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Take My Advice
"Take My Advice" is a song by American singer Kym Sims, co-written and produced by Steve "Silk" Hurley. It is the follow-up to her successful 1991 debut, " Too Blind to See It", and was released in March 1992 as the second single from her album by the same name (1992). It became a club hit, peaking at number 13 on the UK Singles Chart and number five on the US ''Billboard'' Hot Dance Club Songs chart. On the Eurochart Hot 100, it reached number 42. In 2015, Sims released new remixes, as "Take My Advice" (The 2015 Remixes) Part 1 and 2. Critical reception Larry Flick from ''Billboard'' described the song as a "engaging, pop-flavored houser", noting that a "star-quality vocal performance is inflected with a proper helping of sass and charm". He also added that the influence of producer Steve "Silk" Hurley is prominent, "which should help keep dancefloors filled." Dave Sholin from the ''Gavin Report'' felt it "has all those same unique qualities that make Kym's music and sound so ...
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Kym Sims
Kym Sims (born December 28, 1966) is an American singer whose biggest success came outside her home market, most notably the Scandinavian countries and the United Kingdom. Sims began her career as an advertising jingle singer before breaking through into the dance music market. Following a battle with alcohol addiction, Sims returned to the Billboard Dance Charts reaching #6 with "Turn It Up" in 2017. Career Working with record producer Steve "Silk" Hurley, Sims' dance anthem "Too Blind to See It" enjoyed particular success in the United Kingdom, where it spent 12 weeks on the UK Singles Chart in 1991–1992, peaking at number five. Her 1992 hit single " Take My Advice" was also a hit in the United Kingdom, peaking at number 13 on the UK Singles Chart. It was also a club hit. The same year she had a more modest hit with "A Little Bit More". Her album ''Too Blind to See It'' peaked at number 39 in the UK Albums Chart. The album was produced by Hurley, with co-production credits sha ...
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Gavin Report
The ''Gavin Report'' was a San Francisco-based radio industry trade publication. The publication was founded by radio performer Bill Gavin in 1958. Its Top 40 listings were used for many years by programmers to decide content of programs. The publication was also responsible for running the Gavin Seminar, a convention for radio industry members. In February 2002, United Business Media, who had owned the Gavin Report since 1992, decided to close the publication. Gavin executives cited a lack of cooperation on the part of media conglomerates (specifically naming Clear Channel Communications and Infinity Broadcasting Infinity Broadcasting Corporation was a radio company that existed from 1972 until 2005. It was founded by Michael A. Wiener and Gerald Carrus. It became associated with popular radio personalities like Howard Stern, Opie and Anthony, Don Imus ...), as well as poor convention attendance as reasons for the closure. References Professional and trade magazines ...
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Marusha
Marusha Aphrodite Gleiß (born 18 November 1966), known by her stage name Marusha, is a German-Greek electronic music disc jockey, producer and television presenter who had hits in the mid-1990s including her 1994 single " Somewhere Over the Rainbow". Career Marusha was born in Nuremberg. She started as a radio disc jockey in 1991 with her weekly show "Dancehall" on Berlin station DT64. When the station closed she moved to Fritz, another Berlin radio station, and presented a weekly slot called "Rave Satellite" until 2007. In 2007 she was also a member of the jury in the German version of Popstars. From 1993 to 1996 Marusha presented a television dance music show called "Feuerreiter" for regional broadcaster ORB, which later aired nationally via ARD. Scooter mentions Marusha in their 1994 song Hyper Hyper, during which lead singer H.P. Baxxter reads out the name of numerous DJs. Discography Singles Albums * 1994 ''Raveland'' (Ger #4) * 1995 ''Wir'' (Ger #81) * 1998 ' ...
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Hot Dance Club Play
Dance Club Songs is a chart published weekly by '' Billboard'' magazine in the United States. It is a national look over of club disc jockeys to determine the most popular songs being played in nightclubs across the country. It was launched as the Disco Action Top 30 chart on August 28, 1976, and became the first chart by ''Billboard'' to document the popularity of dance music. The first number-one song on the chart for the issue dated August 28, 1976, was "You Should Be Dancing" by the Bee Gees, spending five weeks atop the chart and the group's only number-one song on the chart. In January 2017, ''Billboard'' proclaimed Madonna as the most successful artist in the history of the chart, ranking her first in their list of the 100 top all-time dance artists. Madonna holds the record for the most number-one songs with 50. Katy Perry holds the record for having eighteen consecutive number-one songs. Perry's third studio album, '' Teenage Dream'' (2010), became the first album in ...
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Hot 100
The ''Billboard'' Hot 100 is the music industry standard record chart in the United States for songs, published weekly by '' Billboard'' magazine. Chart rankings are based on sales (physical and digital), radio play, and online streaming in the United States. The weekly tracking period for sales was initially Monday to Sunday when Nielsen started tracking sales in 1991, but was changed to Friday to Thursday in July 2015. This tracking period also applies to compiling online streaming data. Radio airplay, which, unlike sales figures and streaming, is readily available on a real-time basis, is also tracked on a Friday to Thursday cycle effective with the chart dated July 17, 2021 (previously Monday to Sunday and before July 2015, Wednesday to Tuesday). A new chart is compiled and officially released to the public by ''Billboard'' on Tuesdays but post-dated to the following Saturday. The first number-one song of the ''Billboard'' Hot 100 was " Poor Little Fool" by Ricky Ne ...
