St. Jerome In His Study (Dürer)
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St. Jerome In His Study (Dürer)
Saint Jerome in His Study may refer to the following artworks depicting Saint Jerome: :''Ordered chronologically'' * ''Saint Jerome in His Study'' (after van Eyck), a 1442 painting attributed to the workshop of Jan van Eyck * ''Saint Jerome in His Study'' (Colantonio), a c. 1445–1446 painting * ''St Jerome in His Study'' (Antonello da Messina), a c. 1474 painting * ''Saint Jerome in His Study'' (Ghirlandaio), a 1480 fresco by Domenico Ghirlandaio * ''Saint Jerome in His Study'' (Dürer), a 1514 engraving by Albrecht Dürer * ''St. Jerome in His Study'' (Dürer, 1521), a painting by Albrecht Dürer * ''Saint Jerome in His Study'', a 1526 painting by Lucas Cranach the Elder * ''Saint Jerome in his Study'', a 1541 painting by Marinus van Reymerswaele * ''Saint Jerome Writing ''Saint Jerome Writing'', also called ''Saint Jerome in His Study'' or simply ''Saint Jerome'', is an oil painting by Italian painter Caravaggio. Generally dated to 1605–06, the painting is located in t ...
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Jerome
Jerome (; la, Eusebius Sophronius Hieronymus; grc-gre, Εὐσέβιος Σωφρόνιος Ἱερώνυμος; – 30 September 420), also known as Jerome of Stridon, was a Christian presbyter, priest, Confessor of the Faith, confessor, theologian, and historian; he is commonly known as Saint Jerome. Jerome was born at Stridon, a village near Emona on the border of Dalmatia (Roman province), Dalmatia and Pannonia. He is best known for his translation of the Bible into Latin (the translation that became known as the Vulgate) and his commentaries on the whole Bible. Jerome attempted to create a translation of the Old Testament based on a Hebrew version, rather than the Septuagint, as Vetus Latina, Latin Bible translations used to be performed before him. His list of writings is extensive, and beside his biblical works, he wrote polemical and historical essays, always from a theologian's perspective. Jerome was known for his teachings on Christian moral life, especially to th ...
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Saint Jerome In His Study (after Van Eyck)
''Saint Jerome in His Study'' is an oil painting on panel attributed to the workshop of the early Netherlandish painter Jan van Eyck, dated to 1442 (the year after the master's death) and now in the Detroit Institute of Arts, Detroit. History Since the date on the painting is subsequent to Jan van Eyck's death (June 1441), it is likely that the work, left unfinished, had been completed by members of his workshop, or his brother Lambert. A work with a similar subject is mentioned in the inventories of Palazzo Medici in Florence, which had been drawn up after the death of Lorenzo de' Medici in 1492. Even if not the work now at Detroit, this could have been the latter's prototype, since the painting is not unanimously attributed to van Eyck. There are indeed striking similarities between this work and Domenico Ghirlandaio's ''Saint Jerome in His Study'' (1480). Description The painting depicts Saint Jerome in the traditional representation inside his study. He wears a cardinal's d ...
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Saint Jerome In His Study (Colantonio)
''Saint Jerome in His Study'' is a c. 1445–1446 painting by Colantonio, a painter active in Naples between 1440 and around 1470. It shows the strong influence of contemporary Flemish and French art on the painter and originally formed part of a multi-panel altarpiece for the church of San Lorenzo Maggiore, later split up. The painting's dimensions are by . The work is now in the National Museum of Capodimonte. Sources * Pierluigi De Vecchi ed Elda Cerchiari, I tempi dell'arte, volume 2, Bompiani, Milano 1999. * Stefano Zuffi, Il Quattrocento, Electa, Milano 2004. ** External links * http://museodicapodimonte.campaniabeniculturali.it/itinerari-tematici/galleria-di-immagini/OA900232 Colantonio Colantonio is a general contractor headquartered in Holliston, Massachusetts. The firm offers preconstruction, general contracting, and construction management services with specialization in academic, affordable housing, municipal, and historica ... 1446 paintings Paintings ...
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St Jerome In His Study (Antonello Da Messina)
''St Jerome in His Study'' is a painting by the Italian Renaissance master Antonello da Messina. The painting depicts human, natural, and divine knowledge, and is filled with architectural qualities. It was the property of Antonio Pasqualino, Thomas Baring, 1st Earl of Northbrook, and has belonged since 1894 to the collection of the National Gallery, London. Description The small picture portrays St. Jerome - known for his teachings on Christian moral life - working in his study, a room without walls and ceiling viewed through an aperture (probably within a Gothic monastery). In common with several other works by the Messinese painter, the protagonist is accompanied by a host of supporting details pertinent to the contemporary Flemish school: books, animals, pottery, etc., all painted with precise detail and "optical truth". The scene is devised such that the light rays coincide with the perspective axis, focusing on the saint's torso and hands. A verdant landscape is reveal ...
