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Short Metre
A hymn metre (''US:'' meter) indicates the number of syllables for the lines in each stanza of a hymn. This provides a means of marrying the hymn's text with an appropriate hymn tune for singing. Hymn and poetic metre In the English language poetic metres and hymn metres have different starting points but there is nevertheless much overlap. The hymn ''Amazing Grace'' is used as an example: :Amazing grace, how sweet the sound :that saved a wretch like me. :I once was lost, but now am found, :was blind, but now I see. Analyzing this, a poet would see couplets with four iambic metrical feet in the first and third lines, and three in the second and fourth. A musician would more likely count eight syllables in the first line and six in the second. This would be described as 8.6.8.6 (or 86.86). The words of ''Amazing Grace'' can therefore be set to any tune that has the 8.6.8.6 metre, for example ''The House of the Rising Sun''. Conventionally most hymns in this 86.86 pattern are i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stanza
In poetry, a stanza (; from Italian ''stanza'' , "room") is a group of lines within a poem, usually set off from others by a blank line or indentation. Stanzas can have regular rhyme and metrical schemes, but they are not required to have either. There are many different forms of stanzas. Some stanzaic forms are simple, such as four-line quatrains. Other forms are more complex, such as the Spenserian stanza. Fixed verse poems, such as sestinas, can be defined by the number and form of their stanzas. The stanza has also been known by terms such as ''batch'', ''fit'', and ''stave''. The term ''stanza'' has a similar meaning to '' strophe'', though ''strophe'' sometimes refers to an irregular set of lines, as opposed to regular, rhymed stanzas. Even though the term "stanza" is taken from Italian, in the Italian language the word "strofa" is more commonly used. In music, groups of lines are typically referred to as '' verses''. The stanza in poetry is analogous with the pa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Meter (hymn)
A hymn metre (''US:'' meter) indicates the number of syllables for the lines in each stanza of a hymn. This provides a means of marrying the hymn's text with an appropriate hymn tune for singing. Hymn and poetic metre In the English language poetic metres and hymn metres have different starting points but there is nevertheless much overlap. The hymn ''Amazing Grace'' is used as an example: :Amazing grace, how sweet the sound :that saved a wretch like me. :I once was lost, but now am found, :was blind, but now I see. Analyzing this, a poet would see couplets with four iambic metrical feet in the first and third lines, and three in the second and fourth. A musician would more likely count eight syllables in the first line and six in the second. This would be described as 8.6.8.6 (or 86.86). The words of ''Amazing Grace'' can therefore be set to any tune that has the 8.6.8.6 metre, for example '' The House of the Rising Sun''. Conventionally most hymns in this 86.86 pattern are i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Hymnal 1982
''The Hymnal 1982'' is the primary hymnal of the Episcopal Church in the United States of America. It is one in a series of seven official hymnals of the Episcopal Church, including ''The Hymnal 1940''. Unlike many Anglican churches (including the Church of England) the Episcopal Church requires that the words of hymns be from officially approved sources, making the official hymnals perhaps more important than their counterparts elsewhere. ''The Hymnal 1940'' was originally compiled with input from the Joint Commission on Church Music of the Episcopal Church, which was founded in 1919. ''The Hymnal 1982'' was put together based on the Joint Commission's work by the Standing Commission on Church Music. ''The Hymnal 1982'' had a much expanded service music and chant section, which became necessary with the introduction of the 1979 edition of the ''Book of Common Prayer''.Temperley, 10. North America and Australasia. ''The Hymnal 1982'' was approved by both houses of General Conventio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lutheran Book Of Worship
The ''Lutheran Book of Worship'' (''LBW'') is a worship book and hymnal used by several Lutheran denominations in North America. Additional hymns and service music are contained in the companions, ''Hymnal Supplement 1991'' and ''With One Voice'' (''WOV''). The ''LBW'' is sometimes called the "green book", as opposed to ''With One Voice'', which is bound in blue; or '' Service Book and Hymnal'', which is bound in red; or ''The Lutheran Hymnal'', which is also bound in red, with a simple gold cross. History When Lutheran churches were first established in North America, the immigrants from Germany, Sweden, Norway, Finland, and other non-English-speaking countries retained services in their native languages. However, as the children and grandchildren of these immigrants began speaking English in their everyday lives and the various Lutheran denominations began uniting, many felt that the North American Lutheran churches needed a common English-language liturgy and hymns. Alth ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Croft
William Croft (baptised 30 December 1678 – 14 August 1727) was an English composer and organist. Life Croft was born at the Manor House, Nether Ettington, Warwickshire. He was educated at the Chapel Royal under the instruction of John Blow, and remained there until 1698. Two years after this departure, he became organist of St. Anne's Church, Soho and he became an organist and 'Gentleman extraordinary' at the Chapel Royal. He shared that post with his friend Jeremiah Clarke.Dennis Shrock In 1700, Croft, in collaboration with "an Italian Master", probably Gottfried Finger, published six sonatas for violin, flute, harpsichord and viol, in the newly fashionable Italian style. In 1707, he took over the Master of the Children of the Chapel Royal post, which had been left vacant by the suicide of Jeremiah Clarke. The following year, Croft succeeded Blow (who had lately died) as organist of Westminster Abbey. He composed works for the funeral of Queen Anne (1714) and for the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christian Heinrich Rinck
