|
Stanislavski
Konstantin Sergeyevich Stanislavski ( Alekseyev; russian: Константин Сергеевич Станиславский, p=kənstɐnʲˈtʲin sʲɪrˈgʲejɪvʲɪtɕ stənʲɪˈslafskʲɪj; 7 August 1938) was a seminal Soviet Russian theatre practitioner. He was widely recognized as an outstanding character actor and the many productions that he directed garnered him a reputation as one of the leading theatre directors of his generation. His principal fame and influence, however, rests on his "system" of actor training, preparation, and rehearsal technique. Stanislavski (his stage name) performed and directed as an amateur until the age of 33, when he co-founded the world-famous Moscow Art Theatre (MAT) company with Vladimir Nemirovich-Danchenko, following a legendary 18-hour discussion. Its influential tours of Europe (1906) and the US (1923–24), and its landmark productions of ''The Seagull'' (1898) and ''Hamlet'' (1911–12), established his reputation and opene ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stanislavski's System
Stanislavski's system is a systematic approach to training actors that the Russian theatre practitioner Konstantin Stanislavski developed in the first half of the twentieth century. His system cultivates what he calls the "art of experiencing" (with which he contrasts the "art of representation").Benedetti (1999a, 201), Carnicke (2000, 17), and Stanislavski (1938, 16—36 "art of representation" corresponds to Mikhail Shchepkin's "actor of reason" and his "art of experiencing" corresponds to Shchepkin's "actor of feeling"; see Benedetti (1999a, 202). It mobilises the actor's conscious thought and will in order to activate other, less-controllable psychological processes—such as emotional experience and subconscious behaviour—sympathetically and indirectly. In rehearsal, the actor searches for inner motives to justify action and the definition of what the character seeks to achieve at any given moment (a "task"). Later, Stanislavski further elaborated the system with a more p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Productions Directed By Konstantin Stanislavski
This article offers a chronological list of productions directed by Konstantin Stanislavski. It does not include theatrical productions in which Stanislavski only acted. Until he was thirty three, Stanislavski appeared only as an amateur onstage and as a director, as a result of his family's discouragement. When he was twenty five, he helped to establish a Society of Art and Literature, which aimed to unite amateur and professional actors and artists. His professional career began in 1896 when he co-founded the Moscow Art Theatre (MAT) with Vladimir Nemirovich-Danchenko. Later in his life, he created a series of studios whose aims were primarily pedagogical but which also presented public performances. This list of productions directed by Stanislavski includes amateur, professional, and studio productions. When the sources disagree about the exact date of a production's première, that given in the most recent biography of Stanislavski—Jean Benedetti's ''Stanislavski: His Lif ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Moscow Art Theatre Production Of Hamlet
The Moscow Art Theatre production of ''Hamlet'' was a 1911–12 production of Hamlet, produced by Konstantin Stanislavski and Edward Gordon Craig. It is particularly important in the history of performances of ''Hamlet'' and of Twentieth-century theatre, 20th-century theatre in general. Despite hostile reviews from the Russian press, the production attracted enthusiastic and unprecedented worldwide attention for the theatre, with reviews in Britain's ''The Times'' and in the French press that praised its unqualified success. The production placed the Moscow Art Theatre "on the cultural map for Western Europe", and it came to be regarded as a seminal event that influenced the subsequent history of production style in the theatre and revolutionised the staging of Shakespeare's plays in the 20th century. It became "one of the most famous and passionately discussed productions in the history of the modern stage." Chronology of production The story of Craig and Stanislavski began in 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Moscow Art Theatre Production Of The Seagull
The Moscow Art Theatre production of ''The Seagull'' in 1898, directed by Konstantin Stanislavski and Vladimir Nemirovich-Danchenko, was a crucial milestone for the fledgling theatre company that has been described as "one of the greatest events in the history of Russian theatre and one of the greatest new developments in the history of world drama." It was the first production in Moscow of Anton Chekhov's 1896 play ''The Seagull'', though it had been performed with only moderate success in St. Petersburg two years earlier. Nemirovich, who was a friend of Chekhov's, overcame the writer's refusal to allow the play to appear in Moscow after its earlier lacklustre reception and convinced Stanislavski to direct the play for their innovative and newly founded Moscow Art Theatre (MAT). The production opened on . The MAT's success was due to the fidelity of its delicate representation of everyday life, its intimate, ensemble playing, and the resonance of its mood of despondent uncertai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
My Life In Art
''My Life in Art'' is the autobiography of the Russian actor and theatre director Konstantin Stanislavski. It was first commissioned while Stanislavski was in the United States on tour with the Moscow Art Theatre, and was first published in Boston, Massachusetts in English in 1924. It was later revised and published in a Russian-language edition in Moscow under the title '. It is divided into 4 sections entitled: 1-Artistic Childhood, 2-Artistic Youth, 3-Artistic Adolescence and 4-Artistic Adulthood. Section One - Artistic Childhood This section, containing 11 chapters, begins with Stanislavski's birth in 1863 and ends in his early twenties. He first describes his family life and upbringing, discussing his early trips to the circus, the Italian opera, the ballet and his introduction to the Russian theatre. He describes the professional Puppet Show, which he and his siblings put on at home, as well as other events that shaped him early on as an artist. He describes his first exp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Moscow Art Theatre
