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Teli Ka Mandir
Teli ka Mandir, also known as Telika Temple, is a Hindu temple located within the Gwalior Fort in Madhya Pradesh, India. Dedicated to Shiva, Vishnu and Matrikas, it has been variously dated between the early 8th and early 9th century CE. It is an atypical design for a Hindu temple, as it has a rectangular sanctum instead of the typical square. It integrates the architectural elements of the Nagara style and the Valabhi prasada. The temple is based on a Gurjara Pratihara-Gopagiri style North Indian architecture. The temple is a classic example of a design based on "musical harmonics" in architecture, one that Hermann Goetz called as a masterpiece of late Gupta era Indian art. Location The temple is located inside the fort of Gwalior, north Madhya Pradesh. The city is connected by major highways NH 44 and 46 (Asian Highway 43 and 47), a railway station and airport (IATA: GWL). It is located near other historic Hindu and Jain temples from the medieval era, as well the major group ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hinduism
Hinduism () is an Indian religion or '' dharma'', a religious and universal order or way of life by which followers abide. As a religion, it is the world's third-largest, with over 1.2–1.35 billion followers, or 15–16% of the global population, known as Hindus. The word ''Hindu'' is an exonym, and while Hinduism has been called the oldest religion in the world, many practitioners refer to their religion as '' Sanātana Dharma'' ( sa, सनातन धर्म, lit='the Eternal Dharma'), a modern usage, which refers to the idea that its origins lie beyond human history, as revealed in the Hindu texts. Another endonym is ''Vaidika dharma'', the dharma related to the Vedas. Hinduism is a diverse system of thought marked by a range of philosophies and shared concepts, rituals, cosmological systems, pilgrimage sites, and shared textual sources that discuss theology, metaphysics, mythology, Vedic yajna, yoga, agamic rituals, and temple building, among other to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royal Scots Regiment
The Royal Scots (The Royal Regiment), once known as the Royal Regiment of Foot, was the oldest and most senior infantry regiment of the line of the British Army, having been raised in 1633 during the reign of Charles I of Scotland. The regiment existed continuously until 2006, when it amalgamated with the King's Own Scottish Borderers to become the Royal Scots Borderers, which merged with the Royal Highland Fusiliers (Princess Margaret's Own Glasgow and Ayrshire Regiment), the Black Watch, the Highlanders (Seaforth, Gordons and Camerons) and the Argyll and Sutherland Highlanders to form the Royal Regiment of Scotland. History 17th century In April 1633, Sir John Hepburn was granted a warrant by Charles I to recruit 1200 Scots for service with the French army in the 1618–1648 Thirty Years War. The nucleus came from Hepburn's previous regiment, which fought with the Swedes from 1625 until August 1632, when Hepburn quarrelled with Gustavus Adolphus. It absorbed other Scot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vardhana
The Pushyabhuti dynasty (IAST: Puṣyabhūti), also known as the Vardhana dynasty ruled in northern India during 6th and 7th centuries. The dynasty reached its zenith under its last ruler Harsha Vardhana (c. 590–647 CE), and the Empire of Harsha covered much of north and north-western India, extending till Kamarupa in the east and Narmada River in the south. The dynasty initially ruled from Sthanveshvara (in modern Kurukshetra district, Haryana), but Harsha eventually made Kanyakubja (modern Kannauj, Uttar Pradesh) his capital, from where he ruled until 647 CE. Etymology and name According to '' Harsha-charita'', composed by the court poet Bana, the family was known as Pushyabhuti dynasty (IAST: Puṣyabhūti-vaṃśa), or Pushpabhuti dynasty (IAST: Puṣpabhūti-vaṃśa). The manuscripts of ''Harsha-charita'' use the variant "Pushpabhuti", but Georg Bühler proposed that this was a scribal error, and that the correct name was Pushyabhuti. Several modern scholars now use ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gopuram
A ''gopuram'' or ''gopura'' ( Tamil: கோபுரம், Malayalam: ഗോപുരം, Kannada: ಗೋಪುರ, Telugu: గోపురం) is a monumental entrance tower, usually ornate, at the entrance of a Hindu temple, in the South Indian architecture of the Southern Indian states of Tamil Nadu, Andhra Pradesh, Kerala, Karnataka, and Telangana, and Sri Lanka. In other areas of India they are much more modest, while in Southern Indian temples they are very often by far the highest part of the temple. Ancient and early medieval temples feature smaller ''gopuram'', while in later temples they are a prominent feature of Hindu Dravidian style; in many cases the temple compound was expanded and new larger gopuram built along the new boundary. They are topped by the ''kalasam'', a bulbous stone finial. They function as gateways through the walls that surround the temple complex. Another towering structure located towards the center of the temple is the Vimanam. Both of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shikhara
''Shikhara'' (IAST: '), a Sanskrit word translating literally to "mountain peak", refers to the rising tower in the Hindu temple architecture of North India, and also often used in Jain temples. A ''shikhara'' over the ''garbhagriha'' chamber where the presiding deity is enshrined is the most prominent and visible part of a Hindu temple of North India. In South India, the equivalent term is ''vimana''; unlike the ''shikhara'', this refers to the whole building, including the sanctum beneath. In the south, ''shikhara'' is a term for the top stage of the vimana only, which is usually a dome capped with a finial; this article is concerned with the northern form. The southern ''vimana'' is not to be confused with the elaborate gateway-towers of south Indian temples, called ''gopuram'', which are often taller and more prominent features in large temples. Forms ''Shikhara'' can be classified into three main forms: *''Latina''. The ''shikhara'' has four faces, which may include proj ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Valabhi
