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National Gallery Of Norway
The National Gallery ( no, Nasjonalgalleriet) is a gallery in Oslo, Norway. Since 2003 it is administratively a part of the National Museum of Art, Architecture and Design. , the admission cost is 100 Norwegian kroner. History It was established in 1842 following a parliamentary decision from 1836. Originally located in the Royal Palace, Oslo, it got its own museum building in 1882, designed by Heinrich Ernst and Adolf Schirmer. Former names of the museum include ''Den norske stats sentralmuseum for billedkunst'' and from 1903 to 1920 ''Statens Kunstmuseum''. Directors include Jens Thiis (1908–1941), Sigurd Willoch (1946–1973), Knut Berg (1975–1995), Tone Skedsmo (1995–2000) and Anniken Thue (2001–2003). That the gallery had erroneously been labeled as technically unfit for paintings was reported in 2013. (A previous study—about the museums—''tåleevne'') had never concluded about the fitness level, and Norway's parliament had been misinformed about conclusions t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oslo, Norway
Oslo ( , , or ; sma, Oslove) is the capital and most populous city of Norway. It constitutes both a county and a municipality. The municipality of Oslo had a population of in 2022, while the city's greater urban area had a population of in 2019, and the metropolitan area had an estimated population of in 2021. During the Viking Age the area was part of Viken. Oslo was founded as a city at the end of the Viking Age in 1040 under the name Ánslo, and established as a ''kaupstad'' or trading place in 1048 by Harald Hardrada. The city was elevated to a bishopric in 1070 and a capital under Haakon V of Norway around 1300. Personal unions with Denmark from 1397 to 1523 and again from 1536 to 1814 reduced its influence. After being destroyed by a fire in 1624, during the reign of King Christian IV, a new city was built closer to Akershus Fortress and named Christiania in honour of the king. It became a municipality (''formannskapsdistrikt'') on 1 January 1838. The city functi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johan Christian Claussen Dahl
Johan Christian Claussen Dahl (24 February 178814 October 1857), often known as or , was a Danish-Norwegian artist who is considered the first great romantic painter in Norway, the founder of the "golden age" of Norwegian painting, and, by some, one of the greatest European artists of all time. He is often described as "the father of Norwegian landscape painting" and is regarded as the first Norwegian painter to reach a level of artistic accomplishment comparable to that attained by the greatest European artists of his day. He was also the first to acquire genuine fame and cultural renown abroad. As one critic has put it, "J.C. Dahl occupies a central position in Norwegian artistic life of the first half of the 19th century. Although Dahl spent much of his life outside of Norway, his love for his country is clear in the motifs he chose for his paintings and in his extraordinary efforts on behalf of Norwegian culture generally. He was, for example, a key figure in the founding of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ferdinand Bol
Ferdinand Bol (24 June 1616 – 24 August 1680) was a Dutch painter, etcher and draftsman. Although his surviving work is rare, it displays Rembrandt's influence; like his master, Bol favored historical subjects, portraits, numerous self-portraits, and single figures in exotic finery. Biography Ferdinand was born in Dordrecht as the son of a surgeon, Balthasar Bol. Ferdinand Bol was first an apprentice of Jacob Cuyp in his hometown and/or of Abraham Bloemaert in Utrecht. After 1630, he studied with Rembrandt, living in his house in Sint Antoniesbreestraat, then a fashionable street and area for painters, jewellers, architects, and many Flemish and Jewish immigrants. In 1641, Bol started his own studio. In 1652, he became a burgher of Amsterdam, and in 1653, he married Elisabeth Dell, whose father held positions with the Admiralty of Amsterdam and the wine merchants' guild, both institutions that later gave commissions to the artist. Within a few years (1655), he became the h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pieter Elinga