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UK Dance Singles Chart
The UK Dance Singles Chart and the UK Dance Albums Chart are music charts compiled in the United Kingdom by the Official Charts Company from sales of songs in the dance music genre (e.g. house, trance, drum and bass, garage, synthpop) in record stores and digital downloads. The chart can be viewed on the BBC Radio 1's and Official Charts Company's website. The archive on the Official Charts Company website goes back to 3 July 1994, the beginning of the first charting week.Official Dance Singles Chart Top 40: 3 July 1994 - 9 July 1994
The dates listed in the menus below represent the Saturday after the Sunday the c ...
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Official Charts Company
The Official Charts (legal name: The Official UK Charts Company Limited) is a British inter-professional organization that compiles various "official" record charts in the United Kingdom, Ireland and France. In the United Kingdom, its charts include ones for singles, albums and films, with the data compiled from a mixture of downloads, purchases (of physical media) and streaming. The OCC produces its charts by gathering and combining sales data from retailers through market researchers Kantar, and claims to cover 99% of the singles market and 95% of the album market, and aims to collect data from any retailer who sells more than 100 chart items per week. The OCC is operated jointly by the British Phonographic Industry and the Entertainment Retailers Association (ERA) (formerly the British Association of Record Dealers (BARD)) and is incorporated as a private company limited by shares jointly owned by BPI and ERA. The Chart Information Network (CIN) took over as compilers of the o ...
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Irish Recorded Music Association
The Irish Recorded Music Association (IRMA) is a non-profit association set up in 1999 to promote certain interests of the music industry in Ireland. It is particularly active in addressing copyright issues, and it compiles the official music charts for Ireland. Membership Only Irish companies can become members of the IRMA. All members pay a yearly fee based on company size. Currently, the IRMA has 51 member companies. Board member companies The recording companies and other music-related companies that are on the IRMA board are: * Warner Music Ireland * Universal Music Ireland * Sony Music Ireland (formerly Sony BMG Ireland) *IML Irish Music Licensing Ltd *Faction Records *Rubyworks Goals and activities IRMA operates to promote and protect the welfare and interests of the Irish record industry. Specifically, IRMA is involved in lobbying to protect and enhance the interest of member companies and lobby to prevent illegal downloading of music content from local and internati ...
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European Dance Radio Chart
The European Dance Radio Chart (also known as European Dance Radio Top 25) was a weekly chart compiled by pan-European magazine ''Music & Media''. After dance music had played a more dominant role on the magazine's Eurochart Hot 100 in the beginning of the 1990s, the new chart was launched on 28 September 1991. Based on a weighted-scoring system, it was compiled on the basis of playlists of European stations programming various styles of dance music, including hip hop/rap, R&B and swingbeat, for the 15-30 year-olds, fulltime or during specific dayparts. The first number one single on the EDR Chart was "Gett Off" by Prince. Number one singles on European Dance Radio Top 25 1991 *Prince - "Gett Off" (28 September 1991) *P.M. Dawn - "Set Adrift on Memory Bliss" (19 October 1991) *Simply Red - "Something Got Me Started" (2 November 1991) *Lisa Stansfield - "Change" (23 November 1991) *Michael Jackson - "Black or White" (21 December 1991) 1992 * DNA - " Can You Handle It" (15 Februar ...
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Music & Media
''Music & Media'' was a pan-European magazine for radio, music and entertainment. It was published for the first time in 1984 as ''Eurotipsheet'', but in 1986 it changed name to ''Music & Media''. It was originally based in Amsterdam, but later moved to London. The magazine focused specifically on radio, TV, music, charts and related areas of entertainment such as music festivals and events. ''Music & Media'' ceased in August 2003. ''Music & Media'' was the sister publication of '' Billboard'' magazine. Record charts Main charts *European Top 100 Albums (sales) *European Hot 100 Singles The European Hot 100 Singles was compiled by '' Billboard'' and '' Music & Media'' magazine from March 1984 until December 2010. The chart was based on national singles sales charts in 17 European countries: Austria, Belgium (two charts separately ... (sales) *European Airplay Top 50 (airplay) (previously called European Hit Radio Top 40) *European Border Breakers (airplay of European songs brea ...
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ARIA Charts
The ARIA Charts are the main Australian music sales charts, issued weekly by the Australian Recording Industry Association. The charts are a record of the highest selling songs and albums in various genres in Australia. ARIA became the official Australian music chart in June 1988, succeeding the Kent Music Report, which had been Australia's national music sales charts since 1974. History The ''Go-Set'' charts were Australia's first national singles and albums charts, published from 5 October 1966 until 24 August 1974. Succeeding ''Go-Set'', the Kent Music Report began issuing the national top 100 charts in Australia from May 1974. The compiler, David Kent, also published Australia's national charts from 1940 to 1974 in a retrospective fashion using state-based data. In mid-1983, the Australian Recording Industry Association commenced licensing the Kent Music Report chart. The first printed national top 50 chart available in record stores, branded the ''Countdown'' chart, was ...
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Smash Hits
''Smash Hits'' was a British music magazine aimed at young adults, originally published by EMAP. It ran from 1978 to 2006, and, after initially appearing monthly, was issued fortnightly during most of that time. The name survived as a brand for a Spin-off (media), spin-off Smash Hits (TV channel), digital television channel, now named Box Hits, and website. A Smash Hits Radio, digital radio station was also available but closed on 5 August 2013. Overview ''Smash Hits'' featured the lyrics of latest hits and interviews with big names in music. It was initially published monthly, then went fortnightly. The style of the magazine was initially serious, but from the mid-1980s became increasingly irreverent. Its interviewing technique was novel at the time and, rather than looking up to the big names, it often made fun of them, asking strange questions rather than talking about their music. Created by journalist Nick Logan, the title was launched in 1978 and appeared monthly for ...
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