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Suhi (raga)
Suhi, a very old North Indian raga.: it also appears in the Sikh tradition from northern India and forms part of the Guru Granth Sahib. In the Guru Granth Sahib, the composition appear in 62 ragas and this is the thirty first raga to appear in the series. The composition in this raga first appear on Ang number 728. Raag Suhi (ਸੂਹੀ) – Suhi is an expression of such devotion that the listener experiences feelings of extreme closeness and undying love. The listener is bathed in that love and genuinely learns what it means to adore. Raga Suhi was favoured for religious events and is found in many ancient articles on music. Suhi is a rare but popular concert raga today and is considered one of the most famous from among the North Indian classical system. It is traditionally performed at sunraise. Guru Nanak, Guru Amar Das, Guru Ram Das, Guru Arjan and Bhagats have composed sacred hymns ( Shabads) to be accompanied with this raga. It accompanies about 143 Shabads. * Aroh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hindustani Classical Music
Hindustani classical music is the classical music of northern regions of the Indian subcontinent. It may also be called North Indian classical music or, in Hindustani, ''shastriya sangeet'' (). It is played in instruments like the violin, sitar and sarod. Its origins from the 12th century CE, when it diverged from Carnatic music, the classical tradition in South India. Hindustani classical music arose in the Ganga-Jamuni Tehzeeb, a period of great influence of Perso-Arabic arts in the subcontinent, especially the Northern parts. This music combines the Indian classical music tradition with Perso-Arab musical knowledge, resulting in a unique tradition of gharana system of music education. History Around the 12th century, Hindustani classical music diverged from what eventually came to be identified as Carnatic classical music.The central notion in both systems is that of a melodic musical mode or '' raga'', sung to a rhythmic cycle or '' tala''. It is melodic music, with no ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Samvadi
The Samavadi is the second-most prominent (though not necessarily second-most played) note of a raga in Indian classical music. The primary note of the raga is the '' vadi''; the vadi and samvadi are in most cases a fourth or fifth apart. A ''samavadi'' is a note of special significance. It is like the ministry to the monarch. A performer will typically try to emphasize the ''samvadi'' along with the vadi when improvising on a certain raga. The ''vadi'' and ''samvadi'' can be crucial in defining the raga at hand, and in some cases two ragas with the same arohana and avrohana An Avarohana, Avarohanam or Avaroha, in the context of Indian classical music, is the descending scale of any raga.''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, ''Glossary'' pages, Pub. 1990, CBH Publications The notes descend in pitc ... can be distinguished only by the prominence of their sonant and consonant notes. References {{reflist Hindustani music terminology Carnatic music termin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kirtan
Kirtana ( sa, कीर्तन; ), also rendered as Kirtan, is a Sanskrit word that means "narrating, reciting, telling, describing" of an idea or story, specifically in Indian religions. It also refers to a genre of religious performance arts, connoting a musical form of narration or shared recitation, particularly of spiritual or religious ideas, native to the Indian subcontinent. With roots in the Vedic ''anukirtana'' tradition, a kirtan is a call-and-response style song or chant, set to music, wherein multiple singers recite or describe a legend, or express loving devotion to a deity, or discuss spiritual ideas. It may include dancing or direct expression of ''bhavas'' (emotive states) by the singer. Many kirtan performances are structured to engage the audience where they either repeat the chant,Sara Brown (2012), ''Every Word Is a Song, Every Step Is a Dance'', PhD Thesis, Florida State University (Advisor: Michael Bakan), pages 25-26, 87-88, 277 or reply to the call of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Varan
is a fictional monster, or ''kaiju'', which first appeared in the 1958 film ''Varan the Unbelievable'', directed by Ishirō Honda and produced and distributed by Toho. Varan is depicted as a giant prehistoric reptile capable of gliding flight, and would go on to appear in the 1968 film ''Destroy All Monsters'', the ninth film in the ''Godzilla'' franchise. Overview In its film debut, Varan is depicted as a kaiju that lives in a saltwater lake within the Kunishiroshima valley, where it is known to the natives as the god ''Baradagi-Sanjin'' and identified by an entomologist as a "Varanopode", a fictional reptile said to have lived during the Mesozoic Era. Varan kills an expedition duo and destroys a nearby village before attacking Tokyo until it is tricked by the military into eating bombs. After several of them detonate in its stomach, Varan is mortally wounded and escapes into the ocean, where the final bomb explodes and destroys it. Varan reappears in the film ''Destroy All M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baba Farid
Farīd al-Dīn Masʿūd Ganj-i-Shakar ( ; – 7 May 1266) was a 13th-century Punjabi Sunni Muslim preacher and mystic, who was one of the most revered and distinguished Muslim mystics of the medieval period. He is known reverentially as Bābā Farīd or Shaikh Farīd by Muslims, Hindus and Sikhs of the Punjab Region, or simply as Farīduddīn Ganjshakar. Biography Fariduddin Masud was born in 1188 (573 AH) in Kothewal, 10 km from Multan in the Punjab region, to Jamāl-ud-dīn Suleimān and Maryam Bībī (Qarsum Bībī), daughter of Wajīh-ud-dīn Khojendī. He was a Sunni Muslim and was one of the founding fathers of the Chishti Sufi order.(Sufis - Wisdom against Violence) Article on Baba Farid on the South Asian magazine ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ravidas
