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St Volodymyr's Cathedral Ownership Controversy
St Volodymyr's Cathedral ( uk, Володимирський собор, russian: Владимирский собор) is a cathedral in the centre of Kyiv. It is one of the city's major landmarks and the mother cathedral of the Ukrainian Orthodox Church – Kyiv Patriarchate, one of the churches of Orthodox tradition in Ukraine. History and description In 1852, Metropolitan Philaret of Moscow suggested a large cathedral should be built in Kyiv to commemorate the 900th anniversary of the baptism of Kievan Rus by prince Vladimir I of Kiev (St. Volodymyr). People from all over the Russian Empire started donating to this cause, so that by 1859 the cathedral fund had amassed a huge sum of 100,000 rubles. The Kyiv Pechersk Lavra (Monastery of the Caves) produced one million bricks and presented them to the cathedral as well. The design was executed in neo-Byzantine style initially by the architects I. Schtrom, P. Sparro, R. Bemhardt, K. Mayevsky, V. Nikolayev. The final version of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kyiv
Kyiv, also spelled Kiev, is the capital and most populous city of Ukraine. It is in north-central Ukraine along the Dnieper, Dnieper River. As of 1 January 2021, its population was 2,962,180, making Kyiv the List of European cities by population within city limits, seventh-most populous city in Europe. Kyiv is an important industrial, scientific, educational, and cultural center in Eastern Europe. It is home to many High tech, high-tech industries, higher education institutions, and historical landmarks. The city has an extensive system of Transport in Kyiv, public transport and infrastructure, including the Kyiv Metro. The city's name is said to derive from the name of Kyi, one of its four legendary founders. During History of Kyiv, its history, Kyiv, one of the oldest cities in Eastern Europe, passed through several stages of prominence and obscurity. The city probably existed as a commercial center as early as the 5th century. A Slavs, Slavic settlement on the great trade ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Apse
In architecture, an apse (plural apses; from Latin 'arch, vault' from Ancient Greek 'arch'; sometimes written apsis, plural apsides) is a semicircular recess covered with a hemispherical vault or semi-dome, also known as an ''exedra''. In Byzantine, Romanesque, and Gothic Christian church (including cathedral and abbey) architecture, the term is applied to a semi-circular or polygonal termination of the main building at the liturgical east end (where the altar is), regardless of the shape of the roof, which may be flat, sloping, domed, or hemispherical. Smaller apses are found elsewhere, especially in shrines. Definition An apse is a semicircular recess, often covered with a hemispherical vault. Commonly, the apse of a church, cathedral or basilica is the semicircular or polygonal termination to the choir or sanctuary, or sometimes at the end of an aisle. Smaller apses are sometimes built in other parts of the church, especially for reliquaries or shrines of saints. Hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Bakh
The name Robert is an ancient Germanic given name, from Proto-Germanic "fame" and "bright" (''Hrōþiberhtaz''). Compare Old Dutch ''Robrecht'' and Old High German ''Hrodebert'' (a compound of '' Hruod'' ( non, Hróðr) "fame, glory, honour, praise, renown" and ''berht'' "bright, light, shining"). It is the second most frequently used given name of ancient Germanic origin. It is also in use as a surname. Another commonly used form of the name is Rupert. After becoming widely used in Continental Europe it entered England in its Old French form ''Robert'', where an Old English cognate form (''Hrēodbēorht'', ''Hrodberht'', ''Hrēodbēorð'', ''Hrœdbœrð'', ''Hrœdberð'', ''Hrōðberχtŕ'') had existed before the Norman Conquest The Norman Conquest (or the Conquest) was the 11th-century invasion and occupation of England by an army made up of thousands of Norman, Breton, Flemish, and French troops, all led by the Duke of Normandy, later styled William the Co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mikhail Vrubel
