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Tete!
''Tete!'' is an album by pianist Tete Montoliu's Trio recorded in 1974 and released on the Danish label, SteepleChase. accessed March 18, 2015 Reception Scott Yanow of called it "a typically excellent date.".Track listing # "" () - 6:31 # "Theme for Ernie" (Fred Lacey) - 7:14 # "[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tete Montoliu
Vicenç Montoliu i Massana, better known as Tete Montoliu (28 March 1933 – 24 August 1997) was a Spanish jazz pianist from Catalonia, Spain. Born blind, he learnt braille music at age seven. His styles varied from hard bop, through afro-Cuban, world fusion, to post bop. He recorded with Lionel Hampton in 1956 and played with saxophonist Roland Kirk in 1963. He also worked with leading American jazz musicians who toured in, or relocated to Europe including Kenny Dorham, Dexter Gordon, Ben Webster, Lucky Thompson, and Anthony Braxton. Tete Montoliu recorded two albums in the US, and recorded for Enja, SteepleChase Records, and Soul Note in Europe. Biography Montoliu was born blind, in the Eixample district of Barcelona, Spain, and died in the same city. He was the only son of Vicenç Montoliu (a professional musician) and Àngela Massana, a jazz enthusiast, who encouraged her son to study piano. Montoliu's earliest piano teaching took place under the tutelage of Enric Mas at the p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
SteepleChase Records
SteepleChase Records is a jazz record company and label based in Copenhagen, Denmark. SteepleChase was founded in 1972 by Nils Winther, who was a student at Copenhagen University at the time. He began recording concerts at Jazzhus Montmartre, where many American musicians performed, and was given permission by some of the artists to release the material commercially. SteepleChase became a haven for many artists who were without contracts with larger labels at the time. In 1987, the label also started the classical label Kontrapunkt Edition Kontrapunkt (the Danish, Swedish, Norwegian and also German word for counterpoint) is a Danish classical music record label based in Klampenborg and founded in 1987. The label is owned by Steeplechase Records SteepleChase Records is a .... Discography 1000/31000 Series The main series of albums released on the Steeplechase label beginning in 1972 had catalog numbers starting at SCS 1001 and when compact discs were introduced in the late ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music For Perla
''Music for Perla'' is a solo album by pianist Tete Montoliu recorded in 1974 and released on the Danish label SteepleChase. accessed March 18, 2015 Reception Ken Dryden of states, "Beautifully recorded in a bright-sounding studio with a first-rate piano, this CD is a great example of Tete Montoliu's abilities early in his recording career."Track listing ''All compositions by Tete Montoliu except as indicated'' # " Yesterdays" ( |
Albert Heath
Albert "Tootie" Heath (born May 31, 1935) is an American jazz hard bop drummer, the brother of tenor saxophonist Jimmy Heath and the double-bassist Percy Heath. Born in Philadelphia, Pennsylvania, United States, he first recorded in 1957 with John Coltrane. From 1958 to 1974, he worked with, among others, J. J. Johnson, Wes Montgomery, Art Farmer and Benny Golson's Jazztet, Cedar Walton, Bobby Timmons, Kenny Drew, Sonny Rollins, Dexter Gordon, Johnny Griffin, Herbie Hancock, Friedrich Gulda, Nina Simone, and Yusef Lateef. In 1975, he, Jimmy and Percy formed the Heath Brothers. He remained with the group until 1978, then left to freelance. He has recorded extensively throughout his career. Among his many workshop and classroom teaching assignments, Heath is a regular instructor at the Stanford Jazz Workshop. Tootie Heath is now the producer and leader of The Whole Drum Truth, a jazz drum ensemble featuring Ben Riley, Ed Thigpen, Jackie Williams, Billy Hart, Charlie Persip, Le ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Solar (composition)
"Solar" ( or ) is a composition written by Chuck Wayne and later recorded and copyrighted with small alterations by Miles Davis. It first appeared on Davis's 1954 album ''Miles Davis Quintet'' and is considered a modern jazz standard. Chord structure Solar is considered a blues by most listeners, and the commonly accepted chord structure for this piece is: Recordings and popularity The first released recording of the piece appeared on Davis's album ''Miles Davis Quintet'' in 1954; and then appeared on his album '' Walkin'''. It was the only time that he recorded the piece. Probably the best-known version is on pianist Bill Evans's trio album '' Sunday at the Village Vanguard'' from 1961. The composition is popular with educators and learners, partly because the structure is "both rich and succinct". Authorship The composition was copyrighted in Davis's name in 1963. However, some musicians and others believed that it had been written by Wayne, with some making the assertion in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tete Montoliu Albums
