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Some People Are On The Pitch They Think It's All Over It Is Now
''Some People Are on the Pitch They Think It's All Over It Is Now'' is the debut studio album by English rock band The Dentists, released in 1985 by the record label Spruck. The title is a reference to the famous BBC TV commentary made during the closing moments of the 1966 FIFA World Cup Final. The album's sound is influenced by the alternative rock of the time, while also being strongly reminiscent of experimental pop music of the 1960s, by the likes of Joe Meek and others. Recording took place from 30 November 1984 to 2 April 1985. The song "Strawberries Are Growing in My Garden (And It's Wintertime)" was also released as a single; years later it was still the group's best-known song. Reception Critic Tim Sendra of AllMusic called it "a lost guitar pop classic". He specifically praised the mix of musical styles on the release, stating that the Dentists sounded "like the Byrds if they had formed in the wake of the punk explosion of the '70s". The single "Strawberries Are ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Dentists
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1960s In Music
This article includes an overview of the events and trends in popular music in the 1960s. In North America and Europe the decade was particularly revolutionary in terms of popular music, as it saw the evolution of rock and the beginnings of the album era. At the beginning of the 1960s, pop and rock and roll trends of the 1950s continued; nevertheless, the rock and roll of the decade before started to merge into a more international, electric variant. In the early-1960s, rock and roll in its purest form was gradually overtaken by pop rock, beat, psychedelic rock, blues rock, and folk rock, which had grown in popularity. The country- and folk-influenced style associated with the latter half of 1960s rock music spawned a generation of popular singer-songwriters who wrote and performed their own work. Towards the decade's end, genres such as Baroque pop, sunshine pop, bubble gum pop, and progressive rock started to grow popular, with the latter two finding greater success i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
They Think It's All Over
"They think it's all over" is a quote from Kenneth Wolstenholme's BBC TV commentary in the closing moments of the 1966 FIFA World Cup Final, when England beat West Germany 4–2 after extra time to win the FIFA World Cup. In the final few seconds of the match, Wolstenholme said: :''And here comes Hurst! He's got...'' :: (Wolstenholme is distracted by some of the crowd spilling onto the pitch) :''Some people are on the pitch! They think it's all over!'' ::(Geoff Hurst scores to put England two goals ahead) :''It is now, it's four!'' Soon after the 1966 victory, Wolstenholme's quote became a widely used expression. In popular culture The phrase, along with other calls from English football matches, appears in New Order's song "World In Motion", although in that case Wolstenholme re-recorded it with the slightly different words "Well, some of the crowd are on the pitch. They think it's all over. Well it is now". The British band The Dentists called their first album '' Some Peo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neo-psychedelia
Neo-psychedelia is a diverse genre of psychedelic music that draws inspiration from the sounds of 1960s psychedelia, either updating or copying the approaches from that era. Originating in the 1970s, it has occasionally seen mainstream pop success but is typically explored within alternative rock scenes. It initially developed as an outgrowth of the British post-punk scene, where it was also known as acid punk. After post-punk, neo-psychedelia flourished into a more widespread and international movement of artists who applied the spirit of psychedelic rock to new sounds and techniques. Neo-psychedelia may also include forays into psychedelic pop, jangly guitar rock, heavily distorted free-form jams, or recording experiments. A wave of British alternative rock in the 1980s spawned the subgenres dream pop and shoegazing. Characteristics Neo-psychedelic acts borrowed a variety of elements from 1960s psychedelic music. Some emulated the psychedelic pop of bands like the Beat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Freakbeat
Freakbeat is a loosely defined subgenre of rock and roll music developed mainly by harder-driving British groups during the Swinging London period of the mid-to late 1960s. The genre bridges British Invasion R&B, beat and psychedelia. Etymology The term was coined by English music journalist Phil Smee. AllMusic writes that "freakbeat" is loosely defined, but generally describes the more obscure but hard-edged artists of the British Invasion era such as the Creation, the Pretty Things, The Smoke, or Denny Laine (in his early solo work). Compilations Much of the material collected on Rhino Records's 2001 box-set compilation '' Nuggets II: Original Artyfacts from the British Empire and Beyond, 1964–1969'' can be classified as freakbeat. The '' English Freakbeat'' series is a group of five compilation albums, released in the late 1980s, that were issued by AIP Records. The LPs featured recordings that were released in the mid-1960s by English rock bands in R&B and beat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tom Hull (critic)
