Subcarrier
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Subcarrier
A subcarrier is a sideband of a radio frequency carrier wave, which is modulated to send additional information. Examples include the provision of colour in a black and white television system or the provision of stereo in a monophonic radio broadcast. There is no physical difference between a carrier and a subcarrier; the "sub" implies that it has been derived from a carrier, which has been amplitude modulated by a steady signal and has a constant frequency relation to it. FM stereo Stereo broadcasting is made possible by using a subcarrier on FM radio stations, which takes the left channel and "subtracts" the right channel from it — essentially by hooking up the right-channel wires backward (reversing polarity) and then joining left and reversed-right. The result is modulated with suppressed carrier AM, more correctly called sum and difference modulation or SDM, at 38 kHz in the FM signal, which is joined at 2% modulation with the mono left+right audio (which ran ...
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YPbPr
YPbPr or Y'PbPr, also written as , is a color space used in video electronics, in particular in reference to component video cables. YPBPR is gamma corrected YCBCR color space (it is not analog YUV that was used for analog TV, though component video is an analog interface); the two are numerically equivalent but YPBPR is designed for use in analog systems while YCBCR is intended for digital video. The EOTF (gamma correction) may be different from common sRGB EOTF and BT.1886 EOTF. Sync is carried on the Y channel and is a bi-level sync signal, however, in HD formats a tri-level sync is used and is typically carried on all channels. YPBPR is commonly referred to as ''component video'' by manufacturers; however, there are many types of component video, most of which are some form of RGB. Some video cards come with video-in video-out (VIVO) ports for connecting to component video devices. Technical details YPBPR is converted from the RGB video signal, which is split into th ...
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FM Radio
FM broadcasting is a method of radio broadcasting using frequency modulation (FM). Invented in 1933 by American engineer Edwin Armstrong, wide-band FM is used worldwide to provide high fidelity sound over broadcast radio. FM broadcasting is capable of higher fidelity—that is, more accurate reproduction of the original program sound—than other broadcasting technologies, such as AM broadcasting. It is also less susceptible to common forms of interference, reducing static and popping sounds often heard on AM. Therefore, FM is used for most broadcasts of music or general audio (in the audio spectrum). FM radio stations use the very high frequency range of radio frequencies. Broadcast bands Throughout the world, the FM broadcast band falls within the VHF part of the radio spectrum. Usually 87.5 to 108.0 MHz is used, or some portion thereof, with few exceptions: * In the former Soviet republics, and some former Eastern Bloc countries, the older 65.8–74 MHz band ...
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Sideband
In radio communications, a sideband is a band of frequencies higher than or lower than the carrier frequency, that are the result of the modulation process. The sidebands carry the information transmitted by the radio signal. The sidebands comprise all the spectral components of the modulated signal except the carrier. The signal components above the carrier frequency constitute the upper sideband (USB), and those below the carrier frequency constitute the lower sideband (LSB). All forms of modulation produce sidebands. Sideband creation We can illustrate the creation of sidebands with one trigonometric identity: :\cos(A)\cdot \cos(B) \equiv \tfrac\cos(A+B) + \tfrac\cos(A-B) Adding \cos(A) to both sides: :\cos(A)\cdot +\cos(B)= \tfrac\cos(A+B) + \cos(A) + \tfrac\cos(A-B) Substituting (for instance)  A \triangleq 1000\cdot t  and  B \triangleq 100\cdot t,  where t represents time: :\underbrace_\cdot \underbrace_ = \underbrace_ + \underbrace_ + \unde ...
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Technician
A technician is a worker in a field of technology who is proficient in the relevant skill and technique, with a relatively practical understanding of the theoretical principles. Specialisation The term technician covers many different specialisations. These include: * Theatrical technician * School laboratory technician * Engineering technician * Laboratory technician * Electronics technician Campaigns In the UK, a shortage of skilled technicians in the science, engineering and technology sectorsReport foHEFCE/ref> has led to various campaigns to encourage more people to become technicians and to promote the role of technician. See also *Grey-collar worker * Technical school *Tradesperson *Vocational education Vocational education is education that prepares people to work as a technician or to take up employment in a skilled craft or trade as a tradesperson or artisan. Vocational Education can also be seen as that type of education given to an i ... Reference ...
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Descriptive Video Service
Audio description, also referred to as a video description, described video, or more precisely called a visual description, is a form of narration used to provide information surrounding key visual elements in a media work (such as a film or television program, or theatrical performance) for the benefit of blind and visually impaired consumers. These narrations are typically placed during natural pauses in the audio, and sometimes during dialogue if deemed necessary. In museums or visual art exhibitions, audio described tours (or universally designed tours that include description or the augmentation of existing recorded programs on audio- or videotape), are used to provide access to visitors who are blind or have low vision. Docents or tour guides can be trained to employ audio description in their presentations. In film and television, description is typically delivered via a secondary audio track. In North America, Second audio program (SAP) is typically used to deliver audio ...
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Second Audio Program
Second audio program (SAP), also known as secondary audio programming, is an auxiliary audio channel for analog television that can be broadcast or transmitted both over-the-air and by cable television. Used mostly for audio description or other languages, SAP is part of the multichannel television sound (MTS) standard originally set by the National Television Systems Committee (NTSC) in 1984 in the United States. The NTSC video format and MTS are also used in Canada and Mexico. Usage SAP is often used to provide audio tracks in languages other than the native language included in the program. In the United States, this is sometimes used for Spanish-language audio (especially during sports telecasts), often leading to the function being referred to facetiously as the "Spanish audio program". Likewise, some Spanish-language programs may, in rare cases, offer English on SAP. Some stations may relay NOAA Weather Radio services, or, particularly in the case of PBS stations, a local ...
