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Kym Sims
Kym Sims (born December 28, 1966) is an American singer whose biggest success came outside her home market, most notably the Scandinavian countries and the United Kingdom. Sims began her career as an advertising jingle singer before breaking through into the dance music market. Following a battle with alcohol addiction, Sims returned to the Billboard Dance Charts reaching #6 with "Turn It Up" in 2017. Career Working with record producer Steve "Silk" Hurley, Sims' dance anthem "Too Blind to See It" enjoyed particular success in the United Kingdom, where it spent 12 weeks on the UK Singles Chart in 1991–1992, peaking at number five. Her 1992 hit single " Take My Advice" was also a hit in the United Kingdom, peaking at number 13 on the UK Singles Chart. It was also a club hit. The same year she had a more modest hit with "A Little Bit More". Her album ''Too Blind to See It'' peaked at number 39 in the UK Albums Chart. The album was produced by Hurley, with co-production credits sha ...
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Too Blind To See It (Kym Sims Song)
"Too Blind to See It" is a song by American singer Kym Sims, written and produced by Steve "Silk" Hurley. It was released in 1991 as the first single from the debut album of the same name (1992) and uses a sample of the Shep Pettibone Mix of the 1983, First Choice track, "Let No Man Put Asunder". The song peaked at number 38 on the US ''Billboard'' Hot 100, and number-one on the ''Billboard'' Hot Dance Club Play chart. Outside of the US, it peaked within the top 10 of the charts in Denmark, Finland, and the UK. Additionally, it reached the top 20 of the charts in Australia, Belgium (Flanders), Luxembourg and the Republic of Ireland. A music video was also produced to promote the single. Background and release First released by the independent I.D. label in America in August 1991, it was subsequently picked up by Atco Records, which released it in the UK. Sims was asked to demo the song more than a year before she went back into the studio to record the commercially released ver ...
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Too Blind To See It (Kym Sims Song)
"Too Blind to See It" is a song by American singer Kym Sims, written and produced by Steve "Silk" Hurley. It was released in 1991 as the first single from the debut album of the same name (1992) and uses a sample of the Shep Pettibone Mix of the 1983, First Choice track, "Let No Man Put Asunder". The song peaked at number 38 on the US ''Billboard'' Hot 100, and number-one on the ''Billboard'' Hot Dance Club Play chart. Outside of the US, it peaked within the top 10 of the charts in Denmark, Finland, and the UK. Additionally, it reached the top 20 of the charts in Australia, Belgium (Flanders), Luxembourg and the Republic of Ireland. A music video was also produced to promote the single. Background and release First released by the independent I.D. label in America in August 1991, it was subsequently picked up by Atco Records, which released it in the UK. Sims was asked to demo the song more than a year before she went back into the studio to record the commercially released ver ...
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Too Blind To See It
''Too Blind to See It'' is the only album by American singer Kym Sims, released in 1992. It was produced by Steve "Silk" Hurley and includes the worldwide hit single "Too Blind to See It" which reached number 38 on the US ''Billboard'' Hot 100 and number five in the UK Singles Chart. Two further singles were released from the album: " Take My Advice" (UK No. 13) and "A Little Bit More" (UK No. 30). Track listing Personnel Credits adapted from album liner notes. Musicians *Kym Sims – primary artist, vocals, backing vocals (tracks 1–5, 7–11) * Frost – rap (track 11) *Steve "Silk" Hurley – backing vocals (tracks 1–2 & 11), keyboards, drum programming * Donell Rush – guest artist, backing vocals (tracks 3–4, 6–8 & 10) * Chante Savage – guest artist, backing vocals (tracks 3–4, 6–8 & 10) Production *All tracks produced, arranged and mixed by Steve "Silk" Hurley *Vocals produced and arranged by Steve "Silk" Hurley, Donell Rush & Chante Savage *Engineers: L ...
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House Music
House is a music genre characterized by a repetitive Four on the floor (music), four-on-the-floor beat and a typical tempo of 120 beats per minute. It was created by Disc jockey, DJs and music producers from Chicago metropolitan area, Chicago's underground Clubbing (subculture), club culture in the late 1970s, as DJs began altering disco songs to give them a more mechanical beat. House was pioneered by African Americans, African American DJs and producers in Chicago such as Frankie Knuckles, Ron Hardy, Jesse Saunders, Chip E., Steve "Silk" Hurley, Farley "Jackmaster" Funk, Marshall Jefferson, Phuture, and others. House music expanded to other American cities such as New York City and became a worldwide phenomenon. House has had a large effect on pop music, especially dance music. It was incorporated by major international pop artists including Whitney Houston, Janet Jackson ("Together Again (Janet Jackson song), Together Again"), Kylie Minogue, Pet Shop Boys and Madonna ("Vogu ...
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Maurice Joshua
Maurice Joshua (born in Chicago, Illinois), usually credited under the name Maurice, is an American record producer. His single " This Is Acid (A New Dance Craze)" (1988), reached number one on the '' Billboard'' Hot Dance Club Play chart in April 1989 and stayed there for two weeks. Though that was his only hit single, he has been nominated for three Grammy Awards for remixes, and his remix of Beyoncé's "Crazy in Love", known as "Krazy in Luv" (Maurice's Nu Soul Mix), won the Grammy Award for Best Remixed Recording, Non-Classical The Grammy Award for Best Remixed Recording, Non-Classical is an honor presented to producers for quality remixed recordings at the Grammy Awards, a ceremony that was established in 1958 and originally called the Gramophone Awards. Honors in seve ... for 2003. References American DJs American house musicians Businesspeople from Chicago DJs from Chicago Remixers A&M Records artists Grammy Award winners Living people Electronic dance mus ...
