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Termagant
In the Middle Ages, Termagant or Tervagant was the name given to a god which European Christians believed Muslims worshipped. The word is also used in modern English to mean a violent, overbearing, turbulent, brawling, quarrelsome woman; a virago, shrew, vixen. In the past, the word could be applied to any person or thing personified, not just a woman. Origin of the concept European literature from the Middle Ages often referred to Muslims as pagans, with sobriquets such as "the paynim foe". These depictions represent Muslims worshipping Muhammad as a god along with various deities in the form of idols (cult images), ranging from Apollyon to Lucifer, but their chief deity was typically named ''Termagant''. In some writings, such as the eleventh-century ''The Song of Roland'', this was combined to create an "unholy Trinity" of sorts composed of Muhammad, Apollyon, and Termagant. The origin of the name Termagant is unknown, and does not seem to derive from any actual aspect of Mu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baphomet
Baphomet is a deity allegedly worshipped by the Knights Templar. that subsequently became incorporated into various occult and Western esoteric traditions. The name ''Baphomet'' appeared in trial transcripts for the Inquisition of the Knights Templar starting in 1307. It first came into popular English usage in the 19th century during debate and speculation on the reasons for the suppression of the Templar order. Baphomet is a symbol of balance in various occult and mystical traditions, the origin of which some occultists have attempted to link with the Gnostics and Templars, although occasionally purported to be a deity or a demon. Since 1856 the name ''Baphomet'' has been associated with the "Sabbatic Goat" image drawn by Éliphas Lévi, composed of binary elements representing the "symbolization of the equilibrium of opposites": half-human and half-animal, male and female, good and evil, etc. Lévi's intention was to symbolize his concept of balance, with Baphomet represent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Magi
Magi (; singular magus ; from Latin ''magus'', cf. fa, مغ ) were priests in Zoroastrianism and the earlier religions of the western Iranians. The earliest known use of the word ''magi'' is in the trilingual inscription written by Darius the Great, known as the Behistun Inscription. Old Persian texts, predating the Hellenistic period, refer to a magus as a Zurvanic, and presumably Zoroastrian, priest. Pervasive throughout the Eastern Mediterranean and Western Asia until late antiquity and beyond, ''mágos'' (μάγος) was influenced by (and eventually displaced) Greek '' goēs'' (γόης), the older word for a practitioner of magic, to include astronomy/astrology, alchemy, and other forms of esoteric knowledge. This association was in turn the product of the Hellenistic fascination for Pseudo-Zoroaster, who was perceived by the Greeks to be the Chaldean founder of the Magi and inventor of both astrology and magic, a meaning that still survives in the modern-day words " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Occitan Literature
Occitan literature (referred to in older texts as Provençal literature) is a body of texts written in Occitan, mostly in the south of France. It was the first literature in a Romance language and inspired the rise of vernacular literature throughout medieval Europe. Occitan literature's Golden Age was in the 12th century, when a rich and complex body of lyrical poetry was produced by troubadours writing in Old Occitan, which still survives to this day. Although Catalan is considered by some a variety of Occitan, this article will not deal with Catalan literature, which started diverging from its Southern French counterpart in the late 13th century. Introduction Occitan literature started in the 11th century in several centres. It gradually spread from there, first over the greater portion (though not the whole) of southern France, into what is now the north of Italy and into Spain (Catalonia, Galicia, Castile), and Portugal. In its rise Occitan literature stands completely by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chanson De Geste
The ''chanson de geste'' (, from Latin 'deeds, actions accomplished') is a medieval narrative, a type of epic poem that appears at the dawn of French literature. The earliest known poems of this genre date from the late 11th and early 12th centuries, shortly before the emergence of the lyric poetry of the troubadours and trouvères, and the earliest verse romances. They reached their highest point of acceptance in the period 1150–1250.Hasenohr, 242. Composed in verse, these narrative poems of moderate length (averaging 4000 lines) were originally sung, or (later) recited, by minstrels or jongleurs. More than one hundred ''chansons de geste'' have survived in approximately three hundred manuscripts''La Chanson de Roland,'' 12. that date from the 12th to the 15th century. Origins Since the 19th century, much critical debate has centered on the origins of the ''chansons de geste'', and particularly on explaining the length of time between the composition of the ''chansons'' a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chivalric Romances
As a literary genre, the chivalric romance is a type of prose and verse narrative that was popular in the noble courts of High Medieval and Early Modern Europe. They were fantastic stories about marvel-filled adventures, often of a chivalric knight-errant portrayed as having heroic qualities, who goes on a quest. It developed further from the epics as time went on; in particular, "the emphasis on love and courtly manners distinguishes it from the ''chanson de geste'' and other kinds of epic, in which masculine military heroism predominates." Popular literature also drew on themes of romance, but with ironic, satiric, or burlesque intent. Romances reworked legends, fairy tales, and history to suit the readers' and hearers' tastes, but by c. 1600 they were out of fashion, and Miguel de Cervantes famously burlesqued them in his novel ''Don Quixote''. Still, the modern image of "medieval" is more influenced by the romance than by any other medieval genre, and the word ''me ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Old French