The Moscow Art Theatre (or MAT; russian: Московский Художественный академический театр (МХАТ), ''Moskovskiy Hudojestvenny Akademicheskiy Teatr'' (МHАТ)) was a theatre company in Moscow. It was founded in 1898 by the seminal Russian theatre practitioner Konstantin Stanislavski, together with the playwright and director Vladimir Nemirovich-Danchenko. It was conceived as a venue for naturalistic theatre, in contrast to the melodramas that were Russia's dominant form of theatre at the time. The theatre, the first to regularly put on shows implementing Stanislavski's system, proved hugely influential in the acting world and in the development of modern American theatre and drama. It was officially renamed the Gorky Moscow Art Theatre in 1932. In 1987, the theatre split into two troupes, the Chekhov Moscow Art Theatre and the Gorky Moscow Art Theatre. Beginnings At the end of the 19th-century, Stanislavski and Nemirovich-Danchenk ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anton Chekhov
Anton Pavlovich Chekhov (; 29 January 1860 Old Style date 17 January. – 15 July 1904 Old Style date 2 July.) was a Russian playwright and short-story writer who is considered to be one of the greatest writers of all time. His career as a playwright produced four classics, and his best short stories are held in high esteem by writers and critics."Stories ... which are among the supreme achievements in prose narrative.Vodka miniatures, belching and angry cats George Steiner's review of ''The Undiscovered Chekhov'', in ''The Observer'', 13 May 2001. Retrieved 16 February 2007. Along with Henrik Ibsen and August Strindberg, Chekhov is often referred to as one of the three seminal figures in the birth of early modernism in the theatre. Chekhov was a physician by profession. "Medicine is my lawful wife", he once said, "and literature is my mistress." Chekhov renounced the theatre after the reception of ''The Seagull'' in 1896, but the play was revived to acclaim in 189 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Realism (theatre)
Realism in the theatre was a general movement that began in 19th-century theatre, around the 1870s, and remained present through much of the 20th century. It developed a set of dramatic and theatrical conventions with the aim of bringing a greater fidelity of real life to texts and performances. These conventions occur in the text, (set, costume, sound, and lighting) design, performance style, and narrative structure. They include recreating on stage a facsimile of real life except missing a fourth wall (on proscenium arch stages). Characters speak in naturalistic, authentic dialogue without verse or poetic stylings, and acting is meant to emulate human behaviour in real life. Narratives typically are psychologically driven, and include day-to-day, ordinary scenarios. Narrative action moves forward in time, and supernatural presences (gods, ghosts, fantastic phenomena) do not occur. Sound and music are diegetic only. Part of a broader artistic movement, it includes Naturalism and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vladimir Nemirovich-Danchenko
Vladimir Ivanovich Nemirovich-Danchenko (russian: Владимир Иванович Немирович-Данченко; , Ozurgeti – 25 April 1943, Moscow), was a Soviet and Russian theatre director, writer, pedagogue, playwright, producer and theatre administrator, who founded the Moscow Art Theatre with his colleague, Konstantin Stanislavski, in 1898.Немирович-Данченко Владимир Иванович Biography Vladimir Ivanovich Nemirovich-Danchenko was born into a Russian noble f ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yevgeny Vakhtangov
Yevgeny Bagrationovich Vakhtangov (also spelled Evgeny or Eugene; russian: Евге́ний Багратио́нович Вахта́нгов; 13 February 1883 – 29 May 1922) was a Russian-Armenian actor and theatre director who founded the Vakhtangov Theatre. He was a friend and mentor of Michael Chekhov.Martin BanhamThe Cambridge guide to theatre Cambridge University Press, 1995, p. 1157:"''Armenian born, Vakhtangov studied law at Moscow University before enrolling at A. I. Adashev’s drama school, where he was taught by, among others, Leopold Sulerzhitsky''." He is known for his distinctive style of theatre, his most notable production being ''Princess Turandot'' in 1922. Early life and education Vakhtangov was born to an Armenian father and a Russian mother in Vladikavkaz, Northern Ossetia. He was educated at Moscow State University for a short time before joining the Moscow Art Theatre in 1911. Career Vakhtangov rose in the ranks at the Moscow Art Theatre, and by 1920 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maxim Gorky
Alexei Maximovich Peshkov (russian: link=no, Алексе́й Макси́мович Пешко́в; – 18 June 1936), popularly known as Maxim Gorky (russian: Макси́м Го́рький, link=no), was a Russian writer and socialist political thinker and proponent. He was nominated five times for the Nobel Prize in Literature. Before his success as an author, he travelled widely across the Russian Empire changing jobs frequently, experiences which would later influence his writing. Gorky's most famous works are his early short stories, written in the 1890s (" Chelkash", " Old Izergil", and " Twenty-Six Men and a Girl"); plays '' The Philistines'' (1901), '' The Lower Depths'' (1902) and '' Children of the Sun'' (1905); a poem, " The Song of the Stormy Petrel" (1901); his autobiographical trilogy, '' My Childhood, In the World, My Universities'' (1913–1923); and a novel, ''Mother'' (1906). Gorky himself judged some of these works as failures, and ''Mother'' has ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vsevolod Meyerhold
Vsevolod Emilyevich Meyerhold (russian: Всеволод Эмильевич Мейерхольд, translit=Vsévolod Èmíl'evič Mejerchól'd; born german: Karl Kasimir Theodor Meyerhold; 2 February 1940) was a Russian and Soviet theatre director, actor and theatrical producer. His provocative experiments dealing with physical being and symbolism in an unconventional theatre setting made him one of the seminal forces in modern international theatre. During the Great Purge, Meyerhold was arrested in June 1939. He was tortured, his wife was murdered, and he was executed on 2 February 1940. Life and work Early life Vsevolod Meyerhold was born Karl Kasimir Theodor Meyerhold in Penza on to Russian-German wine manufacturer Friedrich Emil Meyerhold and his Baltic German wife, Alvina Danilovna (). He was the youngest of eight children.Pitches (2003, pg. 4) After completing school in 1895, Meyerhold studied law at Moscow University but never completed his degree. He was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
