The Bridge Of San Luis Rey (1929 Film)
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The Bridge Of San Luis Rey (1929 Film)
''The Bridge of San Luis Rey'' (1929) is a film released by Metro-Goldwyn-Mayer in both silent and part-talkie versions. The film was directed by Charles Brabin and starred Lili Damita and Don Alvarado. Only the silent version exists at the George Eastman House film archive. The film closely follows the bestselling 1927 Thornton Wilder novel of the same name and won the second Academy Award for Best Art Direction. Background and production The film and novel are very loosely based on the real-life story of Micaela Villegas (1748–1819), a famous Peruvian entertainer known as ''La Perichole''. Her life was also the inspiration for the novella ''Le Carrosse du Saint-Sacrement'' by Prosper Mérimée; the ''opéra bouffe'' ''La Périchole'' by Jacques Offenbach; and Jean Renoir’s 1953 film '' Le Carrosse d'or'' (''The Golden Coach''). Remakes The film was remade in 1944 with Lynn Bari, and once more in 2004, starring F. Murray Abraham, Gabriel Byrne, Robert De Niro, ...
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Charles Brabin
Charles Brabin (April 17, 1882 – November 3, 1957) was a British-American film director. Biography Born in Liverpool, England, he was educated at St. Francis Xavier College. Brabin sailed to New York City in the early 1900s and, while holding down odd jobs there, he tried his hand as a stage actor. He joined the Edison Manufacturing Company around 1908, first acting, later writing and directing. He was active during the silent era, then pursued a short-lived career in talkies. His last film was ''A Wicked Woman'' for Metro-Goldwyn-Mayer in 1934. Brabin married his first wife socialite Suzan "Susette" Jeanette Mosher, the daughter of Edwin Howard Mosher and Jennie Slater Mosher of New York City. They wed December 14, 1913, at Bedford Congregational Church in the Bronx, shortly after Brabin returned from a trip to England and Europe. Brabin's best friend, screen actor Marc MacDermott, served as best man. Charles and Suzan Brabin remained married for seven years."United States ...
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Academy Award For Best Production Design
The Academy Award for Best Production Design recognizes achievement for art direction in film. The category's original name was Best Art Direction, but was changed to its current name in 2012 for the 85th Academy Awards. This change resulted from the Art Directors' branch of the Academy of Motion Picture Arts and Sciences (AMPAS) being renamed the Designers' branch. Since 1947, the award is shared with the set decorator(s). It is awarded to the best interior design in a film. The films below are listed with their production year (for example, the 2000 Academy Award for Best Art Direction is given to a film from 1999). In the lists below, the winner of the award for each year is shown first, followed by the other nominees in alphabetical order. Superlatives Winners and nominees 1920s 1930s 1940s 1950s 1960s 1970s 1980s 1990s 2000s 2010s 2020s See also * BAFTA Award for Best Production Design * Critics' Choice Movie Award for Best Production Design T ...
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The Bridge Of San Luis Rey (2004 Film)
''The Bridge of San Luis Rey'' is a 2004 French-Spanish-British drama film directed by Mary McGuckian and featuring an ensemble cast, including Robert De Niro, Pilar López de Ayala, F. Murray Abraham, Kathy Bates, Gabriel Byrne, Émilie Dequenne, and Harvey Keitel. It is based on Thornton Wilder's 1927 novel of the same name. The film was released in 2004 in Spain and 2005 in the U.S. and abroad. Despite praise for its costume design, the film was poorly received by critics. Synopsis The film centers on a basic premise: near Lima, Peru, at noon of Friday, 20 July 1714, a bridge woven by the Incas a century earlier collapsed at that particular moment, while five people were crossing it: Doña María, the Marquess of Montemayor; Pepita, her lady in attendance; Esteban, a scribe; Uncle Pío; and a young child. The collapse was witnessed by Brother Juniper, a Franciscan friar, who was on his way to cross it. Curious about why God would allow such a tragedy, he decides to take a scie ...
