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Joe Meek
Robert George "Joe" Meek (5 April 1929 – 3 February 1967) was an English record producer, sound engineer and songwriter who pioneered space age and experimental pop music. He also assisted in the development of recording practices like overdubbing, sampling and reverberation. Meek is considered one of the most influential sound engineers of all time, being one of the first to develop ideas such as the recording studio as an instrument, and becoming one of the first producers to be recognised for his individual identity as an artist. Charting singles Meek produced for other artists include "Johnny Remember Me" (John Leyton, 1961), "Just Like Eddie" ( Heinz, 1963), "Angela Jones" ( Michael Cox, 1960), "Have I the Right?" (the Honeycombs, 1964), and "Tribute to Buddy Holly" ( Mike Berry, 1961). The Tornados' instrumental "Telstar" (1962), written and produced by Meek, became the first record by a British rock group to reach number one in the US Hot 100. It also spent five we ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Newent
Newent (; originally called "Noent") is a market town and civil parish about 10½ miles (17 km) north-west of Gloucester, England. Its population was 5,073 at the 2001 census, rising to 5,207 in 2011, The population was 6,777 at the 2021 Census. Once a medieval market and fair town, its site had been settled at least since Roman times. The first written record of it appears in the 1086 Domesday Book. Etymology Noent, Newent's original name, may have meant "new place" in Celtic. It also may mean "new inn", referring to lodgings for travellers to Wales, according to John Leland (c. 1503–1552), who mentioned a house called ''New Inn'', later named ''The Boothall'', which provided lodging along the road to Wales. There was indeed such a house in Lewall Street, owned by members of the Richardson family in the late 18th and early 19th centuries. Lewall Street runs between High Street and Court Lane, north of Broad Street. Geography Newent is on the northern edge of the Forest of D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Experimental Pop
Experimental pop is pop music that cannot be categorized within traditional musical boundaries or which attempts to push elements of existing popular forms into new areas. It may incorporate experimental techniques such as musique concrète, aleatoric music, or eclecticism into pop contexts. Often, the compositional process involves the use of electronic production effects to manipulate sounds and arrangements, and the composer may draw the listener's attention specifically with both timbre and tonality, though not always simultaneously. Experimental pop music developed concurrently with experimental jazz as a new kind of avant-garde, with many younger musicians embracing the practice of making studio recordings along the fringes of popular music. In the early 1960s, it was common for producers, songwriters, and engineers to freely experiment with musical form, orchestration, unnatural reverb, and other sound effects, and by the late 1960s, highly experimental pop music, or sou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Have I The Right?
"Have I the Right?" was the debut single and biggest hit of British band The Honeycombs. It was composed by Ken Howard and Alan Blaikley, who had made contact with The Honeycombs, a London-based group, then playing under the name of The Sheratons, in the Mildmay Tavern in the Balls Pond Road in Islington, where they played a date. Howard and Blaikley were impressed by the group's lead vocalist, Dennis D'Ell, and the fact that they had a female drummer, Anne (‘Honey’) Lantree. The group were looking for material to play for an audition with record producer Joe Meek, and they played the songs Howard and Blaikley had just given them. Meek decided to record one of them, "Have I the Right?", there and then. Meek himself provided the B-side, "Please Don’t Pretend Again". Music critic Tom Ewing, writing for ''Freaky Trigger'', commented that the song "invents" post-punk, "which is to say, when I listen to the instrumental break on this record, bright guitar and sharp keyboard slici ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Cox (singer)
Michael James Cox (born 19 March 1940) is a British-born former pop singer and actor. As Michael Cox, he had a top-ten hit on the UK singles chart in 1960 with "Angela Jones", produced by Joe Meek. He later worked as an actor, and in TV in New Zealand, using both his full name and the name Michael James. Life and career He was born in Liverpool. After his four younger sisters wrote to ABC TV demanding that he be given a chance to audition for the pop show '' Oh Boy!'', he was quickly signed up by producer Jack Good, and made his first appearance on the show in April 1959 singing Ricky Nelson's " Never Be Anyone Else But You".Michael Cox: A Brief History [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heinz Burt
Heinz Burt (24 July 1942 – 7 April 2000) was a German-born British rock and roll bassist and singer who performed under the stage name Heinz. He was also known as a member of instrumental group the Tornados. Life Heinz was born in Detmold, Germany, but from the age of seven was brought up in Eastleigh, Hampshire, England. His German father had been killed during World War II and his mother decided to move to Britain. Heinz was influenced by the US singer Eddie Cochran and played in a local Eastleigh group, the Falcons, in the 1950s. Working in a Southampton grocery shop Heinz came to the attention of record producer Joe Meek, becoming his protégé. Meek styled Heinz's image, which included persuading him to peroxide his hair. Heinz was a member of the Tornados, famous for their multi-million selling hit "Telstar". With Meek in love with Heinz, he struggled to launch him on a solo career. Due to the inadequacies of Heinz's voice, his vocals on his first single "Dreams Do C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Just Like Eddie
"Just Like Eddie" is a song by recording artist Heinz. The song was his second solo release after leaving the band The Tornados. Background The song was a tribute to American rock 'n' roll pioneer Eddie Cochran. The song was produced and engineered by Joe Meek and was released via the record label Decca in 1963. The guitar on the track was played by Ritchie Blackmore, Talevski 2010, p.264. later a founding member of Deep Purple. The song written by Joe Meek's associate Geoff Goddard. The song is Heinz's only successful song as a solo artist when it entered the Top 20 in the UK Singles Chart. The song peaked at number 5 on the chart. The B-side featured with the song was titled "Don't You Knock On My Door". Neely and Popoff 2009, p.309. Heinz's other singles were "Country Boy" (1963), "You Were There" (1963). Reception In his book, ''Rock & Roll: Facts, Figures & Fun'', Mike Evans said that it was a tribute record that was not opportunistic like others, because it was released thre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Leyton