Vallabhi (or Valabhi or Valabhipur, modern Vala; Devanāgarī: वल्लभी) is an ancient city located in the Saurashtra peninsula of Gujarat, near Bhavnagar in western India. It is also known as Vallabhipura and was the capital of the Suryavanshi Maitraka Dynasty. History Vallabhi was occupied as early as the Harappan period, and was later part of the Maurya Empire from about 322 BCE until 185 BCE. The Satavahana dynasty ruled the area, off and on, from the late second century BCE until the early third century CE. The Gupta Empire held the area from approximately 319 CE to 467 CE. The Great Council of Vallabhi, which codified the Śvētāmbaras Jain texts, was held there in 454 CE, during the decline of the Gupta Empire. In the fifth century (CE), the first two Maitraka rulers, Bhatarka and Dharasena I, only used the title of ''Senapati'' (general). The third ruler, Dronasimha (Dronasena ), declared himself ''Maharaja'' (literally "Great King").Roychaudhuri, H.C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Garuda
Garuda (Sanskrit: ; Pāli: ; Vedic Sanskrit: गरुळ Garuḷa) is a Hindu demigod and divine creature mentioned in the Hindu, Buddhist and Jain faiths. He is primarily depicted as the mount (''vahana'') of the Hindu god Vishnu. Garuda is also the half-brother of the Devas, Daityas, Danavas and Yakshas. He is the son of the sage Kashyapa and Vinata. He is the younger brother of Aruna, the charioteer of the Sun. Garuda is mentioned in several other texts such as the Puranas and the Vedas. Garuda is described as the king of the birds and a kite-like figure. He is shown either in a zoomorphic form (a giant bird with partially open wings) or an anthropomorphic form (a man with wings and some ornithic features). Garuda is generally portrayed as a protector with the power to swiftly travel anywhere, ever vigilant and an enemy of every serpent. He is also known as Tarkshya and Vainateya. Garuda is a part of state insignia of India, Indonesia and Thailand. The Indonesian official ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Garbha Griha
A ''garbhagriha'' or ''sannidhanam'' is the ''sanctum sanctorum'', the innermost sanctuary of a Hindu and Jain temples where resides the ''murti'' (idol or icon) of the primary deity of the temple. In Jainism, the main deity is known as the ''Mulnayaka''. Literally the word means "womb chamber", from the Sanskrit words ''garbha'' for womb and ''griha'' for house. Although the term is often associated with Hindu temples, it is also found in Jain and Buddhist temples. Traditionally, in Hinduism only 'priests' (''pujari'') are allowed to enter this chamber, though in modern practice this is often considerably relaxed. Architecture The room has a single entrance, normally facing east to be accessed by the rising sun, and no windows. It is normally square, and at least approximately a cube, with the representation of the temple's deity placed in the centre, so that it can be seen by worshippers outside. Relative to the size of the temple, and especially the large tower arising o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sanctum Sanctorum
The Latin phrase ''sanctum sanctorum'' is a translation of the Hebrew term ''קֹדֶשׁ הַקֳּדָשִׁים'' (Qṓḏeš HaQŏḏāšîm), literally meaning Holy of Holies, which generally refers in Latin texts to the holiest place of the Ancient Israelites, inside the Tabernacle and later inside the Temple in Jerusalem, but the term also has some derivative use in application to imitations of the Tabernacle in church architecture. The plural form ''sancta sanctorum'' is also used, arguably as a synecdoche, referring to the holy relics contained in the sanctuary. The Vulgate translation of the Bible uses ''sancta sanctorum'' for the Holy of Holies. Hence the derivative usage to denote the Sancta Sanctorum chapel in the complex of the Archbasilica of Saint John Lateran, Rome. In Hinduism, a temple's innermost part where the ''Murti'' of the deity is kept forms the ''Garbha griha'', also referred to as a sanctum sanctorum. Etymology The Latin word '' sanctum'' is the neu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dvarapala
A Dvarapala or Dvarapalaka (Sanskrit, "door guard"; IAST: ' ) is a door or gate guardian often portrayed as a warrior or fearsome giant, usually armed with a weapon - the most common being the ''gada'' (mace). The dvarapala statue is a widespread architectural element throughout Hindu, Buddhist and Jaina cultures, as well as in areas influenced by them like Java. Names In most Southeast Asian languages (including Thai, Burmese, Vietnamese, Khmer and Javanese), these protective figures are referred to as ''dvarapala''. Sanskrit ''dvāra'' means "gate" or "door", and ''pāla'' means "guard" or "protector". The related name in Indonesian and Malaysia is ''dwarapala''. Equivalent door guardians in northern Asian languages are ''Kongōrikishi'' or ''Niō'' in Japanese, ''Heng Ha Er Jiang'' in Chinese, and ''Narayeongeumgang'' in Korean. Origin and forms Dvarapalas as an architectural feature have their origin in tutelary deities, like Yaksha and warrior figures, such as A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mithuna
Maithuna (Devanagari: मैथुन) is a Sanskrit term for sexual intercourse within Tantric sex, or alternatively to the specific lack of sexual fluids generated, while mithuna is a couple participating in such a ritual. It is the most important of the five makara and constitutes the main part of the grand ritual of Tantra variously known as Panchamakara, Panchatattva, and Tattva Chakra. Maithuna means the union of opposing forces, underlining the nonduality between human and divine, as well as worldly enjoyment (''kama'') and spiritual liberation (''moksha''). Mithuna is a popular icon in ancient Hindu art, portrayed as a couple engaged in physical loving. History Maithuna intercourse has been traditionally interpreted to be performed with semen retention by the male practitioner, although other authors consider it optional, possibly relegated only to late Tantra. Early maithuna might have consisted on generating sexual fluids (''maithunam dravyam'', or solely ''maithu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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