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Benny Powell
Benny Powell (March 1, 1930 – June 26, 2010) was an American jazz trombonist. He played both standard (tenor) trombone and bass trombone. Biography Born Benjamin Gordon Powell Jr in New Orleans, Louisiana, he first played professionally at the age of 14, and at 18 began playing with Lionel Hampton. In 1951 he left Hampton's band and began playing with Count Basie, in whose orchestra he would remain until 1963. Powell takes the trombone solo in the bridge of Basie's 1955 recording of " April in Paris". After leaving Basie, he freelanced in New York City. From 1966 to 1970 he was a member of the Thad Jones-Mel Lewis Jazz Orchestra, playing on Monday nights at the Village Vanguard. Among other engagements, he played in the house band of the '' Merv Griffin Show'', and when the show moved to Los Angeles, California, in 1970 Powell also relocated there. He did extensive work as a session musician, including with Abdullah Ibrahim, John Carter, and Randy Weston. Later in his c ...
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Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. But jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvis ...
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Randy Weston
Randolph Edward "Randy" Weston (April 6, 1926 – September 1, 2018) was an American jazz pianist and composer whose creativity was inspired by his ancestral African connection. Weston's piano style owed much to Duke Ellington and Thelonious Monk, whom he cited in a 2018 video as among pianists he counted as influences, as well as Count Basie, Nat King Cole and Earl Hines."Randy Weston talks about his new solo double CD Sound"
YouTube video, March 27, 2018.
Beginning in the 1950s, Weston worked often with trombonist and arranger . Described as "America's African Musical Ambassador", Weston once said: "What I do I d ...
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Dance Session Album No
Dance is a performing art form consisting of sequences of movement, either improvised or purposefully selected. This movement has aesthetic and often symbolic value. Dance can be categorized and described by its choreography, by its repertoire of movements, or by its historical period or place of origin. An important distinction is to be drawn between the contexts of theatrical and participatory dance, although these two categories are not always completely separate; both may have special functions, whether social, ceremonial, competitive, erotic, martial, or sacred/liturgical. Other forms of human movement are sometimes said to have a dance-like quality, including martial arts, gymnastics, cheerleading, figure skating, synchronized swimming, marching bands, and many other forms of athletics. There are many professional athletes like, professional football players and soccer players, who take dance classes to help with their skills. To be more specific professional athletes tak ...
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Dance Session
''Dance Session'' is an album by pianist/bandleader Count Basie recorded in 1953 and became Basie's first 12-inch LP when it was originally released on the Clef label.Big Band Paradise
, accessed November 18, 2015 Selections from this album were also released on the 1956 Clef LPs ''Basie Roars Again'' and ''King of Swing''.


Track listing

# "Straight Life" () - 4:33 # "Basie Goes Wess" () - 3:52 # "Softly, With Feeling" () - 3:05 ...
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Basie Jazz
''Basie Jazz'' is an album by pianist/bandleader Count Basie recorded in 1952 and released on the Clef label in 1954.Clef Records Catalog: 600 series
accessed November 18, 2015 Selections from this album were also released on the 1956 Clef LPs '''' and ''''.


Reception

awarded the album 3 stars.
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Clef Records
Clef Records was an American jazz record label founded by Norman Granz in 1946. It became part of Verve Records, which Granz created in 1956. Clef recordings were, in the mid 1950s, licensed to Columbia (UK) who issued 78rpm discs with a special white label and the Clef logo. Discography: 600 and 700 12 inch LP Series See also * List of record labels File:Alvinoreyguitarboogie.jpg File:AmMusicBunk78.jpg File:Bingola1011b.jpg Lists of record labels cover record labels, brands or trademarks associated with marketing of music recordings and music videos. The lists are organized alphabetically, b ... References External linksClef Recordson the Internet Archive'Great 78 Project {{Authority control American record labels Jazz record labels ...
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The Count!
''The Count!'' is an album by pianist/bandleader Count Basie recorded in 1952 and released on the Clef label in 1955.Big Band Paradise
accessed November 18, 2015