John Dudley Leyton (born 17 February 1936) is an English actor and singer. As a singer he is best known for his hit song "Johnny Remember Me" (written by Geoff Goddard and produced by Joe Meek), which reached number one in the UK Singles Chart in August 1961 despite being banned by the BBC for its death references. His follow-up single, "Wild Wind", reached number two in the charts. Alongside singing, Leyton's acting career saw him appearing in television and films throughout the 1960s. His films included '' The Great Escape'', ''Guns at Batasi'', ''Von Ryan's Express'' and ''Krakatoa, East of Java''. In 2009 he also had a small role in the film ''Telstar'', a biopic based on Joe Meek's life in which Leyton himself was portrayed by Callum Dixon. Career Leyton went to Highgate School and after completing his national service with the Royal Army Service Corps, he studied drama, paying his way through drama school with bit-part roles in films and on television. His first major a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johnny Remember Me
"Johnny Remember Me" is a song which became a 1961 UK Singles Chart #1 hit single for John Leyton, backed by The Outlaws. It was producer Joe Meek's first #1 production. Recounting the haunting – real or imagined – of a young man by his dead lover, the song is one of the most noted of the ' death ditties' that populated the pop charts, on both sides of the Atlantic, in the early to mid-1960s. It is distinguished in particular by its eerie, echoing sound (a hallmark of Meek's production style) and by the ghostly, foreboding female wails that form its backing vocal, by Lissa Gray. The recording was arranged by Charles Blackwell. Despite the line, "the girl I loved who died a year ago" being changed to the more vague "the girl I loved and lost a year ago", the song was banned by the BBC, along with many other 'death discs', which were popular at the time. Creation and success The song was written and composed by Geoff Goddard who awoke inspired and sang it straight into the tap ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tiny Mix Tapes
''Tiny Mix Tapes'' (also ''TMT'' or ''tinymixtapes'') is an online music and film webzine that focuses primarily on new music and related news. In addition to its reviews, it is noted for its subversive, political, and sometimes surreal news, as well as a podcast and its mixtape generator. History Originally called ''Tiny Mixtapes Gone to Heaven'' and hosted on GeoCities, the webzine moved to its current domain in 2001. ''Tiny Mix Tapes'' is a featured reviewer on Metacritic. The writing staff is composed of volunteers who often use pen names (such as "Wolfman," "Mango Starr," "Chizzly St. Claw," and "Filmore Mescalito Holmes"). Some contributors, like Rebecca Armendariz and Alex Brown, go by their real names. Its cofounder and editor-in-chief is Minneapolis-resident Marvin Lin (who writes as "Mr. P"). The music reviews, features, news, film, comics, and the "DeLorean", "Cerberus", and "Automatic Mix Tapes" columns are edited by "Jay," "Gumshoe," "Dan Smart," Benjamin Pearson, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Auteur
An auteur (; , 'author') is an artist with a distinctive approach, usually a film director whose filmmaking control is so unbounded but personal that the director is likened to the "author" of the film, which thus manifests the director's unique style or thematic focus. As an unnamed value, auteurism originated in French film criticism of the late 1940s, and derives from the critical approach of André Bazin and Alexandre Astruc, whereas American critic Andrew Sarris in 1962 called it auteur theory. Yet the concept first appeared in French in 1955 when director François Truffaut termed it ''policy of the authors'', and interpreted the films of some directors, like Alfred Hitchcock, as a body revealing recurring themes and preoccupations. American actor Jerry Lewis directed his own 1960 film ''The Bellboy'' via sweeping control, and was praised for "personal genius." By 1970, the New Hollywood era emerged with studios granting directors broad leeway. Pauline Kael argued, howev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Recording Studio As An Instrument
In music production, the recording studio is often treated as a musical instrument when it plays a significant role in the composition of music. Sometimes called "playing the studio", the approach is typically embodied by artists or producers who favor the creative use of studio technology in record production, as opposed to simply documenting live performances in studio. Techniques include the incorporation of non-musical sounds, overdubbing, tape edits, sound synthesis, audio signal processing, and combining segmented performances ( takes) into a unified whole. Composers have exploited the potential of multitrack recording from the time the technology was first introduced. Before the late 1940s, musical recordings were typically created with the idea of presenting a faithful rendition of a real-life performance. Following the advent of three-track tape recorders in the mid-1950s, recording spaces became more accustomed for in-studio composition. By the late 1960s, in-studio c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fact (UK Magazine)
''Fact'' is a music publication that launched in the UK in 2003. It covers UK, US, and international music and youth culture topics, with particular focus on electronic, pop, rap, and experimental artists. Having started as a bi-monthly print magazine, ''Fact'' went digital in 2008, focusing on its website and online TV channel ''Fact TV'', which produces documentaries and videos including the series ''Against the Clock''. In November 2020 it returned to publishing a bi-annual print magazine. ''Fact'' produces weekly Fact Mixes. It previously produced the Singles Club review series, and Make Music, aimed at inspiring producers and bedroom musicians. ''Fact'' operates out of a London office, with additional full-time staff in Los Angeles and New York City. It is part of The Vinyl Factory group. History ''Fact'' was founded in 2003 as a print magazine. It commissioned covers by artists including M.I.A., Bat for Lashes, Shepard Fairey, Barry McGee, Peter Saville, Trevor J ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
