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Sikh Music
Sikh music, also known as Gurbani Sangeet (Gurmukhi: ਗੁਰਬਾਣੀ ਸੰਗੀਤ; meaning ''music of'' ''the speech of wisdom'')'','' and as Gurmat Sangeet (Gurmukhi: ਗੁਰਮਤਿ ਸੰਗੀਤ; meaning ''music of the counsel or tenets of the Guru'')'','' or even as Shabad Kirtan (ਸ਼ਬਦ ਕੀਰਤਨ), is the classical music style that is practised within Sikhism. It exists in institutional, popular, and folk traditions, forms, and varieties. Three types of Sikh musicians are rababis, ragis, and dhadhis. History Musical expression has held a very important place within the Sikh tradition ever since its beginning, with Guru Nanak and his faithful companion, Bhai Mardana. Mardana was a player of the rabab, and would travel alongside Nanak and play the instrument when Nanak spoke his teachings. As a result of this, Mardana is credited as establishing the rababi tradition in Sikhism. Musical Fundamentals Raag A ''raga'' or ''raag'' (Punjabi: ਰ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Watercolour Painting Of The Interior Of The Golden Temple In Amritsar, By William Carpenter, Circa 1854
Watercolor (American English) or watercolour (British English; see American and British English spelling differences#-our, -or, spelling differences), also ''aquarelle'' (; from Italian diminutive of Latin ''aqua'' "water"), is a painting method”Watercolor may be as old as art itself, going back to the Stone Age when early ancestors combined earth and charcoal with water to create the first wet-on-dry picture on a cave wall." London, Vladimir. The Book on Watercolor (p. 19). in which the paints are made of pigments suspended in a water-based solution. ''Watercolor'' refers to both the List of art media, medium and the resulting work of art, artwork. Aquarelles painted with water-soluble colored ink instead of modern water colors are called ''aquarellum atramento'' (Latin for "aquarelle made with ink") by experts. However, this term has now tended to pass out of use. The conventional and most common ''support''—material to which the paint is applied—for watercolor paintin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Asa (raga)
Raga Asa is peculiar raga of Gurmat Sangeet Tradition. It is not being used in Indian music. There is a raga 'Majh Khamaj' in Hindustani Sangeet, but it does not resemble Asa of Gurmat Sangeet. Gurmat Sangeet is a musicology of Sikh Sacred Music, used in the Sikh holy scripture the Guru Granth Sahib. The ragas used by Sikh Gurus for Gurbani are known as Gurmat Sangeet. It is popular in the Sikh tradition from northern India and is part of daily prayers being conducted in Sikh Gurdwaras. Every raga has a strict set of rules which govern the number of notes that can be used; which notes can be used; and their interplay that has to be adhered to for the composition of a tune. In the Guru Granth Sahib, the Sikh holy Granth (book) there are 60 Ragas of equal and independent status. Numerous Shabad Reet compositions on the base of these ragas are popular in the tradition. The Gurbani hymns under raga Asa appear in Sri Guru Granth Sahib first at page no. 8. Aasaa has strong emotions of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Suhi (raga)
Suhi, a very old North Indian raga.: it also appears in the Sikh tradition from northern India and forms part of the Guru Granth Sahib. In the Guru Granth Sahib, the composition appear in 62 ragas and this is the thirty first raga to appear in the series. The composition in this raga first appear on Ang number 728. Raag Suhi (ਸੂਹੀ) – Suhi is an expression of such devotion that the listener experiences feelings of extreme closeness and undying love. The listener is bathed in that love and genuinely learns what it means to adore. Raga Suhi was favoured for religious events and is found in many ancient articles on music. Suhi is a rare but popular concert raga today and is considered one of the most famous from among the North Indian classical system. It is traditionally performed at sunraise. Guru Nanak, Guru Amar Das, Guru Ram Das, Guru Arjan and Bhagats have composed sacred hymns ( Shabads) to be accompanied with this raga. It accompanies about 143 Shabads. * Aroh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Islam In India
