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Teatro De La Zarzuela
The Teatro de la Zarzuela is a theatre in Madrid, Spain. The theatre is today mainly devoted to zarzuela (the Spanish traditional musical theatre genre), as well as operetta and recitals. History The theatre was designed by architect Jerónimo de la Gándara and built by José María Sánchez Guallart on the initiative of the Spanish Lyrical Company to provide a space for performances of operettas in the Spanish capital. It was modelled on the La Scala theatre in Milan with its three-level horseshoe form and opened to the public on 10 October 1856, the birthday of Queen Isabella II. The name refers to zarzuela, a theatre form that alternates spoken and sung scenes. Its promoters were established masters of the genre such as Francisco Asenjo Barbieri, Joaquín Gaztambide, Rafael Hernando, José Inzenga, baritono Francisco de Salas, librettist Luis de Olona and composer Cristóbal Oudrid, under Francisco de las Rivas, an important banker. In the second half of the nineteenth ce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madrid
Madrid ( , ) is the capital and most populous city of Spain. The city has almost 3.4 million inhabitants and a metropolitan area population of approximately 6.7 million. It is the second-largest city in the European Union (EU), and its monocentric metropolitan area is the third-largest in the EU.United Nations Department of Economic and Social AffairWorld Urbanization Prospects (2007 revision), (United Nations, 2008), Table A.12. Data for 2007. The municipality covers geographical area. Madrid lies on the River Manzanares in the central part of the Iberian Peninsula. Capital city of both Spain (almost without interruption since 1561) and the surrounding autonomous community of Madrid (since 1983), it is also the political, economic and cultural centre of the country. The city is situated on an elevated plain about from the closest seaside location. The climate of Madrid features hot summers and cool winters. The Madrid urban agglomeration has the second-large ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pablo Luna
Pablo Luna Carné (May 21, 1879 Alhama de Aragón – January 28, 1942 Madrid) was a Spanish composer.Vincent J. Cincotta Zarzuela, the Spanish lyric theatre: a complete reference 2003 "Along with Amadeo Vives, Jose Serrano, Francisco Alonso and Fcderico Moreno Torroba, Pablo Luna was one of Zarzuelas major exponents during the first half of the 20th century. The litheness and richness of his melody line with its broad thematic inspiration place Luna's works closer to Viennese operetta than Spanish zarzuela. Among his 168 works are: 18 operettas; 50 zarzuelas and sainetes," His best-known composition is the aria "De España vengo" from the zarzuela ''El niño judío''. Life Pablo Luna received his first lessons in music theory from an organist at a church in his birthplace, Alhama de Aragón. His father, Pablo Luna Ferrer, who was a member of the Civil Guard, had moved with his family to the valley of the Ebro. He studied harmony with Teodoro Ballo and composition with Miguel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera Houses In Spain
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two styles of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Culture In Madrid
Culture () is an umbrella term which encompasses the social behavior, institutions, and norms found in human societies, as well as the knowledge, beliefs, arts, laws, customs, capabilities, and habits of the individuals in these groups.Tylor, Edward. (1871). Primitive Culture. Vol 1. New York: J.P. Putnam's Son Culture is often originated from or attributed to a specific region or location. Humans acquire culture through the learning processes of enculturation and socialization, which is shown by the diversity of cultures across societies. A cultural norm codifies acceptable conduct in society; it serves as a guideline for behavior, dress, language, and demeanor in a situation, which serves as a template for expectations in a social group. Accepting only a monoculture in a social group can bear risks, just as a single species can wither in the face of environmental change, for lack of functional responses to the change. Thus in military culture, valor is counted a typica ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatres In Madrid
Theatre or theater is a collaborative form of performing art that uses live performers, usually actors or actresses, to present the experience of a real or imagined event before a live audience in a specific place, often a stage. The performers may communicate this experience to the audience through combinations of gesture, speech, song, music, and dance. Elements of art, such as painted scenery and stagecraft such as lighting are used to enhance the physicality, presence and immediacy of the experience. The specific place of the performance is also named by the word "theatre" as derived from the Ancient Greek θέατρον (théatron, "a place for viewing"), itself from θεάομαι (theáomai, "to see", "to watch", "to observe"). Modern Western theatre comes, in large measure, from the theatre of ancient Greece, from which it borrows technical terminology, classification into genres, and many of its themes, stock characters, and plot elements. Theatre artist Patrice Pavi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ruperto Chapí
Ruperto Chapí y Lorente (27 March 1851 – 25 March 1909) was a Spanish composer, and co-founder of the Spanish Society of Authors and Publishers. Biography Chapí was born at Villena, the son of a Valencian barber. He trained in his home town and in Madrid. He wrote many symphonic, band, choral and chamber works, as well as '' zarzuelas'' and operas, becoming, alongside Tomás Bretón, a fellow pupil of Emilio Arrieta at the Madrid Conservatory. He was one of the most popular and important composers of his time. He wrote zarzuelas in all shapes and sizes, including the three-act ''zarzuela grande'' and the one-act ''género chico'' forms. His most celebrated work is '' La revoltosa'', written in the latter style. Many of the preludes to his ''zarzuela''s (including those to ''El tambor de granaderos'' and ''La patria chica'') have remained staple items in Spanish orchestral concerts. He died in Madrid in 1909. Symphonic works * ''Sinfonía en Re'' (Symphony in D) (by 1879 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
