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Taki Rua
Taki Rua is a theatre organisation based in Wellington, Aotearoa / New Zealand that has produced many contemporary Māori theatre productions. Taki Rua has been going since 1983 and has had several name changes over that time including The New Depot, Depot Theatre and Taki Rua / The Depot. The full current name is Taki Rua Productions. Since inception the mission of Taki Rua has been to showcase work from Aotearoa. Because of this and the longevity of Taki Rua many significant New Zealand actors, directors, writers, designers and producers have part of the history including Riwia Brown , Nathaniel Lees, Rachel House and Taika Waititi. Background Taki Rua started in Wellington in 1983 when a group took over The Depot, a second performance space that Downstage Theatre had set up a year previously, they changed the name to the New Depot. This collective group was Colin McColl, Jean Betts, Philippa Campbell, Fiona Johnstone, Alyson Baker, Richard Mudford, Phillip Mann and John Bana ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wellington
Wellington ( mi, Te Whanganui-a-Tara or ) is the capital city of New Zealand. It is located at the south-western tip of the North Island, between Cook Strait and the Remutaka Range. Wellington is the second-largest city in New Zealand by metro area, and is the administrative centre of the Wellington Region. It is the world's southernmost capital of a sovereign state. Wellington features a temperate maritime climate, and is the world's windiest city by average wind speed. Legends recount that Kupe discovered and explored the region in about the 10th century, with initial settlement by Māori iwi such as Rangitāne and Muaūpoko. The disruptions of the Musket Wars led to them being overwhelmed by northern iwi such as Te Āti Awa by the early 19th century. Wellington's current form was originally designed by Captain William Mein Smith, the first Surveyor General for Edward Wakefield's New Zealand Company, in 1840. The Wellington urban area, which only includes urbanised ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Conch (theatre Company)
''The Conch'' is the eighth studio album by the American rock band Moe. It was released on January 23, 2007, by Fatboy Records. ''The Conch'' was Moe's first studio release in four years. History Since 2004, the band had been working on the follow-up to their 2003 release '' Wormwood''. The band had debuted well over a dozen new songs since Wormwood, but had indicated in articles and interviews that there were some songs that they had recorded that they hadn't even performed live yet. As with the previous album, the band decided to try to record and then mix in live samples of their new songs from shows on June 10, 2005 and June 11, 2005 in order to create a meld between studio and live settings. The band performed these two special shows in Portland, Maine and recorded the audio for possible inclusion on the new album. For this reason, the band, usually taper-friendly, did not allow audio taping by the fans for these two shows. * Rob Derhak on the new album (2/24/06): : In 2006 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rowley Habib
Rowley Habib (24 April 1933 – 3 April 2016), also known as Rore Hapipi, was a New Zealand poet, playwright, and writer of short stories and television scripts. Biography Of Lebanese and Māori descent, Habib identified with the Ngāti Tūwharetoa iwi. He was educated at Te Aute College and then attended teachers' training college for a time, before working in a variety of jobs including in a bookshop, timber mills, freezing works, and on hydroelectric dam construction sites. He was the first Māori to write an original television drama: his 1979 work ''The Gathering'' looked at tensions around an elderly woman's tangihanga. He also wrote the play, ''Death of the Land'', in 1976, a courtroom drama which sets in conflict opinions about the proposed sale of a block of Māori ancestral land. This play marks a beginning point for contemporary Māori theatre, the company Te Ika a Maui Players was formed to present it, which they did around the country in community halls, and ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Te Ohu Whakaari
