Tango Palace (Dr. John Album)
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Tango Palace (Dr. John Album)
''Tango Palace'' is the ninth album by New Orleans singer and pianist Dr. John. It was his second and last album recorded for jazz label Horizon Records. It also marked the second album on which he collaborated with Doc Pomus on a few songs. Track listing #"Keep That Music Simple" (Giddon Daniels) – 3:35 #"Disco-Therapy" (Alvin Robinson, Mac Rebennack) – 4:14 #"Renegade" (Rebennack, Gerry Goffin) – 3:57 #Fonky Side (Rebennack, Doc Pomus) – 3:19 #"Bon Temps Rouler" (Rebennack, Pomus) – 4:25 #"Something You Got" (Chris Kenner, Antoine Domino) – 2:37 #"I Thought I Heard New Orleans Say" (Rebennack, Pomus) – 4:26 #"Tango Palace" (Rebennack, Pomus) – 4:20 #"Louisiana Lullabye" (Rebennack, Pomus) – 4:03 Personnel Musicians * Dr. John – keyboards, vocals * Abraham Laboriel – bass * Andre Fischer – drums (track 1) * Herman Ernest – drums (tracks 3, 5–7), percussion (tracks 4, 8–9) * Steve Gadd – drums (tracks 4, 8–9), percussion (tracks 3, 5–7) ...
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Funk
Funk is a music genre that originated in African American communities in the mid-1960s when musicians created a rhythmic, danceable new form of music through a mixture of various music genres that were popular among African Americans in the mid-20th century. It de-emphasizes melody and chord progressions and focuses on a strong rhythmic groove of a bassline played by an electric bassist and a drum part played by a percussionist, often at slower tempos than other popular music. Funk typically consists of a complex percussive groove with rhythm instruments playing interlocking grooves that create a "hypnotic" and "danceable" feel. Funk uses the same richly colored extended chords found in bebop jazz, such as minor chords with added sevenths and elevenths, or dominant seventh chords with altered ninths and thirteenths. Funk originated in the mid-1960s, with James Brown's development of a signature groove that emphasized the downbeat—with a heavy emphasis on the first bea ...
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Steve Gadd
Stephen Kendall Gadd (born April 9, 1945) is an American drummer, percussionist, and session musician. Gadd is one of the best-known and highly regarded session and studio drummers in the industry, recognized by his induction into the ''Modern Drummer'' Hall of Fame in 1984. Gadd's performances on Paul Simon's "50 Ways to Leave Your Lover" and "Late in the Evening" and Steely Dan's "Aja (song), Aja" are examples of his style. He has worked with other popular musicians from many genres including Simon & Garfunkel, Paul McCartney, James Taylor, Harry Chapin, Joe Cocker, Bonnie Raitt, Grover Washington Jr., Michael Brecker, Chick Corea, Lee Ritenour, Paul Desmond, Kate Bush, Chet Baker, Al Di Meola, Chuck Mangione, Kenny Loggins, Eric Clapton, Pino Daniele, Michel Petrucciani, and Toshiki Kadomatsu. Early life Gadd grew up in Irondequoit, New York. He started playing the drums at a very early age. At age 11, he entered the Mickey Mouse National Talent Round Up contest and was one of ...
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Audio Engineer
An audio engineer (also known as a sound engineer or recording engineer) helps to produce a recording or a live performance, balancing and adjusting sound sources using equalization, dynamics processing and audio effects, mixing, reproduction, and reinforcement of sound. Audio engineers work on the "technical aspect of recording—the placing of microphones, pre-amp knobs, the setting of levels. The physical recording of any project is done by an engineer... the nuts and bolts." Sound engineering is increasingly seen as a creative profession where musical instruments and technology are used to produce sound for film, radio, television, music and video games. Audio engineers also set up, sound check and do live sound mixing using a mixing console and a sound reinforcement system for music concerts, theatre, sports games and corporate events. Alternatively, ''audio engineer'' can refer to a scientist or professional engineer who holds an engineering degree and who designs, dev ...
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Al Schmitt
Albert Harry Schmitt (April 17, 1930 – April 26, 2021) was an American recording engineer and record producer. He won twenty Grammy Awards for his work with Henry Mancini, Steely Dan, George Benson, Toto, Natalie Cole, Quincy Jones, and others. He also won 2 Latin Grammys, and a Trustees Grammy for Lifetime Achievement. Biography Early career Schmitt grew up in New York City and lived in Brooklyn until the late 1940s. He bought his first 78 at the age of 10, Jimmie Lunceford's record "White Heat." Schmitt's favorite band was Jimmie Lunceford & His Orchestra. He had a younger sister, Doris, and two younger brothers, Richie and Russell, both of whom became audio engineers. His family was poor so some Saturdays he worked at a shop doing shoe repairs. On the weekends, Schmitt would spend time at his uncle's recording studio, Harry Smith Recording (Smith had changed his name from "Schmitt" to "Smith" because of the anti-German sentiment of the era). From the age of 8, Schmitt wou ...
