Teenage Shutdown! You Treated Me Bad!
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Teenage Shutdown! You Treated Me Bad!
''Teenage Shutdown! You Treated Me Bad!'' (subtitled ''The Teener Side of the Mid-'60s Garage Explosion'') is a compilation album featuring material by underground garage rock musical artists that recorded in the mid-1960s, and was previously available to only a handful of collectors. It is the second installment of the ''Teenage Shutdown!'' series and was released on Crypt Records on October 6, 1998 (''see'' 1998 in music). The album compiles teen garage groups influenced by surf rock, and is somewhat raw and amateurish in its recordings. In comparison to the rest of the series, ''You Treated Me Bad'' is the most pop and folk rock-oriented as the majority of the featured musical artists attempted to appeal to public taste. Musical highlights include "Hurray for Hazel", by Terry Davidson and the Barracudas, which is an instrumental marked by its jangling freeform. Additionally, the Morticians' "It's Gonna Take a While" makes innovative use of fuzz-toned guitar arrangements, and th ...
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Garage Rock
Garage rock (sometimes called garage punk or 60s punk) is a raw and energetic style of rock and roll that flourished in the mid-1960s, most notably in the United States and Canada, and has experienced a series of subsequent revivals. The style is characterized by basic chord (music), chord structures played on electric guitars and other instruments, sometimes distorted through a distortion (music), fuzzbox, as well as often unsophisticated and occasionally aggressive lyrics and delivery. Its name derives from the perception that groups were often made up of young amateurs who rehearsed in the family Garage (residential), garage, although many were professional. In the US and Canada, surf rock—and later the Beatles and other beat music, beat groups of the British Invasion—motivated thousands of young people to form bands between 1963 and 1968. Hundreds of acts produced regional hits, and some had national hits, usually played on AM radio stations. With the advent of psyc ...
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Surf Rock
Surf music (or surf rock, surf pop, or surf guitar) is a Music genre, genre of rock music associated with surf culture, particularly as found in Southern California. It was especially popular from 1958 to 1964 in two major forms. The first is instrumental surf, distinguished by reverb-heavy electric guitars played to evoke the sound of crashing waves, largely pioneered by Dick Dale and the Del-Tones. The second is vocal surf, which took elements of the original surf sound and added vocal harmonies, a movement led by the Beach Boys. Dick Dale developed the surf sound from instrumental rock, where he added Middle Eastern music, Middle Eastern and Mexican music, Mexican influences, a spring reverb, and rapid alternate guitar picking, picking characteristics. His regional hit "Let's Go Trippin', in 1961, launched the surf music craze, inspiring many others to take up the approach. The genre reached national exposure when it was represented by vocal groups such as the Beach Boys and ...
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Long-play
The LP (from "long playing" or "long play") is an analog sound storage medium, a phonograph record format characterized by: a speed of  rpm; a 12- or 10-inch (30- or 25-cm) diameter; use of the "microgroove" groove specification; and a vinyl (a copolymer of vinyl chloride acetate) composition disk. Introduced by Columbia in 1948, it was soon adopted as a new standard by the entire record industry. Apart from a few relatively minor refinements and the important later addition of stereophonic sound, it remained the standard format for record albums (during a period in popular music known as the album era) until its gradual replacement from the 1980s to the early 2000s, first by cassettes, then by compact discs, and finally by digital music distribution. Beginning in the late 2000s, the LP has experienced a resurgence in popularity. Format advantages At the time the LP was introduced, nearly all phonograph records for home use were made of an abrasive shellac compound ...
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Pebbles, Volume 1
''Pebbles'' is a compilation of US underground and garage single record releases from the mid- to late-1960s. It had a limited original release in 1978 and a more general release in 1979 (where the album was identified simply as ''Pebbles''). It was followed by several subsequent Pebbles compilations and albums (nearly 100 in all). This album is nowadays known as Pebbles, Volume 1 and was originally issued in 1978 as Pebbles, Volume One: Artyfacts from the First Punk Era, an obvious riff on '' Nuggets: Original Artyfacts from the First Psychedelic Era'', a similar, groundbreaking compilation from 1972. Release data The Pebbles album was originally released as an LP on Mastercharge Records in 1978 as a collaborative effort of several collectors in a limited edition of just 500 copies. The album had no catalogue number and a plain pink-and-black cover sheet; it had the appearance of a bootleg recording. Greg Shaw was probably one of the collectors involved in this album, since t ...
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The JuJus
The JuJus were an American garage rock band formed in Grand Rapids, Michigan, and active between 1964 and 1967. Though the group was never able to record an album they are considered one of the more polished acts to originate from the Michigan rock scene. Amid several line-up changes, The JuJus managed to blend influences of folk rock and The British Invasion into their raw musical style, before experimenting in the psychedelic rock genre. Their most acclaimed piece was the regional hit, "You Treat Me Bad", which is now deemed a garage rock classic. History The nucleus of the band originated from Godwin Heights High School, in which all the members were a part of the institute's jazz band. Initially, they formed to parody the act of the Beatles in a school assembly. Their original line-up consisted of saxophone player Max Colley Jr., tuba player turned drummer Bill Gorski, and lead guitarist Rod Shepard. For the performance, Colley, along with classmate, Larry Jansen, penned th ...
