Teatro Lethes
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Teatro Lethes
''Teatro Lethes'', or ''Teatro Letes'', is a theatre, with adjacent buildings, located in the city of Faro in the Algarve region of Portugal. The building dates back to 1605, having first been a Jesuit college. It was inaugurated as a theatre in 1845. Early history The original building, approved in 1599 when the Jesuits settled in Faro and constructed by 1605, was the ''Colégio de Santiago Maior da Companhia de Jesus'', a Jesuit college founded by the Bishop of the Algarve, Fernando Martins Mascarenhas. In 1759, after the banishment of the Jesuits from Portugal and confiscation of their assets, the college closed its doors and the buildings initially became part of the Royal Treasury. In 1807 during the French invasion of Portugal under General Jean-Andoche Junot, the former college was used to house French soldiers, and was badly desecrated in the process. The skeleton of a Napoleonic soldier was later found walled up inside the theatre. Conversion to a theatre Occupied by ...
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Faro, Portugal
Faro ( , ) is a municipality, the southernmost city and capital of the district of the same name, in the Algarve region of southern Portugal. With an estimated population of 60,995 inhabitants in 2019 (with 39,733 inhabitants in the city proper, making it the biggest city and second most populous municipality in the Algarve (after Loulé) and one of the biggest in Southern Portugal), the municipality covers an area of about . History The Ria Formosa lagoon attracted humans from the Palaeolithic age until the end of prehistory. The first settlements date from the fourth century BC, during the period of Phoenician colonization of the western Mediterranean. At the time, the area was known as Ossonoba, and was the most important urban centre of southern Portugal and commercial port for agricultural products, fish, and minerals. Between the second and eighth centuries, the city was under the domain of the Romans, then the Byzantines, and later Visigoths, before being conquered by ...
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Cape St
A cape is a clothing accessory or a sleeveless outer garment which drapes the wearer's back, arms, and chest, and connects at the neck. History Capes were common in medieval Europe, especially when combined with a hood in the chaperon. They have had periodic returns to fashion - for example, in nineteenth-century Europe. Roman Catholic clergy wear a type of cape known as a ferraiolo, which is worn for formal events outside a ritualistic context. The cope is a liturgical vestment in the form of a cape. Capes are often highly decorated with elaborate embroidery. Capes remain in regular use as rainwear in various military units and police forces, in France for example. A gas cape was a voluminous military garment designed to give rain protection to someone wearing the bulky gas masks used in twentieth-century wars. Rich noblemen and elite warriors of the Aztec Empire would wear a tilmàtli; a Mesoamerican cloak/cape used as a symbol of their upper status. Cloth and clothing ...
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Theatres In Faro, Portugal
Theatre or theater is a collaborative form of performing art that uses live performers, usually actors or actresses, to present the experience of a real or imagined event before a live audience in a specific place, often a stage. The performers may communicate this experience to the audience through combinations of gesture, speech, song, music, and dance. Elements of art, such as painted scenery and stagecraft such as lighting are used to enhance the physicality, presence and immediacy of the experience. The specific place of the performance is also named by the word "theatre" as derived from the Ancient Greek θέατρον (théatron, "a place for viewing"), itself from θεάομαι (theáomai, "to see", "to watch", "to observe"). Modern Western theatre comes, in large measure, from the theatre of ancient Greece, from which it borrows technical terminology, classification into genres, and many of its themes, stock characters, and plot elements. Theatre artist Patrice Pa ...
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Unrequited Love
Unrequited love or one-sided love is love that is not openly reciprocated or understood as such by the beloved. The beloved may not be aware of the admirer's deep and pure affection, or may consciously reject it. The Merriam Webster Online Dictionary defines unrequited as "not reciprocated or returned in kind". Psychiatrist Eric Berne states in his book '' Sex in Human Loving'' that "Some say that one-sided love is better than none, but like half a loaf of bread, it is likely to grow hard and moldy sooner." However, the philosopher Friedrich Nietzsche contends that "indispensable...to the lover is his unrequited love, which he would at no price relinquish for a state of indifference." Unrequited love stands in contrast to redamancy, the act of reciprocal love. Analysis Route to unrequited love According to Dr. Roy Baumeister, what makes a person desirable is a complex and highly personal mix of many qualities and traits. But falling for someone who is much more desirable t ...
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Box (theatre)
In a theatre, a box, loge, or opera box is a small, separated seating area in the auditorium or audience for a limited number of people for private viewing of a performance or event. Boxes are typically placed immediately to the front, side and above the level of the stage. They are separate rooms with an open viewing area which typically seat five people or fewer. Usually all the seats in a box are taken by members of a single group of people. A state box or royal box is sometimes provided for dignitaries. In theatres without box seating the loge can refer to a separate section at the front of the balcony. Sports venues such as stadiums and racetracks also have royal boxes or enclosures, for example at the All England Club and Ascot Racecourse, where access is limited to royal families or other distinguished personalities. In other countries, sports venues have luxury boxes aka skyboxes, where access is open to anyone who can afford tickets, sometimes bought by companies. Se ...
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Theatre (structure)
A theater, theatre or playhouse, is a structure where theatrical Theatre or theater is a collaborative form of performing art that uses live performers, usually actor, actors or actresses, to present the experience of a real or imagined event before a live audience in a specific place, often a stage. The p ... works, performing arts and musical Concert, concerts are presented. The theater building serves to define the performance and audience spaces. The facility usually is organized to provide support areas for performers, the technical crew and the audience members, as well as the stage where the performance takes place. There are as many types of theaters as there are types of performance. Theaters may be built specifically for a certain types of productions, they may serve for more general performance needs or they may be adapted or converted for use as a theater. They may range from open-air amphitheaters to ornate, cathedral-like structures to simple, undecorated ro ...