Pieter Janssens Elinga (1623–1682) was a Dutch Golden Age painter, mainly of domestic interior scenes with a strong emphasis on the rectangular geometrical elements of windows, floor tiling paintings, and other elements, and a few genre figures. He also painted still lifes. Biography He was born in Bruges as the son of Gisbrecht Janssens, who probably taught him to paint. When he moved to Rotterdam in 1653, he changed his name to Elinga. He moved to Amsterdam in 1657, where he probably died. He is last registered alive in 1657, when he paid a poll tax in Amsterdam. His widow is registered there in a notarized document as a widow in 1682. Elinga was a follower of Pieter de Hooch and Willem Kalf. Legacy He is best known today for his perspective box, one of only 6 known to be still intact. It is on show at the Bredius Museum in The Hague. Perspective boxes were experiments with light, architectural elements, and the ''camera obscura''. Samuel van Hoogstraten also made one, which ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andrea Locatelli
Andrea Locatelli (19 December 1695 – 19 February 1741)Michel, Olivier (2003). "Locatelli, Andrea". Grove Art Online. was an Italian painter of landscapes (vedute). Locatelli (he spelled it Lucatelli) was born in Rome in 1695, as stated by him at the base of a self-portrait drawing he made for Nicola Pio in 1723. Andrea was the son of Giovanni Francesco Locatelli and not Pietro Locatelli, as has been previously reported. He studied under his father until 1708 and then under Monsù Alto who specialized in marine scenery. In 1712, he along with Paolo Anesi became students of Bernardino Fergioni, also a marine genre specialist. By 1723, at 28 years old, he was referred to by Pio as a master. He was influenced by Jan Frans van Bloemen, Giovanni Ghisolfi, Gaspard Dughet, Claude Lorrain, and especially Salvator Rosa. In turn he influenced such artists as Paolo Anesi, Giovanni Paolo Panini, Paolo Monaldi, and Marco Ricci. The subject matter most popular with the academic a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Artemisia Gentileschi
Artemisia Lomi or Artemisia Gentileschi (, ; 8 July 1593) was an Italian Baroque painter. Gentileschi is considered among the most accomplished seventeenth-century artists, initially working in the style of Caravaggio. She was producing professional work by the age of 15. In an era when women had few opportunities to pursue artistic training or work as professional artists, Gentileschi was the first woman to become a member of the Accademia di Arte del Disegno in Florence and she had an international clientele. Many of Gentileschi's paintings feature women from myths, allegories, and the Bible, including victims, suicides, and warriors. Some of her best known subjects are ''Susanna and the Elders'' (particularly the 1610 version in Pommersfelden), ''Judith Slaying Holofernes'' (her 1614–1620 version is in the Uffizi gallery), and '' Judith and Her Maidservant'' (her version of 1625 is in the Detroit Institute of Arts). Gentileschi was known for being able to depict the f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orazio Gentileschi
Orazio Lomi Gentileschi (1563–1639) was an Italian painter. Born in Tuscany, he began his career in Rome, painting in a Mannerist style, much of his work consisting of painting the figures within the decorative schemes of other artists. After 1600, he came under the influence of the more naturalistic style of Caravaggio. He received important commissions in Fabriano and Genoa before moving to Paris to the court of Marie de Medici. He spent the last part of his life at the court of Charles I of England. He was the father of the painter Artemisia Gentileschi. Life Gentileschi was born in Tuscany, the son of a Florentine goldsmith called Giovanni Battista Lomi, and baptised at Pisa on 9 July 1563. He later took the name Gentileschi from an uncle with whom he lived after moving to Rome in either 1576 or 1578. Early years in Rome Much of Gentileschi's early work in Rome was collaborative in nature. He painted the figures for Agostino Tassi's landscapes in the Palazzo Rospiglios ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gaulli
Giovanni Battista Gaulli (8 May 1639 – 2 April 1709), also known as Baciccio or Baciccia (Genoese nicknames for ''Giovanni Battista''), was an Italian artist working in the High Baroque and early Rococo periods. He is best known for his grand illusionistic vault frescos in the Church of the Gesù in Rome, Italy. His work was influenced by Gian Lorenzo Bernini. Biography Gaulli was born in Genoa, where his parents died from the plague of 1654. He initially apprenticed with Luciano Borzone. In the mid-17th century, Gaulli's Genoa was a cosmopolitan Italian artistic center open to both commercial and artistic enterprises from north European countries, including countries with non-Catholic populations such as England and the Dutch provinces. Painters such as Peter Paul Rubens and Anthony van Dyck stayed in Genoa for a few years. Gaulli's earliest influences would have come from an eclectic mix of these foreign painters and other local artists including Valerio Castello, Giovanni B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lucas Cranach The Elder
