Secrets (Gil Scott-Heron Album)
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Secrets (Gil Scott-Heron Album)
''Secrets'' is a 1978 studio album by American vocalist Gil Scott-Heron and keyboardist Brian Jackson. Release ''Secrets'' was released in September 1978 by Arista Records. It was the duo's fifth album for the label. ''Secrets'' debuted at number 31 on the ''Billboard'' magazine's jazz chart on September 9, peaking at number 11 on September 23. The album reached number 61 on the ''Billboard'' 200. Like its predecessor ''Bridges'', sales of ''Secrets'' were regarded as unimpressive and continued a gradual slide into commercial obscurity for Scott-Heron, who would eventually be dropped from Arista's roster in 1985. The album's release was preceded by the single "Angel Dust" in July, later followed by "Show Bizness" in October. "Angel Dust" and "Show Bizness" reached numbers 15 and 83, respectively, on the ''Billboard'' Hot Soul Singles chart. According to Arista founder Clive Davis, the album was Scott-Heron's first since 1975's '' The First Minute of a New Day'' to reach the to ...
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Gil Scott-Heron
Gilbert Scott-Heron (April 1, 1949 – May 27, 2011) was an American Jazz poetry, jazz poet, singer, musician, and author, known primarily for his work as a spoken-word performer in the 1970s and 1980s. His collaborative efforts with musician Brian Jackson (musician), Brian Jackson featured a musical fusion of jazz, blues, and soul music, soul, as well as lyrical content concerning social and political issues of the time, delivered in both rapping and melismatic vocal styles by Scott-Heron. His own term for himself was "bluesologist", which he defined as "a scientist who is concerned with the origin of the blues".Onstage at the Black Wax Club in Washington, D.C. in 1982, Scott-Heron cited Harlem Renaissance writers Langston Hughes, Sterling Allen Brown, Sterling Brown, Jean Toomer, Countee Cullen and Claude McKay as among those who had "taken the blues as a poetry form" in the 1920s and "fine-tuned it" into a "remarkable art form".Gil Scott-Heron in a live performance in 1982 wi ...
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Billboard Charts
The ''Billboard'' charts tabulate the relative weekly popularity of songs and albums in the United States and elsewhere. The results are published in '' Billboard'' magazine. ''Billboard'' biz, the online extension of the ''Billboard'' charts, provides additional weekly charts, as well as year-end charts. The two most important charts are the ''Billboard'' Hot 100 for songs and ''Billboard'' 200 for albums, and other charts may be dedicated to a specific genre such as R&B, country, or rock, or they may cover all genres. The charts can be ranked according to sales, streams, or airplay, and for main song charts such as the Hot 100 song chart, all three data are used to compile the charts. For the ''Billboard'' 200 album chart, streams and track sales are included in addition to album sales. The weekly sales and streams charts are monitored on a Friday-to-Thursday cycle since July 2015; previously it was on a Monday-to-Sunday cycle. Radio airplay song charts, however, follow ...
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KC And The Sunshine Band
KC and the Sunshine Band is an American disco and funk band that was founded in 1973 in Hialeah, Florida. Their best-known songs include the hits "That's the Way (I Like It)", "(Shake, Shake, Shake) Shake Your Booty", "I'm Your Boogie Man", "Keep It Comin' Love", "Get Down Tonight", "Boogie Shoes", " Please Don't Go" and " Give It Up". The band took its name from lead vocalist Harry Wayne Casey's last name ('KC') and the 'Sunshine Band' from KC's home state of Florida, the Sunshine State. The group has had six top 10 singles, five number one singles and a number two single on the ''Billboard'' Hot 100 chart. History 1970s The band was formed in 1973 by Harry Wayne Casey (KC), a record store employee and part-timer at TK Records in Hialeah, Florida. KC originally called the band KC & The Sunshine Junkanoo Band, as he used studio musicians from TK and a local Junkanoo band called the Miami Junkanoo Band. He was introduced to Richard Finch, who was engineering records for TK, and ...