Islam is India's second-largest religion, with 14.2% of the country's population, approximately 172.2 million people identifying as adherents of Islam in 2011 Census. India is also the country with the second or third largest number of Muslims in the world. The majority of India's Muslims are Sunni, with Shia making up 13% of the Muslim population. Islam spread in Indian communities along the Arab coastal trade routes in Gujarat and along the Malabar Coast shortly after the religion emerged in the Arabian Peninsula. Islam arrived in the inland of Indian subcontinent in the 7th century when the Arabs conquered Sindh and later arrived in Punjab and North India in the 12th century via the Ghaznavids and Ghurids conquest and has since become a part of India's religious and cultural heritage. The Barwada Mosque in Ghogha, Gujarat built before 623 CE, Cheraman Juma Mosque (629 CE) in Methala, Kerala and Palaiya Jumma Palli (or The Old Jumma Masjid, 628–630 CE) in Kilakar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tilang
Tilang is a raga in Indian classical music, that belongs to the Khamaj Thaat. Scale * Arohana (ascending scale): * Avarohana (descending scale): This raga has a Ni flat (ni komal) in the descent. Its defining characteristics are: PS'NS'nP, PS'NS'PnP; some ragis add a R (S*R*NS*PnP). Vadi and samvadi * Vadi note: Ga * Samvadi : Ni In Carnatic music This raga originated in Hindustani classical music and has been taken into Carnatic music.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications It is derived from the 28th Melakarta (parent scale) Harikambhoji. It is an audava-audava raga (pentatonic asymmetrical scale) with the following structure. * Arohana: * Avarohana: Compositions ''Shree Ganesha charanam'' composed by Papanasam Sivan is a popular composition set in this ragam. ''Ramakrishnaru Manege'', ''Tarakka Bindige'' By Purandara Dasa ''Satyavantara Sangaviralu'' By Kanaka Dasa Film songs Tamil Scale similarities * Gamb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sikh Gurus
The Sikh gurus ( Punjabi: ਸਿੱਖ ਗੁਰੂ) are the spiritual masters of Sikhism, who established this religion over the course of about two and a half centuries, beginning in 1469. The year 1469 marks the birth of Guru Nanak, the founder of Sikhism. He was succeeded by nine other human gurus until, in 1708, the '' Guruship'' was finally passed on by the tenth guru to the holy Sikh scripture, Guru Granth Sahib, which is now considered the living Guru by the followers of the Sikh faith. Etymology and definition ''Guru'' (, ; sa, गुरु, Punjabi: ਗੁਰੂ, IAST: ''guru'') is a Sanskrit term for a "teacher, guide, expert, or master" of certain knowledge or field. Bhai Vir Singh, in his dictionary of Guru Granth Sahib describes the term Guru as a combination of two separate units: "Gu;(ਗੁ)" meaning darkness and "Rū;(ਰੂ)" which means light. Hence, Guru is who brings light into darkness or in other words, the one who enlightens. Bhai Vir Singh's defin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bhairavi (Hindustani)
Bhairavi (Hindi: भैरवी, ur, , Sindhi: راڳ ڀيروي) is a Hindustani Classical heptatonic ( Sampurna) raga of Bhairavi thaat. In Western musical terms, raga Bhairavi employs the notes of the Phrygian mode, one of the traditional European church modes. Many Indians growing up during 1980s and 1990s will instantly recognize raag Bhairavi as it is the dominant note in popular Doordarshan video 'Mile sur mera tumhara'. Theory Raga Bhairavi is often referred to as the queen of morning Ragas. It produces a rich, devotional atmosphere especially suitable for the genres of Bhajan and the light classical form of Thumri. The Rishabh and Dhaivat used here are oscillating which is strongly recommended in this Raga and it makes the Raag mood intense. Rishabh and Pancham are occasionally skipped in Aaroh like: S G m d P or G m d N S'. But in Avroh, Rishabh and Pancham are Deergh like S' N d P or P m G m r r S. In Avroh, Gandhar is skipped like: G m r S. Madhyam is an impor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Todi (raga)
Miyan ki Todi, often simply referred to as Todi or Darbari Todi (), is a Hindustani classical raga which gave its name to the Todi (thaat), Todi thaat, one of the ten types of classical music according to the musicologist Bhatkhande. Ragas from the Todi raganga (class of ragas) include Todi (a.k.a. Miyan ki Todi) itself, Bilaskhani Todi, Gujari Todi (also called Gurjari Todi), Desi (raga), Desi Todi, Hussaini Todi, Asavari Todi (more commonly known as Komal Rishabh Asavari), and Bahaduri Todi. The equivalent raga in Carnatic music is Shubhapantuvarali. But in Todi, the pancham is omitted in the Arohana, whereas Shubhapanthuvarali uses the panchamam in both the arohana and avarohana. The Carnatic Melakarta Hanumatodi is the equivalent of Bhairavi (thaat), Bhairavi thaat, but the Hindustani Bhairavi (Hindustani), Bhairavi raga is the equivalent of Carnatic Sindhu Bhairavi (raga), Sindhu Bhairavi. Carnatic Todi does not have any similarity with Hindustani Todi (Miyan ki Todi) raga. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jaitsri
