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Shunbaisai Hokuei
Shunbaisai Hokuei ( ja, 春梅斎 北英; d. 1837), also known as Shunkō III, was a designer of ukiyo-e style Japanese woodblock prints in Osaka, and was active from about 1824 to 1837. He was a student of Shunkōsai Hokushū Shunkōsai Hokushū (春好斎 北洲), who is also known as Shunkō IV, was a designer of ukiyo-e style Japanese woodblock prints in Osaka who was active from about 1802 to 1832. He is known to have been a student of Shōkōsai Hambei, an .... Hokuei’s prints most often portray the kabuki actor Actor Arashi Rikan II as Osome (Ryūsai Shigeharu), Arashi Rikan II. Shunbaisai Hokuei should not be confused with Tōkōen Hokuei (桃幸園 北英), an early 19th-century Edo (Tokyo) printmaker who is also commonly referred to as "Hokuei".Roberts, 1976, p. 48 Notes References * Keyes, Roger S. & Keiko Mizushima, ''The Theatrical World of Osaka Prints'', Philadelphia, Philadelphia Museum of Art, 1973, 265. * Richard Douglas Lane, Lane, Richa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Signatures Of Hokuei Reading From Left To Right- Shunkôsai Hokuei, Sekkarô Hokuei, And Shunkô
A signature (; from la, signare, "to sign") is a handwritten (and often stylized) depiction of someone's name, nickname, or even a simple "X" or other mark that a person writes on documents as a proof of identity and intent. The writer of a signature is a signatory or signer. Similar to a handwritten signature, a signature work describes the work as readily identifying its creator. A signature may be confused with an autograph, which is chiefly an artistic signature. This can lead to confusion when people have both an autograph and signature and as such some people in the public eye keep their signatures private whilst fully publishing their autograph. Function and types The traditional function of a signature is to permanently affix to a document a person's uniquely personal, undeniable self-identification as physical evidence of that person's personal witness and certification of the content of all, or a specified part, of the document. For example, the role of a signatu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ukiyo-e
Ukiyo-e is a genre of Japanese art which flourished from the 17th through 19th centuries. Its artists produced woodblock prints and paintings Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and ai ... of such subjects as female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; Flora of Japan, flora and Wildlife of Japan#Fauna, fauna; and Shunga, erotica. The term translates as "picture[s] of the floating world". In 1603, the city of Edo (Tokyo) became the seat of the ruling Tokugawa shogunate. The ''chōnin'' class (merchants, craftsmen and workers), positioned at the bottom of Four occupations, the social order, benefited the most from the city's rapid economic growth, and began to indulge in and patronise the entertainment o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Woodblock Printing In Japan
Woodblock printing in Japan (, ''mokuhanga'') is a technique best known for its use in the ''ukiyo-e'' artistic genre of single sheets, but it was also used for printing books in the same period. Widely adopted in Japan during the Edo period (1603–1868) and similar to woodcut in Western printmaking in some regards, the mokuhanga technique differs in that it uses water-based inks—as opposed to western woodcut, which typically uses oil-based inks. The Japanese water-based inks provide a wide range of vivid colors, glazes, and transparency. History Early, to 13th century In 764 the Empress Kōken commissioned one million small wooden pagodas, each containing a small woodblock scroll printed with a Buddhist text (''Hyakumantō Darani''). These were distributed to temples around the country as thanks for the suppression of the Emi Rebellion of 764. These are the earliest examples of woodblock printing known, or documented, from Japan. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Osaka
is a designated city in the Kansai region of Honshu in Japan. It is the capital of and most populous city in Osaka Prefecture, and the third most populous city in Japan, following Special wards of Tokyo and Yokohama. With a population of 2.7 million in the 2020 census, it is also the largest component of the Keihanshin Metropolitan Area, which is the second-largest metropolitan area in Japan and the 10th largest urban area in the world with more than 19 million inhabitants. Osaka was traditionally considered Japan's economic hub. By the Kofun period (300–538) it had developed into an important regional port, and in the 7th and 8th centuries, it served briefly as the imperial capital. Osaka continued to flourish during the Edo period (1603–1867) and became known as a center of Japanese culture. Following the Meiji Restoration, Osaka greatly expanded in size and underwent rapid industrialization. In 1889, Osaka was officially established as a municipality. The construc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shunkōsai Hokushū
