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The Cabinet Of Dr. Caligari (1920 Film)
''The Cabinet of Dr. Caligari'' (german: Das Cabinet des Dr. Caligari) is a 1920 German silent horror film, directed by Robert Wiene and written by Hans Janowitz and Carl Mayer. Considered the quintessential work of German Expressionist cinema, it tells the story of an insane hypnotist ( Werner Krauss) who uses a somnambulist (Conrad Veidt) to commit murders. The film features a dark and twisted visual style, with sharp-pointed forms, oblique and curving lines, structures and landscapes that lean and twist in unusual angles, and shadows and streaks of light painted directly onto the sets. The script was inspired by various experiences from the lives of Janowitz and Mayer, both pacifists who were left distrustful of authority after their experiences with the military during World War I. The film makes use of a frame story, with a prologue and epilogue combined with a twist ending. Janowitz has said this device was forced upon the writers against their will. The film's design was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Wiene
Robert Wiene (; 27 April 1873 – 17 July 1938) was a film director of the silent era of German cinema. He is particularly known for directing the German silent film ''The Cabinet of Dr. Caligari'' and a succession of other German Expressionism, expressionist films. Wiene also directed a variety of other films of varying styles and genres. Following the Nazi rise to power in Germany, Wiene, who was of Jewish descent, fled into exile. Biography Early life Robert Wiene was born in Breslau, in the German Province of Silesia (now the city of Wrocław in Poland), as the elder son of the successful theatre actor Carl Wiene. His younger brother Conrad Wiene, Conrad also became an actor, but Robert Wiene at first studied law at the University of Berlin. Career in Germany In 1908 he also started to act, at first in small parts on stage. His first involvement with film was in 1912, writing and (possibly) directing ''Die Waffen der Jugend''. His most memorable feature films are the horror ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
German Expressionism
German Expressionism () consisted of several related creative movements in Germany before the First World War that reached a peak in Berlin during the 1920s. These developments were part of a larger Expressionist movement in north and central European culture in fields such as architecture, dance, painting, sculpture and cinema. This article deals primarily with developments in German Expressionist cinema before and immediately after World War I, approximately from 1910 to the 1930s. History The German Expressionist movement was initially confined to Germany due to the country's isolation during World War I. In 1916, the government banned foreign films, creating a sharp increase in the demand for domestic film production: from 24 films in 1914, to 130 films in 1918. With inflation also on the rise, Germans were attending films more freely because they knew that their money's value was constantly diminishing.Thompson, Kristin. Bordwell, David. ''Film History: An Intro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cult Film
A cult film or cult movie, also commonly referred to as a cult classic, is a film that has acquired a cult following. Cult films are known for their dedicated, passionate fanbase which forms an elaborate subculture, members of which engage in repeated viewings, dialogue-quoting, and audience participation. Inclusive definitions allow for major studio productions, especially box-office bombs, while exclusive definitions focus more on obscure, transgressive films shunned by the mainstream. The difficulty in defining the term and subjectivity of what qualifies as a cult film mirror classificatory disputes about art. The term ''cult film'' itself was first used in the 1970s to describe the culture that surrounded underground films and midnight movies, though ''cult'' was in common use in film analysis for decades prior to that. Cult films trace their origin back to controversial and suppressed films kept alive by dedicated fans. In some cases, reclaimed or rediscovered films ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Danny Peary
Dannis Peary (born August 8, 1949) is an American film critic and sports writer. He has written and edited many books on cinema and sports-related topics. Peary is most famous for his book ''Cult Movies'' (1980), which spawned two sequels, '' Cult Movies 2'' (1983) and '' Cult Movies 3'' (1988) and are all credited for providing more public interest in the cult movie phenomenon. He is the brother of film critic, columnist, actor, and documentary filmmaker Gerald Peary. Early life and education Peary was born in Philippi, West Virginia to Laura Chaitan and Joseph Y. Peary, a professor. During his childhood, he moved to South Carolina, and then New Jersey. In 1971, he earned a B.A. in history from the University of Wisconsin in Madison. He also worked as a film critic for the ''Daily Cardinal'' student newspaper. In 1975, he earned an M.A. in cinema, with honors, at the University of Southern California. While attending USC, he worked as the fine arts and sports editor for ''L.A. P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of First Horror Films By Country
This is a list of first horror films by country. List See also * Lists of horror films This is a list of lists of horror films. Often there may be considerable overlap particularly between horror and other genres (including action film, action, thriller film, thriller, and science fiction films). By decade *List of horror films of ... Notes References {{Horror film Lists of horror films * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roger Ebert
Roger Joseph Ebert (; June 18, 1942 – April 4, 2013) was an American film critic, film historian, journalist, screenwriter, and author. He was a film critic for the ''Chicago Sun-Times'' from 1967 until his death in 2013. In 1975, Ebert became the first film critic to win the Pulitzer Prize for Criticism. Neil Steinberg of the ''Chicago Sun-Times'' said Ebert "was without question the nation's most prominent and influential film critic," and Kenneth Turan of the ''Los Angeles Times'' called him "the best-known film critic in America." Ebert was known for his intimate, Midwestern writing voice and critical views informed by values of populism and humanism. Writing in a prose style intended to be entertaining and direct, he made sophisticated cinematic and analytical ideas more accessible to non-specialist audiences. While a populist, Ebert frequently endorsed foreign and independent films he believed would be appreciated by mainstream viewers, which often resulted in such film ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Expo 58
