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Sanejouand
Jean-Michel Sanejouand (18 July 1934 – 18 March 2021) was a French artist. His work ranged from environments to monumental sculptures, from readymade-like objects, to paintings of oneiric landscapes in which (usually) one of his sculptures stands. Biography Born in Lyon, France, in 1934, he received a degree in law from the Institut d'études politiques de Lyon in 1955. He lived and worked in Paris between 1959 and 1993. His work can be encapsulated in a series of distinct periods, which the artist titled. From 1962 to 1963, he worked on a series of sculptural paintings that he called "Charge-Objets" (English: "Charge-Objects"). From 1969 to 1974 he created a series of works under the general title of "Organisations d'espace" (English: "Space Organizations"). He died 17 March 2021 at his home in Maine-et-Loire, France. Solo exhibitions *1967 "Première organisation d'espace", Ecole Polytechnique (Paris). *1968 "Deux organisations d'espace", Galerie Yvon Lambert (Paris). * ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lille Métropole Museum Of Modern, Contemporary And Outsider Art
The Lille Métropole Museum of Modern, Contemporary and Outsider Art (LaM), formerly known as Villeneuve d'Ascq Museum of Modern Art, is an art museum in Villeneuve d'Ascq, France. With more than 4,500 artworks on a exhibition area, the LaM is the only museum in Europe to present simultaneously the main components of the 20th and 21st centuries art : modern art, contemporary art and outsider art. LaM's holdings include some masterpieces of Pablo Picasso, Amedeo Modigliani, Joan Miró, Georges Braque, Fernand Léger, Alexander Calder and the biggest outsider art collection in France. LaM possesses also a library and a rich park of sculptures. The museum's collection offers an overview in modern and contemporary art, including drawings, painting, sculpture, photography, prints, illustrated books and artist's books, and electronic media. History The ''Villeneuve d'Ascq Museum of Modern Art'' is opened in 1983 to house the collection of modern art donated by Geneviève and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pierre Restany
Pierre Restany (24 June 1930 – 29 May 2003), was an internationally known French art critic and cultural philosopher. Restany was born in Amélie-les-Bains-Palalda, Pyrénées-Orientales, and spent his childhood in Casablanca. On returning to France in 1949 he attended the Lycée Henri-IV before studying at universities in France, Italy and Ireland. From their first meeting in 1955, Restany maintained a strong tie with Yves Klein (to whom is attributed Klein-blue). Conceptions of New Realism / Nouveau Realisme In 1960 Pierre Restany created the idea and coined the term Nouveau Réalisme with Yves Klein during a group show in the Apollinaire gallery in Milan. It was an idea that united a group of French and Italian artists. Nouveau Realisme was the European answer to the American Neo-Dada of Fluxus and Pop Art. The group included Martial Raysse, Arman, Yves Klein, François Dufrene, Raymond Hains, Daniel Spoerri, Jean Tinguely, Jacques Villeglé - and was later joined by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bernard Lamarche-Vadel
Bernard Lamarche-Vadel (16 July 1949, Avallon. – 2 May 2000, La Croixille in Mayenne) was a French writer, poet, art critic and collector. Life The son of a veterinarian, self-taught, his tastes for art and literature earned him a paternal anathema. At 19 years he met whose name he joined to his. A graduate from the École pratique des hautes études in art sociology (1970), he subsequently taught at the Paris-I Panthéon-Sorbonne University and then at ICART in 1979. A poet and short stories writer, Bernard Lamarche-Vadel composed a work of art critic in the 1970s and founded the magazine ''Artistes''. He also organized numerous exhibitions ("Jean Degottex. Rétrospective", 1978, musée d'Art moderne (ARC), Paris / « Finir en beauté », juin 1981) He committed suicide in 2000 aged 50, in his castle of La Rongère. His photographic collection was stored at in Chalon-sur-Saône. An exhibition devoted to his work of art critic was presented in 2009 by the Musée d'Art M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Centre Georges Pompidou
The Centre Pompidou (), more fully the Centre national d'art et de culture Georges-Pompidou ( en, National Georges Pompidou Centre of Art and Culture), also known as the Pompidou Centre in English, is a complex building in the Beaubourg area of the 4th arrondissement of Paris, near Les Halles, rue Montorgueil, and the Marais. It was designed in the style of high-tech architecture by the architectural team of Richard Rogers, Su Rogers, Renzo Piano, along with Gianfranco Franchini. It houses the Bibliothèque publique d'information (Public Information Library), a vast public library; the Musée National d'Art Moderne, which is the largest museum for modern art in Europe; and IRCAM, a centre for music and acoustic research. Because of its location, the centre is known locally as Beaubourg (). It is named after Georges Pompidou, the President of France from 1969 to 1974 who commissioned the building, and was officially opened on 31 January 1977 by President Valéry Giscard d'Esta ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fred Forest
Fred Forest (born July 6, 1933 in Mascara, French Algeria) is a French new media artist making use of video, photography, the printed press, mail, radio, television, telephone, telematics, and the internet in a wide range of installations, performances, and public interventions that explore both the ramifications and potential of media space. He was a cofounder of both the Sociological Art Collective (1974) and the Aesthetics of Communication movement (1983). Forest has taken part in the Biennale of Venice (1976) and the Documenta of Kassel (1977, 1987) and his work has won awards at the Bienal do São Paulo (1973) and the Festival of Electronic Arts of Locarno (1995). In 2004, Forest's archives, including his video works, were added to the collection of the Institut National de l'Audiovisuel of France. A retrospective of his work was held at the Slought Foundation in Philadelphia in 2007. The holder of a state doctorate in the humanities from the Sorbonne (his 1985 th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