Mikhail Aleksandrovich Vrubel (russian: Михаил Александрович Врубель; March 17, 1856 – April 14, 1910, all New Style, n.s.) was a Russian Painting, painter, Drawing, draughtsman, and sculptor. A prolific and innovative master in various media such as painting, drawing, decorative sculpture, and theatrical art, Vrubel is generally characterized as one of the most important artists in Russian symbolism, Russian Symbolist tradition and a pioneering figure of Modernist art. In a 1990 biography of Vrubel, the Soviet art historian considered his life and art as a three-act drama with prologue and epilogue, while the transition between acts was rapid and unexpected. The "Prologue" refers to his earlier years of studying and choosing a career path. The "first act" peaked in the 1880s when Vrubel was studying at the Imperial Academy of Arts and then moved to Kiev to study Byzantine art, Byzantine and Christian art. The "second act" corresponded to the so- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Viktor Vasnetsov
Viktor Mikhaylovich Vasnetsov (russian: Ви́ктор Миха́йлович Васнецо́в; May 15 ( N.S.), 1848 – July 23, 1926) was a Russian artist who specialized in mythological and historical subjects. He is considered the co-founder of Russian folklorist and romantic nationalistic painting (see also neo-romanticism), and a key figure in the Russian revivalist movement. Biography Childhood (1848–1858) Viktor Vasnetsov was born in the remote village of Lopyal in Vyatka Governorate in 1848, the second of the seven children (his only sister died 4 months after her birth). His father Mikhail Vasilievich Vasnetsov (1823–1870), known to be philosophically inclined, was a member of the priesthood, and a scholar of the natural sciences and astronomy. His grandfather was an icon painter. Two of Mikhail Vasnetsov's six sons, Viktor and Apollinary, became remarkable painters, three becoming schoolteachers and one a Russian folklorist. It was in Lopyal that Viktor sta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pavel Svedomsky
Pavel Aleksandrovich Svedomsky (russian: Павел Александрович Сведомский; 7 June 1849, Saint-Petersburg—27 August 1904, Rome) was a Russian painter and the brother of another artist, Alexander Svedomsky. Pavel Svedomsky studied first in the Düsseldorf Academy of Arts, then in Munich under Eduard von Gebhardt and Mihály Munkácsy. Life Svedomsky belonged to hereditary Russian nobility. Together with his brother he spent the childhood in the family estate Mikhaylovski Zavod, located in the Perm Guberniya. In 1870 Pavel entered the Düsseldorf Academy of Arts, but studied there only few months. The Svedomskys traveled together across Europe until settling in Rome in 1875. He died there in 1904 and is buried with his brother Alexander in the Protestant Cemetery. Pavel Svedomsky painted in various genres, most notably in historic. The painting ''Medusa'' (1882) was bought by Pavel Tretyakov to be displayed in Tretyakov Gallery. Working in the St Vol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mykola Pymonenko
Mykola Kornylovych Pymonenko ( ua, Микола Корнилович Пимоненко) 9 March 1862, , near Kyiv, Russian Empire; ow Kyiv, Ukraine">Kyiv.html" ;"title="ow Kyiv">ow Kyiv, Ukraine6 March 1912, Kyiv, Russian Empire) was a Ukrainian realist painter who lived and worked in Kyiv. One of his students was Kazimir Malevich, whose early works were influenced by Pymonenko. He is best known for his urban and rural genre art, genre scenes of farmers, country folk and working-class people. Biography Mykola Kornylovych Pymonenko was born 9 March 1862 in the village of on the outskirts of Kyiv. His father was a master iconographer, of Ukrainian descent. After working as his father's assistant, Pymonenko went on to study icon painting at the Kyiv Pechersk Lavra. In 1876, Pymonenko's work was seen by Mykola Murashko, one of the founders of the Kyiv Art School, who was impressed by the young artist, and lobbied the school's financial backers to allow him to study there ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mikhail Nesterov
