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Temple Blocks
Temple blocks are a type of percussion instrument consisting of a set of woodblocks. It is descended from the muyu, an instrument originating from eastern Asia, where it is commonly used in religious ceremonies. Description It is a carved hollow wooden instrument with a large slit. In its traditional form, the muyu, the shape is somewhat bulbous like a bell, but modern instruments are often rectangular in shape. They are generally played in sets of four or more to give a variety of pitches, in which they are also known as "tone blocks". In Western music, they can be traced back to early jazz drummers where they were used as exotic instruments before being later adopted into widespread orchestral use. An updated version of the instrument made by Latin Percussion, known as "granite blocks", is made out of plastic rather than wood. The sound of temple blocks is similar to that of normal woodblocks, although temple blocks have a darker, more "hollow" timbre. In their most commo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Woodblock (instrument)
A woodblock (also spelled as two words, wood block) is a small slit drum made from a single piece of wood. The term generally signifies the Western orchestral instrument, though it is descended from the Chinese woodblock. Alternative names sometimes used in ragtime and jazz are clog box and tap box. In orchestral music scores, woodblocks may be indicated by the French ''bloc de bois'' or ''tambour de bois'', German ''Holzblock'' or ''Holzblocktrommel'', or Italian ''cassa di legno''. The orchestral woodblock of the West is generally made from teak or another hardwood. The dimensions of this instrument vary, although it is either a rectangular or cylindrical block of wood with one or sometimes two longitudinal cavities. It is played by striking it with a stick, which produces a sharp crack. Alternatively, a rounder mallet, soft or hard, may be used, which produces a deeper-pitched and fuller "knocking" sound. On a drum kit, a woodblock is traditionally mounted on a clamp fixed t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sound Effect
A sound effect (or audio effect) is an artificially created or enhanced sound, or sound process used to emphasize artistic or other content of films, television shows, live performance, animation, video games, music, or other media. Traditionally, in the twentieth century, they were created with foley. In motion picture and television production, a sound effect is a sound recorded and presented to make a specific storytelling or creative point ''without'' the use of dialogue or music. The term often refers to a process applied to a recording, without necessarily referring to the recording itself. In professional motion picture and television production, dialogue, music, and sound effects recordings are treated as separate elements. Dialogue and music recordings are never referred to as sound effects, even though the processes applied to such as reverberation or flanging effects, often are called "sound effects". This area and sound design have been slowly merged since the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chinese Musical Instruments
Chinese musical instruments are traditionally grouped into eight categories known as (). The eight categories are silk, bamboo, wood, stone, metal, clay, gourd and skin; other instruments considered traditional exist that may not fit these groups. The grouping of instruments in material categories in China is one of the first musical groupings ever devised. Silk (絲) Silk () instruments are mostly stringed instruments (including those that are plucked, bowed, and struck). Since ancient times, the Chinese have used twisted silk for strings, though today metal or nylon are more frequently used. Instruments in the silk category include: Plucked Bowed Struck Combined * () – a combination of the , , and with 50 or more steel strings. * () - strucked and bowed zither from Shandong, China. Bamboo ( 竹) Bamboo () mainly refers to woodwind instruments, which includes; Flutes Free reed pipes Single reed pipes Double reed pipes Wood (木) Most wood () instrume ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orchestral Percussion
Orchestral percussion refers to the various percussion instruments used in an orchestral setting. It may also refer to the act of playing such instruments in an orchestral style. Many music schools and conservatories offer training for musicians interested in developing their skills as an orchestral percussionist. Typically, an orchestral percussionist does not specialize in one particular instrument. Although there is no exhaustive list of all instruments that an orchestral percussionist must be able to play, there are particular instruments that are frequently used in orchestral repertoire. This includes timpani, snare drum, bass drum, xylophone, glockenspiel, triangle, and tambourine. Mallet instruments Mallet percussion (also known as keyboard or tuned percussion) is the general name given to the pitched percussion family. The name is a slight misnomer, in that almost every percussion instrument is played with some type of mallet or stick. With the exception of the marimba, al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Idiophones
An idiophone is any musical instrument that creates sound primarily by the vibration of the instrument itself, without the use of air flow (as with aerophones), strings (chordophones), membranes (membranophones) or electricity ( electrophones). It is the first of the four main divisions in the original Hornbostel–Sachs system of musical instrument classification (see List of idiophones by Hornbostel–Sachs number). The early classification of Victor-Charles Mahillon called this group of instruments ''autophones''. The most common are struck idiophones, or concussion idiophones, which are made to vibrate by being struck, either directly with a stick or hand (like the wood block, singing bowl, steel tongue drum, triangle or marimba) or indirectly, with scraping or shaking motions (like maracas or flexatone). Various types of bells fall into both categories. A common plucked idiophone is the Jew's harp. According to Sachs, idiophones Etymology The word is from Ancient G ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Taylor & Francis
