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The Banditti (play)
''The Banditti'' is a 1686 comedy play by the English writer Thomas D'Urfey. It is also known by the longer title ''The Banditti: or, a Lady's Distress''. It was originally staged by the United Company at the Drury Lane Theatre. The original cast included Edward Kynaston as Don Antonio, Joseph Williams as Don Fernand, Anthony Leigh as Don Ariell, Cave Underhill as Don Diego, Thomas Gillow as Don Garcia, Thomas Percival as Lopez, Thomas Jevon as Frisco, Philip Griffin as Leon, Sarah Cooke as Dona Elvira, Katherine Corey as Eugenia and James Nokes James Nokes (Noke, Noak, Noakes) (died c.1692) was an English actor, whose laughter-arousing genius was attested by Cibber and other contemporaries. Life Nokes was one of the male actors who played female roles in the newly reopened playhouses s ... as Megaera.Van Lennep p.345 References Bibliography * Van Lennep, W. ''The London Stage, 1660-1800: Volume One, 1660-1700''. Southern Illinois University Press, 1960 . 1686 plays W ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas D'Urfey
Thomas d'Urfey (a.k.a. Tom Durfey; 165326 February 1723) was an English writer and wit. He wrote plays, songs, jokes, and poems. He was an important innovator and contributor in the evolution of the ballad opera. Life D'Urfey was born in Devonshire and began his professional life as a scrivener, but quickly turned to the theatre. In personality, he was considered so affable and amusing that he could make friends with nearly everyone, including such disparate characters as Charles II of England and his brother James II, and in all layers of society. D'Urfey lived in an age of self-conscious elitism and anti-egalitarianism, a reaction against the "leveling" tendencies of the previous Puritan reign during the Interregnum. D'Urfey participated in the Restoration's dominant atmosphere of social climbing: he claimed to be of French Huguenot descent, though he might not have been; and he added an apostrophe to the plain English name Durfey when he was in his 30s. He wrote 500 songs, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Percival (actor)
Thomas Percival or Percivall was an English stage actor of the seventeenth century.Johnson p.127 He was a member of the Duke's Company from 1671 to 1682 and then the merged United Company until 1686. Throughout his career he was confined to playing supporting roles, never graduating to major parts. He was the father of the actress Susanna Verbruggen. In 1693, following his retirement from the stage, he was arrested for coin clipping, a capital crime, for which he was sentenced to hang at Tyburn. The intercession of his daughter with Mary II saw his sentence commuted to transportation, but before he reached Portsmouth he died of natural causes. Selected roles * Burbon in '' Love and Revenge'' by Elkanah Settle (1674) * Osmin in ''Abdelazer'' by Aphra Behn (1676) * Old Monylove in ''Tom Essence'' by Thomas Rawlins (1676) * Sir Nicholas Gimcrack in '' The Virtuoso'' by Thomas Shadwell (1676) * Ordgano in ''The Wrangling Lovers'' by Edward Ravenscroft (1676) * Carino in ''Pastor Fido'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
West End Plays
West or Occident is one of the four cardinal directions or points of the compass. It is the opposite direction from east and is the direction in which the Sun sets on the Earth. Etymology The word "west" is a Germanic word passed into some Romance languages (''ouest'' in French, ''oest'' in Catalan, ''ovest'' in Italian, ''oeste'' in Spanish and Portuguese). As in other languages, the word formation stems from the fact that west is the direction of the setting sun in the evening: 'west' derives from the Indo-European root ''*wes'' reduced from ''*wes-pero'' 'evening, night', cognate with Ancient Greek ἕσπερος hesperos 'evening; evening star; western' and Latin vesper 'evening; west'. Examples of the same formation in other languages include Latin occidens 'west' from occidō 'to go down, to set' and Hebrew מַעֲרָב maarav 'west' from עֶרֶב erev 'evening'. Navigation To go west using a compass for navigation (in a place where magnetic north is the same dire ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1686 Plays