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Alto Saxophone
The alto saxophone is a member of the saxophone family of woodwind instruments. Saxophones were invented by Belgian instrument designer Adolphe Sax in the 1840s and patented in 1846. The alto saxophone is pitched in E, smaller than the B tenor but larger than the B soprano. It is the most common saxophone and is used in popular music, concert bands, chamber music, solo repertoire, military bands, marching bands, pep bands, and jazz (such as big bands, jazz combos, swing music). The alto saxophone had a prominent role in the development of jazz. Influential jazz musicians who made significant contributions include Don Redman, Jimmy Dorsey, Johnny Hodges, Benny Carter, Charlie Parker, Sonny Stitt, Lee Konitz, Jackie McLean, Phil Woods, Art Pepper, Paul Desmond, and Cannonball Adderley. Although the role of the alto saxophone in classical music has been limited, influential performers include Marcel Mule, Sigurd Raschèr, Jean-Marie Londeix, Eugene Rousseau, and Frederick ...
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Jackie Kelso
John Joseph Kelson Jr. (February 27, 1922 – April 28, 2012), known professionally as Jackie Kelso, was an American jazz saxophonist, flautist, and clarinetist. Biography Born in Los Angeles, California, Kelson was the eldest child of John Joseph Kelson Sr. and Lillian (née Weinberg) Kelson. He began taking clarinet lessons at age eight, studying with Caughey Roberts. At fifteen, Jefferson High School classmate Chico Hamilton urged him to take up the alto saxophone, and he made his professional debut with Jerome Myart that same year. By the time he graduated from Jefferson, he was playing with Hamilton, Buddy Collette, and Charles Mingus at clubs on Central Avenue. In the 1940s he played with Barney Bigard, Marshal Royal, Lucky Thompson, Kid Ory, Benny Carter, Benny Goodman, Lionel Hampton, and Roy Milton. He enlisted in the Navy in October 1942 with Marshal and Ernie Royal, and, after training at Camp Robert Smalls, he was stationed with the Royals with the St Mary's Coll ...
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Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ...
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Plas Johnson
Plas John Johnson Jr. (born July 21, 1931) is an American soul-jazz and hard bop tenor saxophonist, probably most widely known as the tenor saxophone soloist on Henry Mancini’s "The Pink Panther Theme". He also performs on alto and baritone sax as well as various flutes and clarinets. Biography Born in Donaldsonville, Louisiana, United States, he sang with his family's group until his saxophonist father bought him a soprano saxophone. Largely self-taught, he soon began playing alto saxophone, alto and later tenor saxophone. He and his pianist brother Ray first recorded as the Johnson Brothers in New Orleans in the late 1940s, and Plas first toured with R&B singer Charles Brown (musician), Charles Brown in 1951. After army service, he and his brother moved to Los Angeles in 1954,
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Baritone Saxophone
The baritone saxophone is a member of the saxophone family of instruments, larger (and lower-pitched) than the tenor saxophone, but smaller (and higher-pitched) than the bass. It is the lowest-pitched saxophone in common use - the bass, contrabass and subcontrabass saxophones are relatively uncommon. Like all saxophones, it is a single-reed instrument. It is commonly used in concert bands, chamber music, military bands, big bands, and jazz combos. It can also be found in other ensembles such as rock bands and marching bands. Modern baritone saxophones are pitched in E. History The baritone saxophone was created in 1846 by the Belgian instrument maker Adolphe Sax as one of a family of 14 instruments. Sax believed these instruments would provide a useful tonal link between the woodwinds and brasses. The family was divided into two groups of seven saxophones each, from the soprano to the contrabass. Though a design for an F baritone saxophone is included in the C and F family ...
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Benny Powell
Benny Powell (March 1, 1930 – June 26, 2010) was an American jazz trombonist. He played both standard (tenor) trombone and bass trombone. Biography Born Benjamin Gordon Powell Jr in New Orleans, Louisiana, he first played professionally at the age of 14, and at 18 began playing with Lionel Hampton. In 1951 he left Hampton's band and began playing with Count Basie, in whose orchestra he would remain until 1963. Powell takes the trombone solo in the bridge of Basie's 1955 recording of " April in Paris". After leaving Basie, he freelanced in New York City. From 1966 to 1970 he was a member of the Thad Jones-Mel Lewis Jazz Orchestra, playing on Monday nights at the Village Vanguard. Among other engagements, he played in the house band of the ''Merv Griffin Show'', and when the show moved to Los Angeles, California, in 1970 Powell also relocated there. He did extensive work as a session musician, including with Abdullah Ibrahim, John Carter, and Randy Weston. Later in his car ...
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Flugelhorn
The flugelhorn (), also spelled fluegelhorn, flugel horn, or flügelhorn, is a brass instrument that resembles the trumpet and cornet but has a wider, more conical bore. Like trumpets and cornets, most flugelhorns are pitched in B, though some are in C. It is a type of valved bugle, developed in Germany in the early 19th century from a traditional English valveless bugle. The first version of a valved bugle was sold by Heinrich Stölzel in Berlin in 1828. The valved bugle provided Adolphe Sax (creator of the saxophone) with the inspiration for his B soprano (contralto) saxhorns, on which the modern-day flugelhorn is modeled. Etymology The German word ''Flügel'' means ''wing'' or ''flank'' in English. In early 18th century Germany, a ducal hunt leader known as a ''Flügelmeister'' blew the ''Flügelhorn'', a large semicircular brass or silver valveless horn, to direct the wings of the hunt. Military use dates from the Seven Years' War, where this instrument was employed as a pre ...
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