Shanghai Style
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Shanghai Style
''Haipai'' (, Shanghainese: ''hepha'', ; literally "hangai style") refers to the avant-garde but unique "East Meets West" culture from Shanghai in the 20th and 21st centuries. It is a part of the culture of Shanghai. Etymology The term was coined by a group of Beijing writers in 1920 to criticize some Shanghai scholars and the styles of embracing or admiring western capitalism and western culture. The name ''Haipai'' originally came from painting and drama. According to ''History of Chinese Painting'', which was published in 1937, "During Emperor Tongzhi's and Guangxu's reign in the Qing Dynasty, most Chinese painters lived in Shanghai and made a living by selling paintings. In order to make profits, painters catered to vulgar public taste. Their paintings gradually demonstrated ''Haipai'' style." In addition, performers of Peking opera regarded Beijing as the authority of China and they referred to cities outside Beijing as ''Haipai''. At that time ''Haipai'' was used by scholar ...
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Shanghainese
The Shanghainese language, also known as the Shanghai dialect, or Hu language, is a variety of Wu Chinese spoken in the Districts of Shanghai, central districts of the Shanghai, City of Shanghai and its surrounding areas. It is classified as part of the Sino-Tibetan language family. Shanghainese, like the rest of the Wu language group, is mutually unintelligible with other varieties of Chinese, such as Mandarin. Shanghainese belongs a separate group of the Taihu Wu subgroup. With nearly 14 million speakers, Shanghainese is also the largest single form of Wu Chinese. Since the late 19th century it has served as the lingua franca of the entire Yangtze River Delta region, but in recent decades its status has declined relative to Mandarin, which most Shanghainese speakers can also speak. Like other Wu varieties, Shanghainese is rich in vowels and consonants, with around twenty unique vowel qualities, twelve of which are phonemic. Similarly, Shanghainese also has voiced obstruent ...
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Cao Yu (playwright)
Cao Yu (, September 24, 1910 — December 13, 1996) was a Chinese playwright, often regarded as one of China's most important of the 20th century. His best-known works are ''Thunderstorm'' (1933), ''Sunrise'' (1936) and ''Peking Man'' (1940). It is largely through the efforts of Cao Yu that the modern Chinese "spoken theatre" took root in 20th century Chinese literature. Cao Yu was the president of China's Premier Modern Drama Theatre, the chairman of the China Theatre Association (1968-1998) and established the Beijing People's Art Theatre in 1952. Cao Yu is regarded as the paramount playwright of modern Chinese drama, "enthroned as China's Shakespeare" according to '' The Columbia Anthology of Modern Chinese Drama''. Name Cao Yu, the name most associated with this playwright, was a pen name; his birth name was Wan Jiabao (). The pseudonym was originated from his surname . Cao dismantled the character into its graphical components and . Since the radical could not be u ...
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Shikumen
Shikumen (, Shanghainese: ''zaq⁸ khu¹ men⁶,'' IPA: ᴀʔ¹¹ kʰu¹¹ mən²⁴ is a traditional Shanghainese architectural style combining Western and Chinese elements that first appeared in the 1860s. At the height of their popularity, there were 9000 shikumen-style buildings in Shanghai, comprising 60% of the total housing stock of the city, but today the proportion is much lower as most Shanghainese live in large apartment buildings. Shikumen is classified as one type of ''lilong'' residences, sometimes translated as "lane houses" in English. In 2010, "construction techniques of shikumen ''lilong'' architecture" was recognised by the Chinese government on the national non-physical cultural heritage register (no. VIII-210). Shikumen houses were also introduced to other port cities in China. For example, many were built in the foreign concessions of Hankou (now part of Wuhan), and some can still be seen there today. Shikumen terraces can even be found as far afield as ...
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Shanghainese Language
The Shanghainese language, also known as the Shanghai dialect, or Hu language, is a variety of Wu Chinese spoken in the Districts of Shanghai, central districts of the Shanghai, City of Shanghai and its surrounding areas. It is classified as part of the Sino-Tibetan language family. Shanghainese, like the rest of the Wu language group, is mutually unintelligible with other varieties of Chinese, such as Mandarin. Shanghainese belongs a separate group of the Taihu Wu subgroup. With nearly 14 million speakers, Shanghainese is also the largest single form of Wu Chinese. Since the late 19th century it has served as the lingua franca of the entire Yangtze River Delta region, but in recent decades its status has declined relative to Mandarin, which most Shanghainese speakers can also speak. Like other Wu varieties, Shanghainese is rich in vowels and consonants, with around twenty unique vowel qualities, twelve of which are phonemic. Similarly, Shanghainese also has voiced obstruent ...
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Shanghainese People
Shanghainese people (; Shanghainese: ''Zaanhe-nyin'' ) are people of Shanghai Hukou or people who have ancestral roots from Shanghai. Most Shanghainese are descended from immigrants from nearby provinces of Zhejiang and Jiangsu. According to 1990 census, 85% of Shanghainese people trace their ancestry to Jiangsu and Zhejiang. Only a minority are Shanghai natives, those with ancestral roots in Shanghai. The Old City of Shanghai was a minor settlement until the later Qing Dynasty and many districts of the present municipality of Shanghai originally had separate identities, including separate but related dialects of Taihu Wu. In recent decades, millions of Chinese have moved to the city, both as internal immigrants and as migrant workers. The 2010 Chinese census found 9 million of Shanghai's 23 million residents (almost 40%) were migrants without a Shanghai hukou, triple the number from the year 2000 census. These "New Shanghainese" () are generally distinguished from t ...
