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Tansen
Tansen ( – 26 April 1589), also referred to and commonly known as Sangeet Samrat () , was a Hindustani classical musician. Born in a Hindu Gaur Brahmin family, he learnt and perfected his art in the northwest region of modern Madhya Pradesh. He began his career and spent most of his adult life in the court and patronage of the Hindu king of Rewa, Raja Ramchandra Singh (r.1555–1592), where Tansen's musical abilities and studies gained widespread fame. This reputation brought him to the attention of the Mughal Emperor Akbar, who sent messengers to Raja Ramchandra Singh, requesting Tansen to join the musicians at the Mughal court. Tansen did not want to go, but Raja Ramchandra Singh encouraged him to gain a wider audience, and sent him along with gifts to Akbar. In 1562, about the age of 60, the Vaishnava musician Tansen joined the Akbar's court, and his performances became a subject of many court historians. Numerous legends have been written about Tansen, mixing facts a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gwalior
Gwalior() is a major city in the central Indian state of Madhya Pradesh; it lies in northern part of Madhya Pradesh and is one of the Counter-magnet cities. Located south of Delhi, the capital city of India, from Agra and from Bhopal, the state capital, Gwalior occupies a strategic location in the Gird region of India. The historic city and its fortress have been ruled by several historic Indian kingdoms. From the Kachchhapaghatas in the 10th century, Tomars in the 13th century, it was passed on to the Mughal Empire, then to the Maratha in 1754, and the Scindia dynasty of Maratha Empire in the 18th century. In April 2021, It was found that Gwalior had the best air quality index (AQI 152) amongst the 4 major cities in Madhya Pradesh. Besides being the administrative headquarters of Gwalior district and Gwalior division, Gwalior has many administrative offices of the Chambal division of northern Madhya Pradesh. Several administrative and judicial organisations, commission ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indian Classical Music
Indian classical music is the classical music of the Indian subcontinent. It has two major traditions: the North Indian classical music known as '' Hindustani'' and the South Indian expression known as '' Carnatic''. These traditions were not distinct until about the 15th century. During the period of Mughal rule of the Indian subcontinent, the traditions separated and evolved into distinct forms. Hindustani music emphasizes improvisation and exploration of all aspects of a raga, while Carnatic performances tend to be short composition-based. However, the two systems continue to have more common features than differences. The roots of the classical music of India are found in the Vedic literature of Hinduism and the ancient ''Natyashastra'', the classic Sanskrit text on performing arts by Bharata Muni., Quote: "The tradition of Indian classical music and dance known as ''Sangeeta'' is fundamentally rooted in the sonic and musical dimensions of the Vedas (Sama veda), Upanisha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Swami Haridas
Swami Haridas (1480—1573) was a spiritual poet and classical musician. Credited with a large body of devotional compositions, especially in the Dhrupad style, he is also the founder of the Haridasi school of mysticism, still found today in North India. His work influenced both the classical music and the Bhakti movements of North India, especially those devoted to Krishna's consort Radha. Hit Harivansh Mahaprabhu, Hariram Vyas, Rupa Goswami, Vidyapati, Mahaprabhu Vallabhacharya, Vitthalnath (Gusainji), were his contemporaries. Swami Haridas is a direct disciple of father of Carnatic Music Purandara Dasa of Karnataka. He had many pupils, Tansen being one of them and one of Akbar's nine gems. Biography Haridas's father was a Saraswat Brahmin from Multan and that his mother's name was Chitra Mata. The family migrated to a village called Rajpur , near Vrindavan in Uttar Pradesh. Haridas was born there in 1480 and the village is now called Rajpur gram in his honor. This vi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Muhammad Ghaus