Events January–March * January 3 – In Madras (now Chennai) in India, local residents employed by the East India Company threaten to boycott their jobs after corporate administrator William Gyfford imposes a house tax on residences within the city walls. Gyfford places security forces at all entrances to the city and threatens to banish anyone who fails to pay their taxes, as well as to confiscate the goods of merchants who refuse to make sales. A compromise is reached the next day on the amount of the taxes. * January 17 – King Louis XIV of France reports the success of the Edict of Fontainebleau, issued on October 22 against the Protestant Huguenots, and reports that after less than three months, the vast majority of the Huguenot population had left the country. * January 29 – In Guatemala, Spanish Army Captain Melchor Rodríguez Mazariegos leads a campaign to conquer the indigenous Maya people in the rain forests of Lacandona, departing fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Nokes
James Nokes (Noke, Noak, Noakes) (died c.1692) was an English actor, whose laughter-arousing genius was attested by Cibber and other contemporaries. Life Nokes was one of the male actors who played female roles in the newly reopened playhouses shortly after the Restoration of Charles II. This practice didn't last long, as Thomas Killigrew's King's Company put the first English actress on the stage on December 1660, and from then on they appeared more and more frequently, until in 1662 Charles II ordered that only women should play female roles. There was a brief period in late 1660 and early 1661 when both men and women were playing female roles. On 29 January 1661, the diarist Samuel Pepys went to the Duke’s playhouse, where "after great patience and little expectation, from so poor beginning, I saw three acts of ‘The Mayd in ye Mill’ acted to my great content." It was Nokes who was playing the title female role of the Mayd. Sir Martin Mar-all, Sir Davy Dunce and Sir Cre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Katherine Corey
Katherine Corey ( fl. 1660 – 1692) was an English actress of the Restoration era, one of the first generation of female performers to appear on the public stage in Britain. Corey played with the King's Company and the United Company, and had one of the longest careers of any actress in her generation. In "The humble petition of Katherine Corey" (see below), she stated that she "was the first and is the last of all the actresses that were constituted by King Charles the Second at His Restauration." Correy started her career under her maiden name, Mitchell, but was Mrs. Corey by 1663. "Mrs Corey was a big woman with a gift for comedy. She was popular in a variety of roles, but especially in old women parts: scolding wives, mothers, governesses, waiting women, and bawds." In his Diary, Samuel Pepys Samuel Pepys (; 23 February 1633 – 26 May 1703) was an English diarist and naval administrator. He served as administrator of the Royal Navy and Member of Parliament and is most ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sarah Cooke
Sarah Cooke (died 1688) was an English stage actress of the seventeenth century. She was a member of the King's Company, based at the Theatre Royal, Drury Lane. She played a number of lead roles during the 1680s. Her aunt was the governess to the maids of honour of the Duchess of York in the 1660s. After some time working in this role alongside her aunt she was discovered by the Earl of Rochester, who promoted her theatrical career. In hear early years with the King's Company she mostly appeared on tour or with the nursery company, devoted to developing new talent. It was likely during this time she was under the management of John Coysh. In 1677 she played her first known role at Drury Lane in '' The Country Innocence'' and acted for the King's Company united 1682 when the merged United Company was formed and she was frequently employed by it until her death six years later.Highfill, Burnim & Langhans p.473-75 As with many actors of the era, the full number of her roles is unkno ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philip Griffin
Philip Griffin was an English stage actor of the seventeenth century and early eighteenth century. He joined the King's Company at Drury Lane during the 1670s, and was later a member of the merged United Company from 1685. He was named as a manager at Drury Lane in 1695, but then took military service and was styled as Captain Griffin. In 1699 he went to act in Dublin as part of Joseph Ashbury's company at the Smock Alley Theatre, but was back in London where he acted until retired from the stage in 1707.Highfill, Burnim & Langhans p.369-71 Selected roles * Sanchez in ''The Spanish Rogue'' by Thomas Duffett (1673) * Laula in ''The Empress of Morocco'' by Thomas Duffett (1673) * Caligula's Ghost in ''Nero'' by Nathaniel Lee (1674) * Menander in ''Sophonisba'' by Nathaniel Lee (1675) * Grimani in '' Love in the Dark'' by Francis Fane (1675) * Mecaenas in ''Gloriana'' by Nathaniel Lee (1676) * Vernish in ''The Plain Dealer'' by William Wycherley (1676) * Rash in ''The Country Innoce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Jevon