Old French (, , ; Modern French: ) was the language spoken in most of the northern half of France from approximately the 8th to the 14th centuries. Rather than a unified language, Old French was a linkage of Romance dialects, mutually intelligible yet diverse, spoken in the northern half of France. These dialects came to be collectively known as the , contrasting with the in the south of France. The mid-14th century witnessed the emergence of Middle French, the language of the French Renaissance in the Île de France region; this dialect was a predecessor to Modern French. Other dialects of Old French evolved themselves into modern forms (Poitevin-Saintongeais, Gallo, Norman, Picard, Walloon, etc.), each with its own linguistic features and history. The region where Old French was spoken natively roughly extended to the northern half of the Kingdom of France and its vassals (including parts of the Angevin Empire, which during the 12th century remained under Anglo-Norman rul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Present Participle
In linguistics, a participle () (from Latin ' a "sharing, partaking") is a nonfinite verb form that has some of the characteristics and functions of both verbs and adjectives. More narrowly, ''participle'' has been defined as "a word derived from a verb and used as an adjective, as in a ''laughing face''". “Participle” is a traditional grammatical term from Greek and Latin that is widely used for corresponding verb forms in European languages and analogous forms in Sanskrit and Arabic grammar. Cross-linguistically, participles may have a range of functions apart from adjectival modification. In European and Indian languages, the past participle is used to form the passive voice. In English, participles are also associated with periphrastic verb forms (continuous and perfect) and are widely used in adverbial clauses. In non-Indo-European languages, ‘participle’ has been applied to forms that are alternatively regarded as converbs (see Sireniki Eskimo below), gerunds, ger ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vulgar Latin
Vulgar Latin, also known as Popular or Colloquial Latin, is the range of non-formal Register (sociolinguistics), registers of Latin spoken from the Crisis of the Roman Republic, Late Roman Republic onward. Through time, Vulgar Latin would evolve into numerous Romance languages. Its Literary Latin, literary counterpart was a form of either Classical Latin or Late Latin, depending on the time period. Origin of the term During the Classical antiquity, Classical period, Roman authors referred to the informal, everyday variety of their own language as ''sermo plebeius'' or ''sermo vulgaris'', meaning "common speech". The modern usage of the term Vulgar Latin dates to the Renaissance, when Italians, Italian thinkers began to theorize that Italian language, their own language originated in a sort of "corrupted" Latin that they assumed formed an entity distinct from the literary Classical Latin, Classical variety, though opinions differed greatly on the nature of this "vulgar" dialect ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Occitanization
Occitan (; oc, occitan, link=no ), also known as ''lenga d'òc'' (; french: langue d'oc) by its native speakers, and sometimes also referred to as ''Provençal'', is a Romance language spoken in Southern France, Monaco, Italy's Occitan Valleys, as well as Spain's Val d'Aran; collectively, these regions are sometimes referred to as Occitània. It is also spoken in Calabria (Southern Italy) in a linguistic enclave of Cosenza area (mostly Guardia Piemontese). Some include Catalan in Occitan, as the distance between this language and some Occitan dialects (such as the Gascon language) is similar to the distance between different Occitan dialects. Catalan was considered a dialect of Occitan until the end of the 19th century and still today remains its closest relative. Occitan is an official language of Catalonia, where a subdialect of Gascon known as Aranese is spoken in the Val d'Aran. Since September 2010, the Parliament of Catalonia has considered Aranese Occitan to be the off ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Morgante
''Morgante'' (sometimes also called , the name given to the complete 28-canto, 30,080-line edition published in 1483See Lèbano's introduction to the Tusiani translation, p. xxii.) is an Italian romantic epic by Luigi Pulci which appeared in its final form in 1483; a now-lost 23 canto version likely appeared in late 1478; two other 23 canto versions were published in 1481 and 1482. The work was commissioned by Lucrezia Tornabuoni. Based on popular Matter of France material, the poem tells the story of Orlando and Renaud de Montauban (in Italian, ''Renaldo'' or ''Rinaldo''), the most famous of Charlemagne's paladins, in a frequently burlesque fashion. The title character is a giant who becomes Orlando's loyal follower after the knight stops him from attacking the monastery of Chiaromonte and converts him to Christianity. After many strange adventures, Morgante is killed by a bite from a crab. Other characters include Morgante's friend, the gluttonous Margutte who dies in a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baligant
In ''The Song of Roland'', Baligant is the Emir of Babylon (i.e., Cairo, not the Mesopotamian Babylon), who tries to aid the defense of Zaragoza (sometimes spelled "Saragossa") from Charlemagne. He is sometimes described as a man from ancient times. He is killed in the ensuing battle. He comes to the aid of his vassal King Marsile Marsile (variously spelled Marsilie, Marsilius, Marsilion, Marcilie, Marsille, Marsilies, Marsilun, or Marsiluns) is a character in the French heroic poem ''The Song of Roland''. He is the Muslim king of the Saracens and of Saragossa. He first appe ... (a.k.a. "Marsillion") and brings an immense army to fight Charlemagne. He is often seen as the parallel of Charlemagne, both being old, handsome and skillful with a sword. One might say they were equals, except that Charlemagne had the help of Saint Gabriel. The name ''Baligant'' is likely a folk-etymological rendering of Arabic or Turkish antroponymy. Baligant's banner is a dragon, and he also rides ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Matter Of France
The Matter of France, also known as the Carolingian cycle, is a body of literature and legendary material associated with the history of France, in particular involving Charlemagne and his associates. The cycle springs from the Old French '' chansons de geste'', and was later adapted into a variety of art forms, including Renaissance epics and operas. Together with the Matter of Britain, which concerned King Arthur, and the Matter of Rome, comprising material derived from and inspired by classical mythology, it was one of the great European literary cycles that figured repeatedly in medieval literature. Three Matters The Matter of France was one of the "Three Matters" repeatedly recalled in medieval literature. It was contrasted with the Matter of Britain, the legendary history of Great Britain, Brittany and King Arthur; and the Matter of Rome, which represented the medieval poets' interpretations of Ancient Greek and Roman mythology and history. The three names were first used by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