Reception

awarded the album 3 stars.Allmusic listing
accessed November 18, 2015


Track listing

# "New Basie Blues" (Count Basie) - 3:26 # "Sure Thing" (Neal Hefti) - 3:03 # "Why Not?" (Hefti) - 3:31 # "Fawncy Meetin' You" (Hefti) - 3:03 # "Bootsie" (Basie) - 3:22 # "Tom Whaley" (Basie) - 2:56 # "Paradise Squat" (Basie) - 4:05 # "Basie Talks" (Ba ...
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Prestige Records
Prestige Records is a jazz record company and label founded in 1949 by Bob Weinstock in New York City which issued recordings in the mainstream, bop, and cool jazz idioms. The company recorded hundreds of albums by many of the leading jazz musicians of the day, sometimes issuing them on subsidiary labels. In 1971, the company was sold to Fantasy, which was later absorbed by Concord. History The Prestige office was located at 446 West 50th Street, New York City. Its catalogue included Gene Ammons, John Coltrane, Miles Davis, Stan Getz, Wardell Gray, Thelonious Monk, and Sonny Rollins. Audio engineer Rudy Van Gelder was the recording engineer of many Prestige albums in the 1950s and early-to-mid-1960s. Prestige created new labels in 1960: Swingville, Moodsville, covering jazz, Bluesville featuring blues revival artists, Lively Arts featuring spoken word recordings and Prestige International, Prestige Folklore, Irish and Near East with folk and world music. By the later 1950s, ...
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Free Again (Gene Ammons Album)
''Free Again'' is an album by saxophonist Gene Ammons recorded in 1972 and released on the Prestige label.Gene Ammons discography
accessed December 17, 2012


Reception

awarded the album 3 stars.Allmusic Review
accessed December 17, 2012


Track listing

# "Crazy Mary" - 4:50 # "Free Again" (Armand Canfora, Joss Baselli, Robert Colby) - 6:20 # "Fru Fru" (Gene Ammons, Bobby Bryant) - 4:35 # "

Gene Ammons
Eugene "Jug" Ammons (April 14, 1925 – August 6, 1974), also known as "The Boss", was an American jazz tenor saxophonist. The son of boogie-woogie pianist Albert Ammons, Gene Ammons is remembered for his accessible music, steeped in soul and R&B. Biography Born in Chicago, Illinois, Ammons studied music with instructor Walter Dyett at DuSable High School. Ammons began to gain recognition while still at high school when in 1943, at the age of 18, he went on the road with trumpeter King Kolax's band. In 1944, he joined the band of Billy Eckstine (who bestowed on him the nickname "Jug" when straw hats ordered for the band did not fit), playing alongside Charlie Parker and later Dexter Gordon. Performances from this period include "Blowin' the Blues Away," featuring a saxophone duel between Ammons and Gordon. After 1947, when Eckstine became a solo performer, Ammons then led a group, including Miles Davis and Sonny Stitt, that performed at Chicago's Jumptown Club. In 1949, A ...
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Pepper Adams Plays The Compositions Of Charlie Mingus
''Pepper Adams Plays the Compositions of Charlie Mingus'', is an album by baritone saxophonist Pepper Adams featuring Quintet and Octet performances of Charles Mingus' compositions which was recorded in 1963 and originally released on the Motown subsidiary label, Workshop Jazz.Jazzlists: Workshop Jazz LP discography
accessed February 22, 2017
Encilopedia del Jazz: Pepper Adams
accessed May 10, 2017


Reception

'''' ...
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Pepper Adams
Park Frederick "Pepper" Adams III (October 8, 1930 – September 10, 1986) was an American jazz baritone saxophonist and composer. He composed 42 pieces, was the leader on eighteen albums spanning 28 years, and participated in 600 sessions as a sideman. He worked with an array of musicians, and had especially fruitful collaborations with trumpeter Donald Byrd and as a member of the Thad Jones/Mel Lewis Big Band. Biography Early life Pepper Adams was born in Highland Park, Michigan, to father Park Adams II, who worked as the manager of a furniture store, and mother Cleo Marie Coyle. Both of his parents were college graduates, with each spending some time at the University of Michigan. Due to the onset of the Great Depression, Adams' parents separated to allow his father to find work without geographic dependence. In the fall of 1931, Adams moved with his mother to his extended family's farm near Columbia City, Indiana, where food and support were more readily available. In 1933 ...
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