Taylor & Francis Group is an international company originating in England that publishes books and academic journals. Its parts include Taylor & Francis, Routledge, F1000 (publisher), F1000 Research or Dovepress. It is a division of Informa, Informa plc, a United Kingdom–based publisher and conference company. Overview The company was founded in 1852 when William Francis (chemist), William Francis joined Richard Taylor (editor), Richard Taylor in his publishing business. Taylor had founded his company in 1798. Their subjects covered agriculture, chemistry, education, engineering, geography, law, mathematics, medicine, and social sciences. Francis's son, Richard Taunton Francis (1883–1930), was sole partner in the firm from 1917 to 1930. In 1965, Taylor & Francis launched Wykeham Publications and began book publishing. T&F acquired Hemisphere Publishing in 1988, and the company was renamed Taylor & Francis Group to reflect the growing number of Imprint (trade name), imp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orient
The Orient is a term for the East in relation to Europe, traditionally comprising anything belonging to the Eastern world. It is the antonym of ''Occident'', the Western World. In English, it is largely a metonym for, and coterminous with, the continent of Asia, loosely classified into the Western Asia, Southeast Asia, South Asia, Central Asia, East Asia, and sometimes including the Caucasus. Originally, the term ''Orient'' was used to designate only the Near East, and later its meaning evolved and expanded, designating also the Middle East, Central Asia, South Asia, Southeast Asia, or the Far East. The term ''oriental'' is often used to describe objects from the Orient; however in the United States it is considered an outdated and often offensive term by some, especially when used to refer to people of East Asian and Southeast Asian descent. Etymology The term "Orient" derives from the Latin word ''oriens'' meaning "east" (lit. "rising" < ''orior'' " rise"). The use of the w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Motif (music)
In music, a motif IPA: ( /moʊˈtiːf/) (also motive) is a short musical phrase, a salient recurring figure, musical fragment or succession of notes that has some special importance in or is characteristic of a composition: "The motive is the smallest structural unit possessing thematic identity". The ''Encyclopédie de la Pléiade'' regards it as a "melodic, rhythmic, or harmonic cell", whereas the 1958 ''Encyclopédie Fasquelle'' maintains that it may contain one or more cells, though it remains the smallest analyzable element or phrase within a subject. It is commonly regarded as the shortest subdivision of a theme or phrase that still maintains its identity as a musical idea. "The smallest structural unit possessing thematic identity". Grove and Larousse also agree that the motif may have harmonic, melodic and/or rhythmic aspects, Grove adding that it "is most often thought of in melodic terms, and it is this aspect of the motif that is connoted by the term 'fig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Variations On A Korean Folk Song
''Variations on a Korean Folk Song'' is a major musical piece written for concert band by John Barnes Chance in 1965. As the name implies, ''Variations'' consists of a set of variations on the Korean folk song "Arirang", which the composer heard while in South Korea with the U.S. Army in the late 1950s. In 1966 the piece was awarded the American Bandmasters Association's Ostwald Award. The theme is based upon a concert A major pentatonic scale. At the beginning of the composition, the first part of the theme, resembling Arirang, is introduced quietly in the clarinets; the other instruments join in to play the second part. The song then consists of five variations on this theme. # The first variation, marked Vivace, turns the theme into a series of rapid sixteenth notes, played by the woodwinds and temple blocks at first and then the entire band. It ends with a set of sixteenth notes played by the entire band in unison. # The second variation, marked Larghetto, is much slower. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Incantation And Dance
''Incantation and Dance'' is a piece composed by John Barnes Chance in 1960 as his first work for wind ensemble. Before it was published in 1963, it went under the working title of ''Nocturne and Dance.'' It has become a cornerstone work in wind ensemble literature. Chance wrote it during his tenure in Greensboro and dedicated the piece to Herbert Hazelman and the Greensboro Senior High School. The piece is written in three cycles, each containing the "Incantation" theme, a "percussion concerto", and the "Dance" theme. The third cycle has these three sections played simultaneously rather than in succession. During the "percussion concerto" section, each percussion instrument introduces the rhythmic motifs that appear during the "Dance" section. This acts as a bridge between the "Incantation" and "Dance" sections. Instrumentation The work is scored for the following band:Chance, John Barnes (1963). ''Incantation and Dance'' core Boosey & Hawkes. OCLCbr>613270406 ;Woodwin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Barnes Chance
John Barnes Chance (November 20, 1932 – August 16, 1972) was an American composer. Chance studied composition with Clifton Williams at the University of Texas, Austin, and is best known for his concert band works, which include ''Variations on a Korean Folk Song'', ''Incantation and Dance'', and ''Blue Lake Overture''. Biography Chance is believed to be a descendant of Robert Chance, a Mississippi gambler who settled in southeast Texas in the late 1800s. His parents, Mr. and Mrs. Robert Floyd Chance, were natives of Southeast Texas. The youngest of three children, Chance's first musical experience started when he was 9 years old and began to take private piano lessons. In high school, Chance continued to perform in ensembles and met Arnold Whedbee, a band director, who would premiere the first movement of Chance's ''Symphony 1'' at his graduation. At the University of Texas, from which he earned the degrees of bachelor of music and master of music, he studied composition wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sleigh Ride
"Sleigh Ride" is a light orchestra standard composed by Leroy Anderson. The composer had formed the original idea for the piece during a heat wave in July 1946, and he finished the work in February 1948. The original recordings were instrumental versions. The lyrics, about riding in a sleigh and other fun wintertime activities, were written by Mitchell Parish in 1950. Anderson also made arrangements for wind band and piano. The orchestral version was first recorded in 1949 by Arthur Fiedler and the Boston Pops Orchestra. "Sleigh Ride" was a hit record on RCA Victor Red Seal, and has become one of the orchestra's signature songs. The 45 rpm version was originally issued on red vinyl. The Pops have also recorded the song with John Williams, their conductor from 1979 to 1995, and Keith Lockhart, their current conductor. The Ronettes recorded a cover of "Sleigh Ride" in 1963 for Phil Spector's ''A Christmas Gift for You'', which was commercially successful in the United States and f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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