Muhammad Ghawth (Ghouse, Ghaus or Gwath) Gwaliyari (1500–1562) was a 16th-century Sufi master of the Shattari order and Sufi saint, a musician, Segoogle book search and the author of ''Jawahir-i Khams'' (Arabic: ''al-Jawahir al-Khams'', The Five Jewels). The book mentioning the life and miracles of Gaus named " Heaven's witness" was written by Kugle. Biography Muhammad Ghawth was born in Gwalior, India in 1500; the name Gwaliyari means "of Gwalior". One of his ancestors was Fariduddin Attar of Nishapur. In the preface of ''al-Jawahir al-Khams'', he states that he wrote the book when he was 25 years old. In 1549 he travelled to Gujarat, when he was 50 years old. He stayed in Ahmedabad for ten years where he founded Ek Toda Mosque and preached. Ghawth translated the '' Amrtakunda'' from Sanskrit to Persian as the '' Bahr al-Hayat'' (The Ocean of Life), introducing to Sufism a set of yoga practices. According to the scholar Carl W. Ernst, in this "translation", Ghawth intenti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Akbar
Abu'l-Fath Jalal-ud-din Muhammad Akbar (25 October 1542 – 27 October 1605), popularly known as Akbar the Great ( fa, ), and also as Akbar I (), was the third Mughal emperor, who reigned from 1556 to 1605. Akbar succeeded his father, Humayun, under a regent, Bairam Khan, who helped the young emperor expand and consolidate Mughal domains in India. A strong personality and a successful general, Akbar gradually enlarged the Mughal Empire to include much of the Indian subcontinent. His power and influence, however, extended over the entire subcontinent because of Mughal military, political, cultural, and economic dominance. To unify the vast Mughal state, Akbar established a centralised system of administration throughout his empire and adopted a policy of conciliating conquered rulers through marriage and diplomacy. To preserve peace and order in a religiously and culturally diverse empire, he adopted policies that won him the support of his non-Muslim subjects. Eschewing t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Navaratnas
Navaratnas (Sanskrit dvigu ''nava-ratna'', ) () or Nauratan was a term applied to a group of nine extraordinary people in an emperor's court in India. The well-known Nauratnas include the ones in the courts of the Hindu emperor Vikramaditya, the Mughal emperor Akbar, and the feudal lord Raja Krishnachandra. Vikramaditya's(Chandragupta II) Navaratnas Vikramaditya was a legendary emperor, who ruled from Ujjain; he is generally identified with the Gupta emperor Chandragupta II. According to folk tradition, his court had 9 famous scholars. The earliest source that mentions this legend is ''Jyotirvidabharana'' (22.10), a treatise attributed to Kalidasa. According to this text, the following 9 scholars (including Kalidasa himself) attended Vikramaditya's court: Another popular tradition mentions the astronomer Brahmagupta and the magician Vaitalik instead of Ghatkharpar and Vetala-Bhatta. Multiple scholars consider ''Jyotirvidabharana'' a literary forgery of a date later than ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Akbar And Tansen Visit Haridas
Abu'l-Fath Jalal-ud-din Muhammad Akbar (25 October 1542 – 27 October 1605), popularly known as Akbar the Great ( fa, ), and also as Akbar I (), was the third Mughal emperors, Mughal emperor, who reigned from 1556 to 1605. Akbar succeeded his father, Humayun, under a regent, Bairam Khan, who helped the young emperor expand and consolidate Mughal domains in India. A strong personality and a successful general, Akbar gradually enlarged the Mughal Empire to include much of the Indian subcontinent. His power and influence, however, extended over the entire subcontinent because of Mughal military, political, cultural, and economic dominance. To unify the vast Mughal state, Akbar established a centralised system of administration throughout his empire and adopted a policy of conciliating conquered rulers through marriage and diplomacy. To preserve peace and order in a religiously and culturally diverse empire, he adopted policies that won him the support of his non-Muslim subje ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hindustani Classical Music
Hindustani classical music is the classical music of northern regions of the Indian subcontinent. It may also be called North Indian classical music or, in Hindustani, ''shastriya sangeet'' (). It is played in instruments like the violin, sitar and sarod. Its origins from the 12th century CE, when it diverged from Carnatic music, the classical tradition in South India. Hindustani classical music arose in the Ganga-Jamuni Tehzeeb, a period of great influence of Perso-Arabic arts in the subcontinent, especially the Northern parts. This music combines the Indian classical music tradition with Perso-Arab musical knowledge, resulting in a unique tradition of gharana system of music education. History Around the 12th century, Hindustani classical music diverged from what eventually came to be identified as Carnatic classical music.The central notion in both systems is that of a melodic musical mode or '' raga'', sung to a rhythmic cycle or '' tala''. It is melodic music, with no ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hindustani Classical Music
