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The Chick Corea Elektric Band (album)
''The Chick Corea Elektric Band'' is an album by jazz and fusion keyboard player Chick Corea, released in 1986. It is the eponymous debut album of the Chick Corea Elektric Band, which at that time also featured drummer Dave Weckl, bass player John Patitucci and guitarists Scott Henderson and Carlos Rios. This album can be described as "jazz-rock", though it is much closer to traditional jazz than the jazz-rock albums of the 1970s. The keyboard sounds on the album are typical for the mid-1980s. The drums played by Dave Weckl dominate the album's sound, with the guitar duties split between Scott Henderson and Carlos Rios. The album features a heavy use of FM synthesis, MIDI and drum programming, expanding on Corea's previous work in later lineups of Return to Forever and reflecting the technology of the time when it was conceived and recorded. Track listing All songs by Chick Corea except where noted otherwise. #"City Gate" – 0:54 #"Rumble" – 4:04 #"Side Walk" (Chick Corea / ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chick Corea
Armando Anthony "Chick" Corea (June 12, 1941 – February 9, 2021) was an American jazz composer, pianist, keyboardist, bandleader, and occasional percussionist. His compositions "Spain", " 500 Miles High", "La Fiesta", "Armando's Rhumba", and "Windows" are widely considered jazz standards. As a member of Miles Davis's band in the late 1960s, he participated in the birth of jazz fusion. In the 1970s he formed Return to Forever. Along with McCoy Tyner, Herbie Hancock, and Keith Jarrett, Corea is considered one of the foremost jazz pianists of the post-John Coltrane era. Corea continued to collaborate frequently while exploring different musical styles throughout the 1980s and 1990s. He won 27 Grammy Awards and was nominated more than 60 times. Early life and education Armando Corea was born in Chelsea, Massachusetts on June 12, 1941, to parents Anna (née Zaccone) and Armando J. Corea. He was of southern Italian descent, his father having been born to an immigrant from Albi co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
FM Synthesis
Frequency modulation synthesis (or FM synthesis) is a form of sound synthesis whereby the frequency of a waveform is changed by modulating its frequency with a modulator. The frequency of an oscillator is altered "in accordance with the amplitude of a modulating signal". FM synthesis can create both harmonic and inharmonic sounds. To synthesize harmonic sounds, the modulating signal must have a harmonic relationship to the original carrier signal. As the amount of frequency modulation increases, the sound grows progressively complex. Through the use of modulators with frequencies that are non-integer multiples of the carrier signal (i.e. inharmonic), inharmonic bell-like and percussive spectra can be created. FM synthesis using analog oscillators may result in pitch instability. However, FM synthesis can also be implemented digitally, which is more stable and became standard practice. Digital FM synthesis (implemented as phase modulation) was the basis of several musical instrume ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fender Jazz Bass
The Fender Jazz Bass (often shortened to ''J-Bass'') is the second model of Bass guitar, electric bass created by Leo Fender. It is distinct from the Fender Precision Bass, Precision Bass in that its tone is brighter and richer in the midrange and treble with less emphasis on the Harmonic series (music), fundamental frequency. The body shape is also different from the Precision Bass, in that the Precision Bass has a symmetrical lower bout on the body, designed after the Telecaster and Stratocaster lines of guitars, while the Jazz Bass has an offset lower bout, mimicking the design aesthetic of the Fender Jaguar, Jaguar and Fender Jazzmaster, Jazzmaster guitars. History First introduced in 1960 as the Deluxe Model, it borrowed design elements from the Fender Jazzmaster, Jazzmaster guitar. It was renamed the Jazz Bass as Fender felt that its redesigned neck—narrower and more rounded than that of the Precision Bass—would appeal more to jazz musicians. The Jazz Bass has two sin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Six-string Bass Guitar
An extended-range bass is an electric bass guitar with a wider frequency range than a standard-tuned four-string bass guitar. Terminology One way that a bass can be considered 'extended-range' is to use a tuning machine mechanism that allows for instant re-tuning, such as the popular 'Xtenders' made by Hipshot detuners. When the player triggers the detuner, it drops the pitch of the string by a pre-set interval. A common use of detuners is to drop the low E to a low D. Detuners are more rarely used on other strings. Michael Manring uses basses with detuners on every string; this enables him to have access to a greater number of chime-like harmonics. Another way to get an extended range is to add strings. The most common type of bass guitar with more than four strings is the five-string bass. Five-string basses often have a low-B string, extending the instrument's lower range. Less commonly, five-string instruments add a high C-string, extending the higher range. Less commonly, t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gong
A gongFrom Indonesian and ms, gong; jv, ꦒꦺꦴꦁ ; zh, c=鑼, p=luó; ja, , dora; km, គង ; th, ฆ้อง ; vi, cồng chiêng; as, কাঁহ is a percussion instrument originating in East Asia and Southeast Asia. Gongs are a flat, circular metal disc that is typically struck with a mallet. They can be small or large in size, and tuned or can require tuning. The earliest mention of gongs can be found in sixth century Chinese records, which mentioned the instrument to have come from a country between Tibet and Burma. The term ''gong'' ( jv, ꦒꦺꦴꦁ) originated in the Indonesian island of Java. Scientific and archaeological research has established that Burma, China, Java and Annam were the four main gong manufacturing centres of the ancient world. The gong found its way into the Western World in the 18th century, when it was also used in the percussion section of a Western-style symphony orchestra. A form of bronze cauldron gong known as a resting ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yamaha DX7