Thomas Jevon (1652–1688) was an English playwright, and one of the first English Harlequins. He began his career as a dancing master, but worked his way onto the stage, and played leading low-comedy parts in London between 1673 and 1688. His brother-in-law was the English playwright and poet laureate Thomas Shadwell. Jevon's only published play, the farce '' The Devil of a Wife, or, a Comical Transformation'' (with a plot borrowed from a Philip Sidney story, and possibly some assistance from Shadwell), was performed in 1686 at Dorset Garden, where Jevon usually acted. Jevon and George Powell played the two leading roles, and the piece achieved great success. Various versions with added music appeared later, and Charles Coffey Charles Coffey (late 17th century – 13 May 1745) was an Irish playwright, opera librettist and arranger of music from Westmeath. Following the initial failure of his ballad opera '' The Beggar’s Wedding'' (Dublin, Smock Alley Theatre, 24 Ma ... us ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Gillow
Thomas Gillow (died 1687) was an English stage actor of the Restoration era. His name was sometimes written Gilloe or Gillo. His first known role was at the Lincoln's Inn Fields Theatre in Samuel Pordage's ''Herod and Mariamne'' in 1671. He remained with the Duke's Company at the Dorset Gardens Theatre until the merger that created the United Company in 1682. His first role at Drury Lane was in John Dryden's '' The Duke of Guise'' in November that year. He remained a prominent member of the company, appearing in a mixture of comedies and tragedies. He died in May 1687 and was buried at St Bride's Church in the City of London. An actress billed as Mrs Gillow appeared at the Dorset Street Theatre between 1675 and 1678 and this may have been his wife Mary Gillow.Highfill, Burnim & Langhans p.214 Selected roles * Sosius in ''Herod and Mariamne'' by Samuel Pordage (1671) * Lamot in '' Love and Revenge'' by Elkanah Settle (1674) * Polyndus in '' Alcibiades'' by Thomas Otway (1675 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatre Royal, Drury Lane
The Theatre Royal, Drury Lane, commonly known as Drury Lane, is a West End theatre and Grade I listed building in Covent Garden, London, England. The building faces Catherine Street (earlier named Bridges or Brydges Street) and backs onto Drury Lane. The building is the most recent in a line of four theatres which were built at the same location, the earliest of which dated back to 1663, making it the oldest theatre site in London still in use. According to the author Peter Thomson, for its first two centuries, Drury Lane could "reasonably have claimed to be London's leading theatre". For most of that time, it was one of a handful of patent theatres, granted monopoly rights to the production of "legitimate" drama in London (meaning spoken plays, rather than opera, dance, concerts, or plays with music). The first theatre on the site was built at the behest of Thomas Killigrew in the early 1660s, when theatres were allowed to reopen during the English Restoration. Initially ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cave Underhill
Cave Underhill (1634–1710?) was an English actor in comedy roles. Underhill entertained three generations of London theatre-goers. For over 40 years, as a member of the Duke's Company, Underhill played the first Gravedigger in ''Hamlet''. He was also successful in playing Gregory in ''Romeo and Juliet'', the clown in ''Twelfth Night'', and Trinculo in '' The Tempest''. Early life The son of Nicholas Underhill, a clothworker, he was born in St. Andrew's parish, Holborn, London, on 17 March 1634, and was admitted to Merchant Taylors' School in January 1645. He became first a member of the acting company which was gathered by John Rhodes. around Thomas Betterton. He was then recruited for Sir William D'Avenant and the Duke of York's company at the theatre in Lincoln's Inn Fields. In 1663 he was fined in an assault case, with Betterton and James Noke. Stage career The first character to which Underhill's name appears is Sir Morglay Thwack in D'Avenant's comedy ''The Wits'', re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