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Saint Jerome In His Study (Ghirlandaio)
''Saint Jerome in His Study'' is a fresco by the Italian Renaissance painter Domenico Ghirlandaio, executed in 1480 and located in the church of Ognissanti, Florence. The work was commissioned by the Vespucci family together with a '' Saint Augustine in His Study'' by Sandro Botticelli (1480). Both depicted two Doctors of the Church in their studies, with a number of objects which should mark their role as precursors of humanism. They decorated the area next to the choir, which was demolished in the 18th century. In that occasion the two frescoes were removed and placed in the nave. Part of the annexed frame and the inscriptions were lost. Description While Botticelli adopted a more expressive composition in his ''Saint Augustine'' (inspired by Andrea del Castagno's works), Ghirlandaio created a more serene and conventional figure, concentrating instead on the still life of the objects exposed on the writing desk and the shelves behind Jerome. In this, he was perhaps inspi ...
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Saint Jerome In His Study (Dürer)
''Saint Jerome in His Study'' (german: Der heilige Hieronymus im Gehäus) is a copper engraving of 1514 by the German artist Albrecht Dürer. Saint Jerome is shown sitting behind his desk, engrossed in work. The table, on the corner of which is a cross, is typical of the Renaissance. An imaginary line from Jerome's head passing through the cross would arrive at the skull on the window ledge, as if contrasting death and the Resurrection. The lion in the foreground is part of the traditional iconography of St. Jerome, and near it is a sleeping dog, an animal found frequently in Dürer's works, symbolizing loyalty. Both creatures are part of Jerome's story in the ''Golden Legend'' (c. 1260), which contained fanciful Hagiography, hagiographies of saints. ''St. Jerome in His Study'' is often considered as part of a group of three Dürer engravings (his Meisterstiche (Dürer), Meisterstiche), the other two being the well-known ''Melencolia I'' (1514) and ''Knight, Death and the Devil'' ...
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Lucas Cranach The Elder
Lucas Cranach the Elder (german: Lucas Cranach der Ältere ;  – 16 October 1553) was a German Renaissance painter and printmaker in woodcut and engraving. He was court painter to the Electors of Saxony for most of his career, and is known for his portraits, both of German princes and those of the leaders of the Protestant Reformation, whose cause he embraced with enthusiasm. He was a close friend of Martin Luther. Cranach also painted religious subjects, first in the Catholic tradition, and later trying to find new ways of conveying Lutheran religious concerns in art. He continued throughout his career to paint nude subjects drawn from mythology and religion. Cranach had a large workshop and many of his works exist in different versions; his son Lucas Cranach the Younger and others continued to create versions of his father's works for decades after his death. He has been considered the most successful German artist of his time. Early life He was born at Kronach in uppe ...
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Marinus Van Reymerswaele
Marinus may refer to: *Marinus (crater), a crater on the Moon *Marinus (given name), for people named Marinus *Dr. Marinus, a recurring character in the novels of David Mitchell See also *''The Keys of Marinus ''The Keys of Marinus'' is the fifth serial in the British science fiction television series '' Doctor Who'', which was first broadcast on BBC TV/BBC1 in six weekly parts from 11 April to 16 May 1964. Written by Terry Nation and directed by Joh ...
'', a serial in the ''Doctor Who'' TV series {{disambig ...
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Saint Jerome Writing
''Saint Jerome Writing'', also called ''Saint Jerome in His Study'' or simply ''Saint Jerome'', is an oil painting by Italian painter Caravaggio. Generally dated to 1605–06, the painting is located in the Galleria Borghese in Rome. Composition The painting depicts Saint Jerome, a Doctor of the Church in Roman Catholicism and a popular subject for painting, even for Caravaggio, who produced other paintings of Jerome in Meditation and engaged in writing. In this image, Jerome is reading intently, an outstretched arm resting with quill. It has been suggested that Jerome is depicted in the act of translating the ''Vulgate''. History The painting is generally dated to 1605–06, largely on the statements of 17th-century art historical biographer Gian Pietro Bellori, though Denis Mahon suggests 1602–1604. According to Bellori, Caravaggio produced the piece at the behest of Cardinal Scipione Borghese, who became a cardinal in 1605, but it is possible that Borghese acquired it late ...
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Saint Jerome Writing (Caravaggio, Valletta)
''Saint Jerome Writing'' is a painting by the Italian master Michelangelo Merisi da Caravaggio in 1607 or 1608, housed in the Oratory of St John's Co-Cathedral, Valletta, Malta. It can be compared with Caravaggio's earlier version of the same subject in the Borghese Gallery in Rome. History Caravaggio arrived in Malta on July 12, 1607. He had spent the previous months in Naples, where he had sought refuge with his powerful protectors the Colonna family after killing a man in a brawl in Rome the previous year. In Naples he had been an instant success, achieving ten commissions, including a number of large and very prestigious altarpieces, in less than a year, and inspiring a following of Caravaggisti among the city's artists. In short, in Naples he had found professional success, the esteem of fellow-artists, and the support of important patrons. Why then leave all this for a speck of rock inhabited by warrior-monks noted more for their fighting ( Peter Robb compares them to the F ...
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