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Steal My Sunshine
"Steal My Sunshine" is a song by Canadian alternative rock band Len from their third studio album, ''You Can't Stop the Bum Rush'' (1999). The song was initially released on the soundtrack to the 1999 crime comedy film '' Go'', which resulted in the song receiving heavy airplay. It was later released to contemporary hit radio as the lead single from ''You Can't Stop the Bum Rush'' on June 22, 1999, by Work Group. Marc Costanzo and Gregg Diamond are credited as songwriters, while production was helmed by Costanzo under the stage name Mumble C. According to Costanzo, the song is about feelings of elation he experienced while attending an outdoor electronic music festival. The song was recorded at Four Ways Studio B and mixed by John King of the Dust Brothers at One on One South. "Steal My Sunshine" was one of the first demos recorded for ''You Can't Stop the Bum Rush'', although the song almost remained unreleased due to it not making much of an impression on the band. An indie p ...
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Len (band)
Len is a Canadian alternative rock duo based in Toronto, Ontario. The band consists of siblings Marc Costanzo (vocals, guitar) and Sharon Costanzo (vocals, bass) and a revolving lineup of touring and studio musicians. History Marc Costanzo began recreationally recording music at the age of 13 years old. These recordings were predominately helmed by Marc, although his older sister Sharon sometimes contributed vocals to the recordings. In 1991, Marc began to produce music under the pseudonym of Len as a solo project. The name was taken from a high school friend of Marc's named Lenny. Sharon officially joined this project a year later, thus marking Len's first iteration as a duo. Len began as a punk rock band, with pop music influences. Between 1992 and 1997, the brother-sister duo independently released a self-titled extended play and two studio albums, ''Superstar'' (1995) and '' Get Your Legs Broke'' (1997). Marc estimated both albums sold around 10-15,000 units each. While the ...
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John King (record Producer)
John King, also known as "King Gizmo", is an American music producer and one-half of the Los Angeles-based duo the Dust Brothers. As the Dust Brothers, King and Michael "E.Z. Mike" Simpson were noted for their dense sample-based music, notably on the Beastie Boys' 1989 album ''Paul's Boutique'', and later in 1996 with Beck's ''Odelay''. King teamed with Medeski Martin & Wood to create their 2004 album '' End of the World Party (Just in Case)''. He has also worked with Tenacious D. The Dust Brothers produced their early 2000s releases, ''Tenacious D'' and '' D Fun Pak'', and King would return to produce the band's follow-up and soundtrack to their 2006 film, '' The Pick of Destiny'', for which he also wrote the instrumental score. King would also work with Kyle Gass Kyle Richard Gass (born July 14, 1960) is an American musician, comedian and actor best known for co-founding—and being a member of—Tenacious D, a Grammy-winning comedy band. He also co-founded the bands ...
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Australian Recording Industry Association
The Australian Recording Industry Association (ARIA) is a trade association representing the Australian recording industry which was established in the 1970s by six major record companies, EMI, Festival, CBS, RCA, WEA and Universal replacing the Association of Australian Record Manufacturers (AARM) which was formed in 1956. It oversees the collection, administration and distribution of music licenses and royalties. The association has more than 100 members, including small labels typically run by one to five people, medium size organisations and very large companies with international affiliates. ARIA is administered by a Board of Directors comprising senior executives from record companies, both large and small. History In 1956, the Association of Australian Record Manufacturers (AARM) was formed by Australia's major record companies. It was replaced in the 1970s by the Australian Recording Industry Association, which was established by the six major record companies opera ...
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Recording Industry Association Of America
The Recording Industry Association of America (RIAA) is a trade organization that represents the music recording industry in the United States. Its members consist of record labels and distributors that the RIAA says "create, manufacture, and/or distribute approximately 85% of all legally sold recorded music in the United States". RIAA is headquartered in Washington, D.C. RIAA was formed in 1952. Its original mission was to administer recording copyright fees and problems, work with trade unions, and do research relating to the record industry and government regulations. Early RIAA standards included the RIAA equalization curve, the format of the stereophonic record groove and the dimensions of 33 1/3, 45, and 78 rpm records. RIAA says its current mission includes: #to protect intellectual property rights and the First Amendment rights of artists #to perform research about the music industry #to monitor and review relevant laws, regulations, and policies Between 2001 and ...
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List Of Music Recording Certifications
Music recording certifications are typically awarded by the worldwide music industry based on the total units sold, streamed, or shipped to retailers. These awards and their requirements are defined by the various certifying bodies representing the music industry in various countries and territories worldwide. The standard certification awards given consist of Gold, Platinum, and sometimes Diamond awards, in ascending order; the UK also has a Silver certification, ranking below Gold. In most cases, a "Multi-Platinum" or "Multi-Diamond" award is given for multiples of the Platinum or Diamond requirements. Many music industries around the world are represented by the International Federation of the Phonographic Industry (IFPI). The IFPI operates in 66 countries and services affiliated industry associations in 45 countries. In some cases, the IFPI is merely affiliated with the already operational certification bodies of a country, but in many countries with lesser-developed industr ...
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Top 40
In the music industry, the Top 40 is the current, 40 most-popular songs in a particular genre. It is the best-selling or most frequently broadcast popular music. Record charts have traditionally consisted of a total of 40 songs. "Top 40" or "contemporary hit radio" is also a radio format. Frequent variants of the Top 40 are the Top 10, Top 20, Top 30, Top 50, Top 75, Top 100 and Top 200. History According to producer Richard Fatherley, Todd Storz was the inventor of the format, at his radio station KOWH in Omaha, Nebraska. Storz invented the format in the early 1950s, using the number of times a record was played on jukeboxes to compose a weekly list for broadcast. The format was commercially successful, and Storz and his father Robert, under the name of the Storz Broadcasting Company, subsequently acquired other stations to use the new Top 40 format. In 1989, Todd Storz was inducted into the Nebraska Broadcasters Association Hall of Fame. The term "Top 40", describing a radi ...