François Morellet
François Morellet (30 April 1926 – 10 May 2016) was a French contemporary abstract painter, sculptor, and light artist. His early work prefigured minimal art and conceptual art and he played a prominent role in the development of geometrical abstract art and post-conceptual art. Career Morellet began to make still-life paintings at the age of 14 as he studied Russian literature in Paris. After completing his studies, he returned to Cholet in 1948, where he continued to paint, now in the spirit of the COBRA movement. After this short period of figurative/representational work, Morellet turned to abstraction in 1950 after encountering the Concrete art of Max Bill. Morellet then adopted a pictorial language of simple geometric forms: lines, squares and triangles assembled into two-dimensional compositions. In 1960, he was one of the founders of the Groupe de Recherche d’Art Visuel (GRAV), with fellow artists Francisco Sobrino, Horatio Garcia-Rossi, Hugo DeMarco, Julio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicolas Schöffer
Nicolas Schöffer ( hu, Schöffer Miklós; 6 September 1912 — 8 January 1992) was a Hungarian-born French cybernetic artist. Schöffer was born in Kalocsa, Hungary and resided in Paris from 1936 until his death in Montmartre in 1992. He built his artworks on cybernetic theories of contol and feedback primarily based on the ideas of Norbert Wiener. Wiener's work suggested to Schöffer an artistic process in terms of the circular causality of feedback loops that he used on a wide range of art genres. His career spans painting, sculpture, architecture, urbanism, film, theatre, television and music. The quest for dematerialisation of the artwork and the pursuit of movement and dynamics became the central themes of his work. He worked with the immaterial media space, time, light, sound and climate that he called the five topologies. He liberated art genres from their spatial and temporal constraints by creating never-ending sound structures that can be heard all over the cybe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Constantin Xenakis
Constantin Xenakis ( el, Κωνσταντίνος Ξενάκης) (28 December 1931 – 6 June 2020) was a Greek artist based in France. His work often includes written script, in particular the Hebrew alphabet. symbols and codes of everyday life, traffic signs, alchemy, the zodiac, mathematical and chemical symbols, Egyptian hieroglyphics, letters from the Greek, Phoenician and Arabic alphabets. Life Xenakis was born in Cairo, Egypt, on 28 December 1931. He lived mainly in Paris since 1955. In 1976–77 he collaborated with the composer Jean-Yves Bosseur on the work ''Ornigrammes''. He was made a Chevalier de l' Ordre des Arts et des Lettres in 1986. In 1996 he was awarded the Prix Delmas by the Institut de France, at the recommendation of the French Academy of Fine Arts. The Constantin Xenakis Room in the Fameck community centre was opened in 1991. In 1998 he was given an "Award of Appreciation" at the 24th Olympiad by the National Museum of Contemporary Art, Korea. His wor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Venice Biennale
The Venice Biennale (; it, La Biennale di Venezia) is an international cultural exhibition hosted annually in Venice, Italy by the Biennale Foundation. The biennale has been organised every year since 1895, which makes it the oldest of its kind. The main exhibition held in Castello, in the halls of the Arsenale and Biennale Gardens, alternates between art and architecture (hence the name ''biennale''; ''biennial''). The other events hosted by the Foundationspanning theatre, music, and danceare held annually in various parts of Venice, whereas the Venice Film Festival takes place at the Lido. Organization Art Biennale The Art Biennale (La Biennale d'Arte di Venezia), is one of the largest and most important contemporary visual art exhibitions in the world. So-called because it is held biannually (in odd-numbered years), it is the original biennale on which others in the world have been modeled. The exhibition space spans over 7,000 square meters, and artists from ov ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alain Jacquet
Alain Jacquet (22 February 1939 – 4 September 2008) was a French artist representative of the Nouvelle Figuration movement that was linked to the American Pop Art movement. Life and career Jacquet was born in Neuilly-sur-Seine, France. Though he studied architecture at École des Beaux-Arts, as a painter he was an autodidact. ''Camouflage Botticelli (Birth of Venus)'' (1963–64) is a famous work of his. In a series of camouflage paintings, he often used motifs from older, very famous paintings, such as in this case from the painting ''The Birth of Venus'' by Sandro Botticelli. Jacquet also borrowed the form of Manet's ''Luncheon on the Grass'', which itself had referred to the 1515 engraving ''The Judgment of Paris'' by Marcantonio Raimondi and ''The Pastoral Concert'' c. 1510, by Giorgione or Titian in the Louvre, in a serie of 95 identical serigraphies portraying the art critic Pierre Restany and the painter Mario Schifano, one of which was left in the lobby of the h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Raymond Hains
Raymond Hains (9 November 1926 – 28 October 2005) was a prominent French visual artist and a founder of the Nouveau réalisme movement. In 1960, he signed, along with Arman, François Dufrêne, Yves Klein, Jean Tinguely, Jacques Villeglé and Pierre Restany, the ''Manifesto of New Realism''."New Realism - Chronology" , Centre Pompidou, Retrieved 3 March 2019. In 1976, the first retrospective exhibition dedicated to Hains’ work was organized by Daniel Abadie at the National Center of Art and Culture (C.N.A.C.) in Paris. Hains named the show, which was the last one to be displayed at the C.N.A.C., ''La Chasse au C.N.A.C.'' (''Hunt at the C.N.A.C''). For it, |
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