and Richard Tauber in the leading roles. The premiere attracted more attention ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