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Lynn Bari
Lynn Bari (born Marjorie Schuyler Fisher, December 18, 1919 – November 20, 1989) was a film actress who specialized in playing sultry, statuesque man-killers in roughly 150 films for 20th Century Fox, from the early 1930s through the 1940s. Early years Bari was born on December 18, 1919 in Roanoke, Virginia to John Manard Fisher (December 12, 1873 - June 4, 1927), of Lynchburg, Virginia, and his wife Marjorie Babcock Halpen (November 27, 1893 - May 11, 1960) a native of Albany, New York. Her father was a successful auto sales manager who for many years worked for a Roanoke car dealership, Harper Motor. In 1925, he left his job and moved the family to his hometown, Lynchburg, where he opened a car dealership of his own. Two years later, heavily in debt and struggling to make a sizeable profit, he, while away on a business trip, took his own life by jumping out of a hotel window. After selling everything to settle debts his widow was left with little money to support herself an ...
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The Bridge Of San Luis Rey (1944 Film)
''The Bridge of San Luis Rey'' is a 1944 drama film made by Benedict Bogeaus Productions and released by United Artists. It was produced and directed by Rowland V. Lee with Benedict Bogeaus as co-producer. The screenplay by Howard Estabrook and Herman Weissman was adapted from the novel ''The Bridge of San Luis Rey'' by Thornton Wilder. The music score was by Dimitri Tiomkin and the cinematography by John W. Boyle and an uncredited John J. Mescall. The film stars Lynn Bari, Francis Lederer, Akim Tamiroff, Nazimova and Louis Calhern. Dimitri Tiomkin's music was nominated for the Best Original Score. Background and production The film and novel are very loosely based on the real-life story of Micaela Villegas (1748-1819), a famous Peruvian entertainer known as ''La Perichole'', whose life was also the inspiration for the novella ''Le Carrosse du Saint-Sacrement'' by Prosper Mérimée; an ''opéra bouffe'', ''La Périchole'' by Jacques Offenbach; and Jean Renoir’s 1953 film ...
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The Golden Coach
''The Golden Coach'' (french: Le Carrosse d'or; it, La carrozza d'oro) is a 1952 film directed by Jean Renoir that tells the story of a '' commedia dell'arte'' troupe in 18th-century Peru. The screenplay was written by Renoir, Jack Kirkland, Renzo Avanzo and Giulio Macchi, and is based on the 1829 play '' Le Carrosse du Saint-Sacrement'' (The Coach of the Blessed Sacrament), by Prosper Mérimée. It stars Anna Magnani, Odoardo Spadaro and Duncan Lamont. Plot The Viceroy of a remote 18th-century Peruvian town has purchased a magnificent golden coach from Europe. The Viceroy hints of his intention to give the coach to his mistress, the Marquise, but has decided to pay for it with public funds, since he plans to use it to overawe the populace and flatter the local nobility, who enthusiastically look forward to taking turns parading in it. By coincidence, the coach arrives on the same ship that carries an Italian '' commedia dell'arte'' troupe composed of men, women and children w ...
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Jean Renoir
Jean Renoir (; 15 September 1894 – 12 February 1979) was a French film director, screenwriter, actor, producer and author. As a film director and actor, he made more than forty films from the silent film, silent era to the end of the 1960s. His films ''La Grande Illusion'' (1937) and ''The Rules of the Game'' (1939) are often cited by critics as among the List of films considered the best, greatest films ever made. He was ranked by the British Film Institute, BFI's ''Sight & Sound'' poll of critics in 2002 as the fourth greatest director of all time. Among numerous honours accrued during his lifetime, he received a Lifetime Achievement Academy Awards, Academy Award in 1975 for his contribution to the motion picture industry. Renoir was the son of the painter Pierre-Auguste Renoir and the uncle of the cinematographer Claude Renoir. He was one of the first filmmakers to be known as an ''auteur''. Early life and early career Renoir was born in the Montmartre district of Paris, ...
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Jacques Offenbach
Jacques Offenbach (, also , , ; 20 June 18195 October 1880) was a German-born French composer, cellist and impresario of the Romantic period. He is remembered for his nearly 100 operettas of the 1850s to the 1870s, and his uncompleted opera ''The Tales of Hoffmann''. He was a powerful influence on later composers of the operetta genre, particularly Johann Strauss Jr. and Arthur Sullivan. His best-known works were continually revived during the 20th century, and many of his operettas continue to be staged in the 21st. ''The Tales of Hoffmann'' remains part of the standard opera repertory. Born in Cologne, the son of a synagogue cantor, Offenbach showed early musical talent. At the age of 14, he was accepted as a student at the Paris Conservatoire but found academic study unfulfilling and left after a year. From 1835 to 1855 he earned his living as a cellist, achieving international fame, and as a conductor. His ambition, however, was to compose comic pieces for the musical the ...
