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Symmachi–Nicomachi Diptych
The Symmachi–Nicomachi diptych is a book-size Late Antique ivory diptych dating to the late fourth or early fifth century, whose panels depict scenes of ritual pagan religious practices. Both its style and its content reflect a short-lived revival of traditional Roman religion and Classicism at a time when the Roman world was turning towards Christianity and rejecting the Classical tradition. The diptych takes its name from the inscriptions "Nicomachorum" and "Symmachorum", in reference to two prominent Roman Senatorial families, the Nichomachi and Symmachi. Provenance The diptych remained intact until the nineteenth century.Weitzmann, 186. The earliest description of the leaves dates to 1717, when an inventory of the monastery of Montier-en-Der records them as doors on an early thirteenth century reliquary. Art historian Richard Delbrueck uncovered a mention of the panels in the abbot Adso's tenth century biography of Bercharius, who founded the monastery ca. 670. Ads ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Diptych Nicomachi-Symmachi Collated
A diptych (; from the Greek δίπτυχον, ''di'' "two" + '' ptychē'' "fold") is any object with two flat plates which form a pair, often attached by hinge. For example, the standard notebook and school exercise book of the ancient world was a diptych consisting of a pair of such plates that contained a recessed space filled with wax. Writing was accomplished by scratching the wax surface with a stylus. When the notes were no longer needed, the wax could be slightly heated and then smoothed to allow reuse. Ordinary versions had wooden frames, but more luxurious diptychs were crafted with more expensive materials. Art ] As an art term a diptych is an artwork consisting of two pieces or panels, that together create a singular art piece these can be attached together or presented adjoining each other. In medieval times, panels were often hinged so that they could be closed and the artworks protected. In Late Antiquity, ivory notebook diptychs with covers carved in low relief ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French Revolution
The French Revolution ( ) was a period of radical political and societal change in France that began with the Estates General of 1789 and ended with the formation of the French Consulate in November 1799. Many of its ideas are considered fundamental principles of liberal democracy, while phrases like ''liberté, égalité, fraternité'' reappeared in other revolts, such as the 1917 Russian Revolution, and inspired campaigns for the abolition of slavery and universal suffrage. The values and institutions it created dominate French politics to this day. Its causes are generally agreed to be a combination of social, political and economic factors, which the ''Ancien Régime'' proved unable to manage. In May 1789, widespread social distress led to the convocation of the Estates General, which was converted into a National Assembly in June. Continuing unrest culminated in the Storming of the Bastille on 14 July, which led to a series of radical measures by the Assembly, i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicomachus Flavianus
Nicomachus Flavianus ( 382–432), sometimes referred to as Flavianus the Younger, was a grammarian and a politician of the Roman Empire. He was the son of Virius Nicomachus Flavianus. He held several offices under emperors Valentinian II (371–392), Theodosius I (379–395), Honorius (393–423), and Valentinian III (425–455); together with his father he supported the usurper Eugenius until his defeat and death (392–394). Flavianus also edited a corrected version of Livy's work. Biography Flavianus belonged to the ''Nicomachi'', an influential family of senatorial rank. His father was the pagan politician and historian Virius Nicomachus Flavianus, CIL, VI, 1783 and he had a brother. He married a daughter (who some sources say was called Galla and other sources say is unnamed) of Quintus Aurelius Symmachus, from whom he received over 80 letters, and whose family had a long-time friendship and alliance with the ''Nicomachi''. It may have been in occasion of Flavianus' w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Quintus Aurelius Symmachus
