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Straight Up (Chanté Moore Song)
"Straight Up" is a single by American singer-songwriter Chanté Moore, released in August 2000. It was written by R&B singer Lil' Mo and produced by Jermaine Dupri. The song served as the lead single for Chanté Moore's fourth album, ''Exposed'' (2000). "Straight Up" reached number 83 on the US ''Billboard'' Hot 100, number 22 on the ''Billboard'' Hot R&B/Hip-Hop Singles & Tracks, and number 11 on the UK Singles Chart. A music video directed by Bille Woodruff was created for the song. Track listings US maxi-CD single # "Straight Up" (radio edit) – 3:45 # "Straight Up" ( Sunship remix vocal) – 5:27 # "Straight Up" (Junior Junior or Juniors may refer to: Arts and entertainment Music * ''Junior'' (Junior Mance album), 1959 * ''Junior'' (Röyksopp album), 2009 * ''Junior'' (Kaki King album), 2010 * ''Junior'' (LaFontaines album), 2019 Films * ''Junior'' (1994 ...'s remix) – 7:55 US 12-inch single :A1. "Straight Up" (radio edit) – 3:42 :A2. "Straight Up" (instr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chanté Moore
Chanté Torrane Moore (born February 17, 1967) is an American singer-songwriter, actress, television personality, and author. Rising to fame in the early 1990s, Moore established herself as an R&B singer. Her debut studio album '' Precious'' was released in 1992. The album was certified gold by the RIAA on November 14, 1994, in the United States, spawning such R&B hits as " Love's Taken Over" and " It's Alright". Released in 1994, her second album, ''A Love Supreme'', did not achieve the same success as her debut album. In 1999, her third album, '' This Moment Is Mine'', was released. The album included "Chanté's Got a Man", her first top 10 on the ''Billboard'' Hot 100 and No. 2 on the R&B chart, which became her signature song and her best charting song to date. She then released three more solo studio albums, ''Exposed'' (2000) ''Love the Woman'' (2008), '' Moore Is More'' (2013) and two collaborative albums ''Things That Lovers Do'' (2003), '' Uncovered/Covered'' (2006), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
European Hot 100 Singles
The European Hot 100 Singles was compiled by '' Billboard'' and '' Music & Media'' magazine from March 1984 until December 2010. The chart was based on national singles sales charts in 17 European countries: Austria, Belgium (two charts separately for Flanders and Wallonia), Denmark, Finland, France, Germany, Greece, Hungary, Ireland, Italy, Netherlands, Norway, Portugal, Spain, Sweden, Switzerland, and the United Kingdom. , the European Hot 100 had accumulated 400 number one hits. The final chart was published on December 11, 2010, following the news of ''Billboard'' closing their London office and letting their UK-based staff go. The final number one single on the chart was "Only Girl (in the World)" by Rihanna. History Europarade Top 30 The first attempt at a Europe-wide chart was the Europarade, which was started in early 1976 by the Dutch TROS radio network. The chart initially consisted of only six countries: the Netherlands, UK, France, Germany, Belgium and Spain. In 197 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Australian Recording Industry Association
The Australian Recording Industry Association (ARIA) is a trade association representing the Australian recording industry which was established in the 1970s by six major record companies, EMI, Festival, CBS, RCA, WEA and Universal replacing the Association of Australian Record Manufacturers (AARM) which was formed in 1956. It oversees the collection, administration and distribution of music licenses and royalties. The association has more than 100 members, including small labels typically run by one to five people, medium size organisations and very large companies with international affiliates. ARIA is administered by a Board of Directors comprising senior executives from record companies, both large and small. History In 1956, the Association of Australian Record Manufacturers (AARM) was formed by Australia's major record companies. It was replaced in the 1970s by the Australian Recording Industry Association, which was established by the six major record companies operati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Week
''Music Week'' is a trade publication for the UK record industry distributed via a website and a monthly print magazine. It is published by Future. History Founded in 1959 as '' Record Retailer'', it relaunched on 18 March 1972 as ''Music Week''. On 17 January 1981, the title again changed, owing to the increasing importance of sell-through videos, to ''Music & Video Week''. The rival ''Record Business'', founded in 1978 by Brian Mulligan and Norman Garrod, was absorbed into Music Week in February 1983. Later that year, the offshoot ''Video Week'' launched and the title of the parent publication reverted to ''Music Week''. Since April 1991, ''Music Week'' has incorporated ''Record Mirror'', initially as a 4 or 8-page chart supplement, later as a dance supplement of articles, reviews and charts. In the 1990s, several magazines and newsletters become part of the Music Week family: ''Music Business International (MBI)'', ''Promo'', ''MIRO Future Hits'', ''Tours Report'', ''Fono ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oricon