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Materialism
Materialism is a form of philosophical monism which holds matter to be the fundamental substance in nature, and all things, including mental states and consciousness, are results of material interactions. According to philosophical materialism, mind and consciousness are by-products or epiphenomena of material processes (such as the biochemistry of the human brain and nervous system), without which they cannot exist. This concept directly contrasts with idealism, where mind and consciousness are first-order realities to which matter is dependent while material interactions are secondary. Materialism is closely related to physicalism—the view that all that exists is ultimately physical. Philosophical physicalism has evolved from materialism with the theories of the physical sciences to incorporate more sophisticated notions of physicality than mere ordinary matter (e.g. spacetime, physical energies and forces, and dark matter). Thus, the term ''physicalism'' is preferred ...
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Hedonism
Hedonism refers to a family of theories, all of which have in common that pleasure plays a central role in them. ''Psychological'' or ''motivational hedonism'' claims that human behavior is determined by desires to increase pleasure and to decrease pain. ''Normative'' or ''ethical hedonism'', on the other hand, is not about how we actually act but how we ought to act: we should pursue pleasure and avoid pain. ''Axiological hedonism'', which is sometimes treated as a part of ethical hedonism, is the thesis that only pleasure has intrinsic value. Applied to well-being or what is good for someone, it is the thesis that pleasure and suffering are the only components of well-being. These technical definitions of hedonism within philosophy, which are usually seen as respectable schools of thought, have to be distinguished from how the term is used in everyday language, sometimes referred to as "folk hedonism". In this sense, it has a negative connotation, linked to the egoistic pursuit ...
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Lu Xun
Zhou Shuren (25 September 1881 – 19 October 1936), better known by his pen name Lu Xun (or Lu Sun; ; Wade–Giles: Lu Hsün), was a Chinese writer, essayist, poet, and literary critic. He was a leading figure of modern Chinese literature. Writing in vernacular Chinese and classical Chinese, he was a short story writer, editor, translator, literary critic, essayist, poet, and designer. In the 1930s, he became the titular head of the League of Left-Wing Writers in Shanghai during republican era China (1912-1949). Lu Xun was born into a family of landlords and government officials in Shaoxing, Zhejiang; the family's financial resources declined over the course of his youth. Lu aspired to take the imperial examinations, but due to his family's relative poverty he was forced to attend government-funded schools teaching "Western education". Upon graduation, Lu went to medical school in Japan but later dropped out. He became interested in studying literature but was eventually f ...
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Cheongsam
''Cheongsam'' (, ), also known as the ''qipao'' () and sometimes referred to as the mandarin gown, is a Chinese dress worn by women which takes inspiration from the , the ethnic clothing of the Manchu people. The cheongsam is most often seen as a longer, figure-fitting, one piece garment with a standing collar, an asymmetric, left-over-right () opening and two side slits, and embellished with Chinese frog fasteners on the lapel and the collar. It was developed in the 1920s and evolved in shapes and design over years. It was popular in China from the Republic of China (1912–1949), 1920s to 1940s, overlapping the Republican era, and was popularized by Chinese socialites and high society (social class), high society women in Shanghai. It was also one of the national dress of the Republic of China (1912–1949), Republic of China in 1929 and is currently the national dress of China, which symbolizes a generic Chinese national identity rather than a specific ethnic and/or ancest ...
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Qi Pao
''Cheongsam'' (, ), also known as the ''qipao'' () and sometimes referred to as the mandarin gown, is a Chinese dress worn by women which takes inspiration from the , the ethnic clothing of the Manchu people. The cheongsam is most often seen as a longer, figure-fitting, one piece garment with a standing collar, an asymmetric, left-over-right () opening and two side slits, and embellished with Chinese frog fasteners on the lapel and the collar. It was developed in the 1920s and evolved in shapes and design over years. It was popular in China from the 1920s to 1940s, overlapping the Republican era, and was popularized by Chinese socialites and high society women in Shanghai. It was also one of the national dress of the Republic of China in 1929 and is currently the national dress of China, which symbolizes a generic Chinese national identity rather than a specific ethnic and/or ancestral identity. Although the cheongsam is sometimes perceived as being a traditional Chinese cl ...
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Ren Xiong - The Goddess Of The Luo River
Ren or REN may refer to: Abbreviations * Orenburg Tsentralny Airport, IATA code REN, civil airport in Russia * Redes Energéticas Nacionais (REN), Portuguese company * Renanthera, abbreviated as Ren, orchid genus * Ringer equivalence number (REN), a number which denotes the loading effect of a telephone ringer on a telephone line Geography * Ren County, in Hebei, China * Ren, Iran, a village in Kerman Province, Iran * Ren (building), a high-rise residential building in Seattle, Washington, United States Science, technology and medicine * REN (gene) * Ren, in anatomy, a kidney * Ren (command), a shell command in computing People * A diminutive of the given name Renée * Ren (surname) (任), Chinese surname * MC Ren, rapper from the group NWA * Ren (singer), member of South Korean boy band NU'EST * Renforshort, Canadian singer formerly known as Ren * , Japanese traditional calligrapher * , Japanese businessman * , Japanese actor * , Japanese politician * , Japanese footbal ...
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