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St Sebastian (Perugino, Louvre)
''Saint Sebastian'' is a c.1495 painting of Saint Sebastian by Perugino, now in the Louvre collection. Louvre collections It was temporarily on display at the branch between 2012 and 2017. It is probably the work mentioned in the 17th century inventory of the collection in Rome, which was later dispersed. Several pieces from it were taken abroad during the 19th century, with ''St Sebastian'' being bought by the Louvre in 1896. It shows the saint in a |
Perugino
Pietro Perugino (, ; – 1523), born Pietro Vannucci, was an Italian Renaissance painter of the Umbrian school, who developed some of the qualities that found classic expression in the High Renaissance. Raphael was his most famous pupil. Early years He was born Pietro Vannucci in Città della Pieve, Umbria, the son of Cristoforo Maria Vannucci. His nickname characterizes him as from Perugia, the chief city of Umbria. Scholars continue to dispute the socioeconomic status of the Vannucci family. While certain academics maintain that Vannucci worked his way out of poverty, others argue that his family was among the wealthiest in the town. His exact date of birth is not known, but based on his age at death that was mentioned by Vasari and Giovanni Santi, it is believed that he was born between 1446 and 1452. Pietro most likely began studying painting in local workshops in Perugia such as those of Bartolomeo Caporali or Fiorenzo di Lorenzo. The date of the first Florentine sojou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saint Sebastian
Saint Sebastian (in Latin: ''Sebastianus''; Narbo, Gallia Narbonensis, Roman Empire c. AD 255 – Rome, Italia, Roman Empire c. AD 288) was an early Christian saint and martyr. According to traditional belief, he was killed during the Diocletianic Persecution of Christians. He was initially tied to a post or tree and shot with arrows, though this did not kill him. He was, according to tradition, rescued and healed by Saint Irene of Rome, which became a popular subject in 17th-century painting. In all versions of the story, shortly after his recovery he went to Diocletian to warn him about his sins, and as a result was clubbed to death. He is venerated in the Catholic Church and the Orthodox Church. The oldest record of the details of Sebastian's martyrdom is found in the ''Chronograph of 354'', which mentions him as a martyr, venerated on January 20. He is also mentioned in a sermon on Psalm 118 by 4th-century bishop Ambrose of Milan (Saint Ambrose): in his sermon, Ambrose st ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louvre
The Louvre ( ), or the Louvre Museum ( ), is the world's most-visited museum, and an historic landmark in Paris, France. It is the home of some of the best-known works of art, including the ''Mona Lisa'' and the ''Venus de Milo''. A central landmark of the city, it is located on the Right Bank of the Seine in the city's 1st arrondissement (district or ward). At any given point in time, approximately 38,000 objects from prehistory to the 21st century are being exhibited over an area of 72,735 square meters (782,910 square feet). Attendance in 2021 was 2.8 million due to the COVID-19 pandemic, up five percent from 2020, but far below pre-COVID attendance. Nonetheless, the Louvre still topped the list of most-visited art museums in the world in 2021."The Art Newspaper", 30 March 2021. The museum is housed in the Louvre Palace, originally built in the late 12th to 13th century under Philip II. Remnants of the Medieval Louvre fortress are visible in the basement ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louvre-Lens
The Louvre-Lens is an art museum located in Lens, France, approximately 200 kilometers north of Paris. It displays objects from the collections of the Musée du Louvre that are lent to the gallery on a medium- or long-term basis. The Louvre-Lens annex is part of an effort to provide access to French cultural institutions for people who live outside of Paris. Though the museum maintains close institutional links with the Louvre, it is primarily funded by the Nord-Pas-de-Calais region. History The Ministry of Culture and the Louvre Directorate launched a plan, in 2003, to build a Louvre satellite museum in one of the 22 Regions of France. Only the Nord pas de Calais applied for the museum and proposed six cities: Lille, Lens, Valenciennes, Calais, Béthune and Boulogne-sur-Mer. In 2004, Jean-Pierre Raffarin, then French Prime Minister, announced Lens as the recipient city. The museum site was chosen in hopes of reversing the fortunes of the depressed Lens mining community, which ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barberini
The House of Barberini are a family of the Italian nobility that rose to prominence in 17th century Rome. Their influence peaked with the election of Cardinal Maffeo Barberini to the papal throne in 1623, as Pope Urban VIII. Their urban palace, the Palazzo Barberini, completed in 1633 by Bernini, today houses Italy's Galleria Nazionale d'Arte Antica (National Gallery of Ancient Art). Early history The Barberini family were originally a family of minor nobility from the Tuscan town of Barberino Val d'Elsa, who settled in Florence during the early part of the 11th century. This cites: * A. von Reumont, ''Geschichte der Stadt Rom'' (Berlin, 1868), iii. b. 611–612, 615, 617, &c. * ''Almanach de Gotha'' (Gotha, 1902). * J. H. Douglas, ''The Principal Noble Families of Rome'' (Rome, 1905). Carlo Barberini (1488–1566) and his brother Antonio Barberini (1494–1559) were successful Florentine grain, wool and textile merchants. In 1530 Antonio participated in the defense of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contraposto
