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Contraposto
''Contrapposto'' () is an Italian term that means "counterpoise". It is used in the visual arts to describe a human figure standing with most of its weight on one foot, so that its shoulders and arms twist off-axis from the hips and legs in the axial plane. First appearing in Ancient Greece in the early 5th century BCE, contrapposto is considered a crucial development in the history of Ancient Greek art (and, by extension, Western art), as it marks the first time in Western art that the human body is used to express a psychological disposition. The style was further developed and popularized by sculptors in the Hellenistic and Imperial Roman periods, fell out of use in the Middle Ages, and was later revived during the Renaissance. Michelangelo's statue of ''David'', one of the most iconic sculptures in the world, is a famous example of contrapposto. Definition Contrapposto was historically an important sculptural development, for its appearance marks the first time in Western a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michelangelo
Michelangelo di Lodovico Buonarroti Simoni (; 6 March 1475 – 18 February 1564), known as Michelangelo (), was an Italian sculptor, painter, architect, and poet of the High Renaissance. Born in the Republic of Florence, his work was inspired by models from classical antiquity and had a lasting influence on Western art. Michelangelo's creative abilities and mastery in a range of artistic arenas define him as an archetypal Renaissance man, along with his rival and elder contemporary, Leonardo da Vinci. Given the sheer volume of surviving correspondence, sketches, and reminiscences, Michelangelo is one of the best-documented artists of the 16th century. He was lauded by contemporary biographers as the most accomplished artist of his era. Michelangelo achieved fame early; two of his best-known works, the ''Pietà'' and ''David'', were sculpted before the age of thirty. Although he did not consider himself a painter, Michelangelo created two of the most influential frescoes i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Doryphoros MAN Napoli Inv6011-2
The ''Doryphoros'' (Greek Δορυφόρος Classical Greek , "Spear-Bearer"; Latinised as ''Doryphorus'') of Polykleitos is one of the best known Greek sculptures of Classical antiquity, depicting a solidly built, muscular, standing warrior, originally bearing a spear balanced on his left shoulder. Rendered somewhat above life-size, the lost bronze original of the work would have been cast ''circa'' 440 BC, but it is today known only from later (mainly Roman period) marble copies. The work nonetheless forms an important early example of both Classical Greek ''contrapposto'' and classical realism; as such, the iconic ''Doryphoros'' proved highly influential elsewhere in ancient art. Conception The renowned Greek sculptor Polykleitos designed a sculptural work as a demonstration of his written treatise, entitled the (or 'Canon'), translated as "measure" or "rule"), exemplifying what he considered to be the perfectly harmonious and balanced proportions of the human body in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
009MA Kritios
''9MA'' is the only release by Brazilian alternative rock band Nove Mil Anjos. It came out in 2008 through the band's own label, 9MA Music, and distributed by Sky Blue Music. Produced in Los Angeles by Sebastian Krys, who previously worked with drummer Junior Lima's former group Sandy & Junior, the album spawned the singles "Chuva Agora" (made available for listening in advance through the band's official Myspace page) and "Visionário". Upon its release ''9MA'' received mostly positive reviews, with the music video for "Chuva Agora" being at one point one of the most viewed at the website of now-defunct MTV Brasil. Conversely, music critic Amauri Stamboroski Jr., writing for website G1, gave the album a scathing review, calling it a "disastrous" and "unoriginal" output and comparing it unfavorably to the sonority of bands such as Red Hot Chili Peppers, Rage Against the Machine and Nirvana. He then proceeded to give the album a rating of 1 out of a possible 10. Track listing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Doryphoros
The ''Doryphoros'' (Greek Δορυφόρος Classical Greek , "Spear-Bearer"; Latinised as ''Doryphorus'') of Polykleitos is one of the best known Greek sculptures of Classical antiquity, depicting a solidly built, muscular, standing warrior, originally bearing a spear balanced on his left shoulder. Rendered somewhat above life-size, the lost bronze original of the work would have been cast ''circa'' 440 BC, but it is today known only from later (mainly Roman period) marble copies. The work nonetheless forms an important early example of both Classical Greek ''contrapposto'' and classical realism; as such, the iconic ''Doryphoros'' proved highly influential elsewhere in ancient art. Conception The renowned Greek sculptor Polykleitos designed a sculptural work as a demonstration of his written treatise, entitled the (or 'Canon'), translated as "measure" or "rule"), exemplifying what he considered to be the perfectly harmonious and balanced proportions of the human body in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Discophoros
The ''Discophoros'', also spelled ''Discophorus'' (Greek – " Discus-Bearer"), was a bronze sculpture by the classical Greek sculptor Polyclitus, creator of the ''Doryphoros'' and ''Diadumenos'', and its many Roman marble copies. (It is not, however, to be confused with ''Discobolus'' of Myron, which shows a discus being thrown, not carried.) Like the ''Doryphoros'' and ''Diadumenos'', it was created as an example of Polyclitus's "canon" of the ideal human form in sculpture. It features a young, muscular, solidly-built athlete in a moment of thought before throwing a discus. Most marble copies feature the addition of a marble tree stump – marble is weaker but heavier than bronze- as the stump is needed for support. These copies are also often missing their arms, which are often restored. A variant is at the Louvre Museum. See also * ''Discobolus The ''Discobolus'' of Myron ("discus thrower", el, Δισκοβόλος, ''Diskobólos'') is an Ancient Greek sculpt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Skopas