, established in 1999, is the holding company at the head of a Japanese corporate group that supplies statistics and information on music and the music industry in Japan and Western music. It started as, which was founded by Sōkō Koike in November 1967 and became known for its music charts. Oricon Inc. was originally set up as a subsidiary of Original Confidence and took over the latter's Oricon record charts in April 2002. The charts are compiled from data drawn from some 39,700 retail outlets (as of April 2011) and provide sales rankings of music CDs, DVDs, electronic games, and other entertainment products based on weekly tabulations. Results are announced every Tuesday and published in ''Oricon Style'' by subsidiary Oricon Entertainment Inc. The group also lists panel survey-based popularity ratings for television commercials on its official website. Oricon started publishing Combined Chart, which includes CD sales, digital sales, and streaming together, on December 19, 2 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hits (magazine)
''Hits'' is an American music industry trade publication. Founded by Lenny Beer and Dennis Lavinthal, who had previously worked in independent promotion, it was launched as a print magazine in August 1986. By 1997, it had become the most successful tip sheet in the music world. An online version of the magazine, ''Hits Daily Double,'' premiered in May 2000. Both on and offline, the magazine's content includes proprietary weekly sales and airplay data, a section on breaking artists ("Vibe-Raters"), interviews with music industry leaders, a weekly cartoon, music and music industry news, and charts provided by Shazam, Vevo, and Mediabase Mediabase is a music industry service that monitors radio station airplay in 180 US and Canadian markets. Mediabase publishes music charts and data based on the most played songs on terrestrial and satellite radio, and provides in-depth analytic .... The "Rumor Mill" column, described as "music industry news and innuendo," has been widely read ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Radio & Records
''Radio & Records'' (''R&R'') was a trade publication providing news and airplay information for the radio and music industries. It started as an independent trade from 1973 to 2006 until VNU Media took over in 2006 and became a relaunched sister trade to '' Billboard'', until its final issue in 2009. History The company was founded in 1973 and published its first issue on October 5 of that year. Founders included Bob Wilson and Robert Kardashian. The publication was issued in a weekly print edition, and it also issued a bi-annual Directory. R&R published its print edition from 1973 through August 4, 2006. Its weekly columns and features were intended to inform and educate the radio industry by each format, in addition to format-specific charts based on radio airplay. With the June 25, 1999, issue, the charts became populated by data from Mediabase, a company that monitors and tracks radio airplay in cities across the U.S. From 1987 to 2002 the magazine was owned by Westwood One, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Urban Radio
Urban contemporary music, also known as urban music, hip hop, urban pop, or just simply urban, is a music radio format. The term was coined by New York radio DJ Frankie Crocker in the early to mid-1970s as a synonym for Black music. Urban contemporary radio stations feature a playlist made up entirely of Black genres such as R&B, pop-rap, quiet storm, urban adult contemporary, hip hop, Latin music such as Latin pop, Chicano R&B and Chicano rap, and Caribbean music such as reggae and soca. Urban contemporary was developed through the characteristics of genres such as R&B and soul. Because urban music is a largely US phenomenon, virtually all urban contemporary formatted radio stations in the United States are located in cities that have sizeable African-American populations, such as New York City, Washington, D.C., Detroit, Atlanta, Miami, Chicago, Cleveland, Philadelphia, Montgomery, Memphis, St. Louis, Newark, Charleston, New Orleans, Cincinnati, Dallas, Houston, Oakland, Los ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhythmic Contemporary
Rhythmic contemporary, also known as Rhythmic Top 40, Rhythmic CHR or rhythmic crossover, is a primarily American music-radio format that includes a mix of EDM, upbeat rhythmic pop, hip hop and upbeat R&B hits. Rhythmic contemporary never uses hard rock or country in its airplay, but it may occasionally use a reggae, Latin, reggaeton, or a urban contemporary gospel hit. Essentially, the format is a cross between mainstream radio and urban contemporary radio formats. Format history Although some top-40 stations such as CKLW in Windsor, Ontario, made their mark by integrating a large amount of R&B and soul product into their predominantly pop playlists as early as 1967, such stations were still considered mainstream top 40 (a cycle that continues to dominate the current Top 40/CHR chart). It was not until the disco era of the late 1970s that such stations came to be considered as a format of their own as opposed to top-40 or soul. This development was largely spurred by the high ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |