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Sensational Spelling
Sensational spelling is the deliberate spelling of a word in a non-standard way for special effect. Branding Sensational spellings are common in advertising and product placement. In particular, brand names such as Krispy Kreme Doughnuts (''crispy cream''), Weetabix (''wheat'', with ''bix'' being derived from ''biscuits''), Blu-ray (''blue''), Kellogg's "Froot Loops" (''fruit'') or Hasbro's Playskool (''school'') may use unexpected spellings to draw attention to or trademark an otherwise common word. In video games, well-known examples of sensational spelling include "''Mortal Kombat'' (''combat'') and Nintendo's "Pak" (''pack''), the name used for the media and accessories of its early video game systems. In popular music Sensational spelling may take on a cult value in popular culture, such as the heavy metal umlaut. During the 1960s, bands often included in their names misspelled words and/or homophones that played on double meanings of the names as spoken. Examples include ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spelling
Spelling is a set of conventions that regulate the way of using graphemes (writing system) to represent a language in its written form. In other words, spelling is the rendering of speech sound (phoneme) into writing (grapheme). Spelling is one of the elements of orthography, and highly standardized spelling is a prescriptive element. Spellings originated as transcriptions of the sounds of spoken language according to the alphabetic principle. They remain largely reflective of the sounds, although fully phonemic spelling is an ideal that most languages' orthographies only approximate, some more closely than others. This is true for various reasons, including that pronunciation changes over time in all languages, yet spellings as visual norms may resist change. In addition, words from other languages may be adopted without being adapted to the spelling system, and different meanings of a word or homophones may be deliberately spelled in different ways to differentiate them visu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
White Whale Records
White Whale Records was an American independent record label, founded in 1965 by Ted Feigin and Lee Lasseff in Los Angeles, California, and probably best known as the record label of The Turtles and a handful of one-hit wonder bands. White Whale, in addition to releasing almost all of The Turtles' discography, also released Nino Tempo & April Stevens's single "All Strung Out (On You)", a hit single by Rene y Rene titled "Lo Mucho Que Ti Quiero", an album by Liz Damon's Orient Express, and the only album by Texas band The Clique. Warren Zevon was a staff songwriter for the label, and they issued some of his earliest recordings (as part of the duo Lyme & Cybele). Dobie Gray also recorded for the label, recording the first chart version of " I Never Promised You a Rose Garden," which later became a much bigger hit for Lynn Anderson. Three compilations of singles from the label have been released on CD: ''Happy Together: The Very Best of White Whale Records'', and two volumes of the ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
U Got The Look
"U Got the Look" is a song by American musician Prince. It opens the second disc of Prince's double album ''Sign o' the Times'' (1987), and became the album's runner-up chart single. Musically, the song is a standard 12-bar rock song with emphasis on the contrast between heavy drum beats by a Linn LM-1 drum machine and Sheila E.'s live percussion, and a vastly distorted almost completely saturated guitar sound. Although not credited on the single release, the song also features Scottish recording artist Sheena Easton. Prince sings in his sped-up "Camille" voice, although the song was not intended for the '' Camille'' album. The lyrics recite the familiar "boy versus girl in the World Series of love" line. (Coincidentally, the 1987 World Series came to Prince's hometown of Minneapolis a few months after the song was released.) The music video for the song featuring Sheena Easton was filmed in Paris, France, and was directed by American music video director David Hogan. It was inclu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prince (musician)
Prince Rogers Nelson (June 7, 1958April 21, 2016), more commonly known mononymously as Prince, was an American singer-songwriter, musician, and record producer. The recipient of numerous awards and nominations, he is widely regarded as one of the greatest musicians of his generation. He was known for his flamboyant, androgynous persona; his wide vocal range, which included a far-reaching falsetto and high-pitched screams; and his skill as a multi-instrumentalist, often preferring to play all or most of the instruments on his recordings. Prince produced his albums himself, pioneering the Minneapolis sound. His music incorporated a wide variety of styles, including funk, R&B, rock, new wave, soul In many religious and philosophical traditions, there is a belief that a soul is "the immaterial aspect or essence of a human being". Etymology The Modern English noun ''soul'' is derived from Old English ''sāwol, sāwel''. The earliest attes ..., synth-pop, pop music, pop, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Funk Music
Funk is a music genre that originated in African American communities in the mid-1960s when musicians created a rhythmic, danceable new form of music through a mixture of various music genres that were popular among African Americans in the mid-20th century. It de-emphasizes melody and chord progressions and focuses on a strong rhythmic groove of a bassline played by an electric bassist and a drum part played by a percussionist, often at slower tempos than other popular music. Funk typically consists of a complex percussive groove with rhythm instruments playing interlocking grooves that create a "hypnotic" and "danceable" feel. Funk uses the same richly colored extended chords found in bebop jazz, such as minor chords with added sevenths and elevenths, or dominant seventh chords with altered ninths and thirteenths. Funk originated in the mid-1960s, with James Brown's development of a signature groove that emphasized the downbeat—with a heavy emphasis on the first be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mama Weer All Crazee Now