''Contrapposto'' () is an Italian term that means "counterpoise". It is used in the visual arts to describe a human figure standing with most of its weight on one foot, so that its shoulders and arms twist off-axis from the hips and legs in the axial plane. First appearing in Ancient Greece in the early 5th century BCE, contrapposto is considered a crucial development in the history of Ancient Greek art (and, by extension, Western art), as it marks the first time in Western art that the human body is used to express a psychological disposition. The style was further developed and popularized by sculptors in the Hellenistic and Imperial Roman periods, fell out of use in the Middle Ages, and was later revived during the Renaissance. Michelangelo's statue of ''David'', one of the most iconic sculptures in the world, is a famous example of contrapposto. Definition Contrapposto was historically an important sculptural development, for its appearance marks the first time in Western a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Doryphoros
The ''Doryphoros'' (Greek Δορυφόρος Classical Greek , "Spear-Bearer"; Latinised as ''Doryphorus'') of Polykleitos is one of the best known Greek sculptures of Classical antiquity, depicting a solidly built, muscular, standing warrior, originally bearing a spear balanced on his left shoulder. Rendered somewhat above life-size, the lost bronze original of the work would have been cast ''circa'' 440 BC, but it is today known only from later (mainly Roman period) marble copies. The work nonetheless forms an important early example of both Classical Greek ''contrapposto'' and classical realism; as such, the iconic ''Doryphoros'' proved highly influential elsewhere in ancient art. Conception The renowned Greek sculptor Polykleitos designed a sculptural work as a demonstration of his written treatise, entitled the (or 'Canon'), translated as "measure" or "rule"), exemplifying what he considered to be the perfectly harmonious and balanced proportions of the human body in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polykleitos
Polykleitos ( grc, Πολύκλειτος) was an ancient Greek sculptor in bronze of the 5th century BCE. Alongside the Athenian sculptors Pheidias, Myron and Praxiteles, he is considered one of the most important sculptors of classical antiquity. The 4th century BCE catalogue attributed to Xenocrates (the "Xenocratic catalogue"), which was Pliny's guide in matters of art, ranked him between Pheidias and Myron. He is particularly known for his lost treatise (a canon of body proportions), the '' Canon of Polykleitos'', setting out his mathematical basis of an idealised male body shape. None of his original sculptures are known to survive, but there are many of what are believed to be later copies in marble, mostly Roman. Name His Greek name was traditionally Latinized ''Polycletus'', but is also transliterated ''Polycleitus'' ( grc, Πολύκλειτος, Classical Greek , "much-renowned") and, due to iotacism in the transition from Ancient to Modern Greek, ''Polyklitos'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
St Sebastian (Perugino, São Paulo)
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''St Sebastian'' is a c.1507 painting of St Sebastian by Perugino. It is thought to be an autograph copy of his original in the Louvre - it is near identical to that work, only lacking its inscription and its ruins. It is now in the São Paulo Museum of Art. References Paintings by Pietro Perugino 1507 paintings Paintings in the collection of the São Paulo Museum of Art Perugino Pietro Perugino (, ; – 1523), born Pietro Vannucci, was an Italian Renaissance painter of the Umbrian school, who developed some of the qualities that found classic expression in the High Renaissance. Raphael was his most famous pupil. Ear ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
St Sebastian Between St Roch And St Peter
''St Sebastian between St Roch and St Peter'' is a fragment of a fresco by Perugino, painted around 1478 in the church of Santa Maria Assunta in Cerqueto, Italy. It was his first depiction of Saint Sebastian, a subject to which he would frequently return. To the left is St Roch and to the right St Peter. It was originally dated and signed "PETRUS PERUSINUS P NXIT/ A NO DOMINIMCCCCLVIII" (Peter of Perugia painted his/ Year of Our Lord 1478). In 1478 he was back in Umbria after a period in Andrea del Verrocchio's studio in Florence. He began to receive important commissions, whose success was noted by pope Sixtus IV, who summoned him to Rome. That same year, the Confraternity of Mary Magdalene (''confraternita della Maddalena'') summoned him to Cerqueto, near Perugia, where he painted a cycle of frescoes - this is the only surviving fragment from the cycle. Bibliography * Vittoria Garibaldi, ''Perugino'', in ''Pittori del Rinascimento'', Scala, Florence, 2004 {{DEFAULTSORT:Sa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grotesque
Since at least the 18th century (in French and German as well as English), grotesque has come to be used as a general adjective for the strange, mysterious, magnificent, fantastic, hideous, ugly, incongruous, unpleasant, or disgusting, and thus is often used to describe weird shapes and distorted forms such as Halloween masks. In art, performance, and literature, however, ''grotesque'' may also refer to something that simultaneously invokes in an audience a feeling of uncomfortable bizarreness as well as sympathetic pity. The English word first appears in the 1560s as a noun borrowed from French, and comes originally from the Italian ''grottesca'' (literally "of a cave" from the Italian ''grotta'', 'cave'; see grotto), an extravagant style of ancient Roman decorative art rediscovered at Rome at the end of the fifteenth century and subsequently imitated. The word was first used of paintings found on the walls of basements of ruins in Rome that were called at that time ''le Gro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings By Pietro Perugino
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, nar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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