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One-hit Wonder
A one-hit wonder or viral hit is any entity that achieves mainstream popularity, often for only one piece of work, and becomes known among the general public solely for that momentary success. The term is most commonly used in regard to music performers with only one hit single that overshadows their other work. Some artists dubbed "one-hit wonders" in a particular country have had great success in other countries. Music artists with subsequent popular albums and hit listings are typically not considered a one-hit wonder. One-hit wonders usually see their popularity decreasing after their hit listing and most often do not ever return to hit listings with other songs or albums. Music industry In ''The Billboard Book of One-Hit Wonders,'' music journalist Wayne Jancik defines a one-hit wonder as "an act that has won a position on henational, pop, Top 40 record chart just once." This formal definition can include acts with greater success outside their lone pop hit and who are n ...
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Billboard Hot 100
The ''Billboard'' Hot 100 is the music industry standard record chart in the United States for songs, published weekly by '' Billboard'' magazine. Chart rankings are based on sales (physical and digital), radio play, and online streaming in the United States. The weekly tracking period for sales was initially Monday to Sunday when Nielsen started tracking sales in 1991, but was changed to Friday to Thursday in July 2015. This tracking period also applies to compiling online streaming data. Radio airplay, which, unlike sales figures and streaming, is readily available on a real-time basis, is also tracked on a Friday to Thursday cycle effective with the chart dated July 17, 2021 (previously Monday to Sunday and before July 2015, Wednesday to Tuesday). A new chart is compiled and officially released to the public by ''Billboard'' on Tuesdays but post-dated to the following Saturday. The first number-one song of the ''Billboard'' Hot 100 was " Poor Little Fool" by Ricky N ...
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Summer Hit
In the entertainment industry, a summer hit is a song that is released and peaks in its popularity during summer. In some years, a single pop song will gain widespread international popularity during the summer season, becoming that summer's definitive summer hit in many countries. Many of the best-known summer hits emerge from outside the British and American pop music industries. The equivalent of summer hit in France is the tube de l'été (summer tube), an expression that exists since 1960s which became more commercially used by the late 1990s. Examples In the US * 1958: " Nel Blu Dipinto Di Blu (Volare)" – Domenico Modugno * 2019: " Old Town Road" by Lil Nas X and Billy Ray Cyrus; "Señorita" by Shawn Mendes and Camila Cabello Worldwide * 1989: " Lambada" by Kaoma * 2019: "Bad Guy" by Billie Eilish (Russia); " Con Altura" by Rosalía, J Balvin and El Guincho (Hispanic countries) See also *Song of the summer Song of the summer is the unofficial designati ...
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More, More, More
"More, More, More" is a song written by Gregg Diamond and recorded by American artist Andrea True (credited to her recording project Andrea True Connection). It was released in February 1976 as the first single from her debut album by same name (1976), becoming her signature track and one of the most popular songs of the disco era. In the US, it reached number four on the ''Billboard'' Hot 100 and spent three weeks at number three on the '' Cash Box'' chart in July of that year. In Canada, it was a number-one hit. Background The song was originally recorded in 1975 in Jamaica where True, a porn star, had been appearing in a TV commercial. Unable to return to the United States due to a government ban on asset transfers, she opted to invest the money in a studio recording to advance her career as a singer. True called on Gregg Diamond to come to Jamaica and record it with her and other studio musicians which formed the backbone of the "Connection" project. Diamond had begun wor ...
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Andrea True
Andrea Marie Truden (July 26, 1943 – November 7, 2011), better known by her pseudonym Andrea True, was an American pornographic actress and singer from the disco era. In addition to her given name, she had multiple stage names, including Inger Kissin, Singe Low, Sandra Lips, Andrea Travis, and Catherine Warren. As a singer, she is best known for the 1976 pop-disco hit "More, More, More" (performed as part of her recording project, the Andrea True Connection), which peaked at no. 4 on the US ''Billboard'' Hot 100 and no. 5 on the UK Singles Chart. Early life Andrea Marie Truden was born in Nashville, Tennessee, where she attended St. Cecilia Academy, a Catholic school for girls dedicated to the performing arts. She studied music at George Peabody College at Vanderbilt University. Her father, Frank, was an engineer, who died when True was 16 years old. Her mother Anne owned a silverplating business and was a professional singer, specializing in polka, who recorded her own r ...
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Sampling (music)
In sound and music, sampling is the reuse of a portion (or sample) of a sound recording in another recording. Samples may comprise elements such as rhythm, melody, speech, sounds or entire bars of music, and may be layered, equalized, sped up or slowed down, repitched, looped, or otherwise manipulated. They are usually integrated using hardware ( samplers) or software such as digital audio workstations. A process similar to sampling originated in the 1940s with '' musique concrète'', experimental music created by splicing and looping tape. The mid-20th century saw the introduction of keyboard instruments that played sounds recorded on tape, such as the Mellotron. The term ''sampling'' was coined in the late 1970s by the creators of the Fairlight CMI, a synthesizer with the ability to record and play back short sounds. As technology improved, cheaper standalone samplers with more memory emerged, such as the E-mu Emulator, Akai S950 and Akai MPC. Sampling is a foundation ...
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