Tete is the capital city of Tete Province in Mozambique. It is located on the Zambezi River, and is the site of two of the four bridges crossing the river in Mozambique. A Swahili trade center before the Portuguese colonial era, Tete continues to dominate the west-central part of the country and region, and is the largest city on the Zambezi. In the local language, Nyungwe, Tete (or Mitete) means "reed". History The region was an important Swahili trade center before the Portuguese colonial era. On the east coast of Africa the Portuguese were drawn to Mozambique and the Zambezi river by news of a local ruler, the Munhumutapa, who was said to have had fabulous wealth in gold. In their efforts to reach the Munhumutapa, the Portuguese established in 1531 two settlements far up the Zambezi – one of them, at Tete, some from the sea. The Munhumutapa Kingdom and gold mines remained autonomous and mostly isolated from the Portuguese. But in this region of east Africa – ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drum Kit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player ( drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual'' , Andrew Hugill with the Philharmonia Orchestra as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Niels-Henning Ørsted Pedersen
Niels-Henning Ørsted Pedersen (, 27 May 1946 – 19 April 2005), also known by his abbreviated nickname NHØP, was a Danish jazz double bassist. Biography Pedersen was born in Osted, near Roskilde, on the Danish island of Zealand, the son of a church organist. As a child, Ørsted Pedersen played piano, but from the age of 13, he started learning to play upright bass and at the age of 14, while studying, he began his professional jazz career in Denmark with his first band, Jazzkvintet 60 (Danish for Jazz Quintet 60). By the age of fifteen, he had the ability to accompany leading musicians at nightclubs, working regularly at Copenhagen's Jazzhus Montmartre, after his debut there on New Year's Eve 1961, when he was only 15. When seventeen, he had already turned down an offer to join the Count Basie orchestra, mainly because he was too young to get legal permission to live and work as a musician in the United States. The Montmartre was a regular stop-off for touring American Jazz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tadd Dameron
Tadley Ewing Peake Dameron (February 21, 1917 – March 8, 1965) was an American jazz composer, arranger, and pianist. Biography Born in Cleveland, Ohio, Dameron was the most influential arranger of the bebop era, but also wrote charts for swing and hard bop players. The bands he arranged for included those of Count Basie, Artie Shaw, Jimmie Lunceford, Dizzy Gillespie, Billy Eckstine, and Sarah Vaughan. In 1940-41 he was the piano player and arranger for the Kansas City band Harlan Leonard and his Rockets. He and lyricist Carl Sigman wrote " If You Could See Me Now" for Sarah Vaughan and it became one of her first signature songs. According to the composer, his greatest influences were George Gershwin and Duke Ellington. In the late 1940s, Dameron wrote arrangements for Gillespie's big band, who gave the première of his large-scale orchestral piece ''Soulphony in Three Hearts'' at Carnegie Hall in 1948. Also in 1948, Dameron led his own group in New York, which included F ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hot House (composition)
"Hot House" is a bebop jazz standard, standard, composed by United States, American jazz musician Tadd Dameron in 1945. Its harmony, harmonic structure is identical to Cole Porter's "What Is This Thing Called Love?" (see contrafact). The tune was made famous by Dizzy Gillespie and Charlie Parker as a quintet arrangement and become synonymous with those musicians; "Hot House" became an anthem of the Be-bop movement in jazz, American jazz. The most famous and referred to recording of the tune is by Charlie Parker, Parker and Dizzy Gillespie, Gillespie on the May 1953 live concert recording entitled Jazz at Massey Hall, after previously recording it for Savoy records in 1945 and at Carnegie Hall in 1947. The tune continues to be a favorite among jazz musicians and enthusiasts: * In 1962, Bud Powell recorded it on his Bouncing with Bud album for Delmark records * In 1964, Charles McPherson (musician), Charles McPherson played it with Carmell Jones on his Prestige album ''Bebop Revisited ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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