Hindustani classical music is the classical music of northern regions of the Indian subcontinent. It may also be called North Indian classical music or, in Hindustani, ''shastriya sangeet'' (). It is played in instruments like the violin, sitar and sarod. Its origins from the 12th century CE, when it diverged from Carnatic music, the classical tradition in South India. Hindustani classical music arose in the Ganga-Jamuni Tehzeeb, a period of great influence of Perso-Arabic arts in the subcontinent, especially the Northern parts. This music combines the Indian classical music tradition with Perso-Arab musical knowledge, resulting in a unique tradition of gharana system of music education. History Around the 12th century, Hindustani classical music diverged from what eventually came to be identified as Carnatic classical music.The central notion in both systems is that of a melodic musical mode or '' raga'', sung to a rhythmic cycle or '' tala''. It is melodic music, with no ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rewa (princely State)
Rewa State, also known as Rewah, was a Rajput princely state of India, surrounding its eponymous capital, the town of Rewa. With an area of about , Rewa was the largest princely state in the Bagelkhand Agency and the second largest in Central India Agency. Rewa was also the third wealthiest principality in Central India, with an average revenue of rupees 2.9 million in 1901. The Bagelkhand Agency was dissolved in 1933, following which Rewa was placed under the authority of the Indore Residency. Rewah state had a 15 gun salute. History According to legend, the kingdom of Rewa was founded around 1140 CE. On 5 October 1812, it became a British protectorate. Between 1 April 1875 and 15 October 1895, Rewa remained under the direct colonial administration of British India. The ruler of Rewa ruled from Bandhavgarh during the founding reign of Raja Vyaghra Dev, who was a direct descendant of Gujarati warrior king Vir Dhawal. In 1617, Maharaja Vikramaditya Singh moved his capi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Man Singh Tomar
Man Singh Tomar (IAST: Mānasiṃha) was a Tomar Rajput ruler of Gwalior who ascended the throne in 1486 CE. History Maharaja Man Singh Tomar was born to Raja Kalyanmall, the Tomar Rajput ruler of Gwalior. He ruled for over 30 years. In his years the Tomar sometimes feuded with and were sometimes allies with the sultans of Delhi. Amongst other women, he married Mrignayani. Tomar built Gujari Mahal as a palace for her, as a monument of love for Mrignayani. Tradition has it that as a queen, Mrignayni, was very beautiful and courageous woman. She was not allowed to sit with other queens because of her lower caste, so she asked foe a separate palace for herself named (Gujari mahal). Tomar was a great warrior and great patron of music. One of the nine gems of his court was the Hindustani classical musician Tansen. He was patron of Dhrupad genre from Hindustani Classical Music. Tomar is credited to have defeated Sikander Lodi, who was Delhi Sultan at that time. Conflict w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dhrupad
Dhrupad is a genre in Hindustani classical music from the Indian subcontinent. It is the oldest known style of major vocal styles associated with Hindustani classical music, Haveli Sangeet of Pushtimarg Sampraday and also related to the South Indian Carnatic tradition. It is a term of Sanskrit origin, derived from ''dhruva'' (ध्रुव, immovable, permanent) and ''pada'' (पद, verse). The roots of Dhrupad are ancient. It is discussed in the Hindu Sanskrit text ''Natyashastra'' (~200 BCE – 200 CE), and other ancient and medieval Sanskrit texts, such as chapter 33 of Book 10 in the ''Bhagavata Purana'' (~800–1000 CE), where the theories of music and devotional songs for Krishna are summarized. The term denotes both the verse form of the poetry and the style in which it is sung. It is spiritual, heroic, thoughtful, virtuous, embedding moral wisdom or solemn form of song-music combination. Thematic matter ranges from the religious and spiritual (mostly in praise of Hindu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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