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Tacet
Tacet is Latin which translates literally into English as "(it) is silent" (pronounced: , , or ). It is a musical term to indicate that an instrument or voice does not sound, also known as a rest. In vocal polyphony and in orchestral scores, it usually indicates a long period of time, typically an entire movement. In more modern music such as jazz, tacet tends to mark considerably shorter breaks. Multirests, or multiple-measure rests, are rests which last multiple measures (or multiple rests, each of which lasts an entire measure). It was common for early symphonies to leave out the brass or percussion in certain movements, especially in slow (second) movements, and this is the instruction given in the parts for the player to wait until the end of the movement. It is also commonly used in accompaniment music to indicate that the instrument does not play on a certain run through a portion of the music, e.g. "Tacet 1st time." The phrase ''tacet al fine'' is used to indicate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tacet Sheetmusic
Tacet is Latin which translates literally into English as "(it) is silent" (pronounced: , , or ). It is a musical term to indicate that an instrument or voice does not sound, also known as a rest. In vocal polyphony and in orchestral scores, it usually indicates a long period of time, typically an entire movement. In more modern music such as jazz, tacet tends to mark considerably shorter breaks. Multirests, or multiple-measure rests, are rests which last multiple measures (or multiple rests, each of which lasts an entire measure). It was common for early symphonies to leave out the brass or percussion in certain movements, especially in slow (second) movements, and this is the instruction given in the parts for the player to wait until the end of the movement. It is also commonly used in accompaniment music to indicate that the instrument does not play on a certain run through a portion of the music, e.g. "Tacet 1st time." The phrase ''tacet al fine'' is used to indicate t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
4′33″
''4′33″'' (pronounced "four minutes, thirty-three seconds" or just "four thirty-three") is a three- movement composition by American experimental composer John Cage. It was composed in 1952, for any instrument or combination of instruments, and the score instructs performers not to play their instruments during the entire duration of the piece throughout the three movements. The piece consists of the sounds of the environment that the listeners hear while it is performed, although it is commonly misperceived as "four minutes thirty-three seconds of silence". The title of the piece refers to the total length in minutes and seconds of a given performance, ''4′33″'' being the total length of the first public performance. Conceived around 1947–48, while the composer was working on ''Sonatas and Interludes'', ''4′33″'' became for Cage the epitome of his idea that any auditory experience may constitute music. It was also a reflection of the influence of Zen Buddhism, whic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Terminology
A variety of musical terms are likely to be encountered in Sheet music, printed scores, music reviews, and program notes. Most of the terms Italian musical terms used in English, are Italian, in accordance with the Italian origins of many European musical conventions. Sometimes, the special musical meanings of these phrases differ from the original or current Italian meanings. Most of the other terms are taken from French language, French and German language, German, indicated by ''Fr.'' and ''Ger.'', respectively. Unless specified, the terms are Italian or English. The list can never be complete: some terms are common, and others are used only occasionally, and new ones are coined from time to time. Some composers prefer terms from their own language rather than the standard terms listed here. 0–9 ; 1′ : "sifflet" or one foot organ stop ; I : usually for Violin family, orchestral string instruments, used to indicate that the player should play the passage on the h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rest (music)
A rest is a musical notation sign that indicates the absence of a sound. Each rest symbol and name corresponds with a particular note value for length, indicating how long the silence should last. Description Rests are intervals of silence in pieces of music, marked by symbols indicating the length of the pause. Each rest symbol and name corresponds with a particular note value, indicating how long the silence should last, generally as a multiplier of a measure or whole note. * The quarter (crotchet) rest (𝄽) may also be found as a form in older music.''History of Music Notation'' (1937) by C. Gorden, p. 93. * The four-measure rest or longa rest are only used in long silent passages which are not divided into bars. * The combination of rests used to mark a pause follows the same rules as for note values.''AB guide to music theory'' by E. Taylor, chapter 13/1, One-bar rests When an entire bar is devoid of notes, a whole (semibreve) rest is used, regardless of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Caesura
image:Music-caesura.svg, 300px, An example of a caesura in modern western music notation A caesura (, . caesuras or caesurae; Latin for "cutting"), also written cæsura and cesura, is a Metre (poetry), metrical pause or break in a Verse (poetry), verse where one phrase ends and another phrase begins. It may be expressed by a comma (,), a Check mark, tick (✓), or two lines, either slashed (//) or upright (, , ). In time value, this break may vary between the slightest perception of silence all the way up to a full Pausa, pause. Poetry In classical Greek and Latin poetry a caesura is the juncture where one word ends and the following word begins within a foot. In contrast, a word juncture at the end of a foot (prosody), foot is called a Diaeresis (prosody), diaeresis. Some caesurae are expected and represent a point of articulation between two phrases or clauses. All other caesurae are only potentially places of articulation. The opposite of an obligatory caesura is a bridge wher ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Notation