Shunkōsai Hokushū (春好斎 北洲), who is also known as Shunkō IV, was a designer of ukiyo-e style Japanese woodblock prints in Osaka who was active from about 1802 to 1832. He is known to have been a student of Shōkōsai Hambei, and may have also studied with Hokusai. He used the name Shunkō (春好) until 1818, when he changed his name to Shunkōsai Hokushū. He was the most important artist in Osaka during the 1810s and 1820s and established the Osaka style of actor prints ''Yakusha-e'' (役者絵), often referred to as "actor prints" in English, are Japanese woodblock prints or, rarely, paintings, of kabuki actors, particularly those done in the ''ukiyo-e'' style popular through the Edo period (1603–1867) and in ....Newland, 2005, p. 488 Notes References * Keyes, Roger S. & Keiko Mizushima, ''The Theatrical World of Osaka Prints'', Philadelphia, Philadelphia Museum of Art, 1973, 266. * Lane, Richard. (1978). ''Images from the Floating World, The Japa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kabuki
is a classical form of Japanese dance-drama. Kabuki theatre is known for its heavily-stylised performances, the often-glamorous costumes worn by performers, and for the elaborate make-up worn by some of its performers. Kabuki is thought to have originated in the very early Edo period, when founder Izumo no Okuni formed a female dance troupe who performed dances and light sketches in Kyoto. The art form later developed into its present all-male theatrical form after women were banned from performing in kabuki theatre in 1629. Kabuki developed throughout the late 17th century and reached its zenith in the mid-18th century. In 2005, kabuki theatre was proclaimed by UNESCO as an intangible heritage possessing outstanding universal value. In 2008, it was inscribed in the UNESCO Intangible Cultural Heritage Lists, UNESCO Representative List of the Intangible Cultural Heritage of Humanity. Etymology The individual kanji that make up the word ''kabuki'' can be read as , , and . ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Actor Arashi Rikan II As Osome (Ryūsai Shigeharu)
''Actor Arashi Rikan II as Osome'' is an ''ukiyo-e'' woodblock print by Osaka print artist (1802 – 1853). It depicts late Edo period kabuki actor, Arashi Rikan II as the lead female character in a scene from a popular play of the period. The print belongs to the permanent collection of the Prince Takamado Gallery of Japanese Art in the Royal Ontario Museum, Canada. Print details * Medium: woodblock print; ink and colour on paper * Format: ''tate-e'' vertical print * Genre: ''kabuki-e'', ''yakusha-e'' * Japanese title: * Exhibit title: ''Actor Arashi Rikan II as Osome'' * Inscription: none * Signature: in bottom right corner * Publisher's mark: 天喜 (''Tenki'') * Publisher's seal: 天 (Tenki) * Censor seal: none * Date seal: none * Credit line: none Artist (1802/3–1853) was born in Nagasaki, Kyushu. He moved to Osaka around 1820, and began studying under (fl. c.1815-1841), then (1787–1832). He published his first print in 1820 under the name , and used various ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Douglas Lane
Richard Douglas Lane (1926–2002) was an American scholar, author, collector, and dealer of Japanese art. He lived in Japan for much of his life, and had a long association with the Honolulu Museum of Art in Hawaii, which now holds his vast art collection. Life Lane was born in Kissimmee, Florida. After graduating from high school in 1944, during World War II, he enlisted in the United States Marine Corps. In the Marines he trained as a Japanese translator, and served in Japan during the war. He later received a bachelor's degree from the University of Hawaii in Japanese and Chinese literature, and continued his studies at Columbia University, where he earned a master's degree and a PhD in 18th-century Japanese literature. In 1957, Lane moved to Japan, where he lived for the rest of his life. Lane was never on a university faculty, but supported himself as an author, dealer and consultant. He was a visiting research associate at the Honolulu Museum of Art from 1957 to 1971, durin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ukiyo-e Artists
Ukiyo-e is a genre of Japanese art which flourished from the 17th through 19th centuries. Its artists produced woodblock prints and paintings of such subjects as female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; flora and fauna; and erotica. The term translates as "picture of the floating world". In 1603, the city of Edo (Tokyo) became the seat of the ruling Tokugawa shogunate. The ''chōnin'' class (merchants, craftsmen and workers), positioned at the bottom of the social order, benefited the most from the city's rapid economic growth, and began to indulge in and patronise the entertainment of kabuki theatre, geisha, and courtesans of the pleasure districts; the term ("floating world") came to describe this hedonistic lifestyle. Printed or painted ukiyo-e works were popular with the ''chōnin'' class, who had become wealthy enough to afford to decorate their homes with them. The earliest ukiyo-e works eme ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