Quintus Aurelius Symmachus signo Eusebius (, ; c. 345 – 402) was a Roman statesman, orator, and man of letters. He held the offices of governor of proconsular Africa in 373, urban prefect of Rome in 384 and 385, and consul in 391. Symmachus sought to preserve the traditional religions of Rome at a time when the aristocracy was converting to Christianity, and led an unsuccessful delegation of protest against Emperor Gratian's order to remove the Altar of Victory from the curia, the principal meeting place of the Roman Senate in the Forum Romanum. Two years later he made a famous appeal to Gratian's successor, Valentinian II, in a dispatch that was rebutted by Ambrose, the bishop of Milan. Symmachus's career was temporarily derailed when he supported the short-lived usurper Magnus Maximus, but he was rehabilitated and three years later appointed consul. After the death of Theodosius I, he became an ally of Stilicho, the guardian of emperor Honorius. In collaboration with Sti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dionysus
In ancient Greek religion and myth, Dionysus (; grc, Διόνυσος ) is the god of the grape-harvest, winemaking, orchards and fruit, vegetation, fertility, insanity, ritual madness, religious ecstasy, festivity, and theatre. The Romans called him Bacchus ( or ; grc, Βάκχος ) for a frenzy he is said to induce called ''bakkheia''. As Dionysus Eleutherios ("the liberator"), his wine, music, and ecstatic dance free his followers from self-conscious fear and care, and subvert the oppressive restraints of the powerful. His ''thyrsus'', a fennel-stem sceptre, sometimes wound with ivy and dripping with honey, is both a beneficent wand and a weapon used to destroy those who oppose his cult and the freedoms he represents. Those who partake of his mysteries are believed to become possessed and empowered by the god himself. His origins are uncertain, and his cults took many forms; some are described by ancient sources as Thracian, others as Greek. In Orphic religion, he wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jupiter (mythology)
Jupiter ( la, Iūpiter or , from Proto-Italic language, Proto-Italic "day, sky" + "father", thus "sky father" Greek: Zeus, Δίας or Zeus, Ζεύς), also known as Jove (genitive case, gen. ''Iovis'' ), is the sky god, god of the sky and god of thunder, thunder, and Pantheon (gods), king of the gods in ancient Roman religion and Roman mythology, mythology. Jupiter was the chief deity of Roman state religion throughout the Roman Republic, Republican and Roman Empire, Imperial eras, until Constantine the Great and Christianity, Christianity became the dominant religion of the Empire. In Roman mythology, he negotiates with Numa Pompilius, the second king of Rome, to establish principles of Roman religion such as offering, or sacrifice. Jupiter is usually thought to have originated as a sky god. His identifying implement is the thunderbolt and his primary sacred animal is the eagle, which held precedence over other birds in the taking of auspices and became one of the most comm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kantharos
A ''kantharos'' ( grc, κάνθαρος) or cantharus is a type of ancient Greek cup used for drinking. Although almost all surviving examples are in Greek pottery, the shape, like many Greek vessel types, probably originates in metalwork. In its iconic "Type A" form, it is characterized by its deep bowl, tall pedestal foot, and pair of high-swung handles which extend above the lip of the pot. The Greek words ''kotylos'' (κότῦλος, masculine) and ''kotyle'' (κοτύλη, feminine) are other ancient names for this same shape. The ''kantharos'' is a cup used to hold wine, possibly for drinking or for ritual use or offerings. The ''kantharos'' seems to be an attribute of Dionysos, the god of wine, who was associated with vegetation and fertility. As well as a banqueting cup, they could be used in pagan rituals as a symbol of rebirth or resurrection, the immortality offered by wine, "removing in moments of ecstasy the burden of self-consciousness and elevating man to t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Altar
An altar is a table or platform for the presentation of religious offerings, for sacrifices, or for other ritualistic purposes. Altars are found at shrines, temples, churches, and other places of worship. They are used particularly in paganism, Christianity, Buddhism, Hinduism, Judaism, modern paganism, and in certain Islamic communities around Caucasia and Asia Minor. Many historical-medieval faiths also made use of them, including the Roman, Greek, and Norse religions. Etymology The modern English word '' altar'' was derived from Middle English '' altar'', from Old English '' alter'', taken from Latin '' altare'' ("altar"), probably related to '' adolere'' ("burn"); thus "burning place", influenced by '' altus'' ("high"). It displaced the native Old English word '' wēofod''. Altars in antiquity File:Tel Be'er Sheva Altar 2007041.JPG, Horned altar at Tel Be'er Sheva, Israel. File:3217 - Athens - Sto… of Attalus Museum - Kylix - Photo by Giovanni Dall'Orto, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Attis