The Yamaha DX7 is a synthesizer manufactured by the Yamaha Corporation from 1983 to 1989. It was the first successful digital synthesizer and is one of the best-selling synthesizers in history, selling more than 200,000 units. In the early 1980s, the synthesizer market was dominated by analog synthesizers. Frequency modulation synthesis, FM synthesis, a means of generating sounds via frequency modulation, was developed by John Chowning at Stanford University, California. FM synthesis created brighter, "glassier" sounds, and could better imitate acoustic sounds such as brass. Yamaha licensed the technology to create the DX7, combining it with very-large-scale integration chips to lower manufacturing costs. With its complex menus and lack of conventional controls, few learned to program the DX7 in depth. However, its preset sounds became staples of 1980s pop music, used by artists including A-ha, Kenny Loggins, Kool & the Gang, Whitney Houston, Chicago (band), Chicago, Phil Collin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Minimoog
The Minimoog is an analog synthesizer first manufactured by Moog Music between 1970 and 1981. Designed as a more affordable, portable version of the modular Moog synthesizer, it was the first synthesizer sold in retail stores. It was first popular with progressive rock and jazz musicians and found wide use in disco, pop, rock and electronic music. Production of the Minimoog stopped in the early 1980s after the sale of Moog Music. In 2002, founder Robert Moog regained the rights to the Moog brand, bought the company, and released an updated version of the Minimoog, the Minimoog Voyager. In 2016 and in 2022, Moog Music released another new version of the original Minimoog. Development In the 1960s, RA Moog Co manufactured Moog synthesizers, which helped bring electronic sounds to music but remained inaccessible to ordinary people. These modular synthesizers were difficult to use and required users to connect components manually with patch cables to create sounds. They were a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Keytar
The keytar is a lightweight synthesizer that is supported by a strap around the neck and shoulders, similar to the way a guitar is supported by a strap. Keytars allow players a greater range of movement onstage, compared to conventional keyboards, which are placed on stationary stands or which are part of heavy, floor-mounted structures. The instrument has a musical keyboard for triggering musical notes and sounds. Various controls are placed on the instrument's "neck", including those for pitch bends, vibrato, portamento, and sustain. The term "keytar" is a portmanteau of the words "keyboard" and "guitar". This style of keyboard was mostly referred to by manufacturers as a "MIDI Controller", "Remote Keyboard", "Strap-on Keyboard", or variations thereof. Though the term "keytar" has been used since the introduction of the instrument, it was not used by a major manufacturer until 2012, when the Alesis company referred to the "Vortex", the company's first product of this type, as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Linn 9000
The Linn 9000 is an electronic musical instrument manufactured by Linn Electronics as the successor to the LinnDrum. It was introduced in 1984 at a list price of $5,000, ($7,000 fully expanded) and about 1100 units were produced. It combined MIDI sequencing and audio sampling (optional) with a set of 18 velocity and pressure sensitive performance pads, to produce an instrument optimized for use as a drum machine. It featured programmable hi-hat decay, 18 digital drum sounds, a mixer section, 18 individual 1/4" outputs, an LCD display, 6 external trigger inputs and an internal floppy disk drive (optional). The Linn 9000 had innovative and groundbreaking features and would influence many future drum machine designs. But chronic software bugs led to a reputation for unreliability and contributed to the eventual demise of Linn Electronics. The Linn 9000 was used on many recordings throughout the 1980s, including international hits such as The Pointer Sisters' " Automatic", Divine's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Synclavier
The Synclavier is an early digital synthesizer, polyphonic digital sampling system, and music workstation manufactured by New England Digital Corporation of Norwich, Vermont. It was produced in various forms from the late 1970s into the early 1990s. The instrument has been used by prominent musicians. History The original design and development of the Synclavier prototype occurred at Dartmouth College with the collaboration of Jon Appleton, Professor of Digital Electronics, Sydney A. Alonso, and Cameron Jones, a software programmer and student at Dartmouth's Thayer School of Engineering. Synclavier I First released in 1977–78, it proved to be highly influential among both electronic music composers and music producers, including Mike Thorne, an early adopter from the commercial world, due to its versatility, its cutting-edge technology, and distinctive sounds. The early Synclavier I used FM synthesis, re-licensed from Yamaha, and was sold mostly to universities. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fairlight CMI
The Fairlight CMI (short for Computer Musical Instrument) is a digital synthesizer, sampler, and digital audio workstation introduced in 1979 by Fairlight. — with links to some Fairlight history and photos It was based on a commercial licence of the Qasar M8 developed by Tony Furse of Creative Strategies in Sydney, Australia. It was one of the earliest music workstations with an embedded sampler and is credited for coining the term sampling in music. It rose to prominence in the early 1980s and competed with the Synclavier from New England Digital. History Origins: 1971–1979 In the 1970s, Kim Ryrie, then a teenager, had an idea to develop a build-it-yourself analogue synthesizer, the ETI 4600, for the magazine he founded, ''Electronics Today International'' (ETI). Ryrie was frustrated by the limited number of sounds that the synthesizer could make. After his classmate, Peter Vogel, graduated from high school and had a brief stint at university in 1975, Ryrie asked ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fender Rhodes
The Rhodes piano (also known as the Fender Rhodes piano) is an electric piano invented by Harold Rhodes, which became popular in the 1970s. Like a conventional piano, the Rhodes generates sound with keys and hammers, but instead of strings, the hammers strike thin metal tines, which vibrate next to an electromagnetic pickup. The signal is then sent through a cable to an external keyboard amplifier and speaker. The instrument evolved from Rhodes's attempt to manufacture pianos while teaching recovering soldiers during World War II. Development continued after the war and into the following decade. In 1959, Fender began marketing the Piano Bass, a cut-down version; the full-size instrument did not appear until after Fender's sale to CBS in 1965. CBS oversaw mass production of the Rhodes piano in the 1970s, and it was used extensively through the decade, particularly in jazz, pop, and soul music. It was less used in the 1980s because of competition with polyphonic and digital ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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