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From South Africa To South Carolina
''From South Africa to South Carolina'' is a studio album by the American vocalist Gil Scott-Heron and the keyboardist Brian Jackson. It was released in November 1975 by Arista Records. Scott-Heron performed "Johannesburg" and "A Lovely Day" on ''Saturday Night Live'' in December 1975. The album was reissued in the late 1990s via Scott-Heron's Rumal-Gia label, distributed by TVT Records. The album peaked at No. 103 on the ''Billboard'' 200. "Johannesburg" was a moderate "disco" hit. Production The music was provided by the Midnight Band, led by Jackson. Critical reception The ''Houston Press'', reviewing a reissue, wrote that the album's "best moments are the beautiful lament 'Beginnings', which is rife with bittersweet harmonies, and 'A Lovely Day', a light, poppish, medium-tempo number that builds to a smart climax." The ''Chicago Tribune'' thought that it was one of a handful of albums that "brought a new depth and political consciousness to the urban vision of the '70s." '' ...
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Funk
Funk is a music genre that originated in African American communities in the mid-1960s when musicians created a rhythmic, danceable new form of music through a mixture of various music genres that were popular among African Americans in the mid-20th century. It de-emphasizes melody and chord progressions and focuses on a strong rhythmic groove of a bassline played by an electric bassist and a drum part played by a percussionist, often at slower tempos than other popular music. Funk typically consists of a complex percussive groove with rhythm instruments playing interlocking grooves that create a "hypnotic" and "danceable" feel. Funk uses the same richly colored extended chords found in bebop jazz, such as minor chords with added sevenths and elevenths, or dominant seventh chords with altered ninths and thirteenths. Funk originated in the mid-1960s, with James Brown's development of a signature groove that emphasized the downbeat—with a heavy emphasis on the first bea ...
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YouTube
YouTube is a global online video platform, online video sharing and social media, social media platform headquartered in San Bruno, California. It was launched on February 14, 2005, by Steve Chen, Chad Hurley, and Jawed Karim. It is owned by Google, and is the List of most visited websites, second most visited website, after Google Search. YouTube has more than 2.5 billion monthly users who collectively watch more than one billion hours of videos each day. , videos were being uploaded at a rate of more than 500 hours of content per minute. In October 2006, YouTube was bought by Google for $1.65 billion. Google's ownership of YouTube expanded the site's business model, expanding from generating revenue from advertisements alone, to offering paid content such as movies and exclusive content produced by YouTube. It also offers YouTube Premium, a paid subscription option for watching content without ads. YouTube also approved creators to participate in Google's Google AdSens ...
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Pitchfork (magazine)
''Pitchfork'' (formerly ''Pitchfork Media'') is an American online music publication (currently owned by Condé Nast) that was launched in 1995 by writer Ryan Schreiber as an independent music blog. Schreiber started Pitchfork while working at a record store in suburban Minneapolis, and the website earned a reputation for its extensive coverage of indie rock music. It has since expanded and covers all kinds of music, including pop. Pitchfork was sold to Condé Nast in 2015, although Schreiber remained its editor-in-chief until he left the website in 2019. Initially based in Minneapolis, Pitchfork later moved to Chicago, and then Greenpoint, Brooklyn. Its offices are currently located in One World Trade Center alongside other Condé Nast publications. The site is best known for its daily output of music reviews but also regularly reviews reissues and box sets. Since 2016, it has published retrospective reviews of classics, and other albums that it had not previously reviewed ...