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La Périchole
''La Périchole'' () is an opéra bouffe in three acts by Jacques Offenbach. Henri Meilhac and Ludovic Halévy wrote the French libretto based on the 1829 one act play '' Le carrosse du Saint-Sacrement'' by Prosper Mérimée, which was revived on 13 March 1850 at the Théâtre-Français. Offenbach was probably aware of this production, as he conducted the orchestra of the Comédie-Française from around this time. Another theatrical creation that pre-dates Offenbach's opéra bouffe and may have influenced the piece is a farce by Desforges and Théaulon given on 21 October 1835 at the Théâtre du Palais-Royal. ''La Périchole''s title character is based on Micaela Villegas, a beloved 18th century Peruvian entertainer and the famous mistress of Manuel de Amat y Juniet, Viceroy of Peru from 1761 to 1776. The story concerns two impoverished Peruvian street-singers, too poor to afford a marriage license, and a lecherous viceroy, Don Andrès de Ribeira, who wishes to make La Péric ...
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Opéra Bouffe
Opéra bouffe (, plural: ''opéras bouffes'') is a genre of late 19th-century French operetta, closely associated with Jacques Offenbach, who produced many of them at the Théâtre des Bouffes-Parisiens, inspiring the genre's name. Opéras bouffes are known for elements of comedy, satire, parody and farce. The most famous examples are ''La belle Hélène'', '' Barbe-bleue'' (''Bluebeard''), '' La Vie parisienne'', ''La Périchole'' and ''La Grande-Duchesse de Gérolstein ''La Grande-Duchesse de Gérolstein'' (''The Grand Duchess of Gerolstein'') is an opéra bouffe (a form of operetta), in three acts and four tableaux by Jacques Offenbach to an original French libretto by Henri Meilhac and Ludovic Halévy. The s ...''. Sources * Bartlet, M. Elizabeth C.: "Opéra bouffe" Stanley Sadie (ed.), ''The New Grove Dictionary of Opera'' (London, 1992). {{DEFAULTSORT:Opera Bouffe Opera genres Opera terminology ...
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Prosper Mérimée
Prosper Mérimée (; 28 September 1803 – 23 September 1870) was a French writer in the movement of Romanticism, and one of the pioneers of the novella, a short novel or long short story. He was also a noted archaeologist and historian, and an important figure in the history of architectural preservation. He is best known for his novella ''Carmen'', which became the basis of Bizet's opera ''Carmen''. He learned Russian, a language for which he had great affection, and translated the work of several important Russian writers, including Pushkin and Gogol, into French. From 1830 until 1860 he was the inspector of French historical monuments, and was responsible for the protection of many historic sites, including the medieval citadel of Carcassonne and the restoration of the façade of the cathedral of Notre-Dame de Paris. Along with the writer George Sand, he discovered the series of tapestries called ''The Lady and the Unicorn'', and arranged for their preservation. He was instr ...
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Micaela Villegas
Maria Micaela Villegas Hurtado (28 September 1748 – 16 May 1819), known as ''La Perricholi'', was a Peruvian entertainer and mistress of Manuel de Amat y Junyent, Viceroy of Peru from 1761 to 1776. Their son, Manuel de Amat y Villegas, was one of the signers of Peru’s declaration of independence from Spain on 28 July 1821. Life ''La Perricholi'' was the sixth child born to Don José Villegas and Doña Teresa Hurtado de Mendoza. Born in either Tomayquichua (in the province of Huanuco) or the capital city of Lima, she was baptized at the Lima Cathedral on December 1, 1748. She debuted on the stage of Coliseo de Comedias in 1763 and became a popular star within romance and comedy. She retired in 1788, and married in 1795. Ricardo Palma in his book ''Tradiciones Peruanas'' writes about her life and describes her as charming woman. He also provides historical information about her relationship with Amat. According to the author, she inspired Amat to build some of the beaut ...
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