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Guitar
The guitar is a fretted musical instrument that typically has six strings. It is usually held flat against the player's body and played by strumming or plucking the strings with the dominant hand, while simultaneously pressing selected strings against frets with the fingers of the opposite hand. A plectrum or individual finger picks may also be used to strike the strings. The sound of the guitar is projected either acoustically, by means of a resonant chamber on the instrument, or amplified by an electronic pickup and an amplifier. The guitar is classified as a chordophone – meaning the sound is produced by a vibrating string stretched between two fixed points. Historically, a guitar was constructed from wood with its strings made of catgut. Steel guitar strings were introduced near the end of the nineteenth century in the United States; nylon strings came in the 1940s. The guitar's ancestors include the gittern, the vihuela, the four- course Renaissance guitar, and the ...
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Folk Rock
Folk rock is a hybrid music genre that combines the elements of folk and rock music, which arose in the United States, Canada, and the United Kingdom in the mid-1960s. In the U.S., folk rock emerged from the folk music revival. Performers such as Bob Dylan and the Byrds—several of whose members had earlier played in folk ensembles—attempted to blend the sounds of rock with their pre-existing folk repertoire, adopting the use of electric instrumentation and drums in a way previously discouraged in the U.S. folk community. The term "folk rock" was initially used in the U.S. music press in June 1965 to describe the Byrds' music. The commercial success of the Byrds' cover version of Dylan's "Mr. Tambourine Man" and their debut album of the same name, along with Dylan's own recordings with rock instrumentation—on the albums ''Bringing It All Back Home'' (1965), ''Highway 61 Revisited'' (1965), and '' Blonde on Blonde'' (1966)—encouraged other folk acts, such as Simon & Ga ...
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Pop Music
Pop music is a genre of popular music that originated in its modern form during the mid-1950s in the United States and the United Kingdom. The terms ''popular music'' and ''pop music'' are often used interchangeably, although the former describes all music that is popular and includes many disparate styles. During the 1950s and 1960s, pop music encompassed rock and roll and the youth-oriented styles it influenced. ''Rock'' and ''pop'' music remained roughly synonymous until the late 1960s, after which ''pop'' became associated with music that was more commercial, ephemeral, and accessible. Although much of the music that appears on record charts is considered to be pop music, the genre is distinguished from chart music. Identifying factors usually include repeated choruses and hooks, short to medium-length songs written in a basic format (often the verse-chorus structure), and rhythms or tempos that can be easily danced to. Much pop music also borrows elements from other styles ...
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1998 In Music
This is a list of notable events in music that took place in the year 1998. Specific locations * 1998 in British music * 1998 in Norwegian music * 1998 in South Korean music Specific genres * 1998 in classical music * 1998 in country music * 1998 in heavy metal music *1998 in hip hop music * 1998 in Latin music * 1998 in jazz Events January *January 28 **Interscope Records pays a radio station in Portland, Oregon, USA, $5000 to play the Limp Bizkit single "Counterfeit" fifty times. The business move is widely criticized in the media as "payola", but the controversy serves to further increase publicity for the band. **"Weird Al" Yankovic gets LASIK surgery to cure his myopia. At the same time, he grows out his hair and shaves off his moustache, radically changing his signature look. **Namie Amuro's first greatest hits album, '' 181920,'' is released. *January 31 – The Presidents of the United States of America play a farewell show in their hometown of Seattle. They would re ...
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Crypt Records
Crypt Records is an independent record label founded by American-born Tim Warren in 1983. The label has been headquartered variously in Hamburg, Germany and in several locations in the United States. Crypt is perhaps best known for issuing the ten-volume '' Back From The Grave Series'' of 1960s garage punk compilations, although its other reissues and releases include surf, rockabilly, punk rock, exotica, garage punk, original rhythm and blues, and soul music. History Establishment Crypt Records was launched in August 1983 by the New York-born Tim Warren (b. 1960), who had spent his boyhood with his family in the Philippines and Greece.Matti Bildt"Crypt Records: Rock n Roll Isn't Dead, It's Just a Little Sleepy,"''Ox Fanzine,'' whole no. 103 (Aug.-Sept. 2013) n German The family moved back to the United States in 1974, when Warren was 14. Warren spent his first four years as a young adult working in a record store in Amherst, Massachusetts before moving to Maine to work in a ga ...
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Teenage Shutdown! (series)
''Teenage Shutdown!'' is a series of garage rock compilation albums assembled by Tim Warren of Crypt Records, best known for his '' Back from the Grave'' series. Most of the volumes in the ''Teenage Shutdown!'' series, gravitate towards the more raw and aggressive examples of the genre, but some volumes also reflect different aspects of garage rock, such as frat rock, soul-influenced rock, as well as folk rock and psychedelic. The series currently consists of fifteen LP's and CD's, which unlike the ''Back from the Grave'' series, are identical in both formats. The first ten installments were released in 1998 and the remainder in 1999 and 2000. The first volume ''Jump, Jive and Harmonize,'' was culled from the collection of 45-rpm singles owned by Mike Markesich (colloquially referred to as "Moptop Mike"). The series tends to follow the packaging format employed by other garage compilation series such as '' Pebbles'' and ''Back from the Grave:'' each volume includes detailed ...
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Garage Rock
Garage rock (sometimes called garage punk or 60s punk) is a raw and energetic style of rock and roll that flourished in the mid-1960s, most notably in the United States and Canada, and has experienced a series of subsequent revivals. The style is characterized by basic chord (music), chord structures played on electric guitars and other instruments, sometimes distorted through a distortion (music), fuzzbox, as well as often unsophisticated and occasionally aggressive lyrics and delivery. Its name derives from the perception that groups were often made up of young amateurs who rehearsed in the family Garage (residential), garage, although many were professional. In the US and Canada, surf rock—and later the Beatles and other beat music, beat groups of the British Invasion—motivated thousands of young people to form bands between 1963 and 1968. Hundreds of acts produced regional hits, and some had national hits, usually played on AM radio stations. With the advent of psyc ...
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