Jaitsri is an Indian classical raga that appears in the Sikh tradition from northern India and is part of the Guru Granth Sahib. It provided the setting for hymns by Guru Ram Das, Guru Arjan and Guru Tegh Bahadar for a total of 30 hymns. It is the 26th raag, in order of appearance, in Guru Granth Sahib. Jaitsiri conveys the heartfelt emotion of not being able to live without someone. Its mood is preoccupied with feelings of dependence and an overwhelming sense of desperately reaching out to be with that person. The following represents the order of notes that can be used on the ascending and descending phase of the composition and the primary and secondary notes: See also * Kirtan Kirtana ( sa, कीर्तन; ), also rendered as Kirtan, is a Sanskrit word that means "narrating, reciting, telling, describing" of an idea or story, specifically in Indian religions. It also refers to a genre of religious performance arts ... References External links Sikh Kirtan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sorath (raga)
Sorath is an India musical raga ( musical mode) that appears in the Sikh tradition from northern India and is part of the Sikh holy scripture called Sri Guru Granth Sahib. Every raga has a strict set of rules which govern the number of notes that can be used; which notes can be used; and their interplay that has to be adhered to for the composition of a tune. In the Guru Granth Sahib, the Sikh holy Granth (book) there are a total of 60 raga compositions and this raga is the twenty fifth raga to appear in the series. The composition in this raga appear on a total of 65 pages from page numbers 595 to 660. Raga Sorath belongs to the Khamaj thaat. Besides Guru Nanak, Sorath was used by Guru Amar Das, Guru Ram Das, Guru Arjan and Guru Tegh Bahadar for a total of 150 hymns plus numerous slokas. Raag Sorath (ਸੋਰਠਿ) – Sorath conveys the feeling of having such a strong belief in something that you want to keep repeating the experience. In fact this feeling of certai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Devagandhari
Devagandhari (pronounced devagāndhāri) is a raga (musical scale) in Indian classical music. In carnatic classical music, Devagandhari is a ''janya'' raga (derived scale), whose ''melakarta'' raga (parent scale, also known as ''janaka'') is '' Shankarabharanam'', 29th in the 72 ''Melakarta'' raga system. This is not to be confused with Karnataka Devagandhari, which is a janya of Kharaharapriya similar to Abheri. It is also present in the Sikh tradition of northern India and is part of the Guru Granth Sahib. In Carnatic music Structure and lakshana Its structure (ascending and descending scale) is as follows (see '' swaras in Carnatic music'' for details on below notation and terms): * : * : Devagandhari ragam is an ''audava-vakra-sampurna'' raga meaning, in ''arohana'' 5 ''swaras'' come (so it is called ''audava'') and in ''avarohana'' all ''swaras'' come (so ''sampurna''), and there is a "zigzag" pattern of notes (so ''vakra''). The notes used in this ragam are ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gauri (raga)
Gauri is an India musical raga that appears in the Sikh tradition from northern India and is part of the Sikh holy scripture called Sri Guru Granth Sahib. Every raga has a strict set of rules which govern the number of notes that can be used; which notes can be used; and their interplay that has to be adhered to for the composition of a tune. there are Gouris of the Bhairav, Poorvi and Marwa thats with additional qualifiers such as the Shree-anga Gouri, Bhairav-anga Gouri, Poorvi-anga Gouri and so on. These are not considered ‘big’ ragas. In the Guru Granth Sahib, the Sikh holy Granth (book) there are a total of 60 raga compositions and this raga is the ninth raga to appear in the series. The composition in this raga first appear on ang (page) no. 151. Raag Gauri (ਗਉੜੀ) – Gauri creates a mood where the listener is encouraged to strive harder in order to achieve an objective. However, the encouragement given by the Raag does not allow the ego to increase. This theref ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
