Tanum Church (Bærum)
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Tanum Church (Bærum)
Tanum Church (''Tanum kirke'') is a church located at Bærum in Viken county, Norway. History The church from the early 12th century is one of two medieval churches in Bærum. It was constructed of stone in a rectangular form. It is a Romanesque church that sometimes is referred to as built in ''Anglo-Saxon style''. The church is dated to the first half of the 12th century and was dedicated to Saint Mary the Virgin. In the early 18th century, the church was expanded eight meters to the west. On the north side of the choir, a sacristy with burial chamber below was built in 1674. However, this soon became too small, and in 1713 a larger burial chapel was built, next to the sacristy. In the early 20th century, the church was restored. The church and surrounding burial site is considered as an important cultural heritage by the Norwegian Directorate for Cultural Heritage and protected by law.
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Saint Mary The Virgin
Mary; arc, ܡܪܝܡ, translit=Mariam; ar, مريم, translit=Maryam; grc, Μαρία, translit=María; la, Maria; cop, Ⲙⲁⲣⲓⲁ, translit=Maria was a first-century Jewish woman of Nazareth, the wife of Joseph and the mother of Jesus. She is a central figure of Christianity, venerated under various titles such as virgin or queen, many of them mentioned in the Litany of Loreto. The Eastern and Oriental Orthodox, Church of the East, Catholic, Anglican, and Lutheran churches believe that Mary, as mother of Jesus, is the Mother of God. Other Protestant views on Mary vary, with some holding her to have considerably lesser status. The New Testament of the Bible provides the earliest documented references to Mary by name, mainly in the canonical Gospels. She is described as a young virgin who was chosen by God to conceive Jesus through the Holy Spirit. After giving birth to Jesus in Bethlehem, she raised him in the city of Nazareth in Galilee, and was in Jerusalem a ...
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Harriet Backer
Harriet Backer (21 January 1845 – 25 March 1932) was a Norwegian painter who achieved recognition in her own time and was a pioneer among female artists both in the Nordic countries and in Europe generally. She is best known for her detailed interior scenes, communicated with rich colors and the interplay of light and shadow. Biography Backer was one of four daughters born to an affluent family at Holmestrand in Vestfold, Norway. Her parents were Nils Backer (1815–1877) and Sofie Smith Petersen (1819–1882), and she was the aunt of the painter Astri Welhaven Heiberg (1881–1967). Her father was a shipping merchant and her mother was from a wealthy family. Her family moved to Christiania (Oslo) in 1856. She attended Wilhemine Autentrieth Girls' School (1857–1860) and Hartvig Nissen School (1863). At 12, she first took lessons in drawing and painting, notably with Joachim Calmeyer (1857). She studied with art instructor Johan Fredrik Eckersberg (1861–65), in Berlin ...
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Harriet Backer-Inngangskoner
Harriet(t) may refer to: * Harriet (name), a female name ''(includes list of people with the name)'' Places *Harriet, Queensland, rural locality in Australia * Harriet, Arkansas, unincorporated community in the United States * Harriett, Texas, unincorporated community in the United States Ships * ''Harriet'' (1798 ship), built at Pictou Shipyard, Nova Scotia, Canada * ''Harriet'' (1802 EIC ship), East India Company ship * ''Harriet'' (1810 ship), American ship * ''Harriet'' (1813 ship), American ship * ''Harriet'' (1829 ship), British Royal Navy ship * ''Harriet'' (1836 ship), British ship * ''Harriet'' (fishing smack), 1893 British trawler preserved in Fleetwood Museum Other * Harriet (band), an alternative Americana band from Los Angeles * ''Harriet'' (film), a 2019 biographical film about Harriet Tubman * ''Harriet the Spy'' (TV series), a 2021 animated TV series * List of storms named Harriet See also * * Harriot (other) Harriot may refer to: * Elizabeth ...
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Eucharist
The Eucharist (; from Greek , , ), also known as Holy Communion and the Lord's Supper, is a Christian rite that is considered a sacrament in most churches, and as an ordinance in others. According to the New Testament, the rite was instituted by Jesus Christ during the Last Supper; giving his disciples bread and wine during a Passover meal, he commanded them to "do this in memory of me" while referring to the bread as "my body" and the cup of wine as "the blood of my covenant, which is poured out for many". The elements of the Eucharist, sacramental bread ( leavened or unleavened) and wine (or non-alcoholic grape juice), are consecrated on an altar or a communion table and consumed thereafter, usually on Sundays. Communicants, those who consume the elements, may speak of "receiving the Eucharist" as well as "celebrating the Eucharist". Christians generally recognize a special presence of Christ in this rite, though they differ about exactly how, where, and when Chr ...
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National Gallery Of Norway
The National Gallery ( no, Nasjonalgalleriet) is a gallery in Oslo, Norway. Since 2003 it is administratively a part of the National Museum of Art, Architecture and Design. , the admission cost is 100 Norwegian kroner. History It was established in 1842 following a parliamentary decision from 1836. Originally located in the Royal Palace, Oslo, it got its own museum building in 1882, designed by Heinrich Ernst and Adolf Schirmer. Former names of the museum include ''Den norske stats sentralmuseum for billedkunst'' and from 1903 to 1920 ''Statens Kunstmuseum''. Directors include Jens Thiis (1908–1941), Sigurd Willoch (1946–1973), Knut Berg (1975–1995), Tone Skedsmo (1995–2000) and Anniken Thue (2001–2003). That the gallery had erroneously been labeled as technically unfit for paintings was reported in 2013. (A previous study—about the museums—''tåleevne'') had never concluded about the fitness level, and Norway's parliament had been misinformed about conclusions t ...