Mikhail Vasilyevich Nesterov (russian: Михаи́л Васи́льевич Не́стеров; – 18 October 1942) was a Russian and Soviet painter; associated with the Peredvizhniki and Mir Iskusstva. He was one of the first exponents of Symbolist art in Russia. Biography He was born to a strongly patriarchal merchant family. His father was a draper and haberdasher, but always had a strong interest in history and literature. As a result, he was sympathetic to his son's desire to be an artist, but insisted that he acquire practical skills first and, in 1874, he was sent to Moscow where he enrolled at the Voskresensky Realschule. In 1877, his counselors suggested that he transfer to the Moscow School of Painting, Sculpture and Architecture, where he studied with Pavel Sorokin, Illarion Pryanishnikov and Vasily Perov, who was his favorite teacher. In 1879, he began to participate in the school's exhibitions. Two years later, he entered the Imperial Academy of Fine Arts ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wilhelm Kotarbiński
Wilhelm Kotarbiński (30 November 1848 – 4 September 1921) was a Poles, Polish artist and painter of historical and Fantastic art, fantastical subjects, who spent most of his life in Kyiv and the Russian Empire. Early life and education Kotarbiński was born in Nieborów in Warsaw Governorate, Warsaw Province of Congress Poland. His father was an impoverished Polish nobleman who served as a manager for the Radziwiłł estates. He began his studies with Rafał Hadziewicz at the Warsaw School of Art from 1867 to 1871. Afterward, he enrolled at the University of Warsaw, urged on by his parents who were opposed to an artistic career, but stayed for only a short time before borrowing money from his uncle and moving to Italy. The following year, he was able to arrange a stipend from the Imperial Society for the Encouragement of the Arts and enrolled at the Accademia di San Luca, where he studied with Francesco Podesti until 1875, living in poverty and barely surviving a case of ty ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adrian Prakhov
Adrian Victorovich Prakhov (russian: Адриан Викторович Прахов; 16 March 1846, Mstislavl, Russian Empire - 14 May 1916, Yalta, Russian Empire) was a Russians, Russian art critic, archaeologist and art historian. Biography In 1863, he entered Saint Petersburg University, where he studied history and philology. After graduating in 1867, he was sent abroad for further studies, in preparation for employment with the Department of Art History. In Munich, he attended the lectures of several scientists, including Heinrich Brunn, and studied the examples of Ancient Greek art in the collection of the Glyptothek. This was followed by similar studies in Paris, London, Berlin, Vienna and Italy, where he became a member of the German Archaeological Institute of Rome.Biographical notes by E.P. Potekhina ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fresco
Fresco (plural ''frescos'' or ''frescoes'') is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting becomes an integral part of the wall. The word ''fresco'' ( it, affresco) is derived from the Italian adjective ''fresco'' meaning "fresh", and may thus be contrasted with fresco-secco or secco mural painting techniques, which are applied to dried plaster, to supplement painting in fresco. The fresco technique has been employed since antiquity and is closely associated with Italian Renaissance painting. The word ''fresco'' is commonly and inaccurately used in English to refer to any wall painting regardless of the plaster technology or binding medium. This, in part, contributes to a misconception that the most geographically and temporally common wall painting technology was the painting into wet lime plaster. Even in appar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Venice
Venice ( ; it, Venezia ; vec, Venesia or ) is a city in northeastern Italy and the capital of the Veneto Regions of Italy, region. It is built on a group of 118 small islands that are separated by canals and linked by over 400 bridges. The islands are in the shallow Venetian Lagoon, an enclosed bay lying between the mouths of the Po River, Po and the Piave River, Piave rivers (more exactly between the Brenta (river), Brenta and the Sile (river), Sile). In 2020, around 258,685 people resided in greater Venice or the ''Comune di Venezia'', of whom around 55,000 live in the historical island city of Venice (''centro storico'') and the rest on the mainland (''terraferma''). Together with the cities of Padua, Italy, Padua and Treviso, Italy, Treviso, Venice is included in the Padua-Treviso-Venice Metropolitan Area (PATREVE), which is considered a statistical metropolitan area, with a total population of 2.6 million. The name is derived from the ancient Adri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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