Sati (Hindu Goddess)
   HOME
*



picture info

Sati (Hindu Goddess)
Sati (, sa, सती, , ), also known as Dakshayani (Sanskrit: दाक्षायणी, IAST: ''Dākṣāyaṇī'', lit. 'daughter of Daksha'), is the Hindu goddess of marital felicity and longevity, and is worshipped as an aspect of the mother goddess Shakti. She is generally considered the first wife of Shiva, the other being Parvati, who was Sati's reincarnation after her death. The earliest mentions of Sati are found in the time of the Ramayana and the Mahabharata, but details of her story appear in the Puranas. Legends describe Sati as the favourite child of Daksha, who marries Shiva against her father's wishes. After Daksha humiliates her and her husband, Sati kills herself in the yajna (Fire-Sacrifice) to protest against him, and uphold the honour of her husband. In Hinduism, both Sati and Parvati, successively play the role of bringing Shiva away from ascetic isolation into creative participation with the world. Sati's story plays an important part in shaping the ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Kalighat Painting
Kalighat painting, Kalighat Patachitra, or Kalighat Pat (Bengali: '' কালীঘাট পটচিত্র'') originated as a distinct style or genre of Indian paintings in the 19th century, practiced and produced by a group of specialised scroll painters known as the patuas in the vicinity of the Kalighat Kali Temple in Kolkata (formerly Calcutta), in the present Indian state of West Bengal. Composed of bold outlines, vibrant colour tones, featuring minimal background details, these paintings and drawings, done on hand-made, or more usually, machine manufactured, paper, depicted mythological stories, figures of Hindu gods and goddesses, as well as scenes from everyday life and society, thereby recording a socio-cultural landscape which was undergoing a series of transitions during the 19th and early 20th century, when the Kalighat pat reached its pinnacle. Today the Victoria and Albert Museum in London hosts the single largest collection of Kalighat paintings in the wor ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Ramayana
The ''Rāmāyana'' (; sa, रामायणम्, ) is a Sanskrit literature, Sanskrit Indian epic poetry, epic composed over a period of nearly a millennium, with scholars' estimates for the earliest stage of the text ranging from the 8th to 4th centuries BCE, and later stages extending up to the 3rd century CE. ''Ramayana'' is one of the two important epics of Hinduism, the other being the ''Mahabharata, Mahābhārata''. The epic, traditionally ascribed to the Maharishi Valmiki, narrates the life of Sita, the Princess of Janakpur, and Rama, a legendary prince of Ayodhya city in the kingdom of Kosala. The epic follows his fourteen-year exile to the forest urged by his father King Dasharatha, on the request of Rama's stepmother Kaikeyi; his travels across forests in the South Asia, Indian subcontinent with his wife Sita and brother Lakshmana, the kidnapping of Sita by Ravana – the king of Lanka, that resulted in war; and Rama's eventual return to Ayodhya to be crowned kin ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Asura
Asuras (Sanskrit: असुर) are a class of beings in Indian religions, Indic religions. They are described as power-seeking clans related to the more benevolent Deva (Hinduism), Devas (also known as Suras) in Hinduism. In its Buddhism, Buddhist context, the word is sometimes translated "Titan (mythology), titan", "demigod", or "antigod". According to Hindu texts, Hindu scriptures, the asuras are in constant battle with the devas. Asuras are described in Indian texts as powerful superhuman demigods with good or bad qualities. In early Vedic literature, the good Asuras are called ''Adityas'' and are led by Varuna, while the malevolent ones are called ''Danava (Hinduism), Danavas'' and are led by Vritra. In the earliest layer of Vedic texts Agni, Indra and other gods are also called Asuras, in the sense of their being "lords" of their respective domains, knowledge and abilities. In later Vedic and post-Vedic texts, the benevolent gods are call ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Kartikeya
Kartikeya ( sa, कार्त्तिकेय, Kārttikeya), also known as Skanda, Subrahmanya, Shanmukha (), and Murugan ( ta, முருகன்), is the Hindu god of war. He is the son of Parvati and Shiva, the brother of Ganesha and a god whose legends have many versions in Hinduism. Kartikeya has been an important deity in the Indian subcontinent since ancient times, worshipped as Mahasena and Kumara in North India and is predominantly worshipped in the state of Tamil Nadu and other parts of South India, Sri Lanka, Singapore, and Malaysia as Murugan. Murugan is widely regarded as the "God of the Tamil people". It has been postulated that the Tamil deity of Murugan was syncretised with the Vedic deity of Subrahmanya following the Sangam era. Both Muruga and Subrahmanya refer to Kartikeya. The iconography of Kartikeya varies significantly; he is typically represented as an ever-youthful man, riding or near an Indian peafowl, called Paravani, bearing a vel and so ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Daksha Yajna
Dakṣayajña is an important event in Hindu mythology that is narrated in various Hindu scriptures. It refers to a yajna (ritual-sacrifice) organised by Daksha, where his daughter, Sati, immolates herself. The wrath of the god Shiva, Sati's husband, thereafter destroys the sacrificial ceremony. The tale is also called Daksha-Yajna-Nasha ("destruction of Daksha's sacrifice). The legend forms the liturgical basis of the establishment of the Shakti Pithas, the temples of Mahadevi, the supreme deity of Shaktism. It is also becomes a prelude to the legend of Parvati, Sati's reincarnation, who later marries Shiva. The tale is mainly told in the ''Vayu Purana''. It is also mentioned in the ''Kasi Kanda'' of the ''Skanda Purana'', the ''Kurma Purana'', ''Harivamsa Purana,'' and the ''Padma Purana''. The ''Linga Purana'', ''Shiva Purana'', and ''Matsya Purana'' also detail the incident. Variations of the legend may be observed in later Puranas, each text lending a superior account to the ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  



MORE