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Sir Henry And His Butlers
Sir Henry and his Butlers was a Danish rock- pop group which was formed during the summer of 1964 in Copenhagen, Denmark. The group is mostly known for its two front figures Ole "Sir Henry" Bredahl and especially Tommy Seebach and also the song "Let's Go". Characteristic for the group has been Ole Bredahl as organiser, whereas the rest of the ensemble of Sir Henry and his Butlers have been changed many times since the creation of the group. History The band is a continuation of another band called Five Danes which was dissolved in the spring of 1964. In the beginning, this new band consisted of Ole "Sir Henry" Bredahl (vocals, bass) and Carsten Elgstrøm (guitar), together with Leif Davidsen ( drums). As a trio, they participated in a ''The Danish Beatles'' competition in Holte Hallen in April 1964. Shortly thereafter, the band was expanded with Poul Petersen (guitar) and Leif Davidsen was replaced with Jens Bøgvad, former the Flintones. The group became popular around the Cope ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Denmark
) , song = ( en, "King Christian stood by the lofty mast") , song_type = National and royal anthem , image_map = EU-Denmark.svg , map_caption = , subdivision_type = Sovereign state , subdivision_name = Kingdom of Denmark , established_title = Consolidation , established_date = 8th century , established_title2 = Christianization , established_date2 = 965 , established_title3 = , established_date3 = 5 June 1849 , established_title4 = Faroese home rule , established_date4 = 24 March 1948 , established_title5 = EEC accession , established_date5 = 1 January 1973 , established_title6 = Greenlandic home rule , established_date6 = 1 May 1979 , official_languages = Danish , languages_type = Regional languages , languages_sub = yes , languages = GermanGerman is recognised as a protected minority language in the South Jutland area of Denmark. , demonym = , capital = Copenhagen , largest_city = capital , coordinates = , ethnic_groups = , ethnic_g ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Netherlands
) , anthem = ( en, "William of Nassau") , image_map = , map_caption = , subdivision_type = Sovereign state , subdivision_name = Kingdom of the Netherlands , established_title = Before independence , established_date = Spanish Netherlands , established_title2 = Act of Abjuration , established_date2 = 26 July 1581 , established_title3 = Peace of Münster , established_date3 = 30 January 1648 , established_title4 = Kingdom established , established_date4 = 16 March 1815 , established_title5 = Liberation Day , established_date5 = 5 May 1945 , established_title6 = Kingdom Charter , established_date6 = 15 December 1954 , established_title7 = Caribbean reorganisation , established_date7 = 10 October 2010 , official_languages = Dutch , languages_type = Regional languages , languages_sub = yes , languages = , languages2_type = Recognised languages , languages2_sub = yes , languages2 = , demonym = Dutch , capital = Amsterdam , largest_city = capital , ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hot Eyes
Hot Eyes was the name adopted for international acts by the Danish singing duo known in their home country as Kirsten and Søren. It was formed by Kirsten Siggaard Andersen (born 7 September 1954 in Slagelse) and Søren Bundgaard Nielsen (born 4 March 1956 in Glostrup). Biography Kirsten was brought up in a traditional Christian family who sang in a church choir when she was young and later pursued a career deemed appropriate and desirable, working in a bank, where she met her husband, Jorgen. Søren was a musician, singer and composer, at that time a member of the Danish band Sir Henry. Both Sir Henry and Kirsten entered the Dansk Melodi Grand Prix, which serves as the Danish pre-selection for the Eurovision Song Contest (ESC), in 1983. For some reason, Sir Henry's entry, "Og Livet går" with music composed by Søren and Leif Pedersen was disqualified and Kirsten took their place in the final, but in a somewhat consolation-prize style they sang as backing vocals for Kirsten. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kirsten Siggaard
Hot Eyes was the name adopted for international acts by the Danish singing duo known in their home country as Kirsten and Søren. It was formed by Kirsten Siggaard Andersen (born 7 September 1954 in Slagelse) and Søren Bundgaard Nielsen (born 4 March 1956 in Glostrup). Biography Kirsten was brought up in a traditional Christian family who sang in a church choir when she was young and later pursued a career deemed appropriate and desirable, working in a bank, where she met her husband, Jorgen. Søren was a musician, singer and composer, at that time a member of the Danish band Sir Henry. Both Sir Henry and Kirsten entered the Dansk Melodi Grand Prix, which serves as the Danish pre-selection for the Eurovision Song Contest (ESC), in 1983. For some reason, Sir Henry's entry, "Og Livet går" with music composed by Søren and Leif Pedersen was disqualified and Kirsten took their place in the final, but in a somewhat consolation-prize style they sang as backing vocals for Kirsten. S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dansk Melodi Grand Prix
Dansk Melodi Grand Prix (), also known as Melodi Grand Prix or simply DMGP, is an annual music competition organised by the Danish public broadcaster Danmarks Radio (DR) since 1957, which determines the for the Eurovision Song Contest. The festival has produced three Eurovision winners and fourteen top-five placings. History With the introduction of a semi-final at the 2004 contest, and due to Denmark's absence from the 2003 contest, Denmark's 2004 representative, Tomas Thordarson, had to take part in the semi-final. His song, " Shame on You" did not reach the final, finishing 13th in a field of 22 contestants. In 2005, DR made a bold step for Dansk Melodi Grand Prix. Artists were allowed, for the first time ever, to sing in a language other than Danish. Many of the entries that year were sung in English; however, against the odds, the winning song was sung in Danish. Jakob Sveistrup won Dansk Melodi Grand Prix with his song "Tænder på dig". It was later re-written for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shu-bi-dua