Ravidas or Raidas, was an Indian mystic poet-saint of the bhakti movement during the 15th to 16th century CE. Venerated as a ''guru'' (teacher) in the modern regions of Uttar Pradesh, Bihar, Rajasthan, Gujarat, Maharashtra, Madhya Pradesh, Punjab and Haryana, he was a poet, social reformer and spiritual figure. The life details of Ravidas are uncertain and contested. Scholars believe he was born in 1450 CE. But some Scholars believe he was born in 1377 CE and dead in 1528 CE. He taught removal of social divisions of caste and gender, and promoted unity in the pursuit of personal spiritual freedom. Ravidas's devotional verses were included in the Sikh scriptures known as ''Guru Granth Sahib''. The ''Panch Vani'' text of the Dadu Panthi tradition within Hinduism also includes numerous poems of Ravidas. He is also the central figure within the Ravidassia religious movement. Life The details of Guru Ravidas's life are not well known. Scholars state he was born in 1377 CE and d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kabir
Kabir Das (1398–1518) was a 15th-century Indian mystic poet and saint. His writings influenced Hinduism's Bhakti movement, and his verses are found in Sikhism's scripture Guru Granth Sahib, the Satguru Granth Sahib of Saint Garib Das, and Kabir Sagar. Born in the city of Varanasi in what is now Uttar Pradesh, he is known for being critical of both organized religion and religions. He questioned what he regarded to be the meaningless and unethical practices of all religions, primarily what he considered to be the wrong practices in the Hindu and Muslim religions. During his lifetime, he was threatened by both Hindus and Muslims for his views. When he died, several Hindus and the Muslims he had inspired claimed him as theirs. Kabir suggested that "Truth" is with the person who is on the path of righteousness, considered everything, living and non living, as divine, and who is passively detached from the affairs of the world. To know the Truth, suggested Kabir, drop the " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guru Arjan Dev Ji
Guru Arjan (Gurmukhi: ਗੁਰੂ ਅਰਜਨ, pronunciation: ; 15 April 1563 – 30 May 1606) was the first of the two Gurus martyred in the Sikh faith and the fifth of the ten total Sikh Gurus. He compiled the first official edition of the Sikh scripture called the Adi Granth, which later expanded into the Guru Granth Sahib. He was born in Goindval, in the Punjab, the youngest son of Bhai Jetha, who later became Guru Ram Das, and Mata Bhani, the daughter of Guru Amar Das. He completed the construction of Darbar Sahib at Amritsar, after the fourth Sikh Guru founded the town and built a sarovar. Guru Arjan compiled the hymns of previous Gurus and of other saints into Adi Granth, the first edition of the Sikh scripture, and installed it in the Harimandir Sahib. Guru Arjan reorganized the Masands system initiated by Guru Ram Das, by suggesting that the Sikhs donate, if possible, one-tenth of their income, goods or service to the Sikh organization (''dasvandh''). The ''Ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guru Ram Das Ji
Ram Das (Gurmukhi: ਗੁਰੂ ਰਾਮ ਦਾਸ, pronunciation: ; 24 September 1534 – 1 September 1581) was the fourth of the ten Gurus of Sikhism. He was born in a family based in Lahore. His birth name was Jetha, and he was orphaned at age seven; he there after grew up with his maternal grandmother in a village. At age 12, Bhai Jetha and his grandmother moved to Goindval, where they met Guru Amar Das. The boy thereafter accepted Guru Amar Das as his mentor and served him. The daughter of Guru Amar Das married Bhai Jetha, and he thus became part of Guru Amar Das's family. As with the first two Gurus of Sikhism, Guru Amar Das instead of choosing his own sons, chose Bhai Jetha, owing to Bhai Jetha's exemplary service, selfless devotion and unquestioning obedience to the commands of the Guru, as his successor and renamed him as Ram Das or "servant of god." Guru Ram Das became the Guru of Sikhism in 1574 and served as the 4th guru until he gave up his body to tr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guru Amar Das Ji
Guru Amar Das (Gurmukhi: ਗੁਰੂ ਅਮਰ ਦਾਸ, pronunciation: ; 5 May 1479 – 1 September 1574), sometimes spelled as Guru Amardas, was the third of the Ten Gurus of Sikhism and became Sikh Guru on 26 March 1552 at age 73. Before becoming a Sikh (Shishya from Sanskrit), on a lovely pilgrimage after having been prompted to search for a ''guru'', he heard his nephew's wife, Bibi Amro, reciting a hymn by Guru Nanak, and was deeply moved by it. Bibi Amro was the daughter of Guru Angad, the second and then current Guru of the Sikhs. Amar Das persuaded Bibi Amro to introduce him to her father and in 1539, Amar Das, at the age of sixty, met Guru Angad and became a Sikh, devoting himself to the Guru. In 1552, before his death, Guru Angad appointed Amar Das as Guru Amar Das, the third Guru of Sikhism. Guru Amar Das was an important innovator in the teachings of Guru who introduced a religious organization called the Manji system by appointing trained clergy, a system th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guru Nanak Dev Ji
Gurū Nānak (15 April 1469 – 22 September 1539; Gurmukhi: ਗੁਰੂ ਨਾਨਕ; pronunciation: , ), also referred to as ('father Nānak'), was the founder of Sikhism and is the first of the ten Sikh Gurus. His birth is celebrated worldwide as Guru Nanak Gurpurab on '' Katak Pooranmashi'' ('full-moon of Kattak'), i.e. October–November. Nanak is said to have travelled far and wide across Asia teaching people the message of ''ik onkar'' (), who dwells in every one of his creations and constitutes the eternal Truth. With this concept, he would set up a unique spiritual, social, and political platform based on equality, fraternal love, goodness, and virtue. Nanak's words are registered in the form of 974 poetic hymns, or ''shabda'', in the holy text of Sikhism, the Guru Granth Sahib, with some of the major prayers being the ''Japji Sahib'' (; ''ji'' and ''sahib'' are suffixes signifying respect); the ''Asa di Var'' ('ballad of hope'); and the '' Sidh Gosht'' ('discussi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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