Attis (; grc-gre, Ἄττις, also , , ) was the consort of Cybele, in Phrygian and Greek mythology. His priests were eunuchs, the ''Galli'', as explained by origin myths pertaining to Attis castrating himself. Attis was also a Phrygian vegetation deity. His self-mutilation, death, and resurrection represents the fruits of the earth, which die in winter only to rise again in the spring. According to Ovid's ''Metamorphoses'', Attis transformed himself into a pine tree. No connection to the god Atys Nineteenth century scholarship wrongly identified the god ''Attis'' with the similar-sounding name of the god ''Atys''. The ''name'' "Atys" is often seen in ancient Aegean cultures; it was mentioned by Herodotus, however Herodotus was describing Atys, the son of Croesus, a human in a historical account. The 19th century conflation of the man Atys's name with the mythology of the god he was presumably named after, "Atys the sun god, slain by the boar's tusk of winter", ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cybele
Cybele ( ; Phrygian: ''Matar Kubileya/Kubeleya'' "Kubileya/Kubeleya Mother", perhaps "Mountain Mother"; Lydian ''Kuvava''; el, Κυβέλη ''Kybele'', ''Kybebe'', ''Kybelis'') is an Anatolian mother goddess; she may have a possible forerunner in the earliest neolithic at Çatalhöyük, where statues of plump women, sometimes sitting, accompanied by lionesses, have been found in excavations. Phrygia's only known goddess, she was probably its national deity. Greek colonists in Asia Minor adopted and adapted her Phrygian cult and spread it to mainland Greece and to the more distant Magna Graeca, western Greek colonies around the 6th century BC. In Ancient Greece , Greece, Cybele met with a mixed reception. She became partially assimilated to aspects of the Earth-goddess Gaia (mythology) , Gaia, of her possibly Minoan civilization , Minoan equivalent Rhea (mythology) , Rhea, and of the harvest–mother goddess Demeter. Some city-states, notably Athens, evoked her as a pro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alto-relievo
Relief is a sculptural method in which the sculpted pieces are bonded to a solid background of the same material. The term ''relief'' is from the Latin verb ''relevo'', to raise. To create a sculpture in relief is to give the impression that the sculpted material has been raised above the background plane. When a relief is carved into a flat surface of stone (relief sculpture) or wood (relief carving), the field is actually lowered, leaving the unsculpted areas seeming higher. The approach requires a lot of chiselling away of the background, which takes a long time. On the other hand, a relief saves forming the rear of a subject, and is less fragile and more securely fixed than a sculpture in the round, especially one of a standing figure where the ankles are a potential weak point, particularly in stone. In other materials such as metal, clay, plaster stucco, ceramics or papier-mâché the form can be simply added to or raised up from the background. Monumental bronze reliefs ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rome
, established_title = Founded , established_date = 753 BC , founder = King Romulus (legendary) , image_map = Map of comune of Rome (metropolitan city of Capital Rome, region Lazio, Italy).svg , map_caption = The territory of the ''comune'' (''Roma Capitale'', in red) inside the Metropolitan City of Rome (''Città Metropolitana di Roma'', in yellow). The white spot in the centre is Vatican City. , pushpin_map = Italy#Europe , pushpin_map_caption = Location within Italy##Location within Europe , pushpin_relief = yes , coordinates = , coor_pinpoint = , subdivision_type = Country , subdivision_name = Italy , subdivision_type2 = Region , subdivision_name2 = Lazio , subdivision_type3 = Metropolitan city , subdivision_name3 = Rome Capital , government_footnotes= , government_type = Strong Mayor–Council , leader_title2 = Legislature , leader_name2 = Capitoline Assemb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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