Expo 58, also known as the 1958 Brussels World's Fair (french: Exposition Universelle et Internationale de Bruxelles de 1958, nl, Brusselse Wereldtentoonstelling van 1958), was a world's fair held on the Heysel/Heizel Plateau in Brussels, Belgium, from 17 April to 19 October 1958. It was the first major world's fair registered under the Bureau International des Expositions (BIE) after World War II. Background Expo 58 was the eleventh world's fair hosted by Belgium, and the fifth in Brussels, following the fairs in 1888, 1897, 1910 and 1935. In 1953, Belgium won the bid for the next world's fair, winning out over other European capitals such as Paris and London. Nearly 15,000 workers spent three years building the site on the Heysel/Heizel Plateau, north-west of central Brussels. Many of the buildings were re-used from the 1935 World's Fair, which had been held on the same site. The theme of Expo 58 was ''"Bilan du monde, pour un monde plus humain"'' (in English: "Eva ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Walter Röhrig
Walter Röhrig (13 April 1897 – 1945) was a German art director.Stephens p.163 Selected filmography * '' The Cabinet of Dr. Caligari'' (1920) * ''Masks'' (1920) * ''Parisian Women'' (1921) * '' Island of the Dead'' (1921) * ''Miss Julie'' (1922) * ''Kaddish'' (1924) * ''Luther'' (1928) * ''The Flute Concert of Sanssouci'' (1930) * '' Hocuspocus'' (1930) * '' The Immortal Vagabond'' (1930) * ''Calais-Dover'' (1931) * ''In the Employ of the Secret Service'' (1931) * '' The Countess of Monte Cristo'' (1932) * ''Congress Dances'' (1932) * ''Waltz War'' (1933) * ''Refugees'' (1933) * ''Court Waltzes'' (1933) * ''The Empress and I'' (1933) * ''Season in Cairo'' (1933) * ''Night in May'' (1934) * ''The Young Baron Neuhaus'' (1934) * '' The Csardas Princess'' (1934) * '' The Royal Waltz'' (1935) * ''Savoy Hotel 217'' (1936) * ''Under Blazing Heavens'' (1936) * ''Diamonds'' (1937) * ''My Son the Minister'' (1937) * ''Rembrandt'' (1942) * ''A Salzburg Comedy ''A Salzburg Comedy'' or '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Walter Reimann
Walter Reimann (2 June 1887 – 8 November 1936) was a German painter and art director. He was an Expressionist and member of the group of artists associated with Zurich magazine, Der Sturm. He worked on the production design of a number of films during his career, the most important of which was The Cabinet of Dr. Caligari. Along with fellow members of the ''Der Sturm'' group, Walter Röhrig and Hermann Warm, Reimann created skewed, dreamlike sets that distorted geometry and indicated the interior states of mind of the characters. ''The Cabinet of Dr. Caligari'' was an international success and the production design has had a lasting influence on other movies - especially in the horror and film noir genres - since then. The Caligari design is echoed in the sets produced by Universal Studios for their series of classic monster movies in the 1930s. Reimann continued to work as an art director in Germany until his death in 1936, but none of his subsequent designs had the impact ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hermann Warm
Hermann Warm was a German art director for films. Born in 1889 (died 1976) in Berlin, Germany, Warm was an important figure in the expressionist movement of the 1920s. Warm entered the German film industry in 1912 after working on-stage for a while. As well as doing set work on films such as '' The Cabinet of Dr. Caligari'' and Fritz Lang's ''Destiny'', Warm also worked with Danish film director Carl Theodor Dreyer on films including ''The Passion of Joan of Arc'' and ''Vampyr''. During World War II, Warm lived in Switzerland and returned to Germany in 1947. Selected filmography * '' The Silent Mill'' (1914) * '' The Tunnel'' (1915) * '' The Dance of Death'' (1919) * ''The Mayor of Zalamea'' (1920) * '' The Eternal Curse'' (1921) * '' Island of the Dead'' (1921) * ''Circus of Life'' (1921) * ''The Last Battle'' (1923) * ''Countess Donelli'' (1924) * ''Darling of the King'' (1924) * '' Love Story'' (1925) * ''The Flight in the Night'' (1926) * '' Intoxicated Love'' (1927) * '' Namel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plot Twist
A plot twist is a literary technique that introduces a radical change in the direction or expected outcome of the plot in a work of fiction. When it happens near the end of a story, it is known as a twist or surprise ending. It may change the audience's perception of the preceding events, or introduce a new conflict that places it in a different context. A plot twist may be foreshadowed, to prepare the audience to accept it. There are a variety of methods used to execute a plot twist, such as withholding information from the audience or misleading it with ambiguous or false information. Revealing a plot twist to readers or viewers in advance is commonly regarded as a "spoiler", since the effectiveness of a plot twist usually relies on the audience's not having expected it. Even revealing the fact that a work contains plot twists – especially at the ending – can also be controversial, as it changes the audience's expectations. However, at least one study suggests that this doe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frame Story
A frame is often a structural system that supports other components of a physical construction and/or steel frame that limits the construction's extent. Frame and FRAME may also refer to: Physical objects In building construction *Framing (construction), a building term known as light frame construction *Framer, a carpenter who assembles major structural elements in constructing a building *A-frame, a basic structure designed to bear a load in a lightweight economical manner **A-frame house, a house following the same principle *Door frame or window frame, fixed structures to which the hinges of doors or windows are attached *Frame and panel, a method of woodworking *Space frame, a method of construction using lightweight or light materials *Timber framing, a method of building for creating framed structures of heavy timber or willow wood In vehicles *Frame (aircraft), structural rings in an aircraft fuselage *Frame (nautical), the skeleton of a boat *Bicycle frame, the main c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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