Scopas ( grc-gre, Σκόπας; born in Paros, fl. 4th century BCE) was an ancient Greek sculptor and architect, most famous for his statue of Meleager, the copper statue of Aphrodite, and the head of goddess Hygieia, daughter of Asclepius. Early life and family Scopas was born on the island of Paros. His father was the sculptor Aristander of Paros. Skopas left Paros at an early age and travelled throughout the Hellenic world. Career as sculptor and architect Scopas worked with Praxiteles, and he sculpted parts of the Mausoleum of Halicarnassus, especially the reliefs. He led the building of the new temple of Athena Alea at Tegea. Similar to Lysippus, Scopas is artistically a successor of the Classical Greek sculptor Polykleitos. The faces of the heads are almost in quadrat. The deeply sunken eyes and a slightly opened mouth are recognizable characteristics in the figures of Scopas. Works by Scopas are preserved in the British Museum (reliefs) in London; fragments from the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lysippos
Lysippos (; grc-gre, Λύσιππος) was a Ancient Greek sculpture, Greek sculptor of the 4th century BC. Together with Scopas and Praxiteles, he is considered one of the three greatest sculptors of the Ancient Greece, Classical Greek era, bringing transition into the Hellenistic period. Problems confront the study of Lysippos because of the difficulty of identifying his style among the copies which survive. Not only did he have a large workshop and many disciples in his immediate circle, but there is understood to have been a market for replicas of his work, supplied from outside his circle, both in his lifetime and later in the Hellenistic art, Hellenistic and Roman sculpture, Roman periods. The ''Victorious Youth'' or Getty bronze, which resurfaced around 1972, has been associated with him. Biography Born at Sicyon around 390 BC, Lysippos was a worker in bronze in his youth. He taught himself the art of sculpture, later becoming head of the school of Ancient Argos, Argos a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polykleitos
Polykleitos ( grc, Πολύκλειτος) was an ancient Greek sculptor in bronze of the 5th century BCE. Alongside the Athenian sculptors Pheidias, Myron and Praxiteles, he is considered one of the most important sculptors of classical antiquity. The 4th century BCE catalogue attributed to Xenocrates (the "Xenocratic catalogue"), which was Pliny's guide in matters of art, ranked him between Pheidias and Myron. He is particularly known for his lost treatise (a canon of body proportions), the '' Canon of Polykleitos'', setting out his mathematical basis of an idealised male body shape. None of his original sculptures are known to survive, but there are many of what are believed to be later copies in marble, mostly Roman. Name His Greek name was traditionally Latinized ''Polycletus'', but is also transliterated ''Polycleitus'' ( grc, Πολύκλειτος, Classical Greek , "much-renowned") and, due to iotacism in the transition from Ancient to Modern Greek, ''Polyklitos'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kore (sculpture)
Kore (Ancient Greek, Greek: κόρη "maiden"; plural korai) is the modern term given to a type of free-standing ancient Greek sculpture of the Archaic period in Greece, Archaic period depicting female figures, always of a young age. Kouros, Kouroi are the youthful male equivalent of kore statues. Korai show the restrained "archaic smile", which did not demonstrate emotion. It was the symbol of the ideal, transcending above the hardships of the world. Unlike the nude kouroi, korai are depicted in thick and sometimes elaborate drapery. As fashions changed, so did the type of clothing they wore. Over time, korai went from the heavy peplos to lighter garments such as the Chiton (costume), chiton. Their posture is rigid and column-like, sometimes with an extended arm. Some korai were painted colorfully to enhance the visual impact of the garments and for narrative purposes. There are multiple theories on whether the korai represent mortals or deitie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kouros
kouros ( grc, κοῦρος, , plural kouroi) is the modern term given to free-standing Ancient Greek sculptures that depict nude male youths. They first appear in the Archaic period in Greece and are prominent in Attica and Boeotia, with a less frequent presence in many other Ancient Greek territories such as Sicily. Such statues are found across the Greek-speaking world; the preponderance of these were found in sanctuaries of Apollo with more than one hundred from the sanctuary of Apollo Ptoion, Boeotia, alone. These free-standing sculptures were typically marble, but the form is also rendered in limestone, wood, bronze, ivory and terracotta. They are typically life-sized, though early colossal examples are up to 3 meters tall. The female sculptural counterpart of the kouros is the kore. Etymology The Ancient Greek word kouros (κοῦρος) refers to "youth, boy, especially of noble rank." When a pubescent was received into the body of grown men, as a grown ''Kouros'', he c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Archaic Greece
Archaic Greece was the period in Greek history lasting from circa 800 BC to the second Persian invasion of Greece in 480 BC, following the Greek Dark Ages and succeeded by the Classical period. In the archaic period, Greeks settled across the Mediterranean and the Black Seas, as far as Marseille in the west and Trapezus (Trebizond) in the east; and by the end of the archaic period, they were part of a trade network that spanned the entire Mediterranean. The archaic period began with a massive increase in the Greek population and of significant changes that rendered the Greek world at the end of the 8th century entirely unrecognisable from its beginning. According to Anthony Snodgrass, the archaic period was bounded by two revolutions in the Greek world. It began with a "structural revolution" that "drew the political map of the Greek world" and established the ''poleis'', the distinctively Greek city-states, and it ended with the intellectual revolution of the Classical peri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Folio Society
The Folio Society is a London-based publisher, founded by Charles Ede in 1947 and incorporated in 1971. Formerly privately owned, it operates as an employee ownership trust since 2021. It produces illustrated hardback editions of classic fiction and non-fiction books, poetry and children's titles. Folio editions feature specially designed bindings and include artist-commissioned illustrations (most often in fiction titles) or researched artworks and photographs (in non-fiction titles). Most editions come with their own slipcase. For many years the Folio Society had a bookshop in Holborn, London, but the bookshop closed in December 2016 when the company moved premises. Folio editions can be purchased only online through their website, by post or over the telephone. Some editions are stocked by independent bookstores, by Blackwell's in Oxford, and by Selfridges, Harrods and Hatchards in London. History The Folio Society was founded in 1947 by Charles Ede, Christopher Sandford ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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