Johann Christian Heinrich Rinck (18 February 1770 – 23 July 1846) was a German composer and organist of the late classical and early romantic eras. Life and career Rinck was born in Elgersburg (in present-day Thuringia), and died in Darmstadt, aged 76. He studied with Johann Christian Kittel (1732–1809), (a pupil of Johann Sebastian Bach), and eventually became Kantor at the music school in Darmstadt, where he was also a court organist from 1813. He composed prolifically, and an organ primer of his enjoyed wide popularity. Among his works is a set of Variations on ‘Ah! vous dirai-je, Maman’, Opus 90, published by Simrock in 1828. It is based on a tune made familiar by Mozart ( K. 265) (and generally associated with the words '' Twinkle Twinkle Little Star''). Notable students include composer Georg Vierling and Benedict Jucker (1811-1876). Works Piano works * XXX zweistimmige Übungen durch alle Tonarten (30 Exercices à deux parties dans tous les tons) op. 67 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Presbyterian Hymnal
''The'' () is a grammatical article in English, denoting persons or things already mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with pronouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of pronoun '' thee'') when followed by a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
What Wondrous Love Is This
"What Wondrous Love Is This" (often just referred to as "Wondrous Love") is a Christian folk hymn from the American South. Its text was first published in 1811, during the Second Great Awakening, and its melody derived from a popular English ballad ( Roud number 5089). Today it is a widely known hymn included in hymnals of many Christian denominations. Origins The hymn's lyrics were first published in Lynchburg, Virginia in the 1811 camp meeting songbook ''A General Selection of the Newest and Most Admired Hymns and Spiritual Songs Now in Use''. The lyrics may also have been printed, in a slightly different form, in the 1811 book ''Hymns and Spiritual Songs, Original and Selected'' published in Lexington, Kentucky.Gloverp. 829 (It was included in the third edition of this text published in 1818, but all copies of the first edition have been lost.) In most early printings, the hymn's text was attributed to an anonymous author, though the 1848 hymnal '' The Hesperian Harp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Captain Kidd (song)
"The Ballad of Captain Kidd" (or simply, "Captain Kidd") is an English song about Captain William Kidd, who was executed for piracy in London on May 23, 1701. It is listed as number 1900 in the Roud Folk Song Index. The song was printed in Britain in 1701, and it traveled to the colonies "almost immediately". Washington Irving's 1824 work '' Tales of a Traveller'' makes mention of the song: :"There 's a fine old song about him, all to the tune of — ::My name is Captain Kidd, ::As I sailed, as I sailed— :And then it tells all about how he gained the Devil's good graces by burying the Bible : :: I had the Bible in my hand, :: As I sailed, as I sailed, :: And I buried it in the sand :: As I sailed. — The song survived in the oral tradition long enough for it to be recorded from traditional singers. Bob Roberts of Dorset, England was recorded singing the song by Peter Kennedy in 1960, whilst Helen Creighton, Edith Fowke and Helen Hartness Flanders recorded several ve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lutheran Service Book
''Lutheran Service Book'' (''LSB'') is the newest official hymnal of the Lutheran Church–Missouri Synod (LCMS) and the Lutheran Church–Canada (LCC). It was prepared by the LCMS Commission on Worship and published by Concordia Publishing House, the official publisher of the LCMS. It is the fourth official English-language hymnal of the LCMS published since the synod began transitioning from German to English in the early 1900s. ''LSB'' is intended to succeed both '' The Lutheran Hymnal'' (''TLH'') and '' Lutheran Worship'' (''LW'') as the common hymnal of the LCMS. Supplemental and companion editions to the hymnal were released throughout the end of 2006 and into 2007. The hymnal was officially approved by the LCMS at the 2004 LCMS National Convention in St. Louis. It was officially released on September 1, 2006, but many customers who pre-ordered the hymnal received their copies several weeks earlier. In April 2015, ''Lutheran Service Book'' became the first Lutheran hymn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lutheran Worship
''Lutheran Worship'' (''LW'') is one of the official hymnals of The Lutheran Church–Missouri Synod (LCMS). Published in 1982 by Concordia Publishing House in St. Louis, Missouri, it is the denomination's third English-language hymnal and was intended to replace '' The Lutheran Hymnal'' (''TLH''). Additional hymns and service music are contained in the companion, ''Hymnal Supplement 98''. Dissatisfaction with various revisions has led numerous congregations to continue using the previous hymnal, and according to a 1999 LCMS Commission on Worship survey, ''The Lutheran Hymnal'' was still used by 36% of churches in the Synod as their primary hymnal. The publication of another new hymnal, ''Lutheran Service Book'' in 2006, has restored many of the former hymnal's features in the hope that more widespread use can be achieved. A supplement, ''With One Voice'' (''WOV''), contains additional hymns and service music. History ''Lutheran Worship'' is, essentially, a revision of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Lutheran Hymnal
''The Lutheran Hymnal'' (''TLH'') is one of the official hymnals of the Lutheran Church–Missouri Synod (LCMS). Published in 1941 by Concordia Publishing House in St. Louis, Missouri, it was the denomination's second official English-language hymnal, succeeding the 1912 '' Evangelical Lutheran Hymn-Book''. A 1969 ''Worship Supplement'' contains additional hymns and service music. History Development of ''TLH'' began as a revision of the '' Evangelical Lutheran Hymn-Book'' that was authorized in 1929. The next year, the work continued through the collaborative effort of the Evangelical Lutheran Synodical Conference of North America and in 1941, ''TLH'' became the common hymnal for conference's member churches. It contains 668 chorales, hymns, carols, and chants, plus the liturgy for the Common Service, Matins, Vespers, and propers, collects, prayers, suffrages, canticles, psalms, and miscellaneous tables. Its popularity meant that attempts to replaceit in more recent yea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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