Music notation or musical notation is any system used to visually represent aurally perceived music played with instruments or sung by the human voice through the use of written, printed, or otherwise-produced symbols, including notation for durations of absence of sound such as rests. The types and methods of notation have varied between cultures and throughout history, and much information about ancient music notation is fragmentary. Even in the same time period, such as in the 2010s, different styles of music and different cultures use different music notation methods; for example, for professional classical music performers, sheet music using staves and noteheads is the most common way of notating music, but for professional country music session musicians, the Nashville Number System is the main method. The symbols used include ancient symbols and modern symbols made upon any media such as symbols cut into stone, made in clay tablets, made using a pen on papyrus or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Latin Influence In English
Although English is a Germanic language, it has Latin influences. Its grammar and core vocabulary are inherited from Proto-Germanic, but a significant portion of the English vocabulary comes from Romance and Latinate sources. A portion of these borrowings come directly from Latin, or through one of the Romance languages, particularly Anglo-Norman and French, but some also from Italian, Portuguese, and Spanish; or from other languages (such as Gothic, Frankish or Greek) into Latin and then into English. The influence of Latin in English, therefore, is primarily lexical in nature, being confined mainly to words derived from Latin and Greek roots. Early Middle Ages The Germanic tribes who later gave rise to the English language traded and fought with the Latin speaking Roman Empire. Many words for common objects therefore entered the vocabulary of these Germanic people via Latin even before the tribes reached Britain : ''anchor'', ''butter'', ''camp'', ''cheese'', ''chest'', ''co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Cage
John Milton Cage Jr. (September 5, 1912 – August 12, 1992) was an American composer and music theorist. A pioneer of indeterminacy in music, electroacoustic music, and non-standard use of musical instruments, Cage was one of the leading figures of the post-war avant-garde. Critics have lauded him as one of the most influential composers of the 20th century. He was also instrumental in the development of modern dance, mostly through his association with choreographer Merce Cunningham, who was also Cage's romantic partner for most of their lives. Cage is perhaps best known for his 1952 composition ''4′33″'', which is performed in the absence of deliberate sound; musicians who present the work do nothing aside from being present for the duration specified by the title. The content of the composition is not "four minutes and 33 seconds of silence," as is often assumed, but rather the sounds of the environment heard by the audience during performance. The work's challenge t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chord Chart
A chord chart (or chart) is a form of musical notation that describes the basic harmonic and rhythmic information for a song or tune. It is the most common form of notation used by professional session musicians playing jazz or popular music. It is intended primarily for a rhythm section (usually consisting of piano, guitar, drums and bass). In these genres the musicians are expected to be able to improvise the individual notes used for the chords (the " voicing") and the appropriate ornamentation, counter melody or bassline. In some chord charts, the harmony is given as a series of chord symbols above a traditional musical staff. The rhythmic information can be very specific and written using a form of traditional notation, sometimes called rhythmic notation, or it can be completely unspecified using slash notation, allowing the musician to fill the bar with chords or fills any way they see fit (called '' comping''). In Nashville notation the key is left unspecified on the char ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guitar Tablature
Tablature (or tabulature, or tab for short) is a form of musical notation indicating instrument fingering rather than musical pitches. Tablature is common for fretted stringed instruments such as the guitar, lute or vihuela, as well as many free reed aerophones such as the harmonica. Tablature was common during the Renaissance and Baroque eras, and is commonly used today in notating many forms of music. Three types of organ tablature were used in Europe: German, Spanish and Italian. To distinguish standard musical notation from tablature, the former is usually called " staff notation" or just "notation". Etymology The word ''tablature'' originates from the Latin word ''tabulatura''. ''Tabula'' is a table or slate, in Latin. To tabulate something means to put it into a table or chart. Origin The first known occurrence in Europe is around 1300, and was first used for notating music for the organ. Concepts While standard notation represents the rhythm and duration of each ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gardner Read
Gardner Read (January 2, 1913 in Evanston, Illinois – November 10, 2005 in Manchester-by-the-Sea, Massachusetts) was an American composer and musical scholar. His first musical studies were in piano and organ, and she also took lessons in counterpoint and composition at the School of Music at Northwestern University. In 1932 he was awarded a four-year scholarship to the Eastman School of Music (B.M. and M.M.), where he studied with Bernard Rogers and Howard Hanson. In the late 1930s he also studied briefly with Ildebrando Pizzetti, and Aaron Copland. After heading the composition departments of the St. Louis Institute of Music, the Kansas City Conservatory of Music and the Cleveland Institute of Music, Read became Composer-in-Residence and Professor of Composition at the School of Music at Boston University. He remained in this post until his retirement in 1978. His Symphony No. 1, op. 30 (1937, premiered by Sir John Barbirolli) won first prize at the New York Philharmonic-S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Latin
Latin (, or , ) is a classical language belonging to the Italic branch of the Indo-European languages. Latin was originally a dialect spoken in the lower Tiber area (then known as Latium) around present-day Rome, but through the power of the Roman Republic it became the dominant language in the Italian region and subsequently throughout the Roman Empire. Even after the fall of Western Rome, Latin remained the common language of international communication, science, scholarship and academia in Europe until well into the 18th century, when other regional vernaculars (including its own descendants, the Romance languages) supplanted it in common academic and political usage, and it eventually became a dead language in the modern linguistic definition. Latin is a highly inflected language, with three distinct genders (masculine, feminine, and neuter), six or seven noun cases (nominative, accusative, genitive, dative, ablative, and vocative), five declensions, four verb conjuga ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