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Christening In Tanum Church
''Christening in Tanum Church'' (''Barnedåp i Tanum kirke'') is an oil on canvas painting by the Norwegian artist Harriet Backer. The painting was exhibited at the Autumn Exhibition (''Høstutstillingen'') in Oslo during 1892. Harriet Backer subsequently exhibited this painting at the Chicago World Exposition in 1893. It is currently on display at the National Museum of Art, Architecture and Design. The painting shows a scene at Tanum Church in Baerum. In the background are the open doors; the strong daylight flows into the otherwise dark interior. In the doorway stands a group of people about to enter the church. This painting shows a young woman holding a child as she walks into the church for its christening. In the foreground to the right, a woman sitting on the bench at the back of the church turns to look toward the entrance. Beside her sits another woman in the dark. Harriet Backer studied in Munich in 1874–78. Between 1878 and 1888 she lived in Paris Paris ( ...
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Pulpit
A pulpit is a raised stand for preachers in a Christian church. The origin of the word is the Latin ''pulpitum'' (platform or staging). The traditional pulpit is raised well above the surrounding floor for audibility and visibility, accessed by steps, with sides coming to about waist height. From the late medieval period onwards, pulpits have often had a canopy known as the sounding board, ''tester'' or ''abat-voix'' above and sometimes also behind the speaker, normally in wood. Though sometimes highly decorated, this is not purely decorative, but can have a useful acoustic effect in projecting the preacher's voice to the congregation below. Most pulpits have one or more book-stands for the preacher to rest his or her bible, notes or texts upon. The pulpit is generally reserved for clergy. This is mandated in the regulations of the Catholic Church, and several others (though not always strictly observed). Even in Welsh Nonconformism, this was felt appropriate, and in some ...
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Baptismal Font
A baptismal font is an article of church furniture used for baptism. Aspersion and affusion fonts The fonts of many Christian denominations are for baptisms using a non-immersive method, such as aspersion (sprinkling) or affusion (pouring). The simplest of these fonts has a pedestal (about tall) with a holder for a basin of water. The materials vary greatly consisting of carved and sculpted marble, wood, or metal. The shape can vary. Many are eight-sided as a reminder of the new creation and as a connection to the practice of circumcision, which traditionally occurs on the eighth day. Some are three-sided as a reminder of the Holy Trinity: Father, Son, and Holy Spirit. Fonts are often placed at or near the entrance to a church's nave to remind believers of their baptism as they enter the church to pray, since the rite of baptism served as their initiation into the Church. In many churches of the Middle Ages and Renaissance there was a special chapel or even a separate build ...
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Murals
A mural is any piece of graphic artwork that is painted or applied directly to a wall, ceiling or other permanent substrate. Mural techniques include fresco, mosaic, graffiti and marouflage. Word mural in art The word ''mural'' is a Spanish adjective that is used to refer to what is attached to a wall. The term ''mural'' later became a noun. In art, the word mural began to be used at the beginning of the 20th century. In 1906, Dr. Atl issued a manifesto calling for the development of a monumental public art movement in Mexico; he named it in Spanish ''pintura mural'' (English: ''wall painting''). In ancient Roman times, a mural crown was given to the fighter who was first to scale the wall of a besieged town. "Mural" comes from the Latin ''muralis'', meaning "wall painting". History Antique art Murals of sorts date to Upper Paleolithic times such as the cave paintings in the Lubang Jeriji Saléh cave in Borneo (40,000-52,000 BP), Chauvet Cave in Ardèche department of ...
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Saint John The Apostle
John the Apostle ( grc, Ἰωάννης; la, Ioannes ; Geʽez, Ge'ez: ዮሐንስ;) or Saint John the Beloved was one of the Twelve Apostles of Jesus according to the New Testament. Generally listed as the youngest apostle, he was the son of Zebedee and Salome (disciple), Salome. His brother James the Great, James was another of the Twelve Apostles. The Church Fathers identify him as John the Evangelist, John of Patmos, John the Presbyter, John the Elder, and the Disciple whom Jesus loved, Beloved Disciple, and testify that he outlived the remaining apostles and was the only one to die of natural causes, although modern scholars are divided on the veracity of these claims. John the Apostle is traditionally held to be the author of the Gospel of John, and many Christian denominations believe that he authored several other books of the New Testament (the three Johannine epistles and the Book of Revelation, together with the Gospel of John, are called the Johannine works), depend ...
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Altarpiece
An altarpiece is an artwork such as a painting, sculpture or relief representing a religious subject made for placing at the back of or behind the altar of a Christian church. Though most commonly used for a single work of art such as a painting or sculpture, or a set of them, the word can also be used of the whole ensemble behind an altar, otherwise known as a reredos, including what is often an elaborate frame for the central image or images. Altarpieces were one of the most important products of Christian art especially from the late Middle Ages to the era of the Counter-Reformation. Many altarpieces have been removed from their church settings, and often from their elaborate sculpted frameworks, and are displayed as more simply framed paintings in museums and elsewhere. History Origins and early development Altarpieces seem to have begun to be used during the 11th century, with the possible exception of a few earlier examples. The reasons and forces that led to the developme ...
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Renaissance
The Renaissance ( , ) , from , with the same meanings. is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ideas and achievements of classical antiquity. It occurred after the Crisis of the Late Middle Ages and was associated with great social change. In addition to the standard periodization, proponents of a "long Renaissance" may put its beginning in the 14th century and its end in the 17th century. The traditional view focuses more on the early modern aspects of the Renaissance and argues that it was a break from the past, but many historians today focus more on its medieval aspects and argue that it was an extension of the Middle Ages. However, the beginnings of the period – the early Renaissance of the 15th century and the Italian Proto-Renaissance from around 1250 or 1300 – overlap considerably with the Late Middle Ages, conventionally da ...
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