Shock Horror
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Shock Horror
"Shock Horror" is the second single released by Scottish band The View, from their second album ''Which Bitch?''. The B-side on the CD release is "My Mother". The song was available in MP3 format from 5 December 2008, when the 7" was pre-ordered from the band's official website. The video for the song was released in December 2008. The song received better airplay than the previous single "5Rebbeccas" did, but it performed even worse than its predecessor, charting only at No. 64 in the UK Singles Chart before dropping to No. 94 in its second week. Track listing *UK CD # "Shock Horror" - 4:08 # "My Mother" - 5:03 Band members *Kieren Webster - Bass guitar *Pete Reilly - Lead guitarist *Kyle Falconer Kyle Francis Falconer (born 6 June 1987) is a Scottish musician, singer and songwriter. He is best known as the lead vocalist of The View. Along with the other band members, Falconer hails from the Dryburgh district of Dundee. He shares songw ... - Lead singer, rhythm guitar ...
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The View (band)
The View are a Scottish indie rock band. They incorporate various styles such as punk, pop, alternative rock, and folk in their music. They are best known for their 2007 single "Same Jeans" which reached number 3 on the UK Singles Chart. The band have released five studio albums since their platinum selling debut ''Hats Off to the Buskers'', which topped the UK Albums Chart in January 2007 and was nominated for the 2007 Mercury Music Prize. Despite never matching this early success, they enjoy a large fanbase in their native Scotland with albums regularly topping the Scottish Albums Chart. The band also hold a reputation for their live performances with regularly sold-out tours in Scotland. The View are also regular fixtures at music festivals throughout the UK; they have played at Scotland's largest festival—T in the Park—a record eight times, with organiser Geoff Ellis saying, "The View can play every year under my watch, if they want to." History Formation and early ...
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Indie Rock
Indie rock is a Music subgenre, subgenre of rock music that originated in the United States, United Kingdom and New Zealand from the 1970s to the 1980s. Originally used to describe independent record labels, the term became associated with the music they produced and was initially used interchangeably with alternative rock or "Pop rock, guitar pop rock". One of the primary scenes of the movement was Dunedin, where Dunedin sound, a cultural scene based around a convergence of noise pop and jangle became popular among the city's University of Otago, large student population. Independent labels such as Flying Nun Records, Flying Nun began to promote the scene across New Zealand, inspiring key college rock bands in the United States such as Pavement (band), Pavement, Pixies (band), Pixies and R.E.M. Other notable scenes grew in Madchester, Manchester and Hamburger Schule, Hamburg, with many others thriving thereafter. In the 1980s, the use of the term "independent music, indie" (or " ...
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Garage Rock
Garage rock (sometimes called garage punk or 60s punk) is a raw and energetic style of rock and roll that flourished in the mid-1960s, most notably in the United States and Canada, and has experienced a series of subsequent revivals. The style is characterized by basic chord (music), chord structures played on electric guitars and other instruments, sometimes distorted through a distortion (music), fuzzbox, as well as often unsophisticated and occasionally aggressive lyrics and delivery. Its name derives from the perception that groups were often made up of young amateurs who rehearsed in the family Garage (residential), garage, although many were professional. In the US and Canada, surf rock—and later the Beatles and other beat music, beat groups of the British Invasion—motivated thousands of young people to form bands between 1963 and 1968. Hundreds of acts produced regional hits, and some had national hits, usually played on AM radio stations. With the advent of psyc ...
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Post-punk Revival
Post-punk revival (also known as garage rock revival,J. Stuessy and S. D. Lipscomb, ''Rock and roll: its History and Stylistic Development'' (London: Pearson Prentice Hall, 5th edn., 2006), , p. 451. new wave revival,. and new rock revolution) is a genre of indie rock that emerged in the early 2000s as musicians started to play a stripped down and back-to-basics version of guitar rock emerged into the mainstream. Inspired by the original sounds and aesthetics of garage rock, new wave and post-punk. The music ranged from the atonal tracks, to melodic pop songs and popularised distorted guitar sounds. Bands shared an emphasis on energetic live performance and used aesthetics (in hair and clothes) closely aligned with their fans, often drawing on fashion of the 1950s and 1960s, with "skinny ties, white belts nd shag haircuts". There was an emphasis on "rock authenticity" that was seen as a reaction to the commercialism of MTV-oriented nu metal, hip hop and "bland" post-Britpop g ...
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1965 Records
1965 Records is a London-based subsidiary record label of SonyBMG. Formed in 2006 in British music, 2006, the label was founded by James Endeacott (formerly of Rough Trade Records), who first signed The Libertines. The label features bands who are primarily indie rock/indie pop, pop, and are best known for signing Dundee based four-piece The View (band), The View. History 1965 Records took their name from the year of Endeacott's birth, as well as his favourite year for music. Originating in May 2006, the company initially releasing five separate special edition, limited edition Gramophone record, 7-inch vinyl singles by Jack Afro, Billie the Vision & the Dancers, Pizzy Yelliot, The Book of Lists and Jahcoozi in the first three months of its creation between May and July. The label's first album distribution, ''Cannery Hours'' by The Occasion, came on 17 July 2006. The label followed this with the release of "Wasted Little DJs" by The View (band), The View on 7 August 2006. This ...
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