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Sociological Art
Sociological Art is an artistic movement and approach to aesthetics that emerged in France in the early 1970s and became the basis for the Sociological Art Collective formed by :fr:Hervé Fischer, Hervé Fischer, Fred Forest, and Jean-Paul Thenot in 1974. From 1968 to 1974 As early as 1968, art critics Pierre Restany and François Pluchart refer to socially engaged art and less commercial practices among a diverse set of artists, including body artists Gina Pane and Michel Journiac, Spanish-born video artist Joan Rabascall, Hervé Fischer, Fred Forest, and Jean-Paul Thenot. In the fall of 1973, François Pluchart initiated a debate between Journiac, Pane, Fischer, and Thenot, which was published as “Ten Questions on Sociological Art” (“Dix questions sur l’art sociologique”) in the art magazine artTitudes, which he had founded in 1971. The history of sociological art might also be traced through the independent practices of Fischer, Forest, and Thenot who would later form ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aesthetics
Aesthetics, or esthetics, is a branch of philosophy that deals with the nature of beauty and taste, as well as the philosophy of art (its own area of philosophy that comes out of aesthetics). It examines aesthetic values, often expressed through judgments of taste. Aesthetics covers both natural and artificial sources of experiences and how we form a judgment about those sources. It considers what happens in our minds when we engage with objects or environments such as viewing visual art, listening to music, reading poetry, experiencing a play, watching a fashion show, movie, sports or even exploring various aspects of nature. The philosophy of art specifically studies how artists imagine, create, and perform works of art, as well as how people use, enjoy, and criticize art. Aesthetics considers why people like some works of art and not others, as well as how art can affect moods or even our beliefs. Both aesthetics and the philosophy of art try to find answers for what exact ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jorge Glusberg
Jorge Glusberg (23 September 1932 – 2 February 2012) was an Argentine author, publisher, curator, professor, and conceptual artist. Early life and education Glusberg was born in Buenos Aires, Argentina. When he was 12 years old Glusberg organized a "geology museum" on balcony of his house. In the space he exhibited rocks and other found objects from the Pampas for fellow neighborhood kids. Career In 1968, Glusberg, along with Víctor Grippo, Jacques Bedel, Luis Fernando Benedit and others, founded the Centro de Estudios de Arte y Comunicación (CEAC) which was renamed Centro de Arte y Comunicación (CAyC) in the following year. Glusberg acted as Director of Centro de Arte y Comunicación (CAyC) from its inception until his death in early 2012. In 1985 Glusberg founded the Buenos Aires International Biennial of Architecture. In 1994 Glusberg was appointed Director of the Museo Nacional de Bellas Artes MNBA in Buenos Aires, a title which he held until 2003. Glusberg is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michel Foucault
Paul-Michel Foucault (, ; ; 15 October 192625 June 1984) was a French philosopher, historian of ideas, writer, political activist, and literary critic. Foucault's theories primarily address the relationship between power and knowledge, and how they are used as a form of social control through societal institutions. Though often cited as a structuralist and postmodernist, Foucault rejected these labels. His thought has influenced academics, especially those working in communication studies, anthropology, psychology, sociology, criminology, cultural studies, literary theory, feminism, Marxism and critical theory. Born in Poitiers, France, into an upper-middle-class family, Foucault was educated at the Lycée Henri-IV, at the École Normale Supérieure, where he developed an interest in philosophy and came under the influence of his tutors Jean Hyppolite and Louis Althusser, and at the University of Paris (Sorbonne), where he earned degrees in philosophy and psychology. Aft ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ideological State Apparatus
"Ideology and Ideological State Apparatuses (Notes Towards an Investigation)" (French: "Idéologie et appareils idéologiques d'État (Notes pour une recherche)") is an essay by the French Marxist philosopher Louis Althusser. First published in 1970, it advances Althusser's theory of ideology. Where Karl Marx and Friedrich Engels posited a thinly-sketched theory of ideology as a system of falsehoods serving the ruling class, Althusser draws upon the works of later theorists such as Antonio Gramsci, Sigmund Freud and Jacques Lacan to proffer a more elaborate redefinition of the theory. Althusser's theory of ideology has remained influential since it was written. Reproduction of the relations of production Althusser begins the essay by reiterating the Marxist theory that in order to exist, a social formation is required to essentially, continuously and perpetually reproduce the productive forces (labour power and means of production), the conditions of production and the relations of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Althusser
Louis Pierre Althusser (, ; ; 16 October 1918 – 22 October 1990) was a French Marxist philosopher. He was born in Algeria and studied at the École normale supérieure in Paris, where he eventually became Professor of Philosophy. Althusser was a long-time member and sometimes a strong critic of the French Communist Party (''Parti communiste français'', PCF). His arguments and theses were set against the threats that he saw attacking the theoretical foundations of Marxism. These included both the influence of empiricism on Marxist theory, and humanist and reformist socialist orientations which manifested as divisions in the European communist parties, as well as the problem of the cult of personality and of ideology. Althusser is commonly referred to as a structural Marxist, although his relationship to other schools of French structuralism is not a simple affiliation and he was critical of many aspects of structuralism. Althusser's life was marked by periods of intense men ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Détournement