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Multichannel Television Sound
Multichannel Television Sound, better known as MTS, is the method of encoding three additional audio channels into an analog NTSC-format audio carrier. It was developed by the Broadcast Television Systems Committee, an industry group, and sometimes known as BTSC as a result. MTS worked by adding additional audio signals in otherwise empty portions of the television signal. MTS allowed up to a total of four audio channels. Normally two were broadcast to produce the left and right stereo channels. An additional second audio program (SAP), could be used to broadcast other languages or entirely different audio like weather alerts that could be accessed by the user, typically through a button on their remote control. The fourth channel, ''PRO'', was only used by the broadcasters. History Initial work on design and testing of a stereophonic audio system began in 1975 when Telesonics approached Chicago public television station WTTW. WTTW was producing a music show titled ''Soundsta ...
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Video Encoder
A video decoder is an electronic circuit, often contained within a single integrated circuit chip, that converts base-band analog video signals to digital video. Video decoders commonly allow programmable control over video characteristics such as hue, contrast, and saturation. A video decoder performs the inverse function of a video encoder, which converts raw (uncompressed) digital video to analog video. Video decoders are commonly used in video capture devices and frame grabbers. Signals The input signal to a video decoder is analog video that conforms to a standard format. For example, a standard definition (SD) decoder accepts (composite or S-Video) that conforms to SD formats such as NTSC or PAL. High definition (HD) decoders accept analog HD formats such as AHD, HD-TVI, or HD-CVI. The output digital video may be formatted in various ways, such as 8-bit or 16-bit 4:2:2, 12-bit 4:1:1, BT.656 (SD) or BT.1120 (HD). Usually, in addition to the digital video output bus, a v ...
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Broadcast Television System
Broadcast television systems (or terrestrial television systems outside the US and Canada) are the encoding or formatting systems for the transmission and reception of terrestrial television signals. Analog television systems were standardized by the International Telecommunication Union in 1961, with each system designated by a letter ( A- N) in combination with the color standard used (NTSC, PAL or SECAM) - for example PAL-B, NTSC-M, etc.). These analog systems for TV broadcasting dominated until the 2010s. With the introduction of digital terrestrial television (DTT), they were replaced by four main systems in use around the world: ATSC, DVB, ISDB and DTMB. Analog television systems Every analog television system bar one began as a black-and-white system. Each country, faced with local political, technical, and economic issues, adopted a color television standard which was grafted onto an existing monochrome system such as CCIR System M, using gaps in the video spectrum (exp ...
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YCbCr
YCbCr, Y′CbCr, or Y Pb/Cb Pr/Cr, also written as YCBCR or Y′CBCR, is a family of color spaces used as a part of the color image pipeline in video and digital photography systems. Y′ is the luma component and CB and CR are the blue-difference and red-difference chroma components. Y′ (with prime) is distinguished from Y, which is luminance, meaning that light intensity is nonlinearly encoded based on gamma corrected RGB primaries. Y′CbCr color spaces are defined by a mathematical coordinate transformation from an associated RGB primaries and white point. If the underlying RGB color space is absolute, the Y′CbCr color space is an absolute color space as well; conversely, if the RGB space is ill-defined, so is Y′CbCr. The transformation is defined iITU-T H.273 Nevertheless that rule does not apply to P3-D65 primaries used by Netflix with BT.2020-NCL matrix, so that means matrix was not derived from primaries, but now Netflix allows BT.2020 primaries (since 2021). ...
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Remainder
In mathematics, the remainder is the amount "left over" after performing some computation. In arithmetic, the remainder is the integer "left over" after dividing one integer by another to produce an integer quotient (integer division). In algebra of polynomials, the remainder is the polynomial "left over" after dividing one polynomial by another. The ''modulo operation'' is the operation that produces such a remainder when given a dividend and divisor. Alternatively, a remainder is also what is left after subtracting one number from another, although this is more precisely called the ''difference''. This usage can be found in some elementary textbooks; colloquially it is replaced by the expression "the rest" as in "Give me two dollars back and keep the rest." However, the term "remainder" is still used in this sense when a function is approximated by a series expansion, where the error expression ("the rest") is referred to as the remainder term. Integer division Given an inte ...
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Contrast (vision)
Contrast is the contradiction in luminance or colour that makes an object (or its representation in an image or display) distinguishable. In visual perception of the real world, contrast is determined by the difference in the colour and brightness of the object and other objects within the same field of view. The human visual system is more sensitive to contrast than absolute luminance; we can perceive the world similarly regardless of the huge changes in illumination over the day or from place to place. The maximum ''contrast'' of an image is the contrast ratio or dynamic range. Images with a contrast ratio close to their medium's maximum possible contrast ratio experience a ''conservation of contrast'', wherein any increase in contrast in some parts of the image must necessarily result in a decrease in contrast elsewhere. Brightening an image will increase contrast in dark areas but decrease contrast in bright areas, while darkening the image will have the opposite effect. B ...
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