Tom Hull is an American music critic, web designer, and former software developer. Hull began writing criticism for ''The Village Voice'' in the mid 1970s under the mentorship of its music editor Robert Christgau, but left the field to pursue a career in software design and engineering during the 1980s and 1990s, which earned him the majority of his life's income. In the 2000s, he returned to music reviewing and wrote a jazz column for ''The Village Voice'' in the manner of Christgau's "Consumer Guide", alongside contributions to ''Seattle Weekly'', ''The New Rolling Stone Album Guide'', NPR Music, and the webzine ''Static Multimedia''. Hull's jazz-focused database and blog ''Tom Hull – on the Web'' hosts his reviews and information on albums he has surveyed, as well as writings on books, politics, and movies. It shares a functional, low-graphic design with Christgau's website, which Hull also created and maintains as its webmaster. Career In the mid 1970s, Hull accepted a jo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joe Meek
Robert George "Joe" Meek (5 April 1929 – 3 February 1967) was an English record producer, sound engineer and songwriter who pioneered space age and experimental pop music. He also assisted in the development of recording practices like overdubbing, sampling and reverberation. Meek is considered one of the most influential sound engineers of all time, being one of the first to develop ideas such as the recording studio as an instrument, and becoming one of the first producers to be recognised for his individual identity as an artist. Charting singles Meek produced for other artists include "Johnny Remember Me" (John Leyton, 1961), "Just Like Eddie" ( Heinz, 1963), "Angela Jones" ( Michael Cox, 1960), "Have I the Right?" (the Honeycombs, 1964), and "Tribute to Buddy Holly" ( Mike Berry, 1961). The Tornados' instrumental "Telstar" (1962), written and produced by Meek, became the first record by a British rock group to reach number one in the US Hot 100. It also spent five we ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Experimental Pop
Experimental pop is pop music that cannot be categorized within traditional musical boundaries or which attempts to push elements of existing popular forms into new areas. It may incorporate experimental techniques such as musique concrète, aleatoric music, or eclecticism into pop contexts. Often, the compositional process involves the use of electronic production effects to manipulate sounds and arrangements, and the composer may draw the listener's attention specifically with both timbre and tonality, though not always simultaneously. Experimental pop music developed concurrently with experimental jazz as a new kind of avant-garde, with many younger musicians embracing the practice of making studio recordings along the fringes of popular music. In the early 1960s, it was common for producers, songwriters, and engineers to freely experiment with musical form, orchestration, unnatural reverb, and other sound effects, and by the late 1960s, highly experimental pop music, or sou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jangle Pop
Jangle pop is a subgenre of pop rock or college rock that emphasizes jangly guitars and 1960s-style pop melodies. The term originated from Bob Dylan's song " Mr. Tambourine Man", whose 1965 rendition by the Byrds became considered one of the genre's representative works. Since the 1960s, jangle pop has crossed numerous genres, including power pop, psychedelia, new wave, post-punk, and lo-fi. In the 1980s, the most prominent bands of early indie rock were jangle pop groups such as R.E.M., the Wedding Present, and the Smiths. In the early to mid 1980s, the term "jangle pop" emerged as a label for an American post-punk movement that recalled the sounds of "jangly" acts from the 1960s. Between 1983 and 1987, the description "jangle pop" was used to describe bands like R.E.M. and Let's Active as well as the Paisley Underground subgenre, which incorporated psychedelic influences. Etymology The term "jangle pop" was not used during the original movement of the 1960s, but was p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alternative Rock
Alternative rock, or alt-rock, is a category of rock music that emerged from the independent music underground of the 1970s and became widely popular in the 1990s. "Alternative" refers to the genre's distinction from Popular culture, mainstream or commercial rock or pop music. The term's original meaning was broader, referring to musicians influenced by the musical style or independent, DIY ethic, DIY ethos of late-1970s punk rock.di Perna, Alan. "Brave Noise—The History of Alternative Rock Guitar". ''Guitar World''. December 1995. Traditionally, alternative rock varied in terms of its sound, social context, and regional roots. Throughout the 1980s, magazines and zines, college radio airplay, and word of mouth had increased the prominence and highlighted the diversity of alternative rock's distinct styles (and music scenes), such as noise pop, indie rock, grunge, and shoegaze. In September 1988, Billboard (magazine), ''Billboard'' introduced "alternative" into their charting ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1966 FIFA World Cup Final
The 1966 FIFA World Cup Final was a football match played at Wembley Stadium, London, on 30 July 1966 to determine the winner of the 1966 FIFA World Cup, the eighth FIFA World Cup. The match was contested by England and West Germany, with England winning 4–2 after extra time to claim the Jules Rimet Trophy. It was the first – and to date only – occasion that England has hosted or won the World Cup. This remains England's only major men's tournament win and last final at a major men's football tournament for 55 years, until 2021 when the nation reached the UEFA Euro 2020 Final at the new Wembley Stadium (which England drew 1–1 with Italy and lost 3–2 after a penalty shootout) and would be the last triumph for a senior level England national football team (men's or women's) until England Women won UEFA Women's Euro 2022, beating Germany 2–1 after extra time in the final at the rebuilt Wembley Stadium. The match is remembered for England's only World Cup and first major ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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