A détournement (), meaning "rerouting, hijacking" in French, is a technique developed in the 1950s by the Letterist International, and later adapted by the Situationist International (SI),''Report on the Construction of Situations'' (1957) that was defined in the SI's inaugural 1958 journal as " e integration of present or past artistic productions into a superior construction of a milieu. In this sense there can be no situationist painting or music, but only a situationist use of those means. In a more elementary sense, ''détournement'' within the old cultural spheres is a method of propaganda, a method which reveals the wearing out and loss of importance of those spheres." It has been defined elsewhere as "turning expressions of the capitalist system and its media culture against itself"—as when slogans and logos are turned against their advertisers or the political status quo. Détournement was prominently used to set up subversive political pranks, an influential tact ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Situationist
The Situationist International (SI) was an international organization of social revolutionaries made up of avant-garde artists, intellectuals, and political theorists. It was prominent in Europe from its formation in 1957 to its dissolution in 1972. The intellectual foundations of the Situationist International were derived primarily from libertarian Marxism and the avant-garde art movements of the early 20th century, particularly Dada and Surrealism. Overall, situationist theory represented an attempt to synthesize this diverse field of theoretical disciplines into a modern and comprehensive critique of mid-20th century advanced capitalism. Essential to situationist theory was the concept of the spectacle, a unified critique of advanced capitalism of which a primary concern was the progressively increasing tendency towards the expression and mediation of social relations through objects. The situationists believed that the shift from individual expression through directly l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Intersubjectivity
In philosophy, psychology, sociology, and anthropology, intersubjectivity is the relation or intersection between people's cognitive perspectives. Definition is a term coined by social scientists to refer to a variety of types of human interaction. For example, social psychologists Alex Gillespie and Flora Cornish listed at least seven definitions of intersubjectivity (and other disciplines have additional definitions): * people's agreement on the shared definition of a concept; * people's mutual awareness of agreement or disagreement, or of understanding or misunderstanding each other; * people's attribution of intentionality, feelings, and beliefs to each other; * people's implicit or automatic behavioral orientations towards other people; * people's interactive performance within a situation; * people's shared and taken-for-granted background assumptions, whether consensual or contested; and * "the variety of possible relations between people's perspectives". has been use ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sanejouand
Jean-Michel Sanejouand (18 July 1934 – 18 March 2021) was a French artist. His work ranged from environments to monumental sculptures, from readymade-like objects, to paintings of oneiric landscapes in which (usually) one of his sculptures stands. Biography Born in Lyon, France, in 1934, he received a degree in law from the Institut d'études politiques de Lyon in 1955. He lived and worked in Paris between 1959 and 1993. His work can be encapsulated in a series of distinct periods, which the artist titled. From 1962 to 1963, he worked on a series of sculptural paintings that he called "Charge-Objets" (English: "Charge-Objects"). From 1969 to 1974 he created a series of works under the general title of "Organisations d'espace" (English: "Space Organizations"). He died 17 March 2021 at his home in Maine-et-Loire, France. Solo exhibitions *1967 "Première organisation d'espace", Ecole Polytechnique (Paris). *1968 "Deux organisations d'espace", Galerie Yvon Lambert (Paris). * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sacha Sosno
Alexandre Joseph Sosnowsky (1937 – 3 December 2013), better known by the name Sacha Sosno, was an internationally renowned French sculptor and painter. Working most of the time in Nice, in his last decades Sosno achieved international recognition for his monumental outdoor sculptures in Côte d'Azur, France. Along with: Yves Klein, Arman and Cesar he was part of the New Realist (Nouveau réalisme) movement . Sosno had a singular artistic approach: the concept of obliteration. His sculptures are masked by empty or full space, inviting the viewer to use his own imagination. Biography Sosno was born in Marseilles. His father was Estonian and his mother was French. Sosno spend his childhood in Riga, Latvia. During World War II, his family managed to escape to Switzerland and later to France. He began painting in 1948 when he was inspired by his neighbour Henri Matisse but stopped in 1956. In 1958 he studied in Paris (political science & oriental languages) following courses a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Toche
Jean Toche (1932-2018) was a Belgian-American abstract artist and poet involved in New York's radical political art scene. Career Jean Toche was born in Bruges, Belgium, on 15 August 1932. He moved to New York City in 1965, where he became heavily involved in the radical political art scene. In 1969 he co-founded, with Jon Hendricks, the Guerrilla Art Action Group (GAAG). The group undertook organized actions designed to disrupt the art world, even on one occasion spewing animal blood in the lobby of the Museum of Modern Art. The group ultimately believed that the art world had been corrupted by profit and private interest, and used non-violent actions to ridicule art and media establishments. In 1970 he was a co-organizer of '' The People's Flag Show'', an exhibition of works made by artists using the American flag. The show was intentionally designed to test the flag desecration laws in effect at the time. With Jon Henricks and Fiagth Ringgold, he was arrested for his partic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ken Friedman
Ken Friedman (born September 19, 1949 in New London, Connecticut) is a design researcher. He was a member of Fluxus, an international laboratory for experimental art, architecture, design, and music. Friedman joined Fluxus in 1966 as the youngest member of the classic Fluxus group. He has worked closely with other Fluxus artists and composers such as George Maciunas, Dick Higgins, and Nam June Paik, as well as collaborating with John Cage and Joseph Beuys. He was the general manager of Dick Higgins's Something Else Press in the early 1970s. In the 1990s, Friedman's work as a management consultant and designer led him to an academic career, first as Professor of Leadership and Strategic Design at the Norwegian School of Management in Oslo, then as Dean of the Faculty of Design at Swinburne University of Technology in Melbourne. Friedman is currently University Distinguished Professor at Swinburne and Chair Professor of Design Innovation Studies at Tongji University. Education From 19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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