"Mama Weer All Crazee Now" is a song by the British rock band Slade, released in 1972 as the lead single from their third studio album ''Slayed?''. It was written by lead vocalist Noddy Holder and bassist Jim Lea, and produced by Chas Chandler. It reached No. 1 in the UK, giving the band their third number one single, and remained in the charts for ten weeks. In the United States, the song reached No. 76. Background During 1972, Slade recorded their third studio album ''Slayed?'', with the lead single "Mama Weer All Crazee Now" being released in August that year. The single reached No. 1 in the UK and Ireland, and was a hit across Europe and beyond. With the single, Slade and their manager Chas Chandler attempted to reach number one on the first week of release - a feat that had not been achieved since The Beatles' 1969 hit "Get Back". Initially, the band's label Polydor did not think it could be achieved, however when "Mama Weer All Crazee Now" reached No. 2 in its first week, t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coz I Luv You
"Coz I Luv You" is a song by the British rock band Slade, released in 1971 as a non-album single. It was written by lead vocalist Noddy Holder and bassist Jim Lea, and produced by Chas Chandler. It reached No. 1 in the UK, giving the band their first number one single, and remained in the charts for fifteen weeks. In 1972, a compilation album of the same name would be released outside the UK. The song was included on the compilation and would also feature on the band's 1973 compilation album ''Sladest''. Background Slade achieved their commercial breakthrough with the release of their version of Bobby Marchan's " Get Down and Get with It" in May 1971. Deciding to capture their strong reputation as a live act onto record, "Get Down and Get with It" was seen as the perfect choice as the band frequently played it live to a great response. Successfully breaking the band into the UK and Europe, it reached No. 16 in the UK. "Coz I Luv You" was soon recorded as the follow-up single. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Slade
Slade are an English rock band formed in Wolverhampton in 1966. They rose to prominence during the glam rock era in the early 1970s, achieving 17 consecutive top 20 hits and six number ones on the UK Singles Chart. The ''British Hit Singles & Albums'' names them the most successful British group of the 1970s based on sales of singles. They were the first act to have three singles enter the charts at number one; all six of the band's chart-toppers were penned by Noddy Holder and Jim Lea. As of 2006, total UK sales stand at 6,520,171, and their best-selling single, " Merry Xmas Everybody", has sold in excess of one million copies. According to the 1999 BBC documentary ''It's Slade'', the band have sold over 50 million records worldwide. Following an unsuccessful move to the U.S. in 1975, Slade's popularity in the UK waned, but was unexpectedly revived in 1980 when they were last-minute replacements for Ozzy Osbourne at the Reading Rock Festival. The band later acknowledged ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thank You (Falettinme Be Mice Elf Agin)
"Thank You (Falettinme Be Mice Elf Agin)" is a 1969 song recorded by Sly and the Family Stone. The song, released as a double A-side single with "Everybody Is a Star", reached number one on the soul single charts for five weeks, and reached number one on the ''Billboard'' Hot 100 in February 1970. ''Billboard'' ranked the record as the No. 19 song of 1970. The title is an intentional mondegreen or sensational spelling for "thank you for letting me be myself again." The third verse contains specific references to the group's previous successful songs, " Dance to the Music", "Everyday People", " Sing a Simple Song", and "You Can Make It If You Try". The song features co-lead vocals from Sly Stone, Rose Stone, Freddie Stone, Cynthia Robinson, Jerry Martini, Greg Errico and Larry Graham. On this song, Graham was widely credited with introducing the slap technique on the electric bass, which is heard prominently throughout the track. "Thank You" was intended to be included on an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sly And The Family Stone
Sly and the Family Stone was an American band from San Francisco. Active from 1966 to 1983, it was pivotal in the development of funk, soul, rock, and psychedelic music. Its core line-up was led by singer-songwriter, record producer, and multi-instrumentalist Sly Stone, and included Stone's brother and singer/guitarist Freddie Stone, sister and singer/keyboardist Rose Stone, trumpeter Cynthia Robinson, drummer Greg Errico, saxophonist Jerry Martini, and bassist Larry Graham. It was the first major American rock group to have a racially integrated, male and female lineup. Formed in 1966, the group's music synthesized a variety of disparate musical genres to help pioneer the emerging "psychedelic soul" sound. They released a series of Top 10 ''Billboard'' Hot 100 hits such as " Dance to the Music" (1968), "Everyday People" (1968), and "Thank You (Falettinme Be Mice Elf Agin)" (1969), as well as critically acclaimed albums such as ''Stand!'' (1969), which combined pop sensibility ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Kink Kronikles
''The Kink Kronikles'' is a compilation double album by the Kinks, released on Reprise Records in 1972, after the band had signed with RCA Records in 1971. It contains thirteen non-album singles, fourteen tracks taken from five albums released by the band from 1966 to 1971 (including the UK-only ''Percy''), and one track previously unreleased. Designed specifically for the American market, it peaked at No. 94 on the Billboard 200. The single versions and mixes were not necessarily used for each track. Content After the Kinks failed to renew their American distribution contract with Reprise, the label assembled this compilation without input from the band. Instead, Reprise invited rock journalist and noted Kinks fan John Mendelsohn to compile this package, ignoring the band's early trademark hits already appearing on ''The Kinks Greatest Hits!''. Mendelsohn also contributed the liner notes. The album contains all five singles that charted on the Billboard Hot 100 during the ti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Kink Kontroversy
''The Kink Kontroversy'' is the third studio album by the English rock band the Kinks, released on 26 November 1965 in the United Kingdom and in March 1966 in the United States, where it was the first American Kinks album to feature an identical tracklist to its UK counterpart. It is a transitional work, with elements of both the earlier Kinks' styles (heavily blues-influenced songs such as "Milk Cow Blues" and variations on the band's power chord-driven hits from 1964–1965 such as "Till the End of the Day") and early indications of the future direction of Ray Davies' songwriting styles ("The World Keeps Going Round" and "I'm On an Island"). The liner notes were written by Michael Aldred. Background The album's title is a mocking reference to the notorious reputation the band had developed over the previous year, including onstage fights and concert riots in Europe, which led to a ban on the group's concerts in the United States. " Where Have All the Good Times Gone" makes s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