Shu•bi•dua or Shu-bi-dua is a Danish pop group that was formed in 1973 in Copenhagen, as an expansion of the group ''Passport''. Throughout their 40-year history, Shu-bi-dua changed their lineup many times, however their lead singer was with the band throughout, except for a gap between 1984 and 1987. They have produced many well-known hits in Denmark, like ''Vuffeli-vov'', ''Hvalen Hvalborg'', ''Står på en Alpetop'', ''Stærk Tobak'' (to the music from the Phil Medley and Bert Russell song ''Twist and Shout''), ''Familien kom til Kaffe'', ''Sexchikane'', ''We wanna be free'', and many more. Their musical style owed much to folk and Central European schlager, but the core was always light rock. They are the Danish band with most selling albums in Denmark, more than 6 million per 2022. Notable characteristics were word plays and humour, but also often with serious backgrounds - like, sexual harassment, climate change, or life in general. In a Youtube video about the histo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Noblemen
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun ''thee'') when followed by a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
LP Album
The LP (from "long playing" or "long play") is an analog sound storage medium, a phonograph record format characterized by: a speed of rpm; a 12- or 10-inch (30- or 25-cm) diameter; use of the "microgroove" groove specification; and a vinyl (a copolymer of vinyl chloride acetate) composition disk. Introduced by Columbia in 1948, it was soon adopted as a new standard by the entire record industry. Apart from a few relatively minor refinements and the important later addition of stereophonic sound, it remained the standard format for record albums (during a period in popular music known as the album era) until its gradual replacement from the 1980s to the early 2000s, first by cassettes, then by compact discs, and finally by digital music distribution. Beginning in the late 2000s, the LP has experienced a resurgence in popularity. Format advantages At the time the LP was introduced, nearly all phonograph records for home use were made of an abrasive shellac compou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beat Music
Beat music, British beat, or Merseybeat is a British popular music genre that developed, particularly in and around Liverpool, in the late 1950s and early 1960s. The genre melded influences from American rock and roll, rhythm and blues, skiffle, traditional pop and music hall. It rose to mainstream popularity in the UK and Europe by 1963 before spreading to the North America in 1964 with the British Invasion. The beat style had a significant impact on popular music and youth culture, from 1960s movements such as garage rock, folk rock and psychedelic music to 1970s punk rock and 1990s Britpop. Origin The exact origins of the terms 'beat music' and 'Merseybeat' are uncertain. The "beat" in each, however, derived from the driving rhythms which the bands had adopted from their rock and roll, R&B and soul music influences, rather than the Beat Generation literary movement of the 1950s. As the initial wave of rock and roll subsided in the later 1950s, "big beat" music, late ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Psychedelic Music
Psychedelic music (sometimes called psychedelia) is a wide range of popular music styles and genres influenced by 1960s psychedelia, a subculture of people who used psychedelic drugs such as LSD, psilocybin mushrooms, mescaline, and cannabis to experience synesthesia and altered states of consciousness. Psychedelic music may also aim to enhance the experience of using these drugs and has been found to have a significant influence on psychedelic therapy. Psychedelia embraces visual art, movies, and literature, as well as music. Psychedelic music emerged during the 1960s among folk and rock bands in the United States and the United Kingdom, creating the subgenres of psychedelic folk, psychedelic rock, acid rock, and psychedelic pop before declining in the early 1970s. Numerous spiritual successors followed in the ensuing decades, including progressive rock, krautrock, and heavy metal. Since the 1970s, revivals have included psychedelic funk, neo-psychedelia, and sto ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sitar
The sitar ( or ; ) is a plucked stringed instrument, originating from the Indian subcontinent, used in Hindustani classical music. The instrument was invented in medieval India, flourished in the 18th century, and arrived at its present form in 19th-century India. Khusrau Khan, an 18th century figure of Mughal Empire has been identified by modern scholarship as the originator of Sitar. According to most historians he developed sitar from setar, an Iranian instrument of Abbasid or Safavid origin. Another view supported by a minority of scholars is that Khusrau Khan developed it from '' Veena''. Used widely throughout the Indian subcontinent, the sitar became popularly known in the wider world through the works of Ravi Shankar, beginning in the late 1950s and early 1960s. In the 1960s, a short-lived trend arose for the use of the sitar in Western popular music, with the instrument appearing on tracks by bands such as the Beatles, the Doors, the Rolling Stones and others. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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