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Sponsus
''Sponsus'' or ''The Bridegroom'' is a medieval Latin and Occitan dramatic treatment of Jesus' parable of the ten virgins. A liturgical play designed for Easter Vigil, it was composed probably in Gascony or western Languedoc in the mid-eleventh century. Its scriptural basis is found in the ''Gospel of Matthew'' (25:1–13), but it also draws on the '' Song of Songs'' and the Patristics, perhaps Jerome's ''Adversus Jovinianum''. In certain respects—the portrayal of the merchants, the spilling of the oil, the implicit questioning of accepted theodicy—it is original and dramatically powerful. "Sponsus" is the Latin word for groom/husband and is a cognate of the English "spouse". The feminine form is "sponsa" (bride/wife). Story The play opens with an unnamed narrative voice explaining the allegory of the parable, the identity of the bridegroom with Jesus, and the Gospel. This unnamed voice has been identified with both Gabriel and the Church (''Ecclesia'') personifie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parable Of The Ten Virgins
The Parable of the Ten Virgins, also known as the Parable of the Wise and Foolish Virgins or the Parable of the ten bridesmaids, is one of the parables of Jesus. According to , ten virgins await a bridegroom; five have brought enough oil for their lamps for the wait, while the oil of the other five runs out. The five virgins who are prepared for the bridegroom's arrival are rewarded, while the five who went to buy further oil miss the bridegroom's arrival and are disowned. The parable has a clear eschatological theme: be prepared for the Day of Judgement. It was one of the most popular parables in the Middle Ages and had influence on Gothic art, sculpture and the architecture of German and French cathedrals. Narrative according to the Gospel of Matthew In the Parable of the Ten Virgins, Jesus tells a story about a party of virgins, perhaps bridesmaids or torchbearers for a procession, chosen to participate in a wedding. Each of the ten virgins is carrying a lamp or torch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Medieval Latin
Medieval Latin was the form of Literary Latin used in Roman Catholic Western Europe during the Middle Ages. In this region it served as the primary written language, though local languages were also written to varying degrees. Latin functioned as the main medium of scholarly exchange, as the liturgical language of the Church, and as the working language of science, literature, law, and administration. Medieval Latin represented a continuation of Classical Latin and Late Latin, with enhancements for new concepts as well as for the increasing integration of Christianity. Despite some meaningful differences from Classical Latin, Medieval writers did not regard it as a fundamentally different language. There is no real consensus on the exact boundary where Late Latin ends and Medieval Latin begins. Some scholarly surveys begin with the rise of early Ecclesiastical Latin in the middle of the 4th century, others around 500, and still others with the replacement of written Late Latin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gabriel
In Abrahamic religions (Judaism, Christianity and Islam), Gabriel (); Greek: grc, Γαβριήλ, translit=Gabriḗl, label=none; Latin: ''Gabriel''; Coptic: cop, Ⲅⲁⲃⲣⲓⲏⲗ, translit=Gabriêl, label=none; Amharic: am, ገብርኤል, translit=Gabrəʾel, label=none; arc, ܓ݁ܰܒ݂ܪܺܝܐܝܶܠ, translit=Gaḇrīʾēl; ar, جِبْرِيل, Jibrīl, also ar, جبرائيل, Jibrāʾīl or ''Jabrāʾīl'', group="N" is an archangel with power to announce God's will to men. He is mentioned in the Hebrew Bible, the New Testament, and the Quran. Many Christian traditions — including Anglicanism, Eastern Orthodoxy, and Roman Catholicism — revere Gabriel as a saint. In the Hebrew Bible, Gabriel appears to the prophet Daniel to explain his visions (Daniel 8:15–26, 9:21–27). The archangel also appears in the Book of Enoch and other ancient Jewish writings not preserved in Hebrew. Alongside the archangel Michael, Gabriel is described as the guardian angel o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ludus De Decem Virginibus
Ludus may refer to: * ''Ludus'' (ancient Rome) (plural ''ludi''), several meanings around "play, game, sport, training" **''Ludi'', public games held for the benefit and entertainment of the Roman people * Luduș, a town in Transylvania, Romania * Ludus (love), a type of love/sex in the color wheel theory of love * Ludus (band) Ludus was a British post-punk band formed in Manchester in 1978, which featured artist, designer and singer Linder Sterling. It played jazz-, avant-garde- and punk- oriented material. The band influenced singer Morrissey, later of The Smiths an ..., a British post-punk band 1978–1983 * "Ludus", one of two movements in Tabula Rasa (Pärt), a 1977 musical composition by the Estonian composer Arvo Pärt See also * {{disambiguation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
German Language
German ( ) is a West Germanic languages, West Germanic language mainly spoken in Central Europe. It is the most widely spoken and Official language, official or co-official language in Germany, Austria, Switzerland, Liechtenstein, and the Italy, Italian province of South Tyrol. It is also a co-official language of Luxembourg and German-speaking Community of Belgium, Belgium, as well as a national language in Namibia. Outside Germany, it is also spoken by German communities in France (Bas-Rhin), Czech Republic (North Bohemia), Poland (Upper Silesia), Slovakia (Bratislava Region), and Hungary (Sopron). German is most similar to other languages within the West Germanic language branch, including Afrikaans, Dutch language, Dutch, English language, English, the Frisian languages, Low German, Luxembourgish, Scots language, Scots, and Yiddish. It also contains close similarities in vocabulary to some languages in the North Germanic languages, North Germanic group, such as Danish lan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grotesque
Since at least the 18th century (in French and German as well as English), grotesque has come to be used as a general adjective for the strange, mysterious, magnificent, fantastic, hideous, ugly, incongruous, unpleasant, or disgusting, and thus is often used to describe weird shapes and distorted forms such as Halloween masks. In art, performance, and literature, however, ''grotesque'' may also refer to something that simultaneously invokes in an audience a feeling of uncomfortable bizarreness as well as sympathetic pity. The English word first appears in the 1560s as a noun borrowed from French, and comes originally from the Italian ''grottesca'' (literally "of a cave" from the Italian ''grotta'', 'cave'; see grotto), an extravagant style of ancient Roman decorative art rediscovered at Rome at the end of the fifteenth century and subsequently imitated. The word was first used of paintings found on the walls of basements of ruins in Rome that were called at that time ''le Gro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Brazier