Te Ohu Whakaari was a Māori theatre cooperative formed by Rangimoana Taylor in the early 1980s that created and performed plays across New Zealand. About Rangimoana Taylor was inspired to form Te Ohu Whakaari by his experiences in an Auckland-based theatre company called Statement Theatre alongside Nathaniel Lees, and provoked into action through an opportunity from artist Darcy Nicholas who was running the Wellington Arts Centre that was funded at the time by the Department of Labour. The Depot Theatre (that became Taki Rua) nurtured a philosophy to foster New Zealand work which also influenced Te Ohu Whakaari. Te Ohu Whakaari has lasting influence in New Zealand. Their theatrical practice combined western theatre traditions and Māori customs with story telling and movement in a unique style. Much of their work was cooperatively devised and has not been published. Te Ohu Whakaari had a theatre-in-education programme which toured New Zealand. One of the Te Ohu Whakaari pos ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sunny Amey
Sunny Amey (born 1928) is a theatre director and educator born in New Zealand. She worked at the National Theatre of England during its formative years alongside Laurence Olivier, as artistic director of Downstage Theatre in the 1970s and the director of New Zealand's national drama school Toi Whakaari in the late 1980s. Background Amey was born in 1928 and grew up in Wellington. She attended Seatoun School and Wellington East Girls' College and then trained as a teacher at Wellington Teachers College. Career Amey was a member of Wellington's Unity Theatre in the late 1940s and the 1950s. Other members included Bruce Mason, Nola Millar, Richard Campion and Edith Campion, George Webby, Grant Tilly, and Ann Flannery. Early on in her career Amey travelled from New Zealand to England twice. Her first trip in the early 1950s included her taking courses in London with Brian Way in children's theatre. On the second trip, which was funded on a New Zealand Internal Affairs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Keri Kaa
Hohi Ngapera Te Moana Keri Kaa (194226 August 2020) was a New Zealand writer, educator, and advocate for the Māori language. She was of Ngāti Porou and Ngāti Kahungunu descent. Family and education Kaa was born in 1942 in Rangitukia on New Zealand's East Cape. Her father was the Reverend Tipi Whenua Kaa, from Rangitukia, who was vicar of the Waiapu parish and her mother Hohipene Kaa (formerly Whaanga) was from Wairoa. Kaa was one of 12 children: her siblings include her late brother Hone Kaa, Anglican church leader and child welfare advocate, her late sister Arapera Blank, a writer and poet, and her late brother Wi Kuki Kaa, a well-known actor. Kaa attended Queen Victoria School for Māori Girls and Auckland Girls' Grammar. She spent a year in America after high school on an American Field Service scholarship and then attended Ardmore Teachers' College where in her second year she became the first woman to be the College President. She graduated with her teaching diploma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rona Bailey
Rona Bailey (née Stephenson; 24 December 1914 – 7 September 2005) was a New Zealand drama and dance practitioner, educationalist and activist. Bailey was influential in emerging contemporary dance and professional theatre in New Zealand. She was an activist in the anti-apartheid movement in the 1970s and 1980s, and part of Treaty of Waitangi anti-racist education that started in the mid-1980s. Background and education Rona Bailey was born in Whanganui, New Zealand, on 24 December 1914. Her family moved to Gisborne where her family ran a shoe shop. She trained as a teacher in Auckland and Christchurch and afterwards she travelled to the United States in 1937 to study modern dance initially at the University of California at Berkeley and in 1938 she transferred to Columbia University in New York. While she was in the USA she was taught by Doris Humphry, Charles Weidman, Louis Horst and Lucille Czarnowski amongst others and saw many works of innovative choreographer Martha Gr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wi Kuki Kaa
Wi Kuki Kaa (16 December 1938 – 19 February 2006) was a New Zealand actor in film, theatre and television. He was from the Māori iwi of Ngati Porou and Ngati Kahungunu. Family Kaa was born in Rangitukia on New Zealand's East Cape. His father was the Reverend Tipi Whenua Kaa, from Rangitukia, who was vicar of the Waiapu parish and his mother Hohipene Kaa (formerly Whaanga) was from Wairoa. He was one of 12 children: his siblings include the writer and te reo advocate Keri Kaa, Hone Kaa, an Anglican church leader, child welfare advocate, and Arapera Blank, a writer and poet. Career Kaa featured in many films, including the lead role of 'Iwi' in ''Ngati'' (1987), written by Tama Poata and directed by Barry Barclay. Kaa won the "Best Film Performance, Male" at the 1988 New Zealand Film and TV Awards for this role, and in 1987 alongside Barclay, Poata and producer John O'Shea attended a screening at Cannes Film Festival in the Critics Week programme. He also played a lead r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tungia Baker