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Disco
Disco is a genre of dance music and a subculture that emerged in the 1970s from the United States' urban nightlife scene. Its sound is typified by four-on-the-floor beats, syncopated basslines, string sections, brass and horns, electric piano, synthesizers, and electric rhythm guitars. Disco started as a mixture of music from venues popular with Italian Americans, Hispanic and Latino Americans and Black Americans "'Broadly speaking, the typical New York discothèque DJ is young (between 18 and 30) and Italian,' journalist Vince Lettie declared in 1975. ..Remarkably, almost all of the important early DJs were of Italian extraction .. Italian Americans have played a significant role in America's dance music culture .. While Italian Americans mostly from Brooklyn largely created disco from scratch .." in Philadelphia and New York City during the late 1960s and early 1970s. Disco can be seen as a reaction by the 1960s counterculture to both the dominance of rock music ...
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Synthesizer
A synthesizer (also spelled synthesiser) is an electronic musical instrument that generates audio signals. Synthesizers typically create sounds by generating waveforms through methods including subtractive synthesis, additive synthesis and frequency modulation synthesis. These sounds may be altered by components such as filters, which cut or boost frequencies; envelopes, which control articulation, or how notes begin and end; and low-frequency oscillators, which modulate parameters such as pitch, volume, or filter characteristics affecting timbre. Synthesizers are typically played with keyboards or controlled by sequencers, software or other instruments, and may be synchronized to other equipment via MIDI. Synthesizer-like instruments emerged in the United States in the mid-20th century with instruments such as the RCA Mark II Sound Synthesizer, RCA Mark II, which was controlled with Punched card, punch cards and used hundreds of vacuum tubes. The Moog synthesizer, d ...
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Out Of Print
__NOTOC__ An out-of-print (OOP) or out-of-commerce item or work is something that is no longer being published. The term applies to all types of printed matter, visual media, sound recordings, and video recordings. An out-of-print book is a book that is no longer being published. The term can apply to specific editions of more popular works, which may then go in and out of print repeatedly, or to the sole printed edition of a work, which is not picked up again by any future publishers for reprint. Most works that have ever been published are out of print at any given time, while certain highly popular books, such as the Bible, are always "in print". Less popular out-of-print books are often rare and may be difficult to acquire unless scanned or electronic copies of the books are available. With the advent of book scanning, and print-on-demand technology, fewer and fewer works are now considered truly out of print. A publisher creates a print run of a fixed number of copies of ...
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The Revolution Will Not Be Televised
"The Revolution Will Not Be Televised" is a poem and song by Gil Scott-Heron. Scott-Heron first recorded it for his 1970 album ''Small Talk at 125th and Lenox'', on which he recited the lyrics, accompanied by congas and bongo drums. A re-recorded version, with a full band, was the B-side to Scott-Heron's first single, "Home Is Where the Hatred Is", from his album ''Pieces of a Man'' (1971). It was also included on his compilation album, ''The Revolution Will Not Be Televised'' (1974). All these releases were issued on the Flying Dutchman Productions record label. The song's title was originally a popular slogan among the 1960s Black Power movements in the United States. Its lyrics either mention or allude to several television series, advertising slogans and icons of entertainment and news coverage that serve as examples of what "the revolution will not" be or do. The song is a response to the spoken-word piece "When the Revolution Comes" by The Last Poets, from their eponymo ...
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The Bottle
"The Bottle" is a song by American soul artist Gil Scott-Heron and musician Brian Jackson, released in 1974 on Strata-East Records in the United States. It was later reissued during the mid-1980s on Champagne Records in the United Kingdom. "The Bottle" was written by Scott-Heron and produced by audio engineer Jose Williams, Jackson, and Scott-Heron. The song serves as a social commentary on alcohol abuse, and it features a Caribbean beat and notable flute solo by Jackson, with Scott-Heron playing keyboards. The song was issued as the first and only single for Scott-Heron's and Jackson's album ''Winter in America'' (1974). It became an underground and cult hit upon its release, and the single peaked at number 15 on the R&B Singles Chart. Described by music critics as the album's best recording, the commercial success of "The Bottle" helped lead to Jackson's and Scott-Heron's next recording contract with Arista Records. Similar to other compositions by Scott-Heron, the so ...
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