A brazier () is a container used to burn charcoal or other solid fuel for cooking, heating or cultural rituals. It often takes the form of a metal box or bowl with feet. Its elevation helps circulate air, feeding oxygen to the fire. Braziers have been used since ancient times; the Nimrud brazier dates to at least 824 BC. History The word brazier is mentioned in the Bible. The Hebrew word for brazier is believed to be of Egyptian origin, suggesting that it was imported from Egypt. The lone reference to it in the Bible being the following verse: * - the winter palace of King Jehoiakim was heated by a brazier (). Roman Emperor Jovian was poisoned by the fumes from a brazier in his tent in 364, ending the line of Constantine. Uses Heating Despite risks in burning charcoal on open fires, braziers were widely adopted for domestic heating, particularly and somewhat more safely used (namely in unglazed, shuttered-only buildings) in the Spanish-speaking world. Fernando de Alva Cor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Crypt
A crypt (from Latin ''crypta'' "vault") is a stone chamber beneath the floor of a church or other building. It typically contains coffins, sarcophagi, or religious relics. Originally, crypts were typically found below the main apse of a church, such as at the Abbey of Saint-Germain en Auxerre, but were later located beneath chancel, naves and transepts as well. Occasionally churches were raised high to accommodate a crypt at the ground level, such as St Michael's Church in Hildesheim, Germany. Etymology The word "Crypt" developed as an alternative form of the Latin "vault" as it was carried over into Late Latin, and came to refer to the ritual rooms found underneath church buildings. It also served as a vault for storing important and/or sacred items. The word "Crypta", however, is also the female form of ''crypto'' "hidden". The earliest known origin of both is in the Ancient Greek '' κρύπτω'' (krupto/krypto), the first person singular indicative of the verb "to conc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hell
In religion and folklore, hell is a location in the afterlife in which evil souls are subjected to punitive suffering, most often through torture, as eternal punishment after death. Religions with a linear divine history often depict hells as eternal destinations, the biggest examples of which are Christianity and Islam, whereas religions with reincarnation usually depict a hell as an intermediary period between incarnations, as is the case in the dharmic religions. Religions typically locate hell in another dimension or under Earth's surface. Other afterlife destinations include heaven, paradise, purgatory, limbo, and the underworld. Other religions, which do not conceive of the afterlife as a place of punishment or reward, merely describe an abode of the dead, the grave, a neutral place that is located under the surface of Earth (for example, see Kur, Hades, and Sheol). Such places are sometimes equated with the English word ''hell'', though a more correct translatio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Demon
A demon is a malevolent supernatural entity. Historically, belief in demons, or stories about demons, occurs in religion, occultism, literature, fiction, mythology, and folklore; as well as in media such as comics, video games, movies, anime, and television series. Belief in demons probably goes back to the Paleolithic age, stemming from humanity's fear of the unknown, the strange and the horrific. ''A Dictionary of Comparative Religion'' edited by S.G.F. Brandon 1970 In ancient Near Eastern religions and in the Abrahamic religions, including early Judaism and ancient-medieval Christian demonology, a demon is considered a harmful spiritual entity which may cause demonic possession, calling for an exorcism. Large portions of Jewish demonology, a key influence on Christianity and Islam, originated from a later form of Zoroastrianism, and was transferred to Judaism during the Persian era. Demons may or may not also be considered to be devils: minions of the Devil. In ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Human Nature
Human nature is a concept that denotes the fundamental dispositions and characteristics—including ways of thinking, feeling, and acting—that humans are said to have naturally. The term is often used to denote the essence of humankind, or what it 'means' to be human. This usage has proven to be controversial in that there is dispute as to whether or not such an essence actually exists. Arguments about human nature have been a central focus of philosophy for centuries and the concept continues to provoke lively philosophical debate. While both concepts are distinct from one another, discussions regarding human nature are typically related to those regarding the comparative importance of genes and environment in human development (i.e., ' nature versus nurture'). Accordingly, the concept also continues to play a role in academic fields, such as the natural sciences, social sciences, history, and philosophy, in which various theorists claim to have yielded insight into hu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Dronke
Ernst Peter Michael Dronke FBA (30 May 1934 – 19 April 2020) was a scholar specialising in Medieval Latin literature. He was one of the 20th century's leading scholars of medieval Latin lyric, and his book ''The Medieval Lyric'' (1968) is considered the standard introduction to the subject. Life and career Dronke was born in 1934 in Cologne, Rhine, Prussia, Germany, the son of Maria Dronke (born Minnie Kronfeld), a prominent actress, and Adolf John Rudolf Dronke, a judge. His mother was born Jewish, and later converted to Catholicism. In 1939, he left the country because of the Nazi regime, settling in New Zealand and becoming a naturalised New Zealand citizen. Dronke earned his bachelor's and master's degrees at Wellington. In 1955 he received a travelling scholarship to study at Magdalen College, Oxford.John Marenbon, ed., ''Poetry and Philosophy in the Middle Ages: A Festschrift for Peter Dronke'', Leiden/Boston: Brill, 2001, pdf p. 1. After graduating with a first in English ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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