Lucas Cranach the Elder (german: Lucas Cranach der Ältere ; – 16 October 1553) was a German Renaissance painter and printmaker in woodcut and engraving. He was court painter to the Electors of Saxony for most of his career, and is known for his portraits, both of German princes and those of the leaders of the Protestant Reformation, whose cause he embraced with enthusiasm. He was a close friend of Martin Luther. Cranach also painted religious subjects, first in the Catholic tradition, and later trying to find new ways of conveying Lutheran religious concerns in art. He continued throughout his career to paint nude subjects drawn from mythology and religion. Cranach had a large workshop and many of his works exist in different versions; his son Lucas Cranach the Younger and others continued to create versions of his father's works for decades after his death. He has been considered the most successful German artist of his time. Early life He was born at Kronach in uppe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
El Greco
Domḗnikos Theotokópoulos ( el, Δομήνικος Θεοτοκόπουλος ; 1 October 1541 7 April 1614), most widely known as El Greco ("The Greek"), was a Greek painter, sculptor and architect of the Spanish Renaissance. "El Greco" was a nickname, and the artist normally signed his paintings with his full birth name in Greek letters, (), often adding the word (), which means Cretan. El Greco was born in the Kingdom of Candia (modern Crete), which was at that time part of the Republic of Venice, Italy, and the center of Post-Byzantine art. He trained and became a master within that tradition before traveling at age 26 to Venice, as other Greek artists had done.J. Brown, ''El Greco of Toledo'', 75–77 In 1570, he moved to Rome, where he opened a workshop and executed a series of works. During his stay in Italy, El Greco enriched his style with elements of Mannerism and of the Venetian Renaissance taken from a number of great artists of the time, notably Tinto ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madonna (Edvard Munch)
''Madonna'' is the usual title given to several versions of a composition by the Norwegian expressionist painter Edvard Munch showing a bare-breasted half-length female figure created between 1892 and 1895 using oil paint on canvas. He also produced versions in print form.Bischoff, Ulrich''Edvard Munch: 1863-1944'' p. 42, Taschen, 2000, , 9783822859711 The version owned by the Munch Museum of Oslo was stolen in 2004 but recovered two years later. Two other versions are owned by the National Gallery of Norway and the Kunsthalle Hamburg. Another one is owned by businessman Nelson Blitz, and one was bought in 1999 by Steven A. Cohen. The lithographic print of the composition is distinguished by a decorative border depicting wriggling sperm, with a fetus-like figure in its bottom left corner. The 1893 version of the painting had a frame with similar decoration, but it was later removed and lost. The print also exists in a number of different versions. Title Although it is a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Scream
''The Scream'' is a composition created by Norwegian artist Edvard Munch in 1893. The agonized face in the painting has become one of the most iconic images of art, seen as symbolizing the anxiety of the human condition. Munch's work, including ''The Scream'', would go on to have a formative influence on the Expressionist movement. Munch recalled that he had been out for a walk at sunset when suddenly the setting sun's light turned the clouds " a blood red". He sensed an "infinite scream passing through nature". Scholars have located the spot to a fjord overlooking Oslo and have suggested other explanations for the unnaturally orange sky, ranging from the effects of a volcanic eruption to a psychological reaction by Munch to his sister's commitment at a nearby lunatic asylum. Munch created two versions in paint and two in pastels, as well as a lithograph stone from which several prints survive. Both painted versions have been stolen, but since recovered. One of the pastel versi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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