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International Red Cross And Red Crescent Movement
The International Red Cross and Red Crescent Movement is a humanitarian movement with approximately 97 million volunteers, members and staff worldwide. It was founded to protect human life and health, to ensure respect for all human beings, and to prevent and alleviate human suffering. Within it there are three distinct organisations that are legally independent from each other, but are united within the movement through common basic principles, objectives, symbols, statutes and governing organisations. History Foundation Until the middle of the nineteenth century, there were no organized or well-established army nursing systems for casualties, nor safe or protected institutions, to accommodate and treat those who were wounded on the battlefield. A devout Calvinist, the Swiss businessman Jean-Henri Dunant traveled to Italy to meet then-French emperor Napoleon III in June 1859 with the intention of discussing difficulties in conducting business in Algeria, which at that time ...
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Theatrograph
R. W. Paul presented Britain's second film projector, and the first commercially produced 35mm projector, the Theatrograph, on 20 February 1896. It was first demonstrated at Finsbury Technical College. The use of Paul's Theatrograph in music halls up and down the country popularised early cinema in Britain. It was first revealed to the public at the Egyptian Hall in Piccadilly, London. Carl Hertz sailed from England on 28 March 1896 aboard the Royal Mail Ship and during the voyage exhibited Paul's Theatrograph to the passengers. He also exhibited films in South Africa and Australia. The screenings in South Africa were the first public screenings of moving pictures in that country. After Australia, Hertz took the Theatrograph to Ceylon (Sri Lanka), India, China, Japan, the Fiji Islands, and Hawaii. George Melies George may refer to: People * George (given name) * George (surname) * George (singer), American-Canadian singer George Nozuka, known by the mononym George * George W ...
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Greek Mythology
A major branch of classical mythology, Greek mythology is the body of myths originally told by the Ancient Greece, ancient Greeks, and a genre of Ancient Greek folklore. These stories concern the Cosmogony, origin and Cosmology#Metaphysical cosmology, nature of the world, the lives and activities of List of Greek mythological figures, deities, Greek hero cult, heroes, and List of Greek mythological creatures, mythological creatures, and the origins and significance of the ancient Greeks' own cult (religious practice), cult and ritual practices. Modern scholars study the myths to shed light on the religious and political institutions of ancient Greece, and to better understand the nature of myth-making itself. The Greek myths were initially propagated in an oral tradition, oral-poetic tradition most likely by Minoan civilization, Minoan and Mycenaean Greece, Mycenaean singers starting in the 18th century BC; eventually the myths of the heroes of the Trojan War and its after ...
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Hades
Hades (; grc-gre, ᾍδης, Háidēs; ), in the ancient Greek religion and myth, is the god of the dead and the king of the underworld, with which his name became synonymous. Hades was the eldest son of Cronus and Rhea, although this also made him the last son to be regurgitated by his father. He and his brothers, Zeus and Poseidon, defeated their father's generation of gods, the Titans, and claimed rulership over the cosmos. Hades received the underworld, Zeus the sky, and Poseidon the sea, with the solid earth, long the province of Gaia, available to all three concurrently. In artistic depictions, Hades is typically portrayed holding a bident and wearing his helm with Cerberus, the three-headed guard dog of the underworld, standing to his side. The Etruscan god Aita and the Roman gods Dis Pater and Orcus were eventually taken as equivalent to Hades and merged into Pluto, a Latinisation of Plouton ( grc-gre, , Ploútōn), itself a euphemistic title often given to Had ...
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Lethe
In Greek mythology, Lethe (; Ancient Greek: ''Lḗthē''; , ), also referred to as Lemosyne, was one of the five rivers of the underworld of Hades. Also known as the ''Ameles potamos'' (river of unmindfulness), the Lethe flowed around the cave of Hypnos and through the Underworld where all those who drank from it experienced complete forgetfulness. Lethe was also the name of the Greek spirit of forgetfulness and oblivion, with whom the river was often identified. In Classical Greek, the word ''lethe'' (λήθη) literally means "oblivion", "forgetfulness", or "concealment". It is related to the Greek word for "truth", ''aletheia'' (ἀλήθεια), which through the privative alpha literally means "un-forgetfulness" or "un-concealment". Infernal river Lethe, the river of forgetfulness, is one of the five rivers of the Greek underworld; the other four are Acheron (the river of sorrow), Cocytus (the river of lamentation), Phlegethon (the river of fire) and Styx (the river t ...
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Maria II Of Portugal
, image = Queen Maria II by John Simpson.jpg , caption = Portrait by John Simpson, 1835 , succession = Queen of Portugal , reign = , predecessor = Pedro IV , successor = Miguel I , reg-type = Regents , regent = Infanta Isabel Maria Infante Miguel , reign1 = 26 May 1834 – , coronation1 = 20 September 1834 , cor-type1 = Acclamation , predecessor1 = Miguel I , successor1 = Pedro V , reg-type1 = Co-monarch , regent1 = Fernando II , regent2 = Pedro IV , spouse = , issue = , issue-link = #Marriages and issue , house = Braganza , father = Pedro I of Brazil and IV of Portugal , mother = Maria Leopoldina of Austria , birth_date = , birth_place = São Cristóvão, Rio de Janeiro, Brazil , death_date = , death_place = Necessidades, Lisbon, Portugal , burial_date = 19 November 1853 , burial_place = Pantheon of the House of Braganza , religion = Roman Catholicism , ...
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