José María Alvira
José María Alvira (18 June 1864 – 31 July 1938) was a Spanish composer, singing teacher, and pianist. Life and work Alvira was born in Zaragoza, Aragon. At a young age, he was already showing unusual musical talent, and by eleven he was playing violin for an opera company, for which he wrote ''Fantasía para violín''. His family finances enabled him to study in Paris. In 1880 he was admitted to the Théâtre Lyrique orchestra, where he began studying composition and instrumentation, but also law, in order to please his parents. Although since he was small, he showed great liking and aptitudes for the music, he had to follow, by paternal decision, a Law career, which he finished in Madrid in 1885. The growing attraction he felt for art made him abandon those activities to give himself entirely to music, beginning with a trip that he made to Italy, performing as conductor at the Espezzia theater with the opera Lucrezia Borgia (opera). He returned to Madrid, where he studied com ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jerónimo Jiménez
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Jerónimo (European Portuguese and Spanish) or Jerônimo (Brazilian Portuguese) may refer to: * Jerónimo (name), a given or surname, Jerome in English ** Jeronimo (singer) (born 1990), Dutch pop singer and actor * Jeronimo (band), German band of the 1970s * ''Jeronimo: The Untold Tale of Koreans in Cuba'', a documentary film Jeronimo Lim Kim * A character in ''The Baroque Cycle'' by Neal Stephenson * A variant spelling of Geronimo, Apache leader * Jerônimo, a Brazilian indigenous politician See also * San Jerónimo (other) * * Jerome (other) * Saint Jerome (other) * Geronimo (other) * San Geronimo (other) * Geronimus (other) * Hieronymus (other) Hieronymus, in English pronounced or , is the Latin form of the Ancient Greek name (Hierṓnymos), meaning "with a sacred name". It corresponds to the English given name Jerome. Variants * Albanian: Jeronimi * Arabic: جيروم (Jerome) * Basqu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francisco Alonso
Francisco Alonso López (9 May 1887 – 18 May 1948) was a Spanish composer of popular theatre music and zarzuelas.Vincent J. Cincotta - Zarzuela, the Spanish lyric theatre: a complete reference 2003 "During his 48-year career, Alonso composed the music for 74 zarzuelas and sainetes liricos, 72 operettas and musical revues, 32 lyrical entremeses and other short musical pieces for the theatre, ..." Alonso's music is funny, cheerful, easy melody and with a popular accent. He excelled in pasodobles and chotis, which he impressed with grace and ease. Many of his works are still highly valued, as the pasacalle ''Los Nardos'', the chotis ''El Pichi'', both from ''Las Leandras'', the chotis ''Tabaco'' and cerillas from the revue ''Las de Villadiego'' or the song ''Maitechu mía'' (both with lyrics by Emilio González del Castillo). He wrote also two pasodobles for fiestas in the city of Alicante, Les Fogueres de Sant Joan, titled ''La festa del poble'', premiered in 1934, and ''La ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonia García De Videgain
Antonia García Fernández-Gúzman de Videgain (April 8, 1850 – June 25, 1924) was a Spanish singer and actress. Biography Early life Antonia García was born in the working-class district of Cádiz, Spain, the oldest of three children, including Micaela García. She was descended from the House of Medina Sidonia of Cadiz through one of its branches in the south of Spain. She began singing at school. Although her parents supported her talent, they did not think it was in keeping with the family's noble origins. She was supported in secret by her paternal uncle, who always believed in her talent. At age 15 she participated in a Zarzuela company and sang traditional songs. She was put in contact with influential musicians of her time, and at festivals she met people like Ruperto Chapí and Gerónimo Giménez. Career García's powerful voice was an asset at a time when there were no microphones, but only in her later years was she able to make a few recordings. Nevertheless, s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manuel Fernández Caballero
Manuel Fernández Caballero (Murcia, 14 March 1835 – Madrid, 26 February 1906) was a Spanish composer, notably of zarzuelas. His works were seminal works in the young Género chico form of zarzuela. The success of ''Los bandos de villafrita'' (1884) consolidated his career. Its sequel was ''Las grandes figuras'' (1885). The sainete ''El dúo de La Africana'' and its celebrated jota (music), jota ''No cantes más La Africana'' remain as classic examples of a zarzuela duet. Works He also composed religious works and salon songs. The Murcian musician was one of the great Spanish composers of the nineteenth century, having such a number of successful premieres that since his first great success ''Entre el alcalde y el rey'' and ''El lucero del alba'' composed for the light tip Antonia Garcia de Videgain in the eighties, until his last works passes more than a hundred productions Zarzuelas * ''Entre el alcalde y el rey'' (1875). * La Marsellesa (1876) * :es:Los sobrinos del C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emilio Arrieta
Juan Pascual Antonio Arrieta Corera (20 October 1821 – 11 February 1894), also known as Emilio Arrieta, was a Spanish composer. Arrieta was born in Puente la Reina, Navarre. His Italian musical training led him, under the favour of Queen Isabel II, to concentrate on operatic writing; and though he later composed '' zarzuelas,'' he remained less committed to the renascent art form than his contemporaries such as Francisco Asenjo Barbieri, who continued to write in an essentially Italianate style throughout his life. His ''zarzuela'' ''Marina'', one of the most popular lyric stage works in the Spanish repertoire, has been produced and recorded both on CD and DVD many times. Arrieta died in Madrid, aged 70. Works Operas *1846 ''Ildegonda'' *1850 ''La conquista di Granata'', 3 acts with libretto by Temistocle Solera *1851 ''Pergolesi'' *1871 ''Marina,'' 3 acts (adapted from the 1855 zarzuela) with libretto by Francisco Camprodón and Miguel Ramos Carrión Zarzuelas *1853 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