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Sound Recording And Reproduction
Sound recording and reproduction is the electrical, mechanical, electronic, or digital inscription and re-creation of sound waves, such as spoken voice, singing, instrumental music, or sound effects. The two main classes of sound recording technology are analog recording and digital recording. Sound recording is the transcription of invisible vibrations in air onto a storage medium such as a phonograph disc. The process is reversed in sound reproduction, and the variations stored on the medium are transformed back into sound waves. Acoustic analog recording is achieved by a microphone diaphragm that senses changes in atmospheric pressure caused by acoustic sound waves and records them as a mechanical representation of the sound waves on a medium such as a phonograph record (in which a stylus cuts grooves on a record). In magnetic tape recording, the sound waves vibrate the microphone diaphragm and are converted into a varying electric current, which is then converted to ...
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Solo (music)
In music, a solo (from the Spanish language, Spanish and Italian language, Italian based-word: ''Solo'', meaning ''alone'' or ''by yourself'') is a musical composition, piece or a section (music), section of a piece played or sung featuring a single performer, who may be performing completely alone or supported by an accompanying instrument such as a piano or Organ (music), organ, a Basso continuo, continuo group (in Baroque music), or the rest of a choir, orchestra, band, or other ensemble. Performing a solo is "to solo", and the performer is known as a ''soloist''. The plural is soli or the anglicisation, anglicised form solos. In some contexts these are interchangeable, but ''soli'' tends to be restricted to classical music, and mostly either the solo performers or the solo passage (music), passages in a single piece. Furthermore, the word ''soli'' can be used to refer to a small number of simultaneous parts assigned to single players in an orchestral composition. In the Baroq ...
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Billboard 200
The ''Billboard'' 200 is a record chart ranking the 200 most popular music albums and EPs in the United States. It is published weekly by '' Billboard'' magazine and is frequently used to convey the popularity of an artist or groups of artists. Often, a recording act will be remembered by its " number ones", those of their albums that outperformed all others during at least one week. The chart grew from a weekly top 10 list in 1956 to become a top 200 list in May 1967, and acquired its current name in March 1992. Its previous names include the ''Billboard'' Top LPs (1961–1972), ''Billboard'' Top LPs & Tape (1972–1984), ''Billboard'' Top 200 Albums (1984–1985) and ''Billboard'' Top Pop Albums (1985–1992). The chart is based mostly on sales – both at retail and digital – of albums in the United States. The weekly sales period was originally Monday to Sunday when Nielsen started tracking sales in 1991, but since July 2015, tracking week begins on Friday (to coinc ...
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Compilation Album
A compilation album comprises Album#Tracks, tracks, which may be previously released or unreleased, usually from several separate recordings by either one or several Performing arts#Performers, performers. If by one artist, then generally the tracks were not originally intended for release together as a single work, but may be collected together as a greatest hits album or box set. If from several performers, there may be a theme, topic, time period, or genre which links the tracks, or they may have been intended for release as a single work—such as a tribute album. When the tracks are by the same recording artist, the album may be referred to as a retrospective album or an anthology. Content and scope Songs included on a compilation album may be previously released or unreleased, usually from several separate recordings by either one or several performers. If by one artist, then generally the tracks were not originally intended for release together as a single work, but may ...
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British Phonographic Industry
British Phonographic Industry (BPI) is the British recorded music industry's Trade association. It runs the BRIT Awards, the Classic BRIT Awards, National Album Day, is home to the Mercury Prize, and co-owns the Official Charts Company with the Entertainment Retailers Association, and awards UK music sales through the BRIT Certified Awards. Structure Its membership comprises hundreds of music companies including all three "major" record companies in the UK (Warner Music UK, Sony Music UK, & Universal Music UK), and over 450 independent record labels and small to medium-sized music businesses. The BPI council is the management and policy forum of the BPI. It is chaired by the chair of BPI, and includes the chief executive, chief operating officer (COO) and the general counsel. In addition it includes 12 representatives from the recorded music sector, six from major labels, two each from the three major companies, and six from the independent sector, which are selected by votin ...
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Hot Dance Club Songs
Dance Club Songs is a chart published weekly by '' Billboard'' magazine in the United States. It is a national look over of club disc jockeys to determine the most popular songs being played in nightclubs across the country. It was launched as the Disco Action Top 30 chart on August 28, 1976, and became the first chart by ''Billboard'' to document the popularity of dance music. The first number-one song on the chart for the issue dated August 28, 1976, was "You Should Be Dancing" by the Bee Gees, spending five weeks atop the chart and the group's only number-one song on the chart. In January 2017, ''Billboard'' proclaimed Madonna as the most successful artist in the history of the chart, ranking her first in their list of the 100 top all-time dance artists. Madonna holds the record for the most number-one songs with 50. Katy Perry holds the record for having eighteen consecutive number-one songs. Perry's third studio album, '' Teenage Dream'' (2010), became the first album in t ...
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Billboard Hot 100
The ''Billboard'' Hot 100 is the music industry standard record chart in the United States for songs, published weekly by '' Billboard'' magazine. Chart rankings are based on sales (physical and digital), radio play, and online streaming in the United States. The weekly tracking period for sales was initially Monday to Sunday when Nielsen started tracking sales in 1991, but was changed to Friday to Thursday in July 2015. This tracking period also applies to compiling online streaming data. Radio airplay, which, unlike sales figures and streaming, is readily available on a real-time basis, is also tracked on a Friday to Thursday cycle effective with the chart dated July 17, 2021 (previously Monday to Sunday and before July 2015, Wednesday to Tuesday). A new chart is compiled and officially released to the public by ''Billboard'' on Tuesdays but post-dated to the following Saturday. The first number-one song of the ''Billboard'' Hot 100 was " Poor Little Fool" by Ricky Ne ...
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