Tungia Dorothea Gloria Baker (8 October 1939 – 25 July 2005) was a New Zealand actor, weaver, and administrator. Her notable acting roles included Ngahuia in the 1980s television drama ''Open House'' and Hira in the 1993 film ''The Piano''. Baker was influential in contemporary Māori theatre, Māori film making and Māori arts. She named the Taki Rua Theatre, and was a founding member of Māori artists' collectives Te Manu Aute and Haeata. Early life and education The daughter of noted Māori elder and Ngāti Raukawa paramount chief Matenga Baker of Ōtaki, Baker was born on 8 October 1939 in Ōtaki. Her iwi affiliations were Ngāti Raukawa, Ngāti Toa, Te Āti Awa and Te Arawa. She went to the Queen Victoria School for Māori Girls in Auckland where she was head prefect from 1953 to 1957 and dux in 1957 and 1958. She did not learn to speak Māori growing up, as her parents believed it would be better for their children to speak English. Baker received an American Fiel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kaumātua
A kaumātua is a respected tribal elder of either sex in a Māori community who has been involved with their whānau for a number of years. They are appointed by their people who believe the chosen elders have the capacity to teach and guide both current and future generations. Kaumātua have good knowledge of Māori '' tikanga'', language and history; and their contribution ensures that the mana of the whānau, hapū and iwi are maintained. Barlow (1994) refers to kaumātua as being the "keepers of knowledge and traditions of the family, sub-tribe and tribe". Although the term ''kaumātua'' is widely used to refer to all elders, male kaumātua are more correctly called ''koroua'' or ''koro'', and female elders are called ''kuia''. The word ''kaumātua'' comes from ''kau'', meaning alone, without or none, and ''mātua'', meaning parents; thus, ''kaumātua'' literally means "no parents" and reflects how the parents of older generations have passed on. Characteristics Kaumātua nev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Toni Huata
Toni, Toñi or Tóni is a unisex given name. In Spanish, Italian, Croatian and Finnish, it is a masculine given name used as a short form of the names derived from Antonius like Antonio, Ante or Anttoni. In Danish, English, Finnish, Norwegian and Swedish, it is a feminine given name used as a short form of Antonia. In Bulgarian, it is a unisex name used as a diminutive form of both Antoniya and Anton. Toñi is a Spanish feminine given name used as a short form of Antonia. Tóni a Hungarian masculine given name used as a diminutive form of Antal. It is sometimes a short form (hypocorism) of other names, such as Antonio, Antoine, Antonia or Antoinette. It is also sometimes a surname. Notable people with this name include the following: People Women * Toni Adams (1964–2010), American professional wrestling manager and valet * Toni Arden (1924–2012), stage name of Antoinette Ardizzone, American traditional pop music singer * Toni Aubin (1927–1990), American vocalist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Board Of Directors
A board of directors (commonly referred simply as the board) is an executive committee that jointly supervises the activities of an organization, which can be either a for-profit or a nonprofit organization such as a business, nonprofit organization, or a government agency. The powers, duties, and responsibilities of a board of directors are determined by government regulations (including the jurisdiction's corporate law) and the organization's own constitution and by-laws. These authorities may specify the number of members of the board, how they are to be chosen, and how often they are to meet. In an organization with voting members, the board is accountable to, and may be subordinate to, the organization's full membership, which usually elect the members of the board. In a stock corporation, non-executive directors are elected by the shareholders, and the board has ultimate responsibility for the management of